SlideShare a Scribd company logo
1 of 41
A) Acknowledgements
I would like to express my sincere gratitude to the following for their contributions to this
research. This input has enabled what is regarded as an important topic to be researched,
and assisted with completion of the Field Study paper for the Bachelor of Health Science
(Therapeutic Recreation) degree:
Participants
Southland District Health Board:
- Smokefree Support Service
- Practice Development Unit
- Administration
Public Health South
Sherry Elton
Drs Baillie and Corkill
Nga Kete Matauranga Charitable Trust
Waihopai Runaka
Radio New Zealand
Sound Feelings Publishing
SIT School of Health, Exercise and Recreation
Lower South Regional Ethics Committee
Rhythm finds its way into our dancing feet, our poetry, our music, and all beautiful things.
Biologically, human life has its own rhythmic periods as expressed by the periods of infancy,
adolescence, adulthood, and old age. Life can only be lived to its fullest if we recognize, accept,
and adjust to these rhythms and the demands for change which accompany them. Unless we bring
ourselves into harmony with the rhythms of life, we cannot appreciate the beauty of life, let alone
live it. C.K. Brightbill (1960, p. 57).
1
Contents
A) Acknowledgements 1
B) Abstract 3
C) Introduction 5
Background information / Related literature 5
Variables included 10
D) Delimitations / Scope of the study 11
E) Assumptions made by the researcher 12
F) Limitations 13
G) Key terms 14
H) Research methods 19
Who are subjects
How were they selected
How many were included
Instruments: 20
Questionnaire used
Process described
Procedures: 21
How data was collected
Data analysis 22
I) Results (Findings) 23
Summary of information collected
J) Discussion 30
Conclusion 34
Recommendations 34
For professional practice to people in the field
To future researchers studying the same or similar topics
K) Reference List 37
L) Appendices
40
2
B) Abstract
The research focused on what role music can play in assisting heavily dependent smokers
to quit, or move through the stages of readiness to quit. There are considerable
similarities between the effects of music and those of smoking for the person concerned.
Therefore, music is regarded as having the potential ability help people to:
a) move through the stages of readiness to quit;
b) make the quit attempt;
c) maintain compliance with quit attempt.
In the context of Recreation Therapy, the research hypothesis can be summed up as
follows: If music caused no internal response perceived as beneficial, people wouldn’t
listen to it. As for tobacco, without a perceived benefit, there would be no consumption.
If the perceived benefits of music transcend tobacco, then over time, people may come to
depend on what is healthy rather than what is harmful (Reflection, 8/3/07).
The research participants were sought via the Smokefree Support service at the Southland
District Health Board at an amount of 7-10 people. Approval had to be gained from the
Lower South Regional Ethics Committee for this access. The SDHB cessation provider
recommended contacting two other providers in the Nga Kete Matauranga Trust and
Baillie and Corkill’s cessation service. The initial inclusion criteria was either smoking
in excess of 31 cigarettes per day, and/or lighting up within 5 minutes of waking. This
criteria is from the Fagerstrom assessment (see appendices) to ascertain nicotine
dependence, which indicates suitability for nicotine replacement therapy (NRT).
Exceptions to this criteria who still exhibited heavy dependence, were in accordance with
the researcher’s discretion. After an extended period following ethical approval without
sourcing participants, the decision was made to relax the inclusion criteria to allow for
regular smokers. Participants were also sought among SIT nursing students, and through
Sherry Elton, stop-smoking counselor, to increase participant numbers.
Participant kits were made up, including a recording of The British Invasion (courtesy of
Radio NZ) to ‘set the scene’ for the research. A consent form, instruction sheet, fourteen
item questionnaire, and music listening tips (www.soundfeelings.com) were also included.
3
The methods used for investigation entail research participants self-selecting music they
considered had the best potential to replace the perceived benefits of smoking, for one
half hour at a time over the course of three days within a week, recording the names of
the artists and tunes as they went.
Findings
Participants indicated a broad range of preferences for music that had a combination of
stimulating and relaxing effects. Music tended not to be a factor in their decision to
commence smoking (one participant acknowledged it was), nor was a lack of music
considered to contribute to ongoing smoking. Participants tended to smoke to relieve
either boredom, anxiety or both, out of habit, and to think, concentrate and remain calm.
Participants tended to place greater emphasis on personal responsibility for smoking
related illness (five out of six), and even though the same number considered nicotine
more addictive than either heroin or cocaine, four out of six indicated that to quit
smoking it was simply a matter of personal choice.
Conclusions
The hypothesis going into the study (above) is maintained. Namely that due to the
involvement of different brain regions, and subsequent physiological responses to both
music listening and cigarette smoking, the efficacy of music as an aid to smoking
cessation will vary, depending on factors such as the frequency, intensity, time and type
of music listened to, interacting with a given person’s level of engagement with cigarette
smoking. It is not simply a matter of playing any tune for any person over any length of
time, but rather sequencing various types of music in such a way that their effects
combine to supersede the perceived benefits of smoking.
The requirement to seek approval from the Regional Ethics Committee is regarded as
legitimizing this research topic, and the researcher values the experience for learning the
process involved. This entailed coordination of various activities to produce this report.
There is scope to develop this topic for further research in this area, to yield greater
insights into the relationships between the comparative effects of smoking and music.
4
C) Introduction
The research question is defined as ‘the central focus of the research effort that serves as
the basis for the research problem and provides direction for the entire process’
(Baumgartner and Hensley, 2006, p. 29).
The original research proposal detailed three themes as follows:
Dependence-Independence/Intrinsic-Extrinsic (Csikszentmihalyi & Seligman)
Internal-External interaction/exchange (Vygotsky & Bronfenbrenner; McLuhan)
Evolutionary role of music, the internal response (Levitin; Durrant and Thakker; Selye)
Associated with these themes are names of people who have contributed to a variety of
disciplines that the researcher considers relevant to the research question. If music is to
have any efficacy as an aid to smoking cessation, then these areas must be accounted for.
To establish the foundation for this study they are mentioned here to provide the
parameters and will be covered later in the report.
C.1) Background information/Related literature
A search was made of the EBSCO host database CINAHL available through the Southern
Institute of Technology library with the key words ‘Music therapy’. This search yielded
over eleven hundred articles that expressed various applications of music therapy.
Although smoking was not mentioned directly in the titles, these articles suggested that
music can potentially serve as a cessation aid.
For example, a study reported that within five minutes, music can lower blood pressure to
normal levels for patients undergoing surgery (Health, Oct 2001). Advocates of music
therapy believe the main benefit is that it helps people relax, which in turn triggers the
release of endorphins, the body’s natural painkillers (Mazo, 2002). Drumming circles
have applications as complementary addiction therapy for repeated relapse and when
other counseling modalities have failed (Winkleman, 2003). Organising healthful patterns
in music can promote more organized, healthful patterns in the body (Abrams and
Decker, 2001). By distracting patients and reducing stress, music may actually block
painful nerve signals in the brain…Listening to music for longer periods might lessen the
need for painkillers (M. Good, Health, 1999).
5
The ability of music to induce intense pleasure and its putative stimulation of endogenous
reward systems suggest that, although music may not be imperative for survival of the
human species, it may indeed be of significant benefit to our mental and physical well-
being (Blood and Zatore, 2001). To be therapeutic, interventions must be used in an
overall therapeutic context in concert with other therapies. Music therapy should be tied
to specific issues of the therapeutic sessions and the songs should be selected to target
specific therapeutic issues (Gallant, Holosko, and Siegel, 1997). The therapeutic effects
of music are being recognized increasingly in the field of rehabilitation medicine, where
the goal is to assist in physical recovery and health maintenance of clients (Paul and
Ramsey, 2000) Given the inexpensive nature of this intervention, and the lack of adverse
events, it is recommended as an adjunct to normal care practices (Evans, 2002).
As a non-invasive therapeutic tool, music has been shown to relieve anxiety and pain;
increase feelings of relaxation; heighten the immune system and decrease blood pressure,
pulse rate and breathing (McCaffrey, 2002). The fact that a variety of different
[biological, psychological and social] treatments with divergent methods and theoretical
underpinnings can be – at least modestly – efficacious points to the role of non-specific
factors in recovery from drug problems (Durrant and Thakker, 2003, p. 228).
The research focused on what role music can play in assisting heavily dependent smokers
to quit, or move through the stages of readiness to quit. The word efficacy stems from
the Latin efficax, means ‘producing or able to produce the desired effect’, and is related
to the word ‘efficiency’ (Thompson, 1992, p. 239).
Efficiency is a common theme running through three different examples from
Therapeutic Recreation (the relationship between client programmes and needs);
Statistics (decision on alternate hypotheses and alpha level), and Management thought,
(the relationship between efficiency and effectiveness). These examples are contained in
the appendices. The importance of smoking cessation is expressed by the extent of
smoking-related illness, and the flow-on effects for families, society, and the health
system. For music to have benefit as a cessation aid, this common theme would have to
be accounted for when designing interventions for people seeking to quit smoking.
6
Music is part of the human environment. It is present in so many aspects of life that it is
virtually impossible to avoid its influence:
Music is perhaps the most basic and universal activity of humankind. Beginning as the
simple and natural sound of the human voice, music has existed in some form from the
earliest days. Through the centuries, music has taken many forms and reflected many ways
of life (Russell, 2005, p. 13).
This lasting influence is expressed in the following statement, which covers the
evolutionary role: ‘New research on how our minds process rhythm and melody suggests
that music played a crucial role in the evolutionary development of the brain’. This role is
confirmed by neuroscientist Daniel Levitin, who is quoted in the same article: ‘There
may be a common genetic linkage between sociability and musicality’ (Smith, 2006, p.
24). The word ‘entertain’ stems from the Latin term teneo – hold (Thompson, 1992, p.
289). Music ‘plays’ such a substantial part in leisure lifestyle that it is considered to have
potential use as a therapeutic tool. A working definition from K.E. Bruscia states:
Music therapy is a systematic process of intervention wherein the therapist helps the
client to promote health, using music experiences and the relationships that develop
through them as dynamic forces of change (Hanser, 1999, p. 2).
Smoking is a pervasive influence on health status in New Zealand society and
internationally, affecting large numbers of people. Tobacco use is one of the chief
preventable causes of death globally. The World Health Organisation attributes 4.9
million deaths a year to tobacco use, a figure expected to rise to more than 10 million
deaths a year by 2030 (Peto and Lopez, 2001, cited in HSC, 2005, p.12).
The majority of these deaths are projected to occur in developing nations where under-
resourced health systems are ill-equipped to cope (source unknown). In the course of the
twenty-first century, one billion people across the globe will die of tobacco-related
diseases, a figure representing a ten-fold increase over deaths associated with the
cigarette in the last century (Brandt 2007. p. 14).
7
People cite a variety of reason for smoking. Placing individuals as ‘the self’ surrounded
by cultural-historical, biological and psycho-social variables, Durrant and Thakker state
that substances have a functional context for use, and suggest the categories of medicinal,
recreational, social, pragmatic, ritual-religious, and dietary (2003, p. 21). These authors
address reasons for human drug use and abuse, stating that:
It is unlikely, however, that the brain systems implicated in the rewarding effects of
psychoactive drugs have evolved specifically for the ingestion of such drugs. Rather
these systems are implicated in the generation of positive emotional states that are
linked to stimuli in the world that do have survival and reproductive relevance for the
organism (Durrant and Thakker, 2003, p. 43).
This research postulates that whatever these reasons are (for example, to provide comfort
and security in times of stress) quality music has the capacity to transcend these
perceived benefits, and therefore can potentially be used to aid smoking cessation.
This provides the report title The efficacy of music as an aid to smoking cessation. It is
necessary to explain various concepts that relate to smoking cessation to lead in to the
remainder of this report:
 Smoking cessation – a dynamic process that occurs over time rather than a single
event. Smokers cycle through the stages of contemplation, quitting and relapse an
average of three to four times before achieving permanent success.
(National Health Committee, 2002, p, 3)
 Stages of change – Prochaska and DiClimente (Transtheoretical model):
…the basic idea is that behaviour change is a process and not an event, and that
individuals have varying levels of motivation, or readiness to change. People at
different points in the process of change can benefit from different interventions,
matched at their stage, at that time. The four distinct stages identified are: Pre-
contemplation; Contemplation; Preparation/Action and Maintenance
(Anderson and Matthews, 2005, p. 72).
8
 Fagerstrom assessment
..known as the Fagerstrom Test of Nicotine Dependence, this will assist in evaluating
the level of physiological dependence on nicotine, which helps to establish whether or
not nicotine replacement therapy (NRT) will be of benefit. A score of four or more
indicates that the biochemical dependency on nicotine is sufficient to warrant NRT
(National Heart Foundation, 2006, Quit Cards).
This assessment asks six questions, and allocates different points according to responses. For
allocating a maximum of three points each, the two relevant questions are:
- How soon after you wake do you smoke your first cigarette?
(three points if within five minutes)
- How many cigarettes a day do you smoke?
(three points if in excess of thirty-one).
 Nicotine Replacement Therapy (NRT)
The rationale for this is the use of a product containing nicotine previously taken in
by smoking. NRT decreases withdrawal symptoms and improves cessation outcomes
for many people. NRT is not the mainstay of smoking cessation but is an effective
supplement to behavioural interventions and good support
(National Health Committee, 2004, p. 15)
 Multi-faceted approach to Tobacco Control
Some of the key tools to call upon when addressing different tobacco control issues include:
- advocacy: campaigning at local, regional and national levels
- legislation: aiming to influence health outcomes through public policy,
maintaining the activity, making it a legal requirement.
- cessation: supporting smokers to quit.
- education: based on increasing individual knowledge regarding the harm that
smoking causes, both to the smoker and non-smoker.
- social marketing: using marketing theories and strategies to help achieve
behavioural change in social and health areas.
- community mobilization/action: participation in setting priorities, making
decisions, and planning and implementing strategies to improve community health.
9
(Anderson and Matthews, 2005, p. 30).
 DSM-IV diagnostic criteria for nicotine withdrawal
According to these criteria, the diagnosis of nicotine withdrawal is established if at least four of
the eight symptoms and signs (listed) occur within 24 hours of nicotine cessation
1. Dysphoria or depressed mood
2. Insomnia
3. Irritability
4. Anxiety
5. Difficulty concentrating
6. Breathlessness
7. Decreased heart rate
8. Increased appetite or weight gain
(Hulse, White and Cape, 2002, p. 103)
These six concepts explain the nature of tobacco control, and the role that smoking
cessation has within it. They are mentioned here to indicate the type of forces acting on
therapeutic contexts for treating nicotine addiction, and to provide a foundation for the
rest of this report.
C.2) Variables included in the study
Variable: “A characteristic, trait, or attribute of a person or thing that can take on more
than one value and be classified or measured” (Baumgartner and Hensley, 2006, p. 39)
The variables measured according to this definition are contained in the questionnaire
(appendices). They include perceptions about the ability of music to aid smoking
cessation, or move through the stages of readiness; Number of years spent smoking; Age
commenced smoking; The role music had in commencement; The role music has in
continuation; Three most beneficial tunes for their ability to divert attention, reduce
craving, and substitute for cigarettes; Effect on listener; Main purpose of smoking;
Favourite types of music; Levels of agreement with statements regarding human
responsibility and person/environment interaction. Since they were influential in
determining participant reliance on either cigarettes or music, other variables indirectly
10
included for measurement were: perceived Quality of life and Health status. Participants
were also given an opportunity to expand on any responses made.
D) Delimitations/Scope of the study
1. Type of research participants
- regular smokers on/not on NRT willing to participate.
- preference: a variety of individual difference to be represented (for example: age,
gender, ethnicity), although the research accepted the first respondents.
2. Number of research participants
- Seven to Ten sought, six gained.
3. Measures to be collected
- perceptions regarding the effects of self-selected music on craving
- recording of tunes and artists listened to
4. Instruments used
- fourteen item questionnaire; song/tune recording sheet; personal interviews
5. Time and duration
- One week, consisting of one half hour on three days within that week (data collection).
- Follow-up fortnight/month for collecting data, and writing up results and report.
6. Setting
- Participant’s own homes, since these are a natural setting
- Saturday (more associated with leisure) and Wednesday.
7. Type of intervention or treatment
- Leisure/recreation based: participants are required to self-select and give full attention
to music believed to transcend the perceived benefits of smoking.
11
E) Assumptions made by the researcher
 That this is a worthwhile research question to pursue, with potential to benefit people
seeking to quit smoking, or at least move them through the stages of readiness to quit.
 That there are several postulated similarities and differences that imply music can serve
as an aid to smoking cessation.
 That music originates within the artist (unlike substances), has greater potential to
be health promoting over the long term, and therefore genuinely therapeutic.
 That if someone is ‘dependent’ they have a need for resources to flow from external
(outside) to internal (inside), whereas ‘independence’ is expressed by a reverse trend:
internal to external.
 The research also regards any interaction (such as between a person and their
environment) as an example of exchange, with the implication that there is a potential
gain or loss of value to quality of life present in that interaction/exchange.
 That there are no risks to participation in this type of research that supersede those of
ongoing smoking.
 With regard to the evolutionary role of physiological functions impacted by both music
and smoking, it is acknowledged that these may be used to produce a variety of effects
different from their traditional or intended use, allowing adaptations to occur.
 That participation may produce emotional responses and/or trigger different memories,
consistent with the research design/intention.
 That assistance sought for finding prospective participants would mention the research to
clients, encouraging their participation without coercion.
 That terminating the study would not be envisaged due to the worth of the research.
 That there is little complexity involved in participation, and the research provides an
opportunity for variety and enjoyment.
 That the use of the British Invasion recording (Courtesy Radio NZ) would help to ‘set the
scene’ for this research, enabling participants to understand the rationale. This recording
is about the prevalence of The Beatles influence on the music industry in the 1960’s.
12
F) Limitations
“Aspects of the study that cannot be controlled, that represent weaknesses to the study, and
that may negatively affect the results” (Baumgartner/Hensley, 2006, p. 30).
o If efficacy is being measured, validity could be influenced by the frequency and duration
of research (design consideration).
o Variations in amounts smoked for people on NRT. The recommendation: people on NRT
should completely abstain to avoid nicotine overdose (NHC, 2004, p. 15) The exception
to this is Nicotine Assisted Reduction to Stop (NARS), allowing for use of nicotine
replacement products to cut down on smoking prior to a quit attempt (ASH UK, 2005).
o Time constraints influence decisions on study design.
o Regional Ethics Committee: waiting for response (approval received 20th
June).
o Non-standard explanation of research from one participant to the next.
o Novice research: influence on questionnaire design.
o The extent to which participants have followed instructions:
- Whole half hour?
- Complete questionnaire and filled out recording sheets correctly?
- All available for interview?
o Not included in the literature review are examples of tunes (words put to music).
13
G) Key terms defined
Central Nervous System (CNS): consists of brain and spinal cord. The CNS interprets incoming
information and initiates action potentials that are transmitted through the efferent division to
produce a response. The efferent division is divided into the somatic (somatomotor) nervous
system and autonomic nervous system (Seeley, Stevens, Tate, 1992, pp. 354/5).
COPD: Chronic Obstructive Pulmonary Disease. the obstructive lung diseases associated with
smoking (Ford, 1994, p. 90).
Dependence: a state of psychological and/or physical need for a substance, usually characterized
by compulsive use, tolerance, and physical dependence manifested by withdrawal sickness
(Kunstler, 2001, p. 95)
Distress: damaging or unpleasant stress (Selye, 1974. p. 31)
Ecological validity: the extent to which the environment experienced by the subjects in a
scientific investigation has the properties it is supposed or assumed to have by the researcher
(Bronfenbrenner, 1979, p. 29)
‘..what matters for human behaviour and development is the environment as it is perceived,
rather than as it may exist in “objective” reality’ (Bronfenbrenner, 1979, p. 4).
Efficacy: [L. efficax] producing or able to produce the desired effect. Related to the word
‘efficiency’ (Thompson, 1992, p. 239).
Emphysema: what is generally called emphysema is a manifestation of one or more of three
separate conditions, for which health professionals use more specific names:
o Chronic bronchitis (or chronic mucus secretion)
o Emphysema (involving the breakdown of alveolar walls and other structures)
o Small airway obstruction (involving thickening of the walls of the small airways)
(Ford, 1994, p. 89)
Energy: may be described as the capacity to perform work
14
(Fox, Bowers, and Foss, 1989, p. 63).
Ergogenic aid: erg [Gk. ergon work] genic [Gk. gen- be produced]
(Thompson, 1992, p. 293/p. 364).
(ergogenic aid continued)
‘…in its broadest sense, one could call anything that can be related to an improvement in
performance an ergogenic aid’ (Fox, Bowers, and Foss, 1989, p. 632).
Exchange: 1. giving of one thing and receiving of another in its place
(Thompson, 1992, p. 300). A type of interaction (‘gas exchange’; ‘principle of exchange’).
Extrinsic: 1. characterizing that which is outside or external. 2. pertaining to that which is not an
inherent part of something but which is related to it. Contr. Intrinsic (Chaplin, 1985, p. 171).
FITT principle: Frequency, Intensity, Time, Type. This is usually applied to athletic training.
Flow: (autotelic experience): ‘In each case, intrinsic rewards appeared to overshadow extrinsic
ones as the main incentives for pursuing the activity’.
[The experience] is not boring, as life outside the activity often is. At the same time, it does not
produce anxiety, which often intrudes itself on awareness in “normal” life. Poised between boredom
and worry, the autotelic experience is one of complete involvement of the actor with his activity….In
the flow state, action follows upon action according to an internal logic that seems to need no
conscious intervention by the actor. He experiences it as a unified flowing from one moment to the
next, in which he is in control of his actions, and in which there is little distinction between self and the
environment, between stimulus and response, or between past, present, and future
(Csikszentmihalyi, 2000, pp. 35/36).
Heart disease: There are a multitude of heart conditions and diseases. The largest categories of
cardiovascular diseases are heart attacks (myocardial infarction) and strokes. Most heart
diseases are actually vascular diseases that constrict or block normal blood flow either in or
out of the heart.
o Arteriosclerosis (the most common form of heart disease) is a group of diseases
characterized by a thickening and loss of elasticity of the heart walls.
o Artherosclerosis is a type of arteriosclerosis in which fatty deposits (plaque) make the
inner layer of the artery wall thick and irregular.
15
o Myocardial infarction is the death or damaging of an area of the heart muscle as a
result of an interruption in the blood reaching that area (McGuire, 2000, p. 270)
Homeostasis: (homoios = similar and stasis = position) the body’s tendency to maintain a steady
state despite external changes; physiological “staying power” (Selye, 1974, p. 139).
(Homeostasis continued)
The maintenance of a relatively constant internal environment (within the body) in the
presence of a constantly and sometimes dramatically changing external environment (outside
the body) (Seeley, Stevens and Tate, 2002, p. 12).
Internalisation (Vygotsky, 1960) a set of social relationships, transposed inside, and having
become functions of personality and the forms of its structure (Linzey, 1991, p. 242).
Intrinsic: pertaining to a quality or property of something in itself, without regard to value arising
from its relations to other objects, properities etc. Syn. Inherent. Contr. Extrinsic
(Chaplin, 1985, p. 239).
Leisure: the meaning of leisure today can generally be described in three ways. First, leisure is
free time. Next, leisure is non-work activity. Finally, leisure is a state of mind, or special
attitude (Russell, 2005, p. 31)
Locus of control: the degree to which the individual attributes the cause of their behaviour to
environmental factors or to their own decisions (Chaplin, 1985, p. 260).
Lung cancer: numerous different types occur within the lungs, although most are very rare. The
exceptions are four types that can be caused by smoking (Percentages are approximate)
o Squamous cell carcinoma (30-35% of cases) tends to start in the larger airways in the
central part of the lung.
o Small cell (‘oat cell’) carcinoma (25% of cases) is highly malignant and has often spread
by the time of diagnosis. It usually starts in the same part as the squamous cell type.
o Adenocarcinoma (25% of cases, though US studies indicate is increasing) forms a tumour
with a gland like structure. It is more often located around the outer parts of the lung.
o Large cell carcinoma (10-20% of cases) This type behaves similarly to adenocarcinoma,
forming large ‘silent’ tumours, usually away from the centre of the lung, and has often
spread to other organs by the time it is first diagnosed (Ford, 1994, pp. 41-43).
16
Media: 1. plural of Medium:
1. middle quality, degree, etc, between extremes
2. means of communication
3. substance, eg., air, through which sense-impressions are conveyed
4. physical environment etc. of a living organism (L. medius middle)
(Thompson, 1992, p. 552).
Motivation: an intervening variable used to account for factors within the organism that arouse,
maintain, and channel behavior toward a goal (Chaplin, 1985, p. 288).
Peripheral Nervous System (PNS): consists of nerves (bundles of axons and their sheaths) and
ganglia (collections of nerve cell bodies located outside the CNS). The afferent division of
the PNS detects stimuli and conveys action potentials to the CNS
(Seeley, Stevens, Tate, 1992, pp. 354/5).
Pleasure pathway: Part of the reinforcement of smoking comes from relief of nicotine withdrawal
(negative reinforcement). However, nicotine also produces a number of pleasurable effects
that are important in positive reinforcement. It has both stimulant and depressant-like
actions. The smoker feels alert and active, yet there is some muscle relaxation.
Nicotine activates the reward system in the brain that includes the pathways from the ventral
tegmental area to the nucleus accumbens (Hulse, White and Cape, 2002, p. 105).
The critical brain circuit implicated in the rewarding effects of many psychoactive drugs
connects areas of the frontal cortex with the nucleus accumbens and the ventral tegmental
area, in the limbic system of the brain. This brain circuit – the mesolimbic reward pathway –
is served by a variety of neurotransmitters, although the most critical one appears to be
dopamine (Durrant & Thakker, p. 42)
It was Levitin who conducted the first study to prove that listening to music increases the
amount of dopamine in the nucleus accumbens, a brain structure involved in feelings of
pleasure and reward. Levitin says that pleasureable music activates the same brain regions
like heroin and opium (www.levitin.mcgill.ca/pdf/The-Sydney-Morning-Herald).
NB: The researcher first heard ‘Pleasure pathway’ used in a Radio NZ interview (Kim Hill,
circa 2000) with Dr Carl Erikson on the topic of substance abuse and treatment.
Prevalence: 1. general existence or occurrence. 2. Predominance (Thompson, 1992, p.708).
17
Psychological space: the content of what is perceived, desired, feared, thought about, or acquired
as knowledge, and how the nature of this psychological material changes as a function of a
person’s exposure to and interaction with the environment, rather than emphasis on the
traditional psychological processes of perception, motivation, thinking and learning
(Bronfenbrenner, 1979, p. 9) Relates closely to ecological validity.
Recreation: In the twentieth century, the word recreation has three primary meanings
(1) as a form of voluntary activity that is carried on in leisure time, usually for pleasure but
also to satisfy other personal needs or drives;
(2) as a positive emotional state, with feelings of well-being, achievement, self-discovery,
and satisfaction derived from participation; and
(3) as a societal institution composed of varied governmental, commercial, non-profit and
other sponsoring organizations (Kraus and Shank, 1992, p. 20).
Stress: the nonspecific response of the body to any demand made upon it. For general orientation,
it suffices to keep in mind that by stress the physician means the common results of exposure
to any stimulus (Selye, 1974, p. 141).
Tolerance: reduced sensitivity resulting in the need for increased dosage to achieve the desired
drug affect (Kunstler, 2001, p. 95).
Withdrawal: The effect of abrupt cessation of smoking, or reduction in the amount of nicotine
used. Diagnosis of withdrawal is established if at least four of eight symptoms and signs
(DSM-IV diagnostic criteria) occur within twenty-four hours of nicotine cessation
(Hulse, White and Cape, 2002, p. 103)
Work: the application of a force through a distance. Work is expressed in the following formula:
W (Work) = F (Force) x D (Distance) (Fox, Bowers, and Foss, 1989, p. 63).
Work is described as the body’s capacity for exertion, and is therefore related to energy.
18
H) Research methods
H.1) Participants (who are subjects)
The subjects initially sought for this study were people heavily dependent on nicotine, as
indicated by the Fagerstrom assessment (see appendices). Individual differences were
anticipated for variables such as age, gender, education levels, socio-economic
background and musical preferences. After an extended period following ethical approval
without sourcing participants, the decision was made (1st
August) to relax these inclusion
criteria to allow for regular smokers who were willing to contribute. Participants were
also sought among SIT nursing students (20th
August) to increase participant numbers.
how were they selected
The participants were sought via the Smokefree Support Service, Southland District
Health Board (SDHB). The SDHB cessation provider recommended contacting two other
providers in the Nga Kete Matauranga Trust and Doctors Baillie and Corkill’s service,
who informed their clients/patients about the research, and told them to contact the
researcher directly.
The initial inclusion criteria was heavy nicotine dependence (an excess of thirty-one
cigarettes per day, and/or lighting up within 5 minutes of waking) in accordance with the
Fagerstrom assessment. To account for the influence of NRT, which recommends that
recipients cease smoking completely (to avoid nicotine overdose), this inclusion criteria
should be interpreted to mean people who have smoked up to the amounts mentioned.
Permission had to be sought from the Regional Ethics Advisory Committee to continue
with the research, since these people are part of the SDHB population.
how many were included in the study
19
The number sought for participation was seven to ten smokers. A reason for relaxing the
inclusion criteria was to ensure at least seven participants were gained. At the time of this
decision (1st
August), just two participants (‘MPH’ and ‘Lorraine’) were sourced. On 20th
August, two nursing students (‘Dolly’ and ‘Doris’) agreed to participate, and two more
participants came via the SDHB provider (‘Yodel’) and Sherry Elton (‘Patsy’).
Of these six participants, ‘Dolly’, ‘Doris’ and ‘Patsy’ were not on NRT.
Another person contacted (who may have brought the total to the originally desired
minimum of seven participants) expressed interest, though when contacted about
involvement, was unable to commit due to a heavy work schedule. This person was
posted a copy of the research proposal and course information for the Bachelor of Health
Science degree (Therapeutic Recreation). The final number of participants was six.
H2) Instruments: questionnaires or interview schedules used
A 14 item, student-developed questionnaire (see appendices) that consists of:
- six ‘scale’ questions, where the participants select an answer on a continuum;
- seven ‘choice’ questions where participants select one or more options, and
- one space provided for providing further feedback to expand upon answers.
Process described
The process for developing the questionnaire was conducted with an emphasis on key
terms ‘efficacy’, ‘music’, ‘aid’ and ‘smoking cessation’. The questionnaire was designed
to be used with the recording sheets for the self-selected music. The rationale for
recording the tunes was to allow participants to reflect upon what effect the music they
selected had on their motivation to smoke. The question about favorite types of music
(11) is about ‘taste’ (a similarity to smoking), while questions 12 and 13 related to
personal responsibility and the person/environment interaction. A space was provided for
expanding upon the answers given (question 14).
An application was made through the Regional Ethics Advisory Committee (NEAC) for
access to SDHB patients. This entailed filling out a standard application online and on
their recommendations also making alterations to the participant consent form, flyer,
questionnaire and instruction sheet (see appendices).
20
The SDHB Cessation provider recommended contacting other providers to ensure the
desired number of participants were sourced. These providers were Baillie and Corkill
doctors and Nga Kete Matauranga Charitable Trust. They were each left an example of
the flyer and participant kit to show prospective people. These kits included tips for
music listening (courtesy: www.soundfeelings.com).
After an extended period following ethical approval without sourcing participants, the
decision was made (1st
August) to relax these inclusion criteria to allow for regular
smokers who were willing to contribute. Participants were also sought among SIT
nursing students (20th
August) and through Sherry Elton, stop-smoking counselor, to
increase participant numbers.
The consent form indicated that participants would be de-identified by use of
pseudonyms. Participants were required to listen to a copy of The British Invasion
(courtesy: Radio NZ) to set the scene for appreciation of music’s ability to influence
people. Participants were asked to self-select music for listening for one half hour each
on three days (one Wednesday and two Saturdays) within a week, recording the
tunes/artists on sheets provided.
The emphasis was on selecting music considered to have the best potential to replace the
perceived benefits of smoking. They were then asked to link these sheets with a fourteen
item questionnaire designed to measure the efficacy of the music they selected. Once
participants had completed this questionnaire, their role was largely complete, although
they were free to contact the researcher with any questions.
H3) Procedures (how the data was collected)
The research was based on the exercise training principles of frequency, intensity, time
and type (otherwise known as the ‘FITT’ principle). Included within participant kits (see
appendices) were an Introductory letter; Consent form; Instruction sheet; Cassette copy:
The British Invasion; List sheets for music listened to; Questionnaire (fourteen items);
Tips for music listening; SIT Course information: Bachelor of Health Science
(Therapeutic Recreation).
21
The recording sheets were to list both the artist and the tune over the course of these days.
These sheets are essential to link in with the questionnaire presented to participants. It
was specified that participants ensure continuity of listening for these three half-hour
periods by self-selecting music prior to these periods. By allowing a gap between the
listening periods, participants were able to reflect on what effect the music had on them,
and to prepare their next half hour listening period.
Participants were asked to keep the questionnaire until the following week of the study,
when the recording sheets would be used to help them answer the questionnaire.
Participants were then required to complete a fourteen item questionnaire that used the
recording sheets as a memory aid for identifying what particular tunes had a greater or
lesser effect on their ability to quit smoking, or influence their readiness to quit.
The completed forms were collected by the researcher in the following week after the
music listening period. This was an opportunity to gain verbal feedback from the
participants regarding their involvement, and reflections they had.
H4) Data analysis
Data analysis is included in italics following each question listed . As stated in Section C
(Introduction) the influence of three themes is to be accounted for if music is to have
efficacy as a smoking cessation aid. These are 1) Dependence-Independence/Intrinsic-
Extrinsic; 2) Internal-External interaction/exchange, and 3) The Evolutionary role of
music and the internal response.
These must also be considered in relation the different types of questions included in the
participant questionnaire (Section H2; appendices) including ‘scale’ questions; ‘choice’
questions, and the ‘expansion’ question. Another term of reference is the three examples
of efficiency from Therapeutic Recreation; Statistics, and Management (P. 6; appendices)
as factors to consider in analyzing participant responses.
In summary, the data analysis is seeking to account for the combined effect of all the
factors above on participant involvement, even if these factors are not directly measured,
for the reason that the data analysis may yield useful information to the research question.
22
I) Results (Findings)
I.1) A summary of the information (data) collected
1. On a scale of 1 (least) to 10 (most) how would you rate the ability of
music for you personally to attempt to quit smoking?
Dividing 23 (response total) into a potential amount of 60 (6 responses x 10/most) yields an
average of 0.3833. This figure does not include an amount for Lorraine (no response).
2. On a scale of 1 (least) to 10 (most) how would you rate the ability of
music for all smokers to attempt to quit smoking?
23
Dividing 27 (response total) into a potential amount of 60 (6 responses x 10/most) yields an
average of 0.45.
3. How many years have you been smoking?
MPH Lorraine Dolly Patsy Yodel Doris
25+ 25+ 5- 25+ 25+ 6-10
67% (4) of the participant group have been smoking for in excess of 25 years. 16% (1) has
been smoking for 6-10 years, and the same amount for 5 years or less.
4. At what age did you commence smoking?
Of significance is that 33% (2) commenced in their early teens, while 50% (3) commenced in
their mid-teens (Combined total for teens = 83%). 17% (1) commenced aged 7.
5. On a scale of 1 (least) to 10 (most) how would you rate the ability of
music to assist smokers to move through the stages of readiness to quit
(as opposed to quitting smoking immediately)
24
Dividing 23 (response total) into 60 (6 responses x 10/most) yields an average of 0.3833
6. Was music a factor in your decision to commence smoking?
Yes: Dolly
No: MPH; Lorraine; Patsy; Yodel; Doris.
Only 16% (1) stated that music contributed to their decision to commence smoking.
7. Does a lack of music contribute to your ongoing smoking?
Yes: (none)
No: MPH; Lorraine; Dolly; Patsy: Yodel; Doris
Of significance is that all participants (100%) stated that their ongoing smoking is not
affected by a lack of music.
8. Of all tunes selected, the three most effective for their ability to divert
attention, reduce craving, and substitute for cigarettes
MPH: none selected for Qu 8. Examples on recording sheet: Messum Dorma (Pavarotti);
American Pie (Don McLean); Cats, Act 1 (London cast)
Lorraine: Many Reasons; The Beauty of My Home (both Isla Grant);
Stand Beside Me (Daniel O’Donnell).
Dolly: C’est la Vie (Bewitched); R-Kelly (Ignition Remix); Creed (My Sacrifice)
Patsy: Apache; Flingel Bunt (both The Shadows); Crazy (Patsy Cline)
Yodel: none selected for Qu 8. Artist examples on recording sheet: Isla Grant, Shirley
Thoms (tunes not given)
Doris: Bad Dream (Keane); ELO – tune not given; School (Supertramp)
The answers provided indicate two things to support postulated similarities between smoking
and music: 1) that preferences relate to sense experience or ‘taste’, and preferences are
influenced by exposure at stages of development in the lifespan.
8 b) Of these three, what particular aspect played a greater role in diverting
attention, reducing craving, and substituting for cigarettes?
Lyrics: (none)
Melody: Patsy
Both: Lorraine; Dolly; Yodel; Doris
25
MPH: none
These answers are inconsistent with the research examples provided, and suggest that
alterations to the person’s listening style can occur, with changes to factors such as the
length of time, volume, type of music, frequency of listening, combined with personal
motivation to quit smoking can make music more effective as a cessation aid.
These answers also indicate that the research could be repeated with the same participants
and their understanding of what to do would be enhanced.
Participants were asked to record the tunes listened to, with the intention they might become
creative in their selection. 50% (3) fulfilled the requirements adequately by listing a variety
of tunes for the three half hour periods, while the other 50% either tended to rely solely on
single albums, or only list the artists name without the actual tunes listened to.
9. Of all the tunes selected, what effect did the majority have?
Stimulating: Doris
Relaxing: MPH; Lorraine; Dolly; Yodel
Patsy: Both
10. When you smoke, is it mainly to relieve:
Boredom: Dolly; Yodel
Anxiety: Lorraine
MPH: ‘habit’
Patsy: see qu 14.
Doris: both
Questions 9 and 10 are related in that if a person is experiencing boredom, they will seek
stimulation, and conversely if they are anxious, they will seek relaxation. Of interest is that
there was little ‘balance’ in the responses. Although 67% (4) indicated that the tunes they
listened to were relaxing, only 17% (1) indicated they smoked to relieve anxiety. Likewise,
17% (1) indicated the tunes they listened to tended to be stimulating, although did not state
they smoked to relieve boredom. Of the 2 responses (33%) who stated they smoked mainly to
relieve boredom, the majority effect of tunes listened to was relaxing.
Of the ‘Both’ responses, these came from two different participants to Qu 9
(Stimulating/Relaxing) and Qu 10 (Boredom/Anxiety). The responses provided by these
participants also indicate that music can fill a gap, since it comes in various forms
(stimulatory or relaxing) that can address boredom or anxiety, whereas many of the
participants responses express they rely on cigarettes when experiencing both extremes.
11. Please circle your favorite types of music
Options given:
Blues MPH
Classical MPH
Country/Western Lorraine; Yodel
Grunge: Doris
Heavy Metal MPH; Doris
Hip Hop -
26
Indigenous -
Instrumentals Lorraine; Patsy; Doris
Jazz -
New Age -
Opera MPH
Pop Doris; Dolly
Rap Doris
Reggae -
Religious Yodel
Rock & Roll Lorraine; Patsy; Doris; Dolly
Spirituals Lorraine; Patsy
Shows/Musicals MPH; Doris
Synthetic -
Other -
This question more than others expresses the importance of ‘taste’ in music. By offering a
variety of options ( including ‘other’) participants were able to reflect on preferences to self-
select tunes with an emphasis on music they considered had the best potential to replace the
perceived benefits of smoking.
The responses indicate exposure to these various types of music at important stages in their
lifespan have been appreciated, since they have continued to listen to them. One observation
from the responses is that of all the options provided, likely preferences were not indicated
(that is, the participant likely would have enjoyed the type of music, but didn’t list this).
The predominant theme is that participants tend to rely on traditional preferences, and that
exposure to unfamiliar types of music may enhance their awareness of music variety as a way
of coping with an attempt to quit smoking.
12. Please state your level of agreement with these statements
(Strongly Disagree Disagree Agree Strongly Agree)
• Everybody knows how harmful smoking is
• Nicotine is more addictive than either heroin or cocaine
• To quit smoking is simply a matter of personal choice
27
• Cigarettes should be banned
• Music is another form of pollution
(Qu. 12 continued)
Strongly Disagree Disagree Agree Strongly Agree
Everybod
y knows..
Patsy Yodel MPH; Lorraine;
Dolly; Doris
Nicotine
is..
Doris Lorraine; Patsy;
Dolly
MPH; Yodel
Personal
choice?
MPH Patsy Lorraine; Yodel;
Dolly; Doris
Ban
cigarettes
?
Patsy; Dolly;
Doris
MPH; Lorraine;
Yodel
Music
Pollution?
MPH; Lorraine;
Dolly; Doris
Patsy Yodel
12. Please indicate on the following scale where you believe the answer is
The ultimate responsibility for commencing tobacco addiction lies with:
Individual The tobacco
smokers industry
……………………………………………………………………………………..
Doris Lorraine/Yodel MPH Dolly Patsy
The ultimate responsibility for treating tobacco addiction lies with:
Individual The
smokers government
……………………………………………………………………………………
Dolly Lorraine/Yodel Patsy MPH
Doris: (no response)
These questions were about human responsibility, and personal interaction with the
environment. As indicated, 100% (6) placed greater responsibility on personal agency for
smoking-related illness, albeit in varying degrees below halfway on the continuum.
Similar responses were provided for the second question, although 17% (1) stated more
responsibility lies with the government for treating tobacco addiction, and 17% (1) did not
respond. The relationship to music listening is that just as an interaction occurs that can
28
lead a person to commence smoking, so can there be an interaction that occurs when people
listen to music, that can prevent smoking from occurring, or enhance quit attempts. If the
respondents represent the wider population in the store placed on personal responsibility,
this is further indication that individual smokers could use music to assist them.
13. Additional feedback to questions:
Only three participants expanded upon their responses. These responses are:
MPH: Smoking is an addiction & a habit. Listening to music does not quell either of these
things. This is born out by the number of people who continued to smoke after smoking was
prohibited in the workplace and bars etc. More time and money should be available to assist
habitual smokers to quit.
Lorraine: I can’t see how this will stop me smoking, but they are relaxing and I don’t smoke
while listening to them.
Patsy: (Personal communication) I am so used to listening to music whilst smoking anyway.
Re: Qu 10: (‘When you smoke, is it mainly to relieve Boredom or Anxiety’):
“For all reasons, never boredom. To think, concentrate, relax, stop anger, etc”.
The researcher sought to have more input from participants for this section, since it allowed
expansion upon previous answers, and provided an opportunity for clarification and
comments. Of the three given, the motivations for smoking (to relieve anxiety and to relax) is
indicated, and endorsement of music as a cessation aid is expressed to varying degrees on a
continuum from least to most..
29
J) Discussion
Tobacco use is the leading cause of preventable death in the world and in New Zealand. It is
responsible for the death of one in ten adults worldwide – about five million deaths each
year, 13,500 deaths per day (WHO, 2005) and in New Zealand kills around 5000 New
Zealanders every year, including around 350 from exposure to second-hand smoke. Tobacco
is the only legally available product which, when used as the manufacturer intends, kills half
its users (WHO, 2005) (Anderson and Matthews, 2005, p. 9).
Re: variety and change
In discussing bodily pleasures that are ‘immediate, come through the senses, and are
momentary’ and includes the ending of the Beatles “Hey Jude”, Seligman (2002, p. 103)
acknowledges that these are difficult to build one’s life around due to their momentary
nature, and it is important to space these encounters out abstemiously to avoid
diminishing these pleasures:
they fade very rapidly once the external stimulus disappears, and we become
accustomed to them vary readily (“habituation”), often requiring bigger doses to
deliver the same kick as originally (Seligman, 2002, p. 103).
Various types of music are produced that can meet the need humans have for either
stimulation or relaxation. These terms (stimulation and relaxation) express a potential
relationship to life situations where people may turn to cigarettes due to boredom or
anxiety. These two terms are included in the title of a book Beyond boredom and anxiety
(Csikszentmihalyi, 1990) and were also mentioned by the Frenchman Blaise Pascal
(1623-1662) in a quote lamenting the nature of the human condition: ‘Inconstancy,
boredom, anxiety’ (Krailsheimer, 1966, p. 36).
Csikszentmihalyi is known for Flow: ‘the holistic sensation that people feel when they
act with total involvement’ (1990, p. 36). He believes that substance abuse contributes to
false sensations of Flow (Austin and Crawford, 2001, p. 99). Seligman states that when
people are engaged (absorbed in flow), ‘an investment is occurring’ (2002, p. 116), and
30
acknowledges Csikszentmihalyi’s theory ‘flow is the state that builds psychological
capital that can be drawn on in years to come’ (2002, p. 117).
Flow is expanded upon as:
…action follows upon action according to an internal logic that seems to need no
conscious intervention by the actor. He experiences it as a unified flowing from one
moment to the next, in which he is in control of his actions, and in which there is little
distinction between self and the environment, between stimulus and response, or
between past, present and future (Csikszentmihalyi, 1990, p. 36)
Re: Internal-External / interaction-exchange
The mention of internal and external environments, as well as stimulus and response,
links in with Homeostasis, a central theme developed by Walter Cannon (1871-1945).
This is an example of regulation for the processes occurring within human beings, and
responsible for maintaining a ‘steady state’ to preserve health.
What enables humans to sing along to music and dance to its rhythms is the fact that the
lyrics and the melody are stored in memory ‘banks’ (‘psychological space’), just as
substances are psychoactive, and occupy physical space. The research is based upon the
rationale that if someone is ‘dependent’, they have a need for resources to flow from
external (outside) to internal (inside), whereas ‘independence’ is expressed by a reverse
trend – internal to external. The following quote (Cole and Scribner, 1978) expresses the
directional flow of music as an example of an environmental stimulus:
Like tool systems, sign systems (language, writing, number systems) are created by
societies over the course of human history and change with the form of society and
the level of it’s cultural development…the internalization of culturally produced sign
systems brings about behavioral transformations and forms the bridge between early
and later forms of individual development (McMillan, 1991, p.32).
The developmentalist responsible for this quote (Vygotsky, 1896-1933) believed that
language held the key to understanding how society influences each person, and also how
individuals influence society (McMillan, 1991, p 38). Music therefore, cannot be neutral
31
in its effects. This is the key aspect of the rationale for this research, because it indicates
the influence that music potentially can have on individuals.
Music often contains lyrics (another name for words) and these are culturally produced
influences that ‘ride’ on the melody, ‘taken in’ to human consciousness from the external
environment. This happens with a concomitant effect on the developing person,
especially over time.
The concepts of internalization (Vygotsky) and psychological space (Bronfenbrenner) are
detailed in the ‘key terms’. These influence the internal response to quality music which
has the potential to produce genuine ‘Flow’, and enhance personal health and well-being
(a goal of Recreation Therapy). Stress was defined by Canadian physiologist Hans Selye
as ‘the non specific response of the body to any load placed on it’ (1974, p. 27). If this is
a contributing factor to the prevalence and continuation of smoking, then it can be
observed that the effect of cigarettes is non-specific also (the same internal physiological
response each time), whereas there is much greater variety in music (an external
influence), and therefore greater potential to benefit the person (that is, ‘efficacy’).
Re: Media.
Related to the themes developed around internal-external interaction and exchange is the
concept of media, from Latin medius for middle (Thompson, 1992, p. 552). Media was
defined as ‘technological extensions of the body’ by communications theorist Marshall
McLuhan (1911-1980), who reflected that a principal aim of his media analyses faculty
could be summarized as the training of perception, a phrase that aptly summarises his
own aim throughout his career. McLuhan had written Understanding Media (1964)
focusing on the media effects that permeate society and culture, but with an individual
starting point (Gordon, 2002).
Working with a hint from a political economist who had discovered that certain media of
communication are time-based and certain media - more portable and ephemeral – are
space based, and discovering simultaneously a critique of radio and TV, McLuhan
articulated these ‘extensions of the human body’ perceptions of media and of electronic
media, in particular, as extensions of the nervous system, imposing, like poetry, their own
assumptions on the psyche of the user (Marchand, 2002).
32
Contained within these biographical segments are the themes already mentioned, related
to the developmental theorists Vygotsky and Bronfenbrenner. The role of the nervous
system is mentioned, and media is situated between (medius) an individual’s internal and
external environment. If certain media are space based and others are time based, this
expresses the socio-historical nature of these media influences, consistent with these
theorists. In each case, there is something common to both music and smoking:
“Nothing has its meaning alone. Every figure [consciously noted element of a
structure or situation] must have its ground or environment [the rest of the structure
or situation which is not noticed]. A single word, divorced from its linguistic ground
would be useless. A note in isolation is not music. Consciousness is corporate action
involving all the senses (Latin sensus communis or ‘common sense’ is the translation
of all the senses into each other). The ‘meaning of meaning’ is relationship”.
Marshall McLuhan (Gordon, W.T. 1997, p.20)
33
J. Conclusions and Recommendations
J1) Conclusions (based on results)
For music to have efficacy as a smoking cessation aid, it will have to do more for the
person than the function served by cigarettes. A decisive factor in people’s reliance on
cigarettes is that they produce a near immediate physiological effect within the person,
and it this effect that smokers seek to reproduce each time they light up. Cigarettes are an
example of immediate gratification (nicotine reaches the brain in 7-10 seconds). A
conclusion is that music would have to have the same immediate effect, or produce the
desired feelings consistently over a period of time to reduce the nicotine dependence.
If the reason many people smoke is to cope with stress, then the ‘non-specific’ nature of
it is an indication that music is potentially efficacious for smoking cessation. Music too,
is non-specific, meaning that it is variable, and different tunes could be used to produce
various responses within people seeking to quit smoking, as the physiological response to
smoking is relatively constant.
In other words, the variability of music has greater potential for people to cope with
stress, because the right use of it potentially makes it specific to a person’s internal needs.
This is the reason for including in the appendices the common theme of efficiency
expressed through three different examples from Recreation therapy, Statistics, and
Management. The implication is that music potentially could serve as an aid to smoking
cessation, provided that it is perceived by the smoker to have the qualities that enable it to
do more for them than smoking does, and is relied on over a period of time.
J2) Recommendations (based on the conclusions)
J2.1) For professional practice to people in the field
It has been acknowledged that a key function of research is to contribute to a body of
knowledge for the particular profession (Baumgartner and Hensley, 2006). This implies
that the nature of the research focus must be clarified and related research must be
considered early on, since the topic chosen is broad with many aspects to it. Maintaining
a specific focus ensures that energies are used most effectively, and sight of the overall
research question is not lost while the initial details are sorted into respective order.
34
Looking for similarities between concepts used in tobacco control and recreation therapy
is important to establish common ground conducive to effective, collaborative practice. It
is likely that concepts relied on bear similarities but go by different names. An example
is the use of terms to describe the process. For example, Recreation Therapy uses the
‘APIE’ model (Assessment, Planning, Implementation, Evaluation), whilst it has been
observed that the Tobacco control concept of social marketing (Donovan and Henley,
2003) contains these terms also:
the application of commercial marketing technologies to the analysis, planning,
execution, and evaluation of programmes designed to influence the voluntary or
involuntary behaviour of target audiences in order to improve the welfare of
individuals and society (Health Sponsorship Council, 2005, p. 81, emphasis added).
It will be necessary to liaise with a variety of people to accomplish the research objective,
and the implication is that the research has to adapt to different schedules, which can be
time-consuming, and requires a great deal of coordination.
Future research could pursue a similar theme, though experiment with different designs
to find the most effective indicator that music can be an aid to smoking cessation.
An article (Arnott, 2007) covered the theme of human responsibility, stating that
individual smokers should not be held wholly responsible for their situation, due to the
addictive nature of nicotine. Researchers should keep this in mind when dealing with
subjects who smoke.
J2.2) to future researchers studying the same or similar topics
Further research:
• Length of time
Could music serve as a cessation aid due to the length of particular tunes lasting longer than the
time it takes to smoke a cigarette?
• Sequence
What is the role of sequence (especially of lyrics) for attracting/maintaining attention? That is,
playing songs with a similar theme but vary to some degree gradually.
35
The rationale is that just as arrangement of words and letters make a sentence, arrangement of
lyrics (and notes) contribute to an overall effect (that is, greater or lesser efficacy).
• Research design
Could the nature of the research (for example, frequency and duration of listening periods) better
reveal the efficacy of music as a cessation aid?
• Impact of different types of music and artists performing
- do different vocal styles, instrumentation impact more/less than others?
- what is the role of cultural/ethnic music (as opposed to contemporary?)
• Music as a ‘universal language’
Does the enduring quality of various tunes indicate the common preferences of large proportions
of the population (despite individual differences), and does this relate to the enduring ‘quality’ of
various types of tobacco?
(Example: Hey Jude by the Beatles compared with Marlboro by Phillip Morris/Altria)
• Flow
What is the role of music in producing the state of genuine Flow (and therefore enhance personal
health and well-being?)
• Role of the Nervous system (Autonomic: sympathetic/parasympathetic)
This needs to be considered in depth, to discover if the same parts of the brain/central nervous
system are affected by music as they are for smoking.
• Efficacy of music to treat other substance use and behaviours
Alcohol, Cannabis and ‘harder’ drugs, Gambling.
• Music’s role on contributing to smoking uptake and prevalence.
- social learning.
- the association of music with smoking as a tobacco industry strategy.
- does music contribute to increased prevalence and use?
- how do different types of music, played at different frequencies and times influence smoking
behaviour and prevalence?
• Sight/Sound = ‘media’
What is the role of music videos, (which combine a visual aspect with lyrics and melodies to
produce an interactive experience) in smoking prevention or prevalence?
• Integration of research influences
The references cited are all considered to relate the topic of smoking-related influences, though
these relationships need further exploration for the sake of ‘efficacy’.
36
K) Reference list.
Anderson, M. and Matthews, K. (2005) Beginner’s guide to tobacco control in Aotearoa- New
Zealand. Wellington: Health Sponsorship Council
Arnott, D. (2007, January 8) Don’t hate the smoker. Comment is free…
www.commentisfree.guardian.co.uk (retrieved 27/4/07)
Baumgartner, T.A., and Hensley, L.D. (2006, 4th
Edition) Conducting and reading research in
health and human performance. Boston: McGraw-Hill
Blood, A.J., and Zatore, R.J. (2001, September 25th
) Intensely pleasurable responses to music
correlate with activity in brain regions implicated in reward and emotion
PNAS, Vol 98, no 20 (www.psych.mcgill.ca Retrieved 18/5/07)
C.K. Brightbill (1960) The Challenge of Leisure
Englewood Cliffs, NJ: Prentice-Hall
Brandt, A. M. (2007) The cigarette century
New York: Perseus books
Bronfenbrenner, U. (1979) The ecology of human development; experiments by nature and
design. Cambridge, MA: Harvard University Press
Chaplin, J.P. (1985) Dictionary of psychology
New York: Laurel books
Csikszentmihalyi, M. (2000) Beyond boredom and anxiety
San Francisco: Jossey-Bass
Durrant, R., and Thakker, J. (2003) Substance use and abuse
Thousand Oaks, CA: Sage
Ford, B.J. (1994) Smokescreen: a guide to the personal risks and global effects of the
cigarette habit. Perth, WA: Halcyon Press
Fox, E.L., Bowers, R.W., and Foss, M.L. (1989) The physiological basis of physical education
and athletics. Dubuque, IA: Wm. C. Brown
Gordon, W.T. (1997) Take today. McLuhan for beginners
London. Writers and Readers Ltd.
(2002, July) Biography 2. www.marshallmcluhan.com (Retrieved 25/7/07)
Hanser, S. B. (1999) The new music therapist’s handbook
Boston, MA; Berklee Press
Health Sponsorship Council (July, 2005) Reducing smoking initiation literature review: a
background discussion document to support the national framework in Aotearoa-New
Zealand. Wellington: Health Sponsorship Council
37
Hulse, G., White, J., and Cape, C. (2002) Management of alcohol and drug problems
Melbourne: Oxford University Press
Jones, G.R., George, J.M., and Hill, C.W.L (2000) Contemporary management
Boston: Irwin McGraw-Hill
Krailsheimer, A.J. (1966) Blaise Pascal: Pensees
London: Penguin
Kraus, R., and Shank, J. (1992) Therapeutic recreation service: principles and practice
Dubuque, IA; Wm. C. Brown Publishers
Kunstler, R. (2001) Substance abuse. (pp 94-112)
McGuire, F. (2001) Cardiac rehabilitation (pp 269-279)
In D.R. Austin and M.E. Crawford (Eds) Therapeutic recreation: an introduction
Needham Heights, MA: Allyn and Bacon
Linzey, T. (1991) Metaphors and theoretical innovation in human development (pp. 227-252)
McMillan, B. (1991) All in the mind (pp 30-45)
In J.R. Morss and T. Linzey (Eds) Growing up: the politics of human learning
Auckland: Longman Paul
Marchand. P. (2002, July) Biography 3. www.marshallmcluhan.com (retrieved 25/7/07)
National Health Committee (2004) Guidelines for smoking cessation
Wellington: Ministry of Health
National Heart Foundation (2006) Guidelines for smoking cessation: practitioner training
programme. Christchurch: National Heart Foundation
Peterson, C.A., and Stumbo, N.J. (2000) Therapeutic recreation: principles and practice
Needham Heights, MA: Allyn and Bacon
Russell, R.V. (2005) Pastimes: the context of contemporary leisure
Champaign, Il: Sagamore
Seeley, R.R., Stevens, T.D. and Tate, P. (1992) Anatomy and Physiology
St Louis, MI: Mosby Year-Book, Inc
Seligman, M.E.P. (2002) Authentic happiness
New York: The Free Press
Selye, H. (1974) Stress without distress
London: Hodder and Stoughton
Smith, N. Counting the beat. The Listener (11/11/06, pp. 24-26)
Thompson, D (1992) The pocket oxford dictionary
London: Oxford University Press
38
www.ash.org.uk (2005, Oct 14) Nicotine Assisted Reduction to Stop (NARS): Guidance for
health professionals on this new indication for nicotine replacement therapy
www.psych.mcgill.ca/pdf (Daniel Levitin) The beat goes on – in your brain.
(April 19, 2007) by Susan Dominus, Sydney Morning Herald, p.11 (Retrieved 25/7/07).
This is your brain on music. (Retrieved 18/5/07)
Journal articles cited:
Abrams B., and Decker G.M. Integrated care: Music, cancer and immunity.
Clinical Journal of Oncology Nursing, 2001 Sep-Oct; 5 (5): 222-224
Evans, D. The effectiveness of music as an intervention for hospital patients: a systematic review.
Journal of Advanced Nursing, 2002 Jan; 37 (1): 8-18
Gallant, W., Holosko, M., and Siegel, S. The use of music in counseling addictive clients.
Journal of Alcohol and Drug Education, Winter 97. 42 (2) 42-52
Healthy news. The sounds of healing. Health 2001, Oct; 15 (8) 28
Vital signs: news for healthy living. Killing pain softly with a song.
Health, 1999 Sep; 13 (7): 24
Mazo, E. The medicine of music. Health, 2002 Jun; 16 (5) 74-81
McCaffrey, R; Music listening as a nursing intervention: a symphony of practice
Holistic Nursing Practice, 2002 Apr 16 (3): 70-7
Paul, S., and Ramsey, D. Music Therapy in physical medicine and rehabilitation
Australian Occupational Therapy Journal, 2000 Sep; 47 (3) 111-8
Winkleman, M. Drumming out drugs: Complementary therapy for addiction
American Journal of Public Health, 2003; 93, 647-651
39
L) Appendices
Efficiency is a common theme running through three different examples from
Therapeutic Recreation (1. the relationship between client programmes and needs);
Statistics (2. decision on alternate hypotheses and alpha level), and Management thought,
(3. the relationship between efficiency and effectiveness).
1. Relationship between client placement into programmes and client needs
Client placed into programme Client not placed into programme
Client needs programme
I. Correct decision II. Incorrect decision
Client receives necessary Client does not receive
Services – likely to be necessary services – no or
intervention unnecessary programme
involvement
Client does not need programme
III. Incorrect decision IV. Correct decision
Client receives unnecessary Client does not receive
Services – not likely to be services – programme
intervention involvement not necessary
(Peterson and Stumbo, 2000, p. 205)
2. Decision on alternate hypotheses and alpha level
(Figure: four possible outcomes in a research study)
Decision
True Accept Reject
Good decision Type I error
Type II error Good decision
False
40
(No 2. continued)
Explanation: The null hypothesis (Ho) is the hypothesis stating that the independent
variable has “no effect” on the dependent variable. A Type I error is rejection of a true
null hypothesis. A Type II error is acceptance or non-rejection of a false null hypothesis
(Baumgartner and Hensley, 2005, pp. 70; 289-290)
3. The relationship between efficiency and effectiveness
Efficiency
Low High
Low efficiency/
High effectiveness
Manager chooses the right goals to pursue, but
does a poor job of using resources to achieve
these goals.
Result: A product that customers want, but that
is too expensive for them to buy
High efficiency/
High effectiveness
Manager chooses the right goals to pursue and
makes good use of resources to achieve these
goals.
Result: A product that customers want at a
quality and price that they can afford.
Low efficiency/
Low effectiveness
Manager chooses wrong goals to pursue and
makes poor use of resources.
Result: a low-quality product that customers do
not want.
High efficiency/
Low effectiveness
Manager chooses inappropriate goals, but
makes good use of resources to pursue these
goals.
Result: A high quality product that customers
do not want.
Explanation: Organisational performance is a measure of how efficiently and effectively
managers use resources to satisfy customers and achieve organizational goals. Efficiency
is a measure of how well or productively resources are used to achieve a goal.
Effectiveness is a measure of the appropriateness of the goals of an organization is
pursuing and the degree to which the organization achieves those goals
(Jones, George, and Hill, 2000, pp. 5-6).
41

More Related Content

Viewers also liked (13)

EmpSDH
EmpSDHEmpSDH
EmpSDH
 
GlobalWarming
GlobalWarmingGlobalWarming
GlobalWarming
 
Foreign Affairs Submission.
Foreign Affairs Submission.Foreign Affairs Submission.
Foreign Affairs Submission.
 
Copy of Research
Copy of ResearchCopy of Research
Copy of Research
 
Employee Benefit Advisor - Selling wellness that works
Employee Benefit Advisor - Selling wellness that worksEmployee Benefit Advisor - Selling wellness that works
Employee Benefit Advisor - Selling wellness that works
 
ConTRibutors
ConTRibutorsConTRibutors
ConTRibutors
 
TR inservice
TR inserviceTR inservice
TR inservice
 
TPP Submission
TPP SubmissionTPP Submission
TPP Submission
 
paulmooreresume
paulmooreresumepaulmooreresume
paulmooreresume
 
DEALING WITH THE DEAF PATIENT IN THE SLEEP CENTER
DEALING WITH THE DEAF PATIENT IN THE SLEEP CENTERDEALING WITH THE DEAF PATIENT IN THE SLEEP CENTER
DEALING WITH THE DEAF PATIENT IN THE SLEEP CENTER
 
Marathon Sprint
Marathon SprintMarathon Sprint
Marathon Sprint
 
2014 Sub
2014 Sub2014 Sub
2014 Sub
 
Recreation Therapy
Recreation TherapyRecreation Therapy
Recreation Therapy
 

Similar to TR310

The evidence on music therapy.pdf
The evidence on music therapy.pdfThe evidence on music therapy.pdf
The evidence on music therapy.pdfelmar hasratov
 
Role of Adjuvant Music Therapy
Role of Adjuvant Music TherapyRole of Adjuvant Music Therapy
Role of Adjuvant Music TherapyDrVarun Raju
 
Research paper
Research paperResearch paper
Research paperemmaboo2
 
Music Therapy Outline
Music Therapy OutlineMusic Therapy Outline
Music Therapy OutlineRenee Jones
 
Music therapy for psychiatric patients
Music therapy for psychiatric patientsMusic therapy for psychiatric patients
Music therapy for psychiatric patientsJoana Novo
 
American Music Therapy Association Habilitation Music Therapy Research And E...
American Music Therapy Association Habilitation  Music Therapy Research And E...American Music Therapy Association Habilitation  Music Therapy Research And E...
American Music Therapy Association Habilitation Music Therapy Research And E...Kim Daniels
 
Music therapy
Music therapy Music therapy
Music therapy 4mirnikan
 
Music therapy
Music therapyMusic therapy
Music therapyAparna Ks
 
Mt & parkinson's disease slides for mms
Mt & parkinson's disease slides for mmsMt & parkinson's disease slides for mms
Mt & parkinson's disease slides for mmsDaniel Tague
 
How music therapy helps adolescents with cancer cope
How music therapy helps adolescents with cancer copeHow music therapy helps adolescents with cancer cope
How music therapy helps adolescents with cancer copesuperjoywriters
 

Similar to TR310 (20)

Essay About Music As Therapy
Essay About Music As TherapyEssay About Music As Therapy
Essay About Music As Therapy
 
The evidence on music therapy.pdf
The evidence on music therapy.pdfThe evidence on music therapy.pdf
The evidence on music therapy.pdf
 
Role of Adjuvant Music Therapy
Role of Adjuvant Music TherapyRole of Adjuvant Music Therapy
Role of Adjuvant Music Therapy
 
Research Methods Paper
Research Methods PaperResearch Methods Paper
Research Methods Paper
 
Music and Biomarkers of Stress: A Systematic Review
Music and Biomarkers of Stress: A Systematic ReviewMusic and Biomarkers of Stress: A Systematic Review
Music and Biomarkers of Stress: A Systematic Review
 
Research paper
Research paperResearch paper
Research paper
 
Music Therapy Essay
Music Therapy EssayMusic Therapy Essay
Music Therapy Essay
 
Music Therapy Outline
Music Therapy OutlineMusic Therapy Outline
Music Therapy Outline
 
Music Therapy Outline
Music Therapy OutlineMusic Therapy Outline
Music Therapy Outline
 
Musicoterapia slide show
Musicoterapia slide showMusicoterapia slide show
Musicoterapia slide show
 
SUMMARY FINDINGS JR
SUMMARY FINDINGS JRSUMMARY FINDINGS JR
SUMMARY FINDINGS JR
 
poster
posterposter
poster
 
Music therapy for psychiatric patients
Music therapy for psychiatric patientsMusic therapy for psychiatric patients
Music therapy for psychiatric patients
 
Se sound healing
Se sound healingSe sound healing
Se sound healing
 
American Music Therapy Association Habilitation Music Therapy Research And E...
American Music Therapy Association Habilitation  Music Therapy Research And E...American Music Therapy Association Habilitation  Music Therapy Research And E...
American Music Therapy Association Habilitation Music Therapy Research And E...
 
Music therapy
Music therapy Music therapy
Music therapy
 
Music therapy
Music therapyMusic therapy
Music therapy
 
Mt & parkinson's disease slides for mms
Mt & parkinson's disease slides for mmsMt & parkinson's disease slides for mms
Mt & parkinson's disease slides for mms
 
wang2016.pdf
wang2016.pdfwang2016.pdf
wang2016.pdf
 
How music therapy helps adolescents with cancer cope
How music therapy helps adolescents with cancer copeHow music therapy helps adolescents with cancer cope
How music therapy helps adolescents with cancer cope
 

TR310

  • 1. A) Acknowledgements I would like to express my sincere gratitude to the following for their contributions to this research. This input has enabled what is regarded as an important topic to be researched, and assisted with completion of the Field Study paper for the Bachelor of Health Science (Therapeutic Recreation) degree: Participants Southland District Health Board: - Smokefree Support Service - Practice Development Unit - Administration Public Health South Sherry Elton Drs Baillie and Corkill Nga Kete Matauranga Charitable Trust Waihopai Runaka Radio New Zealand Sound Feelings Publishing SIT School of Health, Exercise and Recreation Lower South Regional Ethics Committee Rhythm finds its way into our dancing feet, our poetry, our music, and all beautiful things. Biologically, human life has its own rhythmic periods as expressed by the periods of infancy, adolescence, adulthood, and old age. Life can only be lived to its fullest if we recognize, accept, and adjust to these rhythms and the demands for change which accompany them. Unless we bring ourselves into harmony with the rhythms of life, we cannot appreciate the beauty of life, let alone live it. C.K. Brightbill (1960, p. 57). 1
  • 2. Contents A) Acknowledgements 1 B) Abstract 3 C) Introduction 5 Background information / Related literature 5 Variables included 10 D) Delimitations / Scope of the study 11 E) Assumptions made by the researcher 12 F) Limitations 13 G) Key terms 14 H) Research methods 19 Who are subjects How were they selected How many were included Instruments: 20 Questionnaire used Process described Procedures: 21 How data was collected Data analysis 22 I) Results (Findings) 23 Summary of information collected J) Discussion 30 Conclusion 34 Recommendations 34 For professional practice to people in the field To future researchers studying the same or similar topics K) Reference List 37 L) Appendices 40 2
  • 3. B) Abstract The research focused on what role music can play in assisting heavily dependent smokers to quit, or move through the stages of readiness to quit. There are considerable similarities between the effects of music and those of smoking for the person concerned. Therefore, music is regarded as having the potential ability help people to: a) move through the stages of readiness to quit; b) make the quit attempt; c) maintain compliance with quit attempt. In the context of Recreation Therapy, the research hypothesis can be summed up as follows: If music caused no internal response perceived as beneficial, people wouldn’t listen to it. As for tobacco, without a perceived benefit, there would be no consumption. If the perceived benefits of music transcend tobacco, then over time, people may come to depend on what is healthy rather than what is harmful (Reflection, 8/3/07). The research participants were sought via the Smokefree Support service at the Southland District Health Board at an amount of 7-10 people. Approval had to be gained from the Lower South Regional Ethics Committee for this access. The SDHB cessation provider recommended contacting two other providers in the Nga Kete Matauranga Trust and Baillie and Corkill’s cessation service. The initial inclusion criteria was either smoking in excess of 31 cigarettes per day, and/or lighting up within 5 minutes of waking. This criteria is from the Fagerstrom assessment (see appendices) to ascertain nicotine dependence, which indicates suitability for nicotine replacement therapy (NRT). Exceptions to this criteria who still exhibited heavy dependence, were in accordance with the researcher’s discretion. After an extended period following ethical approval without sourcing participants, the decision was made to relax the inclusion criteria to allow for regular smokers. Participants were also sought among SIT nursing students, and through Sherry Elton, stop-smoking counselor, to increase participant numbers. Participant kits were made up, including a recording of The British Invasion (courtesy of Radio NZ) to ‘set the scene’ for the research. A consent form, instruction sheet, fourteen item questionnaire, and music listening tips (www.soundfeelings.com) were also included. 3
  • 4. The methods used for investigation entail research participants self-selecting music they considered had the best potential to replace the perceived benefits of smoking, for one half hour at a time over the course of three days within a week, recording the names of the artists and tunes as they went. Findings Participants indicated a broad range of preferences for music that had a combination of stimulating and relaxing effects. Music tended not to be a factor in their decision to commence smoking (one participant acknowledged it was), nor was a lack of music considered to contribute to ongoing smoking. Participants tended to smoke to relieve either boredom, anxiety or both, out of habit, and to think, concentrate and remain calm. Participants tended to place greater emphasis on personal responsibility for smoking related illness (five out of six), and even though the same number considered nicotine more addictive than either heroin or cocaine, four out of six indicated that to quit smoking it was simply a matter of personal choice. Conclusions The hypothesis going into the study (above) is maintained. Namely that due to the involvement of different brain regions, and subsequent physiological responses to both music listening and cigarette smoking, the efficacy of music as an aid to smoking cessation will vary, depending on factors such as the frequency, intensity, time and type of music listened to, interacting with a given person’s level of engagement with cigarette smoking. It is not simply a matter of playing any tune for any person over any length of time, but rather sequencing various types of music in such a way that their effects combine to supersede the perceived benefits of smoking. The requirement to seek approval from the Regional Ethics Committee is regarded as legitimizing this research topic, and the researcher values the experience for learning the process involved. This entailed coordination of various activities to produce this report. There is scope to develop this topic for further research in this area, to yield greater insights into the relationships between the comparative effects of smoking and music. 4
  • 5. C) Introduction The research question is defined as ‘the central focus of the research effort that serves as the basis for the research problem and provides direction for the entire process’ (Baumgartner and Hensley, 2006, p. 29). The original research proposal detailed three themes as follows: Dependence-Independence/Intrinsic-Extrinsic (Csikszentmihalyi & Seligman) Internal-External interaction/exchange (Vygotsky & Bronfenbrenner; McLuhan) Evolutionary role of music, the internal response (Levitin; Durrant and Thakker; Selye) Associated with these themes are names of people who have contributed to a variety of disciplines that the researcher considers relevant to the research question. If music is to have any efficacy as an aid to smoking cessation, then these areas must be accounted for. To establish the foundation for this study they are mentioned here to provide the parameters and will be covered later in the report. C.1) Background information/Related literature A search was made of the EBSCO host database CINAHL available through the Southern Institute of Technology library with the key words ‘Music therapy’. This search yielded over eleven hundred articles that expressed various applications of music therapy. Although smoking was not mentioned directly in the titles, these articles suggested that music can potentially serve as a cessation aid. For example, a study reported that within five minutes, music can lower blood pressure to normal levels for patients undergoing surgery (Health, Oct 2001). Advocates of music therapy believe the main benefit is that it helps people relax, which in turn triggers the release of endorphins, the body’s natural painkillers (Mazo, 2002). Drumming circles have applications as complementary addiction therapy for repeated relapse and when other counseling modalities have failed (Winkleman, 2003). Organising healthful patterns in music can promote more organized, healthful patterns in the body (Abrams and Decker, 2001). By distracting patients and reducing stress, music may actually block painful nerve signals in the brain…Listening to music for longer periods might lessen the need for painkillers (M. Good, Health, 1999). 5
  • 6. The ability of music to induce intense pleasure and its putative stimulation of endogenous reward systems suggest that, although music may not be imperative for survival of the human species, it may indeed be of significant benefit to our mental and physical well- being (Blood and Zatore, 2001). To be therapeutic, interventions must be used in an overall therapeutic context in concert with other therapies. Music therapy should be tied to specific issues of the therapeutic sessions and the songs should be selected to target specific therapeutic issues (Gallant, Holosko, and Siegel, 1997). The therapeutic effects of music are being recognized increasingly in the field of rehabilitation medicine, where the goal is to assist in physical recovery and health maintenance of clients (Paul and Ramsey, 2000) Given the inexpensive nature of this intervention, and the lack of adverse events, it is recommended as an adjunct to normal care practices (Evans, 2002). As a non-invasive therapeutic tool, music has been shown to relieve anxiety and pain; increase feelings of relaxation; heighten the immune system and decrease blood pressure, pulse rate and breathing (McCaffrey, 2002). The fact that a variety of different [biological, psychological and social] treatments with divergent methods and theoretical underpinnings can be – at least modestly – efficacious points to the role of non-specific factors in recovery from drug problems (Durrant and Thakker, 2003, p. 228). The research focused on what role music can play in assisting heavily dependent smokers to quit, or move through the stages of readiness to quit. The word efficacy stems from the Latin efficax, means ‘producing or able to produce the desired effect’, and is related to the word ‘efficiency’ (Thompson, 1992, p. 239). Efficiency is a common theme running through three different examples from Therapeutic Recreation (the relationship between client programmes and needs); Statistics (decision on alternate hypotheses and alpha level), and Management thought, (the relationship between efficiency and effectiveness). These examples are contained in the appendices. The importance of smoking cessation is expressed by the extent of smoking-related illness, and the flow-on effects for families, society, and the health system. For music to have benefit as a cessation aid, this common theme would have to be accounted for when designing interventions for people seeking to quit smoking. 6
  • 7. Music is part of the human environment. It is present in so many aspects of life that it is virtually impossible to avoid its influence: Music is perhaps the most basic and universal activity of humankind. Beginning as the simple and natural sound of the human voice, music has existed in some form from the earliest days. Through the centuries, music has taken many forms and reflected many ways of life (Russell, 2005, p. 13). This lasting influence is expressed in the following statement, which covers the evolutionary role: ‘New research on how our minds process rhythm and melody suggests that music played a crucial role in the evolutionary development of the brain’. This role is confirmed by neuroscientist Daniel Levitin, who is quoted in the same article: ‘There may be a common genetic linkage between sociability and musicality’ (Smith, 2006, p. 24). The word ‘entertain’ stems from the Latin term teneo – hold (Thompson, 1992, p. 289). Music ‘plays’ such a substantial part in leisure lifestyle that it is considered to have potential use as a therapeutic tool. A working definition from K.E. Bruscia states: Music therapy is a systematic process of intervention wherein the therapist helps the client to promote health, using music experiences and the relationships that develop through them as dynamic forces of change (Hanser, 1999, p. 2). Smoking is a pervasive influence on health status in New Zealand society and internationally, affecting large numbers of people. Tobacco use is one of the chief preventable causes of death globally. The World Health Organisation attributes 4.9 million deaths a year to tobacco use, a figure expected to rise to more than 10 million deaths a year by 2030 (Peto and Lopez, 2001, cited in HSC, 2005, p.12). The majority of these deaths are projected to occur in developing nations where under- resourced health systems are ill-equipped to cope (source unknown). In the course of the twenty-first century, one billion people across the globe will die of tobacco-related diseases, a figure representing a ten-fold increase over deaths associated with the cigarette in the last century (Brandt 2007. p. 14). 7
  • 8. People cite a variety of reason for smoking. Placing individuals as ‘the self’ surrounded by cultural-historical, biological and psycho-social variables, Durrant and Thakker state that substances have a functional context for use, and suggest the categories of medicinal, recreational, social, pragmatic, ritual-religious, and dietary (2003, p. 21). These authors address reasons for human drug use and abuse, stating that: It is unlikely, however, that the brain systems implicated in the rewarding effects of psychoactive drugs have evolved specifically for the ingestion of such drugs. Rather these systems are implicated in the generation of positive emotional states that are linked to stimuli in the world that do have survival and reproductive relevance for the organism (Durrant and Thakker, 2003, p. 43). This research postulates that whatever these reasons are (for example, to provide comfort and security in times of stress) quality music has the capacity to transcend these perceived benefits, and therefore can potentially be used to aid smoking cessation. This provides the report title The efficacy of music as an aid to smoking cessation. It is necessary to explain various concepts that relate to smoking cessation to lead in to the remainder of this report:  Smoking cessation – a dynamic process that occurs over time rather than a single event. Smokers cycle through the stages of contemplation, quitting and relapse an average of three to four times before achieving permanent success. (National Health Committee, 2002, p, 3)  Stages of change – Prochaska and DiClimente (Transtheoretical model): …the basic idea is that behaviour change is a process and not an event, and that individuals have varying levels of motivation, or readiness to change. People at different points in the process of change can benefit from different interventions, matched at their stage, at that time. The four distinct stages identified are: Pre- contemplation; Contemplation; Preparation/Action and Maintenance (Anderson and Matthews, 2005, p. 72). 8
  • 9.  Fagerstrom assessment ..known as the Fagerstrom Test of Nicotine Dependence, this will assist in evaluating the level of physiological dependence on nicotine, which helps to establish whether or not nicotine replacement therapy (NRT) will be of benefit. A score of four or more indicates that the biochemical dependency on nicotine is sufficient to warrant NRT (National Heart Foundation, 2006, Quit Cards). This assessment asks six questions, and allocates different points according to responses. For allocating a maximum of three points each, the two relevant questions are: - How soon after you wake do you smoke your first cigarette? (three points if within five minutes) - How many cigarettes a day do you smoke? (three points if in excess of thirty-one).  Nicotine Replacement Therapy (NRT) The rationale for this is the use of a product containing nicotine previously taken in by smoking. NRT decreases withdrawal symptoms and improves cessation outcomes for many people. NRT is not the mainstay of smoking cessation but is an effective supplement to behavioural interventions and good support (National Health Committee, 2004, p. 15)  Multi-faceted approach to Tobacco Control Some of the key tools to call upon when addressing different tobacco control issues include: - advocacy: campaigning at local, regional and national levels - legislation: aiming to influence health outcomes through public policy, maintaining the activity, making it a legal requirement. - cessation: supporting smokers to quit. - education: based on increasing individual knowledge regarding the harm that smoking causes, both to the smoker and non-smoker. - social marketing: using marketing theories and strategies to help achieve behavioural change in social and health areas. - community mobilization/action: participation in setting priorities, making decisions, and planning and implementing strategies to improve community health. 9
  • 10. (Anderson and Matthews, 2005, p. 30).  DSM-IV diagnostic criteria for nicotine withdrawal According to these criteria, the diagnosis of nicotine withdrawal is established if at least four of the eight symptoms and signs (listed) occur within 24 hours of nicotine cessation 1. Dysphoria or depressed mood 2. Insomnia 3. Irritability 4. Anxiety 5. Difficulty concentrating 6. Breathlessness 7. Decreased heart rate 8. Increased appetite or weight gain (Hulse, White and Cape, 2002, p. 103) These six concepts explain the nature of tobacco control, and the role that smoking cessation has within it. They are mentioned here to indicate the type of forces acting on therapeutic contexts for treating nicotine addiction, and to provide a foundation for the rest of this report. C.2) Variables included in the study Variable: “A characteristic, trait, or attribute of a person or thing that can take on more than one value and be classified or measured” (Baumgartner and Hensley, 2006, p. 39) The variables measured according to this definition are contained in the questionnaire (appendices). They include perceptions about the ability of music to aid smoking cessation, or move through the stages of readiness; Number of years spent smoking; Age commenced smoking; The role music had in commencement; The role music has in continuation; Three most beneficial tunes for their ability to divert attention, reduce craving, and substitute for cigarettes; Effect on listener; Main purpose of smoking; Favourite types of music; Levels of agreement with statements regarding human responsibility and person/environment interaction. Since they were influential in determining participant reliance on either cigarettes or music, other variables indirectly 10
  • 11. included for measurement were: perceived Quality of life and Health status. Participants were also given an opportunity to expand on any responses made. D) Delimitations/Scope of the study 1. Type of research participants - regular smokers on/not on NRT willing to participate. - preference: a variety of individual difference to be represented (for example: age, gender, ethnicity), although the research accepted the first respondents. 2. Number of research participants - Seven to Ten sought, six gained. 3. Measures to be collected - perceptions regarding the effects of self-selected music on craving - recording of tunes and artists listened to 4. Instruments used - fourteen item questionnaire; song/tune recording sheet; personal interviews 5. Time and duration - One week, consisting of one half hour on three days within that week (data collection). - Follow-up fortnight/month for collecting data, and writing up results and report. 6. Setting - Participant’s own homes, since these are a natural setting - Saturday (more associated with leisure) and Wednesday. 7. Type of intervention or treatment - Leisure/recreation based: participants are required to self-select and give full attention to music believed to transcend the perceived benefits of smoking. 11
  • 12. E) Assumptions made by the researcher  That this is a worthwhile research question to pursue, with potential to benefit people seeking to quit smoking, or at least move them through the stages of readiness to quit.  That there are several postulated similarities and differences that imply music can serve as an aid to smoking cessation.  That music originates within the artist (unlike substances), has greater potential to be health promoting over the long term, and therefore genuinely therapeutic.  That if someone is ‘dependent’ they have a need for resources to flow from external (outside) to internal (inside), whereas ‘independence’ is expressed by a reverse trend: internal to external.  The research also regards any interaction (such as between a person and their environment) as an example of exchange, with the implication that there is a potential gain or loss of value to quality of life present in that interaction/exchange.  That there are no risks to participation in this type of research that supersede those of ongoing smoking.  With regard to the evolutionary role of physiological functions impacted by both music and smoking, it is acknowledged that these may be used to produce a variety of effects different from their traditional or intended use, allowing adaptations to occur.  That participation may produce emotional responses and/or trigger different memories, consistent with the research design/intention.  That assistance sought for finding prospective participants would mention the research to clients, encouraging their participation without coercion.  That terminating the study would not be envisaged due to the worth of the research.  That there is little complexity involved in participation, and the research provides an opportunity for variety and enjoyment.  That the use of the British Invasion recording (Courtesy Radio NZ) would help to ‘set the scene’ for this research, enabling participants to understand the rationale. This recording is about the prevalence of The Beatles influence on the music industry in the 1960’s. 12
  • 13. F) Limitations “Aspects of the study that cannot be controlled, that represent weaknesses to the study, and that may negatively affect the results” (Baumgartner/Hensley, 2006, p. 30). o If efficacy is being measured, validity could be influenced by the frequency and duration of research (design consideration). o Variations in amounts smoked for people on NRT. The recommendation: people on NRT should completely abstain to avoid nicotine overdose (NHC, 2004, p. 15) The exception to this is Nicotine Assisted Reduction to Stop (NARS), allowing for use of nicotine replacement products to cut down on smoking prior to a quit attempt (ASH UK, 2005). o Time constraints influence decisions on study design. o Regional Ethics Committee: waiting for response (approval received 20th June). o Non-standard explanation of research from one participant to the next. o Novice research: influence on questionnaire design. o The extent to which participants have followed instructions: - Whole half hour? - Complete questionnaire and filled out recording sheets correctly? - All available for interview? o Not included in the literature review are examples of tunes (words put to music). 13
  • 14. G) Key terms defined Central Nervous System (CNS): consists of brain and spinal cord. The CNS interprets incoming information and initiates action potentials that are transmitted through the efferent division to produce a response. The efferent division is divided into the somatic (somatomotor) nervous system and autonomic nervous system (Seeley, Stevens, Tate, 1992, pp. 354/5). COPD: Chronic Obstructive Pulmonary Disease. the obstructive lung diseases associated with smoking (Ford, 1994, p. 90). Dependence: a state of psychological and/or physical need for a substance, usually characterized by compulsive use, tolerance, and physical dependence manifested by withdrawal sickness (Kunstler, 2001, p. 95) Distress: damaging or unpleasant stress (Selye, 1974. p. 31) Ecological validity: the extent to which the environment experienced by the subjects in a scientific investigation has the properties it is supposed or assumed to have by the researcher (Bronfenbrenner, 1979, p. 29) ‘..what matters for human behaviour and development is the environment as it is perceived, rather than as it may exist in “objective” reality’ (Bronfenbrenner, 1979, p. 4). Efficacy: [L. efficax] producing or able to produce the desired effect. Related to the word ‘efficiency’ (Thompson, 1992, p. 239). Emphysema: what is generally called emphysema is a manifestation of one or more of three separate conditions, for which health professionals use more specific names: o Chronic bronchitis (or chronic mucus secretion) o Emphysema (involving the breakdown of alveolar walls and other structures) o Small airway obstruction (involving thickening of the walls of the small airways) (Ford, 1994, p. 89) Energy: may be described as the capacity to perform work 14
  • 15. (Fox, Bowers, and Foss, 1989, p. 63). Ergogenic aid: erg [Gk. ergon work] genic [Gk. gen- be produced] (Thompson, 1992, p. 293/p. 364). (ergogenic aid continued) ‘…in its broadest sense, one could call anything that can be related to an improvement in performance an ergogenic aid’ (Fox, Bowers, and Foss, 1989, p. 632). Exchange: 1. giving of one thing and receiving of another in its place (Thompson, 1992, p. 300). A type of interaction (‘gas exchange’; ‘principle of exchange’). Extrinsic: 1. characterizing that which is outside or external. 2. pertaining to that which is not an inherent part of something but which is related to it. Contr. Intrinsic (Chaplin, 1985, p. 171). FITT principle: Frequency, Intensity, Time, Type. This is usually applied to athletic training. Flow: (autotelic experience): ‘In each case, intrinsic rewards appeared to overshadow extrinsic ones as the main incentives for pursuing the activity’. [The experience] is not boring, as life outside the activity often is. At the same time, it does not produce anxiety, which often intrudes itself on awareness in “normal” life. Poised between boredom and worry, the autotelic experience is one of complete involvement of the actor with his activity….In the flow state, action follows upon action according to an internal logic that seems to need no conscious intervention by the actor. He experiences it as a unified flowing from one moment to the next, in which he is in control of his actions, and in which there is little distinction between self and the environment, between stimulus and response, or between past, present, and future (Csikszentmihalyi, 2000, pp. 35/36). Heart disease: There are a multitude of heart conditions and diseases. The largest categories of cardiovascular diseases are heart attacks (myocardial infarction) and strokes. Most heart diseases are actually vascular diseases that constrict or block normal blood flow either in or out of the heart. o Arteriosclerosis (the most common form of heart disease) is a group of diseases characterized by a thickening and loss of elasticity of the heart walls. o Artherosclerosis is a type of arteriosclerosis in which fatty deposits (plaque) make the inner layer of the artery wall thick and irregular. 15
  • 16. o Myocardial infarction is the death or damaging of an area of the heart muscle as a result of an interruption in the blood reaching that area (McGuire, 2000, p. 270) Homeostasis: (homoios = similar and stasis = position) the body’s tendency to maintain a steady state despite external changes; physiological “staying power” (Selye, 1974, p. 139). (Homeostasis continued) The maintenance of a relatively constant internal environment (within the body) in the presence of a constantly and sometimes dramatically changing external environment (outside the body) (Seeley, Stevens and Tate, 2002, p. 12). Internalisation (Vygotsky, 1960) a set of social relationships, transposed inside, and having become functions of personality and the forms of its structure (Linzey, 1991, p. 242). Intrinsic: pertaining to a quality or property of something in itself, without regard to value arising from its relations to other objects, properities etc. Syn. Inherent. Contr. Extrinsic (Chaplin, 1985, p. 239). Leisure: the meaning of leisure today can generally be described in three ways. First, leisure is free time. Next, leisure is non-work activity. Finally, leisure is a state of mind, or special attitude (Russell, 2005, p. 31) Locus of control: the degree to which the individual attributes the cause of their behaviour to environmental factors or to their own decisions (Chaplin, 1985, p. 260). Lung cancer: numerous different types occur within the lungs, although most are very rare. The exceptions are four types that can be caused by smoking (Percentages are approximate) o Squamous cell carcinoma (30-35% of cases) tends to start in the larger airways in the central part of the lung. o Small cell (‘oat cell’) carcinoma (25% of cases) is highly malignant and has often spread by the time of diagnosis. It usually starts in the same part as the squamous cell type. o Adenocarcinoma (25% of cases, though US studies indicate is increasing) forms a tumour with a gland like structure. It is more often located around the outer parts of the lung. o Large cell carcinoma (10-20% of cases) This type behaves similarly to adenocarcinoma, forming large ‘silent’ tumours, usually away from the centre of the lung, and has often spread to other organs by the time it is first diagnosed (Ford, 1994, pp. 41-43). 16
  • 17. Media: 1. plural of Medium: 1. middle quality, degree, etc, between extremes 2. means of communication 3. substance, eg., air, through which sense-impressions are conveyed 4. physical environment etc. of a living organism (L. medius middle) (Thompson, 1992, p. 552). Motivation: an intervening variable used to account for factors within the organism that arouse, maintain, and channel behavior toward a goal (Chaplin, 1985, p. 288). Peripheral Nervous System (PNS): consists of nerves (bundles of axons and their sheaths) and ganglia (collections of nerve cell bodies located outside the CNS). The afferent division of the PNS detects stimuli and conveys action potentials to the CNS (Seeley, Stevens, Tate, 1992, pp. 354/5). Pleasure pathway: Part of the reinforcement of smoking comes from relief of nicotine withdrawal (negative reinforcement). However, nicotine also produces a number of pleasurable effects that are important in positive reinforcement. It has both stimulant and depressant-like actions. The smoker feels alert and active, yet there is some muscle relaxation. Nicotine activates the reward system in the brain that includes the pathways from the ventral tegmental area to the nucleus accumbens (Hulse, White and Cape, 2002, p. 105). The critical brain circuit implicated in the rewarding effects of many psychoactive drugs connects areas of the frontal cortex with the nucleus accumbens and the ventral tegmental area, in the limbic system of the brain. This brain circuit – the mesolimbic reward pathway – is served by a variety of neurotransmitters, although the most critical one appears to be dopamine (Durrant & Thakker, p. 42) It was Levitin who conducted the first study to prove that listening to music increases the amount of dopamine in the nucleus accumbens, a brain structure involved in feelings of pleasure and reward. Levitin says that pleasureable music activates the same brain regions like heroin and opium (www.levitin.mcgill.ca/pdf/The-Sydney-Morning-Herald). NB: The researcher first heard ‘Pleasure pathway’ used in a Radio NZ interview (Kim Hill, circa 2000) with Dr Carl Erikson on the topic of substance abuse and treatment. Prevalence: 1. general existence or occurrence. 2. Predominance (Thompson, 1992, p.708). 17
  • 18. Psychological space: the content of what is perceived, desired, feared, thought about, or acquired as knowledge, and how the nature of this psychological material changes as a function of a person’s exposure to and interaction with the environment, rather than emphasis on the traditional psychological processes of perception, motivation, thinking and learning (Bronfenbrenner, 1979, p. 9) Relates closely to ecological validity. Recreation: In the twentieth century, the word recreation has three primary meanings (1) as a form of voluntary activity that is carried on in leisure time, usually for pleasure but also to satisfy other personal needs or drives; (2) as a positive emotional state, with feelings of well-being, achievement, self-discovery, and satisfaction derived from participation; and (3) as a societal institution composed of varied governmental, commercial, non-profit and other sponsoring organizations (Kraus and Shank, 1992, p. 20). Stress: the nonspecific response of the body to any demand made upon it. For general orientation, it suffices to keep in mind that by stress the physician means the common results of exposure to any stimulus (Selye, 1974, p. 141). Tolerance: reduced sensitivity resulting in the need for increased dosage to achieve the desired drug affect (Kunstler, 2001, p. 95). Withdrawal: The effect of abrupt cessation of smoking, or reduction in the amount of nicotine used. Diagnosis of withdrawal is established if at least four of eight symptoms and signs (DSM-IV diagnostic criteria) occur within twenty-four hours of nicotine cessation (Hulse, White and Cape, 2002, p. 103) Work: the application of a force through a distance. Work is expressed in the following formula: W (Work) = F (Force) x D (Distance) (Fox, Bowers, and Foss, 1989, p. 63). Work is described as the body’s capacity for exertion, and is therefore related to energy. 18
  • 19. H) Research methods H.1) Participants (who are subjects) The subjects initially sought for this study were people heavily dependent on nicotine, as indicated by the Fagerstrom assessment (see appendices). Individual differences were anticipated for variables such as age, gender, education levels, socio-economic background and musical preferences. After an extended period following ethical approval without sourcing participants, the decision was made (1st August) to relax these inclusion criteria to allow for regular smokers who were willing to contribute. Participants were also sought among SIT nursing students (20th August) to increase participant numbers. how were they selected The participants were sought via the Smokefree Support Service, Southland District Health Board (SDHB). The SDHB cessation provider recommended contacting two other providers in the Nga Kete Matauranga Trust and Doctors Baillie and Corkill’s service, who informed their clients/patients about the research, and told them to contact the researcher directly. The initial inclusion criteria was heavy nicotine dependence (an excess of thirty-one cigarettes per day, and/or lighting up within 5 minutes of waking) in accordance with the Fagerstrom assessment. To account for the influence of NRT, which recommends that recipients cease smoking completely (to avoid nicotine overdose), this inclusion criteria should be interpreted to mean people who have smoked up to the amounts mentioned. Permission had to be sought from the Regional Ethics Advisory Committee to continue with the research, since these people are part of the SDHB population. how many were included in the study 19
  • 20. The number sought for participation was seven to ten smokers. A reason for relaxing the inclusion criteria was to ensure at least seven participants were gained. At the time of this decision (1st August), just two participants (‘MPH’ and ‘Lorraine’) were sourced. On 20th August, two nursing students (‘Dolly’ and ‘Doris’) agreed to participate, and two more participants came via the SDHB provider (‘Yodel’) and Sherry Elton (‘Patsy’). Of these six participants, ‘Dolly’, ‘Doris’ and ‘Patsy’ were not on NRT. Another person contacted (who may have brought the total to the originally desired minimum of seven participants) expressed interest, though when contacted about involvement, was unable to commit due to a heavy work schedule. This person was posted a copy of the research proposal and course information for the Bachelor of Health Science degree (Therapeutic Recreation). The final number of participants was six. H2) Instruments: questionnaires or interview schedules used A 14 item, student-developed questionnaire (see appendices) that consists of: - six ‘scale’ questions, where the participants select an answer on a continuum; - seven ‘choice’ questions where participants select one or more options, and - one space provided for providing further feedback to expand upon answers. Process described The process for developing the questionnaire was conducted with an emphasis on key terms ‘efficacy’, ‘music’, ‘aid’ and ‘smoking cessation’. The questionnaire was designed to be used with the recording sheets for the self-selected music. The rationale for recording the tunes was to allow participants to reflect upon what effect the music they selected had on their motivation to smoke. The question about favorite types of music (11) is about ‘taste’ (a similarity to smoking), while questions 12 and 13 related to personal responsibility and the person/environment interaction. A space was provided for expanding upon the answers given (question 14). An application was made through the Regional Ethics Advisory Committee (NEAC) for access to SDHB patients. This entailed filling out a standard application online and on their recommendations also making alterations to the participant consent form, flyer, questionnaire and instruction sheet (see appendices). 20
  • 21. The SDHB Cessation provider recommended contacting other providers to ensure the desired number of participants were sourced. These providers were Baillie and Corkill doctors and Nga Kete Matauranga Charitable Trust. They were each left an example of the flyer and participant kit to show prospective people. These kits included tips for music listening (courtesy: www.soundfeelings.com). After an extended period following ethical approval without sourcing participants, the decision was made (1st August) to relax these inclusion criteria to allow for regular smokers who were willing to contribute. Participants were also sought among SIT nursing students (20th August) and through Sherry Elton, stop-smoking counselor, to increase participant numbers. The consent form indicated that participants would be de-identified by use of pseudonyms. Participants were required to listen to a copy of The British Invasion (courtesy: Radio NZ) to set the scene for appreciation of music’s ability to influence people. Participants were asked to self-select music for listening for one half hour each on three days (one Wednesday and two Saturdays) within a week, recording the tunes/artists on sheets provided. The emphasis was on selecting music considered to have the best potential to replace the perceived benefits of smoking. They were then asked to link these sheets with a fourteen item questionnaire designed to measure the efficacy of the music they selected. Once participants had completed this questionnaire, their role was largely complete, although they were free to contact the researcher with any questions. H3) Procedures (how the data was collected) The research was based on the exercise training principles of frequency, intensity, time and type (otherwise known as the ‘FITT’ principle). Included within participant kits (see appendices) were an Introductory letter; Consent form; Instruction sheet; Cassette copy: The British Invasion; List sheets for music listened to; Questionnaire (fourteen items); Tips for music listening; SIT Course information: Bachelor of Health Science (Therapeutic Recreation). 21
  • 22. The recording sheets were to list both the artist and the tune over the course of these days. These sheets are essential to link in with the questionnaire presented to participants. It was specified that participants ensure continuity of listening for these three half-hour periods by self-selecting music prior to these periods. By allowing a gap between the listening periods, participants were able to reflect on what effect the music had on them, and to prepare their next half hour listening period. Participants were asked to keep the questionnaire until the following week of the study, when the recording sheets would be used to help them answer the questionnaire. Participants were then required to complete a fourteen item questionnaire that used the recording sheets as a memory aid for identifying what particular tunes had a greater or lesser effect on their ability to quit smoking, or influence their readiness to quit. The completed forms were collected by the researcher in the following week after the music listening period. This was an opportunity to gain verbal feedback from the participants regarding their involvement, and reflections they had. H4) Data analysis Data analysis is included in italics following each question listed . As stated in Section C (Introduction) the influence of three themes is to be accounted for if music is to have efficacy as a smoking cessation aid. These are 1) Dependence-Independence/Intrinsic- Extrinsic; 2) Internal-External interaction/exchange, and 3) The Evolutionary role of music and the internal response. These must also be considered in relation the different types of questions included in the participant questionnaire (Section H2; appendices) including ‘scale’ questions; ‘choice’ questions, and the ‘expansion’ question. Another term of reference is the three examples of efficiency from Therapeutic Recreation; Statistics, and Management (P. 6; appendices) as factors to consider in analyzing participant responses. In summary, the data analysis is seeking to account for the combined effect of all the factors above on participant involvement, even if these factors are not directly measured, for the reason that the data analysis may yield useful information to the research question. 22
  • 23. I) Results (Findings) I.1) A summary of the information (data) collected 1. On a scale of 1 (least) to 10 (most) how would you rate the ability of music for you personally to attempt to quit smoking? Dividing 23 (response total) into a potential amount of 60 (6 responses x 10/most) yields an average of 0.3833. This figure does not include an amount for Lorraine (no response). 2. On a scale of 1 (least) to 10 (most) how would you rate the ability of music for all smokers to attempt to quit smoking? 23
  • 24. Dividing 27 (response total) into a potential amount of 60 (6 responses x 10/most) yields an average of 0.45. 3. How many years have you been smoking? MPH Lorraine Dolly Patsy Yodel Doris 25+ 25+ 5- 25+ 25+ 6-10 67% (4) of the participant group have been smoking for in excess of 25 years. 16% (1) has been smoking for 6-10 years, and the same amount for 5 years or less. 4. At what age did you commence smoking? Of significance is that 33% (2) commenced in their early teens, while 50% (3) commenced in their mid-teens (Combined total for teens = 83%). 17% (1) commenced aged 7. 5. On a scale of 1 (least) to 10 (most) how would you rate the ability of music to assist smokers to move through the stages of readiness to quit (as opposed to quitting smoking immediately) 24
  • 25. Dividing 23 (response total) into 60 (6 responses x 10/most) yields an average of 0.3833 6. Was music a factor in your decision to commence smoking? Yes: Dolly No: MPH; Lorraine; Patsy; Yodel; Doris. Only 16% (1) stated that music contributed to their decision to commence smoking. 7. Does a lack of music contribute to your ongoing smoking? Yes: (none) No: MPH; Lorraine; Dolly; Patsy: Yodel; Doris Of significance is that all participants (100%) stated that their ongoing smoking is not affected by a lack of music. 8. Of all tunes selected, the three most effective for their ability to divert attention, reduce craving, and substitute for cigarettes MPH: none selected for Qu 8. Examples on recording sheet: Messum Dorma (Pavarotti); American Pie (Don McLean); Cats, Act 1 (London cast) Lorraine: Many Reasons; The Beauty of My Home (both Isla Grant); Stand Beside Me (Daniel O’Donnell). Dolly: C’est la Vie (Bewitched); R-Kelly (Ignition Remix); Creed (My Sacrifice) Patsy: Apache; Flingel Bunt (both The Shadows); Crazy (Patsy Cline) Yodel: none selected for Qu 8. Artist examples on recording sheet: Isla Grant, Shirley Thoms (tunes not given) Doris: Bad Dream (Keane); ELO – tune not given; School (Supertramp) The answers provided indicate two things to support postulated similarities between smoking and music: 1) that preferences relate to sense experience or ‘taste’, and preferences are influenced by exposure at stages of development in the lifespan. 8 b) Of these three, what particular aspect played a greater role in diverting attention, reducing craving, and substituting for cigarettes? Lyrics: (none) Melody: Patsy Both: Lorraine; Dolly; Yodel; Doris 25
  • 26. MPH: none These answers are inconsistent with the research examples provided, and suggest that alterations to the person’s listening style can occur, with changes to factors such as the length of time, volume, type of music, frequency of listening, combined with personal motivation to quit smoking can make music more effective as a cessation aid. These answers also indicate that the research could be repeated with the same participants and their understanding of what to do would be enhanced. Participants were asked to record the tunes listened to, with the intention they might become creative in their selection. 50% (3) fulfilled the requirements adequately by listing a variety of tunes for the three half hour periods, while the other 50% either tended to rely solely on single albums, or only list the artists name without the actual tunes listened to. 9. Of all the tunes selected, what effect did the majority have? Stimulating: Doris Relaxing: MPH; Lorraine; Dolly; Yodel Patsy: Both 10. When you smoke, is it mainly to relieve: Boredom: Dolly; Yodel Anxiety: Lorraine MPH: ‘habit’ Patsy: see qu 14. Doris: both Questions 9 and 10 are related in that if a person is experiencing boredom, they will seek stimulation, and conversely if they are anxious, they will seek relaxation. Of interest is that there was little ‘balance’ in the responses. Although 67% (4) indicated that the tunes they listened to were relaxing, only 17% (1) indicated they smoked to relieve anxiety. Likewise, 17% (1) indicated the tunes they listened to tended to be stimulating, although did not state they smoked to relieve boredom. Of the 2 responses (33%) who stated they smoked mainly to relieve boredom, the majority effect of tunes listened to was relaxing. Of the ‘Both’ responses, these came from two different participants to Qu 9 (Stimulating/Relaxing) and Qu 10 (Boredom/Anxiety). The responses provided by these participants also indicate that music can fill a gap, since it comes in various forms (stimulatory or relaxing) that can address boredom or anxiety, whereas many of the participants responses express they rely on cigarettes when experiencing both extremes. 11. Please circle your favorite types of music Options given: Blues MPH Classical MPH Country/Western Lorraine; Yodel Grunge: Doris Heavy Metal MPH; Doris Hip Hop - 26
  • 27. Indigenous - Instrumentals Lorraine; Patsy; Doris Jazz - New Age - Opera MPH Pop Doris; Dolly Rap Doris Reggae - Religious Yodel Rock & Roll Lorraine; Patsy; Doris; Dolly Spirituals Lorraine; Patsy Shows/Musicals MPH; Doris Synthetic - Other - This question more than others expresses the importance of ‘taste’ in music. By offering a variety of options ( including ‘other’) participants were able to reflect on preferences to self- select tunes with an emphasis on music they considered had the best potential to replace the perceived benefits of smoking. The responses indicate exposure to these various types of music at important stages in their lifespan have been appreciated, since they have continued to listen to them. One observation from the responses is that of all the options provided, likely preferences were not indicated (that is, the participant likely would have enjoyed the type of music, but didn’t list this). The predominant theme is that participants tend to rely on traditional preferences, and that exposure to unfamiliar types of music may enhance their awareness of music variety as a way of coping with an attempt to quit smoking. 12. Please state your level of agreement with these statements (Strongly Disagree Disagree Agree Strongly Agree) • Everybody knows how harmful smoking is • Nicotine is more addictive than either heroin or cocaine • To quit smoking is simply a matter of personal choice 27
  • 28. • Cigarettes should be banned • Music is another form of pollution (Qu. 12 continued) Strongly Disagree Disagree Agree Strongly Agree Everybod y knows.. Patsy Yodel MPH; Lorraine; Dolly; Doris Nicotine is.. Doris Lorraine; Patsy; Dolly MPH; Yodel Personal choice? MPH Patsy Lorraine; Yodel; Dolly; Doris Ban cigarettes ? Patsy; Dolly; Doris MPH; Lorraine; Yodel Music Pollution? MPH; Lorraine; Dolly; Doris Patsy Yodel 12. Please indicate on the following scale where you believe the answer is The ultimate responsibility for commencing tobacco addiction lies with: Individual The tobacco smokers industry …………………………………………………………………………………….. Doris Lorraine/Yodel MPH Dolly Patsy The ultimate responsibility for treating tobacco addiction lies with: Individual The smokers government …………………………………………………………………………………… Dolly Lorraine/Yodel Patsy MPH Doris: (no response) These questions were about human responsibility, and personal interaction with the environment. As indicated, 100% (6) placed greater responsibility on personal agency for smoking-related illness, albeit in varying degrees below halfway on the continuum. Similar responses were provided for the second question, although 17% (1) stated more responsibility lies with the government for treating tobacco addiction, and 17% (1) did not respond. The relationship to music listening is that just as an interaction occurs that can 28
  • 29. lead a person to commence smoking, so can there be an interaction that occurs when people listen to music, that can prevent smoking from occurring, or enhance quit attempts. If the respondents represent the wider population in the store placed on personal responsibility, this is further indication that individual smokers could use music to assist them. 13. Additional feedback to questions: Only three participants expanded upon their responses. These responses are: MPH: Smoking is an addiction & a habit. Listening to music does not quell either of these things. This is born out by the number of people who continued to smoke after smoking was prohibited in the workplace and bars etc. More time and money should be available to assist habitual smokers to quit. Lorraine: I can’t see how this will stop me smoking, but they are relaxing and I don’t smoke while listening to them. Patsy: (Personal communication) I am so used to listening to music whilst smoking anyway. Re: Qu 10: (‘When you smoke, is it mainly to relieve Boredom or Anxiety’): “For all reasons, never boredom. To think, concentrate, relax, stop anger, etc”. The researcher sought to have more input from participants for this section, since it allowed expansion upon previous answers, and provided an opportunity for clarification and comments. Of the three given, the motivations for smoking (to relieve anxiety and to relax) is indicated, and endorsement of music as a cessation aid is expressed to varying degrees on a continuum from least to most.. 29
  • 30. J) Discussion Tobacco use is the leading cause of preventable death in the world and in New Zealand. It is responsible for the death of one in ten adults worldwide – about five million deaths each year, 13,500 deaths per day (WHO, 2005) and in New Zealand kills around 5000 New Zealanders every year, including around 350 from exposure to second-hand smoke. Tobacco is the only legally available product which, when used as the manufacturer intends, kills half its users (WHO, 2005) (Anderson and Matthews, 2005, p. 9). Re: variety and change In discussing bodily pleasures that are ‘immediate, come through the senses, and are momentary’ and includes the ending of the Beatles “Hey Jude”, Seligman (2002, p. 103) acknowledges that these are difficult to build one’s life around due to their momentary nature, and it is important to space these encounters out abstemiously to avoid diminishing these pleasures: they fade very rapidly once the external stimulus disappears, and we become accustomed to them vary readily (“habituation”), often requiring bigger doses to deliver the same kick as originally (Seligman, 2002, p. 103). Various types of music are produced that can meet the need humans have for either stimulation or relaxation. These terms (stimulation and relaxation) express a potential relationship to life situations where people may turn to cigarettes due to boredom or anxiety. These two terms are included in the title of a book Beyond boredom and anxiety (Csikszentmihalyi, 1990) and were also mentioned by the Frenchman Blaise Pascal (1623-1662) in a quote lamenting the nature of the human condition: ‘Inconstancy, boredom, anxiety’ (Krailsheimer, 1966, p. 36). Csikszentmihalyi is known for Flow: ‘the holistic sensation that people feel when they act with total involvement’ (1990, p. 36). He believes that substance abuse contributes to false sensations of Flow (Austin and Crawford, 2001, p. 99). Seligman states that when people are engaged (absorbed in flow), ‘an investment is occurring’ (2002, p. 116), and 30
  • 31. acknowledges Csikszentmihalyi’s theory ‘flow is the state that builds psychological capital that can be drawn on in years to come’ (2002, p. 117). Flow is expanded upon as: …action follows upon action according to an internal logic that seems to need no conscious intervention by the actor. He experiences it as a unified flowing from one moment to the next, in which he is in control of his actions, and in which there is little distinction between self and the environment, between stimulus and response, or between past, present and future (Csikszentmihalyi, 1990, p. 36) Re: Internal-External / interaction-exchange The mention of internal and external environments, as well as stimulus and response, links in with Homeostasis, a central theme developed by Walter Cannon (1871-1945). This is an example of regulation for the processes occurring within human beings, and responsible for maintaining a ‘steady state’ to preserve health. What enables humans to sing along to music and dance to its rhythms is the fact that the lyrics and the melody are stored in memory ‘banks’ (‘psychological space’), just as substances are psychoactive, and occupy physical space. The research is based upon the rationale that if someone is ‘dependent’, they have a need for resources to flow from external (outside) to internal (inside), whereas ‘independence’ is expressed by a reverse trend – internal to external. The following quote (Cole and Scribner, 1978) expresses the directional flow of music as an example of an environmental stimulus: Like tool systems, sign systems (language, writing, number systems) are created by societies over the course of human history and change with the form of society and the level of it’s cultural development…the internalization of culturally produced sign systems brings about behavioral transformations and forms the bridge between early and later forms of individual development (McMillan, 1991, p.32). The developmentalist responsible for this quote (Vygotsky, 1896-1933) believed that language held the key to understanding how society influences each person, and also how individuals influence society (McMillan, 1991, p 38). Music therefore, cannot be neutral 31
  • 32. in its effects. This is the key aspect of the rationale for this research, because it indicates the influence that music potentially can have on individuals. Music often contains lyrics (another name for words) and these are culturally produced influences that ‘ride’ on the melody, ‘taken in’ to human consciousness from the external environment. This happens with a concomitant effect on the developing person, especially over time. The concepts of internalization (Vygotsky) and psychological space (Bronfenbrenner) are detailed in the ‘key terms’. These influence the internal response to quality music which has the potential to produce genuine ‘Flow’, and enhance personal health and well-being (a goal of Recreation Therapy). Stress was defined by Canadian physiologist Hans Selye as ‘the non specific response of the body to any load placed on it’ (1974, p. 27). If this is a contributing factor to the prevalence and continuation of smoking, then it can be observed that the effect of cigarettes is non-specific also (the same internal physiological response each time), whereas there is much greater variety in music (an external influence), and therefore greater potential to benefit the person (that is, ‘efficacy’). Re: Media. Related to the themes developed around internal-external interaction and exchange is the concept of media, from Latin medius for middle (Thompson, 1992, p. 552). Media was defined as ‘technological extensions of the body’ by communications theorist Marshall McLuhan (1911-1980), who reflected that a principal aim of his media analyses faculty could be summarized as the training of perception, a phrase that aptly summarises his own aim throughout his career. McLuhan had written Understanding Media (1964) focusing on the media effects that permeate society and culture, but with an individual starting point (Gordon, 2002). Working with a hint from a political economist who had discovered that certain media of communication are time-based and certain media - more portable and ephemeral – are space based, and discovering simultaneously a critique of radio and TV, McLuhan articulated these ‘extensions of the human body’ perceptions of media and of electronic media, in particular, as extensions of the nervous system, imposing, like poetry, their own assumptions on the psyche of the user (Marchand, 2002). 32
  • 33. Contained within these biographical segments are the themes already mentioned, related to the developmental theorists Vygotsky and Bronfenbrenner. The role of the nervous system is mentioned, and media is situated between (medius) an individual’s internal and external environment. If certain media are space based and others are time based, this expresses the socio-historical nature of these media influences, consistent with these theorists. In each case, there is something common to both music and smoking: “Nothing has its meaning alone. Every figure [consciously noted element of a structure or situation] must have its ground or environment [the rest of the structure or situation which is not noticed]. A single word, divorced from its linguistic ground would be useless. A note in isolation is not music. Consciousness is corporate action involving all the senses (Latin sensus communis or ‘common sense’ is the translation of all the senses into each other). The ‘meaning of meaning’ is relationship”. Marshall McLuhan (Gordon, W.T. 1997, p.20) 33
  • 34. J. Conclusions and Recommendations J1) Conclusions (based on results) For music to have efficacy as a smoking cessation aid, it will have to do more for the person than the function served by cigarettes. A decisive factor in people’s reliance on cigarettes is that they produce a near immediate physiological effect within the person, and it this effect that smokers seek to reproduce each time they light up. Cigarettes are an example of immediate gratification (nicotine reaches the brain in 7-10 seconds). A conclusion is that music would have to have the same immediate effect, or produce the desired feelings consistently over a period of time to reduce the nicotine dependence. If the reason many people smoke is to cope with stress, then the ‘non-specific’ nature of it is an indication that music is potentially efficacious for smoking cessation. Music too, is non-specific, meaning that it is variable, and different tunes could be used to produce various responses within people seeking to quit smoking, as the physiological response to smoking is relatively constant. In other words, the variability of music has greater potential for people to cope with stress, because the right use of it potentially makes it specific to a person’s internal needs. This is the reason for including in the appendices the common theme of efficiency expressed through three different examples from Recreation therapy, Statistics, and Management. The implication is that music potentially could serve as an aid to smoking cessation, provided that it is perceived by the smoker to have the qualities that enable it to do more for them than smoking does, and is relied on over a period of time. J2) Recommendations (based on the conclusions) J2.1) For professional practice to people in the field It has been acknowledged that a key function of research is to contribute to a body of knowledge for the particular profession (Baumgartner and Hensley, 2006). This implies that the nature of the research focus must be clarified and related research must be considered early on, since the topic chosen is broad with many aspects to it. Maintaining a specific focus ensures that energies are used most effectively, and sight of the overall research question is not lost while the initial details are sorted into respective order. 34
  • 35. Looking for similarities between concepts used in tobacco control and recreation therapy is important to establish common ground conducive to effective, collaborative practice. It is likely that concepts relied on bear similarities but go by different names. An example is the use of terms to describe the process. For example, Recreation Therapy uses the ‘APIE’ model (Assessment, Planning, Implementation, Evaluation), whilst it has been observed that the Tobacco control concept of social marketing (Donovan and Henley, 2003) contains these terms also: the application of commercial marketing technologies to the analysis, planning, execution, and evaluation of programmes designed to influence the voluntary or involuntary behaviour of target audiences in order to improve the welfare of individuals and society (Health Sponsorship Council, 2005, p. 81, emphasis added). It will be necessary to liaise with a variety of people to accomplish the research objective, and the implication is that the research has to adapt to different schedules, which can be time-consuming, and requires a great deal of coordination. Future research could pursue a similar theme, though experiment with different designs to find the most effective indicator that music can be an aid to smoking cessation. An article (Arnott, 2007) covered the theme of human responsibility, stating that individual smokers should not be held wholly responsible for their situation, due to the addictive nature of nicotine. Researchers should keep this in mind when dealing with subjects who smoke. J2.2) to future researchers studying the same or similar topics Further research: • Length of time Could music serve as a cessation aid due to the length of particular tunes lasting longer than the time it takes to smoke a cigarette? • Sequence What is the role of sequence (especially of lyrics) for attracting/maintaining attention? That is, playing songs with a similar theme but vary to some degree gradually. 35
  • 36. The rationale is that just as arrangement of words and letters make a sentence, arrangement of lyrics (and notes) contribute to an overall effect (that is, greater or lesser efficacy). • Research design Could the nature of the research (for example, frequency and duration of listening periods) better reveal the efficacy of music as a cessation aid? • Impact of different types of music and artists performing - do different vocal styles, instrumentation impact more/less than others? - what is the role of cultural/ethnic music (as opposed to contemporary?) • Music as a ‘universal language’ Does the enduring quality of various tunes indicate the common preferences of large proportions of the population (despite individual differences), and does this relate to the enduring ‘quality’ of various types of tobacco? (Example: Hey Jude by the Beatles compared with Marlboro by Phillip Morris/Altria) • Flow What is the role of music in producing the state of genuine Flow (and therefore enhance personal health and well-being?) • Role of the Nervous system (Autonomic: sympathetic/parasympathetic) This needs to be considered in depth, to discover if the same parts of the brain/central nervous system are affected by music as they are for smoking. • Efficacy of music to treat other substance use and behaviours Alcohol, Cannabis and ‘harder’ drugs, Gambling. • Music’s role on contributing to smoking uptake and prevalence. - social learning. - the association of music with smoking as a tobacco industry strategy. - does music contribute to increased prevalence and use? - how do different types of music, played at different frequencies and times influence smoking behaviour and prevalence? • Sight/Sound = ‘media’ What is the role of music videos, (which combine a visual aspect with lyrics and melodies to produce an interactive experience) in smoking prevention or prevalence? • Integration of research influences The references cited are all considered to relate the topic of smoking-related influences, though these relationships need further exploration for the sake of ‘efficacy’. 36
  • 37. K) Reference list. Anderson, M. and Matthews, K. (2005) Beginner’s guide to tobacco control in Aotearoa- New Zealand. Wellington: Health Sponsorship Council Arnott, D. (2007, January 8) Don’t hate the smoker. Comment is free… www.commentisfree.guardian.co.uk (retrieved 27/4/07) Baumgartner, T.A., and Hensley, L.D. (2006, 4th Edition) Conducting and reading research in health and human performance. Boston: McGraw-Hill Blood, A.J., and Zatore, R.J. (2001, September 25th ) Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion PNAS, Vol 98, no 20 (www.psych.mcgill.ca Retrieved 18/5/07) C.K. Brightbill (1960) The Challenge of Leisure Englewood Cliffs, NJ: Prentice-Hall Brandt, A. M. (2007) The cigarette century New York: Perseus books Bronfenbrenner, U. (1979) The ecology of human development; experiments by nature and design. Cambridge, MA: Harvard University Press Chaplin, J.P. (1985) Dictionary of psychology New York: Laurel books Csikszentmihalyi, M. (2000) Beyond boredom and anxiety San Francisco: Jossey-Bass Durrant, R., and Thakker, J. (2003) Substance use and abuse Thousand Oaks, CA: Sage Ford, B.J. (1994) Smokescreen: a guide to the personal risks and global effects of the cigarette habit. Perth, WA: Halcyon Press Fox, E.L., Bowers, R.W., and Foss, M.L. (1989) The physiological basis of physical education and athletics. Dubuque, IA: Wm. C. Brown Gordon, W.T. (1997) Take today. McLuhan for beginners London. Writers and Readers Ltd. (2002, July) Biography 2. www.marshallmcluhan.com (Retrieved 25/7/07) Hanser, S. B. (1999) The new music therapist’s handbook Boston, MA; Berklee Press Health Sponsorship Council (July, 2005) Reducing smoking initiation literature review: a background discussion document to support the national framework in Aotearoa-New Zealand. Wellington: Health Sponsorship Council 37
  • 38. Hulse, G., White, J., and Cape, C. (2002) Management of alcohol and drug problems Melbourne: Oxford University Press Jones, G.R., George, J.M., and Hill, C.W.L (2000) Contemporary management Boston: Irwin McGraw-Hill Krailsheimer, A.J. (1966) Blaise Pascal: Pensees London: Penguin Kraus, R., and Shank, J. (1992) Therapeutic recreation service: principles and practice Dubuque, IA; Wm. C. Brown Publishers Kunstler, R. (2001) Substance abuse. (pp 94-112) McGuire, F. (2001) Cardiac rehabilitation (pp 269-279) In D.R. Austin and M.E. Crawford (Eds) Therapeutic recreation: an introduction Needham Heights, MA: Allyn and Bacon Linzey, T. (1991) Metaphors and theoretical innovation in human development (pp. 227-252) McMillan, B. (1991) All in the mind (pp 30-45) In J.R. Morss and T. Linzey (Eds) Growing up: the politics of human learning Auckland: Longman Paul Marchand. P. (2002, July) Biography 3. www.marshallmcluhan.com (retrieved 25/7/07) National Health Committee (2004) Guidelines for smoking cessation Wellington: Ministry of Health National Heart Foundation (2006) Guidelines for smoking cessation: practitioner training programme. Christchurch: National Heart Foundation Peterson, C.A., and Stumbo, N.J. (2000) Therapeutic recreation: principles and practice Needham Heights, MA: Allyn and Bacon Russell, R.V. (2005) Pastimes: the context of contemporary leisure Champaign, Il: Sagamore Seeley, R.R., Stevens, T.D. and Tate, P. (1992) Anatomy and Physiology St Louis, MI: Mosby Year-Book, Inc Seligman, M.E.P. (2002) Authentic happiness New York: The Free Press Selye, H. (1974) Stress without distress London: Hodder and Stoughton Smith, N. Counting the beat. The Listener (11/11/06, pp. 24-26) Thompson, D (1992) The pocket oxford dictionary London: Oxford University Press 38
  • 39. www.ash.org.uk (2005, Oct 14) Nicotine Assisted Reduction to Stop (NARS): Guidance for health professionals on this new indication for nicotine replacement therapy www.psych.mcgill.ca/pdf (Daniel Levitin) The beat goes on – in your brain. (April 19, 2007) by Susan Dominus, Sydney Morning Herald, p.11 (Retrieved 25/7/07). This is your brain on music. (Retrieved 18/5/07) Journal articles cited: Abrams B., and Decker G.M. Integrated care: Music, cancer and immunity. Clinical Journal of Oncology Nursing, 2001 Sep-Oct; 5 (5): 222-224 Evans, D. The effectiveness of music as an intervention for hospital patients: a systematic review. Journal of Advanced Nursing, 2002 Jan; 37 (1): 8-18 Gallant, W., Holosko, M., and Siegel, S. The use of music in counseling addictive clients. Journal of Alcohol and Drug Education, Winter 97. 42 (2) 42-52 Healthy news. The sounds of healing. Health 2001, Oct; 15 (8) 28 Vital signs: news for healthy living. Killing pain softly with a song. Health, 1999 Sep; 13 (7): 24 Mazo, E. The medicine of music. Health, 2002 Jun; 16 (5) 74-81 McCaffrey, R; Music listening as a nursing intervention: a symphony of practice Holistic Nursing Practice, 2002 Apr 16 (3): 70-7 Paul, S., and Ramsey, D. Music Therapy in physical medicine and rehabilitation Australian Occupational Therapy Journal, 2000 Sep; 47 (3) 111-8 Winkleman, M. Drumming out drugs: Complementary therapy for addiction American Journal of Public Health, 2003; 93, 647-651 39
  • 40. L) Appendices Efficiency is a common theme running through three different examples from Therapeutic Recreation (1. the relationship between client programmes and needs); Statistics (2. decision on alternate hypotheses and alpha level), and Management thought, (3. the relationship between efficiency and effectiveness). 1. Relationship between client placement into programmes and client needs Client placed into programme Client not placed into programme Client needs programme I. Correct decision II. Incorrect decision Client receives necessary Client does not receive Services – likely to be necessary services – no or intervention unnecessary programme involvement Client does not need programme III. Incorrect decision IV. Correct decision Client receives unnecessary Client does not receive Services – not likely to be services – programme intervention involvement not necessary (Peterson and Stumbo, 2000, p. 205) 2. Decision on alternate hypotheses and alpha level (Figure: four possible outcomes in a research study) Decision True Accept Reject Good decision Type I error Type II error Good decision False 40
  • 41. (No 2. continued) Explanation: The null hypothesis (Ho) is the hypothesis stating that the independent variable has “no effect” on the dependent variable. A Type I error is rejection of a true null hypothesis. A Type II error is acceptance or non-rejection of a false null hypothesis (Baumgartner and Hensley, 2005, pp. 70; 289-290) 3. The relationship between efficiency and effectiveness Efficiency Low High Low efficiency/ High effectiveness Manager chooses the right goals to pursue, but does a poor job of using resources to achieve these goals. Result: A product that customers want, but that is too expensive for them to buy High efficiency/ High effectiveness Manager chooses the right goals to pursue and makes good use of resources to achieve these goals. Result: A product that customers want at a quality and price that they can afford. Low efficiency/ Low effectiveness Manager chooses wrong goals to pursue and makes poor use of resources. Result: a low-quality product that customers do not want. High efficiency/ Low effectiveness Manager chooses inappropriate goals, but makes good use of resources to pursue these goals. Result: A high quality product that customers do not want. Explanation: Organisational performance is a measure of how efficiently and effectively managers use resources to satisfy customers and achieve organizational goals. Efficiency is a measure of how well or productively resources are used to achieve a goal. Effectiveness is a measure of the appropriateness of the goals of an organization is pursuing and the degree to which the organization achieves those goals (Jones, George, and Hill, 2000, pp. 5-6). 41