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Corridor Manipulation




This print screen shows the original corridor recording and two copies which would be manipulated.
I have used VST: dblue Glitch on the second recording
which manipulated the sound so that the sound is
computerised.

I have set the:

-Slow Down to 25%
-Delay, spread, shine mix, left reverser, smooth and
volume to 0%
-Speed up to 5%
-Fm to 20%
-Frequency to 125Hz
- Length to 85%


This means that some parts of recording repeats itself and
becomes longer.
For the third recording I have manipulated it with Rea
Pitch and Dub Delay. This makes the recording echo and
squeaky with a metallic sound.




The wet is set to +6.9 and the Dry is set to -2.7. The Shift
(full range) is at 9.94 semitones. The Shift (cents) is at -8
cents. The Shift (semitones) is at semitones. Shift (octaves)
is at 1 octaves. The Format (full) is at -17.76 semitones.
The format shifts are at -86 cents and 10 semitones.

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Corridor edited analysis

  • 1. Corridor Manipulation This print screen shows the original corridor recording and two copies which would be manipulated.
  • 2. I have used VST: dblue Glitch on the second recording which manipulated the sound so that the sound is computerised. I have set the: -Slow Down to 25% -Delay, spread, shine mix, left reverser, smooth and volume to 0% -Speed up to 5% -Fm to 20% -Frequency to 125Hz - Length to 85% This means that some parts of recording repeats itself and becomes longer.
  • 3. For the third recording I have manipulated it with Rea Pitch and Dub Delay. This makes the recording echo and squeaky with a metallic sound. The wet is set to +6.9 and the Dry is set to -2.7. The Shift (full range) is at 9.94 semitones. The Shift (cents) is at -8 cents. The Shift (semitones) is at semitones. Shift (octaves) is at 1 octaves. The Format (full) is at -17.76 semitones. The format shifts are at -86 cents and 10 semitones.