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Copyright Law of
the Digital Area
BY MIKAYLA DYELL
Brief History
 Began in Great Britain in 1710
 First copyright law in the United States was in 1790
 First Copyright Act was in 1909
 Fair Use Doctrine
Recent Cases
 Naruto v. Slater (2018)
 Photographer, David Slater
 Macaque, Naruto
 People for the Ethical Treatment of Animals (PETA)
 District court concluded Naruto failed to establish standing
under the Copyright Act
Recent Cases
 Agence France Presse v. Morel (2010)
 Photographer, Daniel Morel
 Agence France Presse
 Getty Images
 Court concluded Morel be awarded the maximum statutory
penalty under the Copyright Act
Law Review
 Ad agencies need to take more steps to protect their distinctive creative work.
 Blogging has led to “blogsquatting” which frequently violates copyright.
 The Copyright Extension Act of 1998 allows copyright terms that are more than the lifespan
of the average American.
 The infringement analysis of music needs to improve in order to have a clear difference
between plagiarism and homage when writing music.
Conclusion
 The growing digital area has influenced”
 How copyright ownership is given
 The way copyright infringement is handled
 Future Legal Questions:
 How will copyright law evolve with more technological advances?
 How much ownership should a creator have of their product and for how long?
References
 Agence France Presse v. Morel, U.S. Dist. LEXIS 139103 (2010).
 Hannibal, Travis (Spring, 2007). RECLAIMING THE FIRST AMENDMENT: CONSTITUTIONAL
THEORIES OF MEDIA REFORM: OF BLOGS, EBOOKS, AND BROADBAND: ACCESS TO
DIGITAL MEDIA AS A FIRST AMENDMENT RIGHT. Hofstra Law Review, 35, 1519. Retrieved
from https://advance-lexis-com.leo.lib.unomaha.edu/api/document?collection=analytical-
materials&id=urn:contentItem:4PYR-81P0-00CW-G0FY-00000-00&context=1516831.
 Kemp, Gail. (1994, November). Live Issue/Creative Copyright: Agencies should take steps to
protect their work - Copyrighting creative work may seem distasteful but is necessary.
Mercer Law Review, 60, 927. Retrieved from https://advance-lexis-
com.leo.lib.unomaha.edu/api/document?collection=analytical-
materials&id=urn:contentItem:4WD2-48V0-00CW-40SJ-00000-00&context=1516831.
References
 Lisby, Greg (2019). Intellectual Property, in W. Wat Hopkins, Communication and the Law,
2019 Edition (pp. 233-260). Northport, AL: Vision Press.
 Naruto v. Slater, 888 F.3d 418, (2018).
 Wynn, Alison P. (2017). NOTE: COPYRIGHT LAW - Unique Characteristics of Music Warrant
its Own System: How Adopting the Intended Audience Test Can Save Music Copyright
Litigation. Western New England Law Review, 39, 1. Retrieved from https://advance-lexis-
com.leo.lib.unomaha.edu/api/document?collection=analytical-
materials&id=urn:contentItem:5N7W-DPV0-00CV-2158-00000-00&context=1516831.

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Copyright of the Digital Area

  • 1. Copyright Law of the Digital Area BY MIKAYLA DYELL
  • 2. Brief History  Began in Great Britain in 1710  First copyright law in the United States was in 1790  First Copyright Act was in 1909  Fair Use Doctrine
  • 3. Recent Cases  Naruto v. Slater (2018)  Photographer, David Slater  Macaque, Naruto  People for the Ethical Treatment of Animals (PETA)  District court concluded Naruto failed to establish standing under the Copyright Act
  • 4. Recent Cases  Agence France Presse v. Morel (2010)  Photographer, Daniel Morel  Agence France Presse  Getty Images  Court concluded Morel be awarded the maximum statutory penalty under the Copyright Act
  • 5. Law Review  Ad agencies need to take more steps to protect their distinctive creative work.  Blogging has led to “blogsquatting” which frequently violates copyright.  The Copyright Extension Act of 1998 allows copyright terms that are more than the lifespan of the average American.  The infringement analysis of music needs to improve in order to have a clear difference between plagiarism and homage when writing music.
  • 6. Conclusion  The growing digital area has influenced”  How copyright ownership is given  The way copyright infringement is handled  Future Legal Questions:  How will copyright law evolve with more technological advances?  How much ownership should a creator have of their product and for how long?
  • 7. References  Agence France Presse v. Morel, U.S. Dist. LEXIS 139103 (2010).  Hannibal, Travis (Spring, 2007). RECLAIMING THE FIRST AMENDMENT: CONSTITUTIONAL THEORIES OF MEDIA REFORM: OF BLOGS, EBOOKS, AND BROADBAND: ACCESS TO DIGITAL MEDIA AS A FIRST AMENDMENT RIGHT. Hofstra Law Review, 35, 1519. Retrieved from https://advance-lexis-com.leo.lib.unomaha.edu/api/document?collection=analytical- materials&id=urn:contentItem:4PYR-81P0-00CW-G0FY-00000-00&context=1516831.  Kemp, Gail. (1994, November). Live Issue/Creative Copyright: Agencies should take steps to protect their work - Copyrighting creative work may seem distasteful but is necessary. Mercer Law Review, 60, 927. Retrieved from https://advance-lexis- com.leo.lib.unomaha.edu/api/document?collection=analytical- materials&id=urn:contentItem:4WD2-48V0-00CW-40SJ-00000-00&context=1516831.
  • 8. References  Lisby, Greg (2019). Intellectual Property, in W. Wat Hopkins, Communication and the Law, 2019 Edition (pp. 233-260). Northport, AL: Vision Press.  Naruto v. Slater, 888 F.3d 418, (2018).  Wynn, Alison P. (2017). NOTE: COPYRIGHT LAW - Unique Characteristics of Music Warrant its Own System: How Adopting the Intended Audience Test Can Save Music Copyright Litigation. Western New England Law Review, 39, 1. Retrieved from https://advance-lexis- com.leo.lib.unomaha.edu/api/document?collection=analytical- materials&id=urn:contentItem:5N7W-DPV0-00CV-2158-00000-00&context=1516831.