1-Woman in Modern Territories of Turkish Architecture - project by Dr. Meral Ekincioglu for Archnet-MIT- February - 2016

Woman in Modern and Contemporary Territories of Turkish Architecture
Dr. Meral Ekincioglu
ARCHNET
Aga Khan Documentation Center
Massachusetts Institute of Technology

Introduction:
Motivated by a lack of attention to Turkish women’s contributions to architecture, the profession’s
inability to retain them and gender inequality in this field, the purpose of this project is to offer a
comprehensive account of their roles in practice, the built environment and academia. If one considers
the main professional and cultural characteristics of architecture in Muslim-majority societies, their
gender politics and ongoing challenges in the global history of women in architecture, it becomes clearer
why Turkish women architects have a distinctive characteristic (at the intersection of East and West),
and their accomplishment deserves more widespread attention: In spite of traditional patriarchy in the
society, the absence of an independent women’s liberation movement and the male-dominated nature of
the profession, Turkish women architects operated as one of the modern iconographies of the secular
state established by the Kemalist revolution and entered into architecture by situating their practice
within social and materials context of the sector. Following the establishment of the Republic of Turkey
in 1923, they had the opportunity of architectural education in the 1930s and participated into modern
architectural culture including design-centered practice, teaching, writing and art by creating a multi-
layered stage on these realms. Although the first architectural school was established in the country in
1883 and the first women architects could obtain their degrees in 1934, their enrollment in architecture
programs and the number of women practitioners have climbed in the country since that period. Within
such a historical background, their design thinking and vocabulary, practice and intellectual endeavor
could become an active agent of the contemporary repertoire of Turkish architecture as well.
However, it shouldn’t be ignored that the gender politics and culture of the profession and academia still
resist the entry of women into these realms in the Republic of Turkey. In addition, most of women
architects are still silent on their achievements and difficulties in their careers and some of them seeking
acceptance in the profession or academia tend to dissociate themselves from talk of gender difference in
spite of the sexual division of labor, sharp salary differences, glass-ceiling barrier, etc. On the other hand,
it is still common that great man narratives dominate the historiography of (modern) architecture in the
country and can be seen as the stronghold of resistance to the inclusion of questions and materials about
women in spite of their growing presence in the various fields of architecture. Finally, it can be assumed
that there is no framework for feminist scholarship coming from within the discipline and architectural
schools, where architectural historians and critics are trained, to analyze the historical context of the
social and cultural construction of sexual difference, the mechanisms of gender politics and power
relations in architecture. Based on these problematic situations and purpose, this project will present a
rich close-reading of Turkish women architects by documenting their projects, buildings, visual and
textual works in the hopes of stimulating critical awareness in this field. As an ongoing project, “Woman
in Modern and Contemporary Territories of Turkish Architecture” by Archnet welcomes your first-hand
materials to fill the substantial gap in these issues.
Meral Ekincioglu, Ph.D.

Content:
1.1.Leman Tomsu (1913-1988)
1.1.1.Description
1.1.1.1. Her Architectural Design Competition Projects
1.1.1.2. Her Architectural Projects
1.1.1.3. Her Publication List
1.1.1.3.a.Publication by Leman Tomsu
1.1.1.3.b. Publication on Leman Tomsu
1.1.1.4. Sources
1.2.Münevver Belen Gözeler (? -1973)
1.2.1.Desciption
1.2.1.3. Sources
1.3. Leyla Turgut (1911-1988)
1.3.1. Desciption
1.3.1.3. Sources
1.4. Cahide Tamer (1915-2005)
1.4.1. Description
1.4.1.1. Her Restoration Projects
1.4.1.3. Sources
1.5. Mualla Eyüboğlu Anhegger (1919-2009)
1.5.1. Desciption
1.5.1.2. Her Restoration Projects
1.5.1.3. Sources
1.6. Harika Alpar Söylemezoğlu (1918- )
1.6.1.Description
1.6.1.1. Her Architectural Design Competitions
1.6.1.3. Sources

1.7. Altuğ Tanrıverdi Çinici (1935-...)
1.7.1.Description
1.7.1.3. Her Awards
1.7.1.4. Her Exhibitions
1.7.1.6. Sources
2.Academic Literature on Woman in Modern and Contemporary Territories of Turkish
Architecture (Spatial practices by women architects and woman as the subject of gendered architectural spaces)
2.a. Articles in printed journals
(in alphabetical order)
2.b. Books
2.c. Chapter or other part of a book
2.d. Thesis or dissertation
2.e. Paper presented at a meeting or conference
2.f. Website
3. Women Architects in “Mimar-Arkitekt” (1931-1980)
3.1. Architectural Projects, Buildings and Competitions by Women
(in chronological order, Turkish)
*Detailed information of projects, buildings by women in Arkitekt
(for Archnet publication)
3.2. Articles and Review by Women
3.3. Translations by Women
4. Women Architects in “Mimarlık” (1963-...)
4.1. Architectural Projects, Buildings and Competitions by Women
(in chronological order, Turkish; women architect as a partner or in solo practice)
4.2. Articles and Reviews by Women
4.3. Translations by Women

4.4. Interviews by Women
5. Women Architects in Architectural Design Competitions (1938-1969)
6.Kadın Mimarlar 2014, TMMOB Mimarlar Odası Ankara Şubesi, Arge Mesleki Bilimsel Çalışma
Kurulu (a Turkish survey by the Chamber of Architects of Turkey on Women Architects in Turkey in
2014).
7. Secondary Sources: The Project of Modernity and Woman in Turkey
7.1.Articles in printed journals
7.2. Books
7.3. Chapter or other part of a book
7.4. Thesis or dissertation
7.5. Periodicals:
7.5.1. Muhit
7.5.2. Ar
7.5.3. La Turquie Kemaliste
8. Institutions

Dr. Ekincioglu obtained her Ph.D. degree from Istanbul Technical University in 2011. Her dissertation
entitled “Tekeli-Sisa Architectural Practice from 1960s to 2000: Construction of the Design Architect’s
Professional Role in Modern Turkey” is the first academic study investigating the practice history of this
partnership established in Istanbul in 1954 and still active at the forefront of Turkish modernity. She
conducted her Ph.D. research at Harvard University, Aga Khan, History of Art and Architecture, Ph.D.
Program as a special Turkish fellow throughout 2006-2007 academic term and at Columbia University,
Graduate School of Architecture, Planning and Preservation, Ph.D. Program as a research scholar
throughout 2008-2009 academic term. Theory and modern history of the architecture profession and
design practice, critical historiography of modern (Turkish) architecture and its problematics related to
the practical dimension of architectural design and the postwar period are her major academic research
fields. As a visiting scholar, she has been currently conducting her new academic research project on the
gender politics of the profession and feminist history-writing at the Massachusetts Institute of
Technology, History, Theory and Criticism of Architecture Program.
Meral Ekincioglu taught advanced level design studio and various courses related to history, theory and
discourse in the 20th
century modern and contemporary architecture and its practice in Istanbul;
presented her two papers at Massachusetts Institute of Technology in 2007 and 2009; served as the
member of the organizing committee for a national symposium at Istanbul Technical University and
presented her published paper at this symposium in 2000. She is the general publishing coordinator of
“Boyut Cagdas Turk ve Dunya Mimarlari Dizisi” (Eng. Boyut Contemporary Turkish and World
Architects Series) published in 2000-2001, worked at “Arredamento Mimarlik” (Eng. Arredamento
Architecture), a Turkish architectural journal as the editor in 1999-2001 and at “PORTOLYO”, a Turkish
architectural design magazine as the founding co-editor in 2002-2005. Her graduation project was
nominated as the award candidate at the fifth National Architecture Awards organized by the Chamber
of Architects of Turkey in 1996. She has several published articles and translations.

Timeline of the First Generation of Women Architects in Modern Turkey *
1876, Constitution made primary education mandatory for both boys and girls,
1911, the first high school for girls (“Kız İdadisi”) in Istanbul,
1914, the establishment of “İnas Sanayi-i Nefise Mektebi” which had given education to only woman
students, (This school includes only departments of painting and sculpture and there were no any
woman students in the architectural education),
1923, the declaration of the Republic of Turkey,
1926, the privileges granted to women started with the establishment of the Civil Law including the
abolition of religious marriage, polygamy and introducing family relations within a legal frame, civil
marriage, divorce, and inheritance rights,
1930, women gained the right to participate in municipal,
1934, women given the vote,
1934,Leman Tomsu and Münevver Belen, the first women architects of the Republic of Turkey graduated
from the Department of Architecture of the Academy of Fine Arts,
1936, Şeküre Üçer Niltuna graduated from the Department of Architecture of the Academy of Fine Arts,
1939, Leyla Turgut graduated from the Department of Architecture of the Academy of Fine Arts,
1942, Celile Berk, the first woman engineer-architect from Istanbul Technical University graduated,
1942, Mualla Eyüboğlu Anhegger, one of the leading women architects working on village institutes and
restoration projects in modern Turkey, graduated from the Department of Architecture of the Academy
of Fine Arts,
1942, Harika Alpar Söylemezoğlu, one of the well-known early women figures collaborating her architect
husband, Kemali Söylemezoğlu graduated from the Department of Architecture of the Academy of Fine
Arts,
1943, Cahide Tamer, one of the pionering woman figures in the field of restoration in modern Turkey
graduated from the Department of Architecture of the Academy of Fine Arts,
1944, Fatma Karacık, the second woman engineer-architects from Istanbul Technical University
graduated,
1945, F. Güner Gören and Yıldız Tolun, women engineer-architects graduated from Istanbul Technical
University,
1947, Melahat Filibe Topaloğlu and Zehra Alpsoy, women engineer-architects graduated from Istanbul
Technical University,
1952, Bedia Ertürk, the first woman architect graduated from Yıldız Technical University, Department
of Architecture,
2013, the first monograph on Leman Tomsu was published.

* Özlem Erdogdu Erkarslan defines the first generation of women architects in the Republic of Turkey
as follow: “The first generation of women architects in the Republic were employed either through public
commissions, in the private sector, or as state officers in planning departments. The first graduates
worked directly for the Republican Populist Party (until the 1940s) whereas a second generation
preferred to work in the urban planning departments of the Ministry of Public Works, the Iller Bank
(Municipal Credit Bank) or in various municipalities.”. See for its reference, Erkaslan, Özlem E. "Turkish
Women Architects in the Late Ottoman and Early Republican Era, 1908-1950." Women's History Review 16
(2007): 555-575.
Sources:
-Erkaslan, Özlem E. "Turkish Women Architects in the Late Ottoman and Early Republican Era, 1908-
1950." Women's History Review 16 (2007): 555-575.
-Karakaya, Ebru. “Türk Mimarlığı’nda Sanayi-i Nefise Mektebi / Güzel Sanatlar Akademisi’nin Yeri ve
Restorasyon Alanına Katkıları (1883-1960).” Master thesis, Yıldız Technical University, 2006.
-Kılınç, Kıvanç. “Constructing Women for the Republic: The Spatial Politics of Gender, Class, and
Domesticity in Ankara, 1928-1952.” Ph.D. diss., State University of New York at Binghamton, Department
of Art History, 2010.
-Koç, Pınar Bolel and Esma Igus Parmaksız. “Arşiv, Kadın, Kimlik: MSGSÜ Resim Heykel Müzesi
Arşivi’nden Leyla Turgut Terekesi.” December 10, 2014.
https://www.academia.edu/1718163/AR%C5%9E%C4%B0V_KADIN_K%C4%B0ML%C4%B0K_MSGS
%C3%9C_RES%C4%B0M_HEYKEL_M%C3%9CZES%C4%B0_AR%C5%9E%C4%B0V%C4%B0NDE
N_LEYLA_TURGUT_TEREKES%C4%B0
-Özgüven, Yekta. “the Beginning of Formal Architectural Education in Turkey and the Pioneer Turkish
Women in Architectural Education.” In Built Environment & Information Technologies, edited by Simge
Andolsun, Koray Temizsoy, Meltem Uçar, 127-135. Ankara: METU Faculty of Architecture, 2006.

1.1.Leman Tomsu
1913-1988
(Photo credit: Dostoğlu, N. T. and Erkaslan, O. E., (eds.), 2013, Leman Cevat Tomsu, Türk Mimarlığında Bir Öncü,
1913-1988, Mimarlığa Emek Verenler Dizisi, No: 6, Mimarlar Odası Yayınları, Ankara, April, p. 44.).
1.1.1.Description:
Leman Tomsu, one of the first two women architects of the Republic of Turkey (with Münevver Belen)
graduated from Academy of Fine Arts in Istanbul in 1934. Obtaining her degree in architecture, she was
appointed at the Provincial Directorate in Istanbul in February of 1935 and began to work with Martin
Wagner, a German architect and city planner.
After her travel to Germany between 1937-1938, she began to work as the assistant to Professor Dr. Emin
Halit Onat (the founding professor and the first dean of the Faculty of Architecture at Istanbul Technical
University) at the High School of Engineering (This school was incorporated into Istanbul Technical
University in 1944) in Istanbul in March of 1941. In February of 1942, she was appointed as an associate
professor at Istanbul Technical University with her Turkish thesis entitled “Bursa Evleri” (Eng. Bursa
Houses) and became the professor at the same university in May of 1960.
In addition to her teaching position, she conducted her research studies in several countries, such as
Switzerland, Germany, Swiss, France and Italy in 1950 (two months), Germany and the United Kingdom
in 1958. In 1965, she visited Paris and attended a UIA conference. As a visiting professor, she gave a lecture
on Bursa Houses and organized an exhibition on architectural works from Istanbul Technical University
at the University of California, Berkeley College of Environmental Design, Department of Architecture in
1966. At the same university, she attended seminars and project juries as well. In 1972, she travelled to the
United Kingdom, Germany, Finland, Denmark, Swiss and Norway (three months) and in 1978, the United
States to conduct her studies.
While pursuing her teaching position at Istanbul Technical University, she worked on various
architectural projects with Professor Dr. Emin Halit Onat between 1936-1959. In addition, she
participated many architectural design competitions from 1938 to 1954 and won several awards.
As a pioneering woman figure in the early Republic period, Leman Tomsu worked on design commissions
for public buildings rather than housing projects. With rational programmatic solutions, the formal
articulations of her works usually reflect the Second National Architectural Style characterized by a
traditional and regional vocabulary under the influence of Emin Halit Onat and Sedad Hakkı Eldem.
She retired from Istanbul Technical University in 1981 and passed away in Istanbul in 1988.

It can be emphasized that her architecture in the fields of teaching and practice has influenced the next
generation of women architects in the country and opened up a new path.
1.1.1.1.Her Architectural Design Competition Projects:
1. Kadikoy People’s House Istanbul, Turkey, 1938, 3rd prize.
2. Eskisehir Hamidiye and Mahmudiye Village Institutes, Eskisehir, Turkey, 1941, 1st prize.
3. Trakya Kepirtepe Village Institute, Edirne, Turkey, 1942, 1st prize.
4. Canakkale People’s House, Canakkale, Turkey, 1943, 3rd prize.
5. Ankara Telephone Exchange Building, Ankara, Turkey, 1944, honorable mention.
6. Zonguldak City Hotel, Zonguldak, Turkey, 1945, 1st prize.
7. Erzurum-Turkish State Railways, Meeting Buildings and its Employee Houses, Erzurum, Turkey,
1945, honorable mention.
8. Eskisehir Station Building, Eskisehir, Turkey, 1946, honorable mention.
9. Istanbul Palace of Justice, Istanbul, Turkey, 1947, honorable mention.
10. Ankara Single-storey Cooperative Houses, Ankara, Turkey, 1948, 1st prize.
11. Ankara, Neighborhood of General Directorate of Nursery, Ankara, Turkey, 1949, 2nd prize.
12. Municipality and Hotel Building, Izmit, Turkey, 1949, honorable mention.
13. Sanatorium for Maltepe Workers Insurance Institute, Maltepe, Istanbul, Turkey, 1951, honorable
mention.
14. Iskenderun Tradesmen Club, Chamber of Commerce, Stock Exchange Building, Iskenderun, Turkey,
1954, 1st prize.
1.1.1.2.Her Architectural Projects:
1. Karamursel People’s House, Turkey, 1936.
2. Gerede People’s House, Turkey, 1937.
3. Sehremini People’s House, 1938.
4. Kayseri People’s House, Turkey, 1938.
5. A House, Ankara, Turkey, 1938.
6. Various projects at Istanbul Municipality, Provincial Directorate and working with Martin Wagner,
1935-1940.
7. Arab Culture Institute, Baghdad, Iraq, 1940.
8. Cerrahpasa Polyclinic Building, Istanbul, Turkey, 1941.
9. Garage Building, Sutluce, Istanbul, Turkey, 1941.
10. Housing Projects with Emin Onat, 1942.
11. Cinema, Club and Department Store Projects with Emin Onat, 1944.
12. Uludag Sanatorium with Emin Onat, Bursa, Turkey, 1946-1949.
13. Leman Tomsu House, Istanbul, Turkey, 1953.
14. Iskenderun Tradesmen Club, Chamber of Commerce, Stock Exchange Building, Iskenderun, Turkey,
1952-1955.
15. Villa Ahmet Karamanci, Cankaya, Ankara, Turkey, 1956.
16. Iskenderun Tradesmen Club, Chamber of Commerce, Stock Exchange Building, renovation project,
Iskenderun, Turkey, 1959.
1.1.1.3. Her Publication List:
(in chronological order, 1931-2013)
1.1.1.3.a.Publication by Leman Tomsu:
- Cevad, Leman. “Gerede ve Emirdağ C. H. Partisi Evleri.” in Arkitekt 52 (1935): 110-111.

(Link: http://dergi.mo.org.tr/dergiler/2/46/379.pdf, , accessed onFebruary 28th 2016)
- Tomsu, Leman and Münevver Belen. “Gerede Halkevi Projesi.” Arkitekt 72 (1936): 330-332.
(Link: http://dergi.mo.org.tr/dergiler/2/140/1703.pdf, accessed onFebruary 28th 2016)
- Tomsu, Leman and Münevver Belen. “Kayseri Halkevi Binası Projesi.” Arkitekt 76 (1937): 107-109.
(Link: http://dergi.mo.org.tr/dergiler/2/29/212.pdf, accessed on February 28th 2016)
- Tomsu, Leman and Münevver Belen. “Ev Projesi.” Arkitekt 76 (1937): 110-111.
- Tomsu, Leman. “Tozkoparan'da Bir Gazino Projesi.” Arkitekt 99-100 (1939): 73-75.
- Tomsu, Leman. “Samsun Merkez Bankası Proje Müsabakası.” Arkitekt 105-106 (1939): 195-197.
- Tomsu, Leman. “Poliklinik Binası.” Arkitekt 123-124 (1941): 49-52.
-Tomsu, Leman. Bursa Evleri. Istanbul: Istanbul Matbaacılık T.A.O, 1950.
1.1.1.3.b. Publication on Leman Tomsu:
Dostoğlu, Neslihan T., and Özlem Erdoğdu Erkaslan. Leman Cevat Tomsu, Türk Mimarlığında Bir Öncü, 1913-
1988. Ankara: Mimarlığa Emek Verenler Dizisi No: 6, 2013.
1.1.1.4.Source:
Dostoğlu, Neslihan T., and Özlem Erdoğdu Erkaslan. Leman Cevat Tomsu, Türk Mimarlığında Bir Öncü,
1913-1988. Ankara: Mimarlığa Emek Verenler Dizisi No: 6, 2013.
Scholarly research and text: Meral Ekincioglu, Ph.D.

1.2.Münevver Belen Gözeler
? - 1973
(Photo credit: Dostoğlu, N. T. and Erkaslan, O. E., (eds.), 2013, Leman Cevat Tomsu, Türk Mimarlığında Bir Öncü,
1913-1988, Mimarlığa Emek Verenler Dizisi, No: 6, Mimarlar Odası Yayınları, Ankara, April, p. 45).
1.2.1.Description:
She was born in Izmit and graduated from Erenkoy Girls High School in Istanbul, where she established
a close friendship with Leman Tomsu, in 1929. Beginning her architectural education at Academy of Fine
Arts in Istanbul in the same year, she obtained her degree in 1934.
In 1935, she was appointed at the Office of Construction Works and began to work at the Provincial
Directorate in Istanbul three months later. She conducted her practice at the Provincial Directorate in
Bursa and Kocaeli until 1939, and continued to work in its central office.
She worked on several projects with her colleague Leman Tomsu until her marriage with Mithat Gözeler,
an engineer in 1940 and conducted her practice at the Provincial Directorate until her retirement.
As the modest but talented design architect, her projects are mostly characterized by a sensitive use of
modern language with simple, prismatic masses and well-articulated proportions. In particular, her
building for the Ministry of Finance in Sisli Division (Istanbul) can be regarded as one of the noteworthy
examples among her projects reflecting those principles. In addition, Bursa People’s House, her
architectural competition project and won the 1st
prize, is a remarkable layout solution with its courtyard,
and PTT (General Directorate of Mail, Telegraph and Telephone Management) buildings, a series of four
standard types, designed by her emphasize her pure and rational expression.
Although she is one of the pioneering women architects in the Republic of Turkey, her career history is
not well-documented: She worked as a civil servant throughout her career and architectural projects
were defined as the collective institutional body in the state functionary. With this understanding,
architects were mostly identified in the anonymity of his or her contribution to those projects.
She passed away in Istanbul in February of 1973.

- PTT (General Directorate of Mail, Telegraph and Telephone Management) buildings, Turkey, 1935.
-Karamursel People’s House (with Leman Tomsu), Kocaeli, Turkey, 1936.
-Gerede People’s House (with Leman Tomsu), Bolu, Turkey, 1937.
-Kayseri People’s House (with Leman Tomsu), Kayseri, Turkey, 1938.
-Bursa People’s House, Bursa, Turkey, 1938.
-a House Project (with Leman Tomsu), Ankara, Turkey.
-a Building for the Ministry of Finance in Sisli Division, Istanbul, Turkey, 1946.
-a House in Tuzla, Istanbul, Turkey, 1954.
- Tomsu, Leman and Münevver Belen. “Gerede Halkevi Projesi.” Arkitekt 72 (1936): 330-332.
- Tomsu, Leman and Münevver Belen. “Kayseri Halkevi Binası Projesi.” Arkitekt 76 (1937): 107-109.
- Tomsu, Leman and Münevver Belen. “Ev Projesi.” Arkitekt 76 (1937): 110-111.
- Belen, Münevver. “Şişlide Maliye Binası Şubesi.” Arkitekt 9-10 (1946): 206.
1.2.1.3.Sources:
-Dostoğlu, Neslihan T., and Özlem Erdoğdu Erkaslan. Leman Cevat Tomsu, Türk Mimarlığında Bir Öncü, 1913-
-Erkaslan, Özlem Erdoğdu. “Modern Türkiye’nin İnşasında Kadın Mimarlar.” In MimarlıkveKadınKimliği,
edited by Nuray Togay, 27-78. Istanbul: Boyut Yayın Grubu Yayınları, 2002.
-Imamoğlu, Bilge. “Architectural Production in State Offices: An Inquiry into the Professionalization of
Architecture in Early Republican Turkey.”, Ph.D. diss., TU Delft, Institute of History of Art, Architecture
and Urbanism, 2010.

1.3.Leyla Turgut
1911- 1988
(Photo credit: http://www.bakisarisakal.com/CUMHUR%C4%B0YET%20KADINLARI.pdf, accessed on
December 24th 2014).
1.3.1.Description:
Born in Istanbul in 1911, Leyla Turgut is the first woman architect in the academic team at the Academy
of Fine Arts, the Department of Architecture. Living in Tahran between 1914-1916 and in Vienna between
1916-1931, she returned to Istanbul in the early 1930s and enrolled in the Academy of Fine Arts, the
Department of Decorative Arts. Shortly after, she decided to pursue her education at the Department of
Architecture and obtained her degree in 1939. Then, she pursued her academic career at the same
department and worked with Robert Vorhölzer as his assistant.
After leaving the world of academia, she began to conduct her own practice. Two well-known projects
designed by her are housing for government employee at Istanbul Electric Tram and Tünel Company
(IETT) in Okmeydanı and Akpınar Village Institute in Samsun. In addition to these projects, she also
participated in several architectural design competitions, such as the Canakkale Martyrs' Memorial
(with Asım Mutlu in 1944), Ankara University, Science Faculty (1946), Istanbul, Open Air Theater (1946)
and Cinema and Hotel Project in Ankara (1946). In addition to these projects, she worked with Professor
Henry Prost on Istanbul Development Plan.
Besides her architectural career she was professionally involved in sport. In 1934, she and Cavidan
Erbelger were the first two Turkish woman swimmers attending an international swimming competition
(in Russia). In Europe, she served as the first woman team captain of ice hockey. In 1936, she competed
at the Berlin Olympic Games with her brother. In 1940, she established Moda Water Sports Club in
Istanbul. In 1973, she served as the general manager and assistant art director at the first Istanbul Festival.
In 1988, her personal archive was donated to various institutions in Istanbul, such as Archeology
Museum, Turkish Islamic and Arts Museum, Naval Museum and Mimar Sinan Fine Arts University
(MSGSU), Painting and Sculpture Museum.

1. The Canakkale Martyrs' Memorial (with Asım Mutlu), Canakkale, Turkey, 1944, honorable mention.
2. Ankara University, Science Faculty, Ankara, Turkey, 1946, honorable mention.
3. Istanbul, Open Air Theater, Istanbul, Turkey, 1946, honorable mention.
4. Cinema and Hotel Project, Ankara, Turkey, 1946, 2nd prize. (Leyla Turgut shared the second prize in
the Cinema and Hotel Competition with Suat Erdeniz).
-Text by the editor. “Ankara'da Yapılacak Bir Sinema - Otel Proje Müsabakası.” Arkitekt 11-12 (1946): 257.
(Link: http://dergi.mo.org.tr/dergiler/2/76/752.pdf, accessed on February 28th 2016).
-Text by the editor. “Istanbul Açık Hava Tiyatrosu Proje Müsabakası.” Arkitekt 5-6 (1946): 106-107.
(Link: http://dergi.mo.org.tr/dergiler/2/72/680.pdf, accessed onFebruary 28th 2016).
1.3.1.3.Sources:
-Koç, Pınar Bolel and Esma Igus Parmaksız. “Arşiv, Kadın, Kimlik: MSGSÜ Resim Heykel Müzesi Arşivi’nden
Leyla Turgut Terekesi.” December 10, 2014.
-Özgüven, Yekta. “Türkiye’de Kadın Mimar Kariyeri’nin Başlangıcı.” Master thesis, Yıldız Technical
University, Istanbul, 2002.
-Text by the editor. “Ankara'da Yapılacak Bir Sinema - Otel Proje Müsabakası.” Arkitekt 11-12 (1946): 257.
-Text by the editor. “Istanbul Açık Hava Tiyatrosu Proje Müsabakası.” Arkitekt 5-6 (1946): 106-107.

1.4.Cahide Tamer
1915-2005
(Photo credit: Ihsane Aksel Maskar on the left; Vahida Aksel Tamer on the left. May 22nd 1929. Olcay Akkent’s
personal archive. Courtesy of her.).
1.4.1.Description:
Cahide Tamer is one of the pionering woman figures in the field of restoration in modern Turkey. She was
born in Istanbul and graduated from Erenköy Girls High School.
Following the breakdown of her first marriage when she was 17, she enrolled in the Academy of Fine Arts,
the Department of Painting in Istanbul in 1935 and studied with Namık Kemal and İbrahim Çallı. In 1936,
she continued her education at the Academy, the Department of Turkish Decorative Arts and studied
with İsmail Hakkı Altunbezer, Süheyl Ünver, Necmeddin Okyay, Kamil Akdik ve Vasıf Sedef. In 1938, she
began her architectural education at the Academy and obtained her degree in 1943. Shortly after, she
began to work at the Ministry of National Education, General Directorate of Ancient Arts and Museums
and assisted Sedat Çetintaş (1889-1965), one of the first graduates of the Academy of Fine Arts and one
of the leading figures in theCommittee for the Protection of Historical Works and Monuments in Turkey.
In 1947, she worked on the restoration project of divan lounge (“divanhane”, in Turkish) in Amcazade
Hüseyin Pasha Mansion built 1699 and one of the oldest buildings on the Bosphorus in Istanbul.
In 1950-1952, she contributed to the restoration project of the Sofa Kiosk in the Harem Section of the
Topkapı Palace and conducted the restoration of ceilings at the Istanbul Archeological Museum in 1953-
1954.
Following her second marriage with Hadi Tamer, the chemist at the Istanbul Archeological Museum, she
went to France to study in the field of historical buildings for two months.
Returning to Istanbul, she worked on two largest and significant projects in the restoration history of
the country: In 1954, she began the restoration project of the Fortressof the Seven Towers in Istanbul and
conducted this project until 1970. In the meantime, sheworked with Mustafa Ayaşlıoğlu and Selma Emler
on the restoration project of the Rumeli Fortress in Istanbul and undertook this project after Mustafa
Ayaşlıoğlu’s travel to Syria.

For the International Byzantine Congress taking place in Istanbul in 1955, various restoration projects
were realized and most of them were conducted by Cahide Tamer.
This was followed by the restoration of the naos and atrium section of the Studios Monastery and the
Palace of the Porphyrogenitus in Istanbul in 1955, the restoration project of the Pammakaristos Church
in Fethiye, a district of Muğla in the Aegean region of Turkey and the restoration project of the naos,
narthex and atrium sections of the Hagia Irene in Istanbul between 1955-1956.
In December of 1956, she began to work at the Directorate General of Foundations (“Vakıflar Genel
Müdürlüğü”, in Turkish) in Istanbul and was responsible for the restoration projects of the Orthodox
Community MetamorfosisChurch and the Surp Pırgiç Armenian Churchin the city. In the same year, she
worked on the restoration projects of two towers of the Walls of Constantinople and prepared technical
reports on various parts of its see and land sections.
Her other restoration works included the Tomb of Sultan Süleyman in 1953 and the Tomb of his wife
Hürrem Sultan in 1955, the Feneri Isa Mosque (the Lips Monastery) in 1959, the Hekimoğlu Ali Pasha
Complex between 1958-1961, the Mosque with the Spiral Minaret in 1961, the Pertev Pasha Complex
between 1958-1960, the Yunus Pasha Mosque between 1960-1961, the Fatih Complex between 1955-1962,
the Murad Pasha Mosque between 1960-1962, the Valide Mosque between 1959-1962, the Sultan Selim
Madrasah, now the Museum of Turkish Calligraphic Art, between 1958-1963, the Haseki Complex
between 1958-1964, the Rüstem Pasha Complex between 1959-1964, the Hersekzade Ahmet Pasha
Mosque and its tomb between 1964-1965, a fountain (1659) in Cayirova in 1967, the minaret of the
Yildirim Bayezid Mosque in 1967, the Nuruosmaniye Complex between 1955-1968, the Ekmekçizade
Ahmet Pasha Madrasah between 1966-1968, the Tomb of Malkoçoğlu in 1969, the Bali Bey Mosque, the
Sinan Pasha Complex and the Postinpus Baba Zawiya in 1969,the Demirtas Hammam in 1969, theÇoban
Mustafa Pasha Complex between 1961-1970 and the Süleyman Pasha Madrasa between 1968-1969.
She received “the Chevalier de L'Ordre des Arts et des Lettres” Award in 1961 (for the restoration of the
Fortress of the Seven Towers) and recognition by the Chamber of Architects of Turkey on the occasion
of the 50th anniversary of her professional career in 1993.
She was retired from the Directorate of Foundations in 1974 and died in 2005.
1.4.1.1.Her Restoration Projects:
-The Divan Lounge (“divanhane”, in Turkish) in Amcazade Hüseyin Pasha Mansion, Istanbul, Turkey,
1947.
-The Sofa Kiosk in the Harem Section of Topkapı Palace, Istanbul, Turkey, 1950-1952.
-The Tomb of Sultan Süleyman, Istanbul, Turkey, 1953?
-Ceilings at the Istanbul Archeological Museum, Istanbul, Turkey, 1953-1954.
-The Fortress of the Seven Towers (with Mustafa Ayaşlıoğlu and Selma Emler), Istanbul, Turkey, 1954-
1970.
-The Tomb of Hürrem Sultan, Istanbul, Turkey, 1955.
-The naos and atrium section of the Studios Monastery and the Palace of the Porphyrogenitus, Istanbul,
Turkey, 1955.
-The naos, narthex and atrium sections of the Hagia Irene, Istanbul, Turkey, 1955-1956.
-The Orthodox Community Metamorfosis Church, Istanbul, Turkey, 1956?.
-The Surp Pırgiç Armenian Church, Istanbul, Turkey, 1956?.
-The two towers of the Walls of Constantinople, Istanbul, Turkey, year?.
-The Feneri Isa Mosque (the Lips Monastery), Istanbul, Turkey, 1959.
-The Pertev Pasha Complex, Istanbul, Turkey, 1958-1960.
-The Hekimoğlu Ali Pasha Complex, Istanbul, Turkey, 1958-1961.
-The Mosque with the Spiral Minaret, Istanbul, Turkey, 1961.
-The Yunus Pasha Mosque, Sakarya, Turkey, 1960-1961.

-The Fatih Complex, Istanbul, Turkey, 1955-1962.
-The Murad Pasha Mosque, Istanbul, Turkey, 1960-1962.
-The Valide Mosque, Istanbul, Turkey, 1959-1962.
-The Sultan Selim Madrasa (now the Museum of Turkish Calligraphic Art), Istanbul, Turkey, 1958-1963.
-The Haseki Complex, Istanbul, Turkey, 1958-1964.
-The Rustem Pasha Complex, Istanbul, Turkey, 1959-1964.
-The Hersekzade Ahmet Pasha Mosque and its tomb, Yalova, Turkey, 1964-1965.
-A fountain (1659), Cayirova, Turkey, 1967.
-The minaret of Yildirim Bayezid Mosque, Bursa, Turkey, 1967.
-The Nuruosmaniye Complex, Istanbul, Turkey, 1955-1968.
-The Ekmekçizade Ahmet Pasha Madrasah, Istanbul?, Turkey, 1966-1968.
-The Tomb of Malkoçoğlu, Gebze, Turkey, 1969.
-The Bali Bey Mosque, yer?, yil?
-The Sinan Pasha Complex, yer?, yil?
-The Postinpus Baba Zawiya, Bursa, Turkey, 1969.
-The Demirtas Hammam, Bursa, Turkey, 1969.
-The Süleyman Pasha Madrasa, yer?, 1968-1969.
-The Çoban Mustafa Pasha Complex, Gebze, Turkey, 1961-1970.
1.4.1.2. Publications List:
1.4.1.2.1.Published articles by Cahide Tamer:
Tamer, Cahide. “Kanlıca’daki Amcazade Hüseyin Paşa Yalısı ve Yapılan Onarım.” Arkitekt 191-192,
(1947): 248-251, 292.
(Link: http://dergi.mo.org.tr/dergiler/2/25/172.pdf, accessed on February 28th
2016).
Tamer, Cahide. “Kanlıca’daki Amcazade Hüseyin Paşa Yalısı.” Tarih Hazinesi 4 (1951): 201-202, 206.
Tamer, Cahide. “Kanlıca’da Amcazade Hüseyin Paşa Yalısı.” Abidelerimiz 2 (1954): 227-229.
Tamer, Cahide and R. Ekrem Koçu. “Anadoluhisarı’nda Meşruta Yalı.” Istanbul Ansiklopedisi II (1959):
823-827.
Tamer, Cahide. “Cumhuriyet Devrinde Eski Eser Anlayışı ve Onarım Faaliyetleri.” Rölöveve Restorasyon
Dergisi 1 (1974): 9-15.
Tamer, Cahide. “Cahide Tamer’in Uzun Yolculuğu.” Istanbul’dan Göreme’ye Kültür Mirasımız (1984): 69.
Tamer, Cahide. “Istanbul Surları Nasıl Restore Edilmelidir?.” Istanbul’dan Göreme’ye Kültür Mirasımız,
(1984): 66.
Tamer, Cahide. “Topkapı Sarayı’nda 19. Yüzyılın Sonlarında Çekilmiş Birkaç Fotoğraf ve Bazı
Eleştiriler.” Istanbul (1985): 131-254, 236.
1.4.1.2.2. Books by Cahide Tamer:
Tamer, Cahide. “Gebze-Çoban Mustafa Paşa Külliyesi Restorasyonu (1961-1970).” Istanbul: Türkiye Turing ve
Otomobil Kurumu Yayınları, 1999.

Tamer, Cahide. “Amcazade Yalısı ve Manzumesi Onarımları.” Istanbul: Türkiye Turing Otomobil Kurumu,
2001.
Tamer, Cahide. “Rumelihisarı Restorasyonu; Belgelerle ve Anılarla, 1955-1957.” Istanbul: Türkiye Turing
Otomobil Kurumu, 2001.
Tamer, Cahide. “SultanSelim (Halicilar) Medresesi Restorasyonu, 1958-1963.” Istanbul: Türkiye Turing
Otomobil Kurumu, 2002.
Tamer, Cahide. “Taraklı Yunus Paşa Camii Restorasyonu.” Istanbul: Türkiye Turing Otomobil Kurumu,
2002.
Tamer, Cahide. “Istanbul Bizans Anıtları ve Onarımları.” Istanbul: Türkiye Turing Otomobil Kurumu, 2003.
1.4.1.2.3.Published articles on Cahide Tamer:
İnan, Afet. “Rumelihisarı’nı Üç Türk Kızı Restore Etti.” Hayat Mecmuası 41 (1959): 12-13.
Ünsal, Behçet. “Rumelihisarı’nın 65 Yıllık Restorasyon Öyküsü.” Istanbul’dan Göreme’ye Kültür Mirasımız
(1984): 132.
Ahunbay, Zeynep. “Sultan Selim Medresesi.” Dünden Bugüne Istanbul Ansiklopedisi VII (1994): 63-64.
Başarır, Başar. “Otuz Yıl Restorasyon: Cahide Tamer.” Istanbul Dergisi 13 (1995): 94-98.
Doğantepe, Hülya Kanbay. “Türkiye’nin İlk Kadın Restoratör Mimarı Cahide Tamer.” Antik Dekor 30
(1995): 80-82.
Yücel, Erdem. “Restoratör Mimarlardan Cahide Tamer.” Yapı 277 (2004): 91-94.
Akın, Nur. “Koruma Alanının Büyük Kaybı: Cahide Tamer.” Mimarlara Mektup 328 (2006): 10-11.
Tayla, Hüsrev. “Restoratör Mimar Cahide Tamer.” Mimarist 83 (2006): 12-13.
Yapıcı, Mücella. “Aramızdan Ayrılanlar: Dünya, İlk Kadın Şövalyesi Cahide Tamer’i Yitirdi.” Mimarlara
Mektup 83 (2006): 12.
1.4.1.3.Sources:
Restorasyon Alanına Katkıları (1883-1960).” Master thesis, Yıldız Technical University, Istanbul, 2006.

1.5.Mualla Eyüboğlu Anhegger
1919-2009
1.5.1.Description:
Mualla Eyüboğlu Anhegger is one of the leading women architects working on village institutes in
modern Turkey and served as a role model in this field. In 1940s-1950s, these institutes supported by
İsmet İnönü, the prime minister of the Republic of Turkey and İsmail Tonguç, the General Director of
Elementary Education, aim to teach people in the field of culture, art, arts and crafts, social sciences and
economy, train teachers and spread Kemalist Revolution in the rural areas of the country.
She was born in Sivas on March 13th
1919. Mehmet Rahmi, her father was the governor of Trabzon and a
member of the parliament. Bedri Rahmi Eyüboğlu, a well-known painter and poet, and Sabahattin
Eyüboğlu, a well-known author and translator in the country are her brothers.
In 1937, she began her architectural education at the Academy of Fine Arts in Istanbul and obtained her
degree in 1942. Following her graduation, she began her career in a small village of Hasanoğlan in Ankara
on December, 31st 1942. She designed, drew the project of this village institute including the music
department, teachers’ housing and cafeteria, and supervised its construction with her students. In
addition to Hasanoğlu, she also designed, supervised and taught in some village institutions in Anatolia,
such as in Erzurum-Pulur, Kayseri-Pazarören, Edirne-Kirpitepe, Aydın-Ortaklar, İzmir- Kızılçullu,
Eskişehir-Çifteler, Antalya-Aksu, Samsun-Ladik, Trabzon-Beşikdüzü, Sakarya-Arifiye, Kastamonu-
Gülköy.
While she was working on the village institute in Ortaklar in 1947, she caught malaria and returned to
Istanbul. In 1948, she began to work at the Academy of Fine Arts as a research assistant (1948-1952) and
at the Turkish Art History Institute.
In 1949, she worked with Professor Albert Gabriel, the director of French Archaeological Institute and
Halet Çambel, a leading Turkish woman archaeologist (1916-2014) in Eskişehir-Yazılıkaya and
participated in its excavation between 1949-1951.
In 1952, she was appointed at the Supreme Council of Antiquities and Monument Real Estate as a
reporter and began to her career in the field of restoration. Her first restoration project was the Tomb of
Barbaros Hayreddin Pasha in Istanbul. In 1953, her another restoration project was “Ebülfazl Mahmud
Efendi” Madrasah in Saraçhane, Istanbul.
In 1958, she married to Dr. Robert Anhegger, a German expert in Turkish studies. With him, she visited
several Balkan countries and investigated Ottoman heritage in this region.
Between 1953-1960, she worked for the restoration projects of some Ottoman buildings in Edirne,
Kayseri, Sivas, Antakya, Mardin and Trabzon.
Her other important restoration projects are the Üç Şerefeli Mosque, the Old Mosque, the Gazi Mihal
Hammam and the Selimiye Arasta in Edirne between 1954-1960, the Trabzon Castle in Trabzon in 1960,
the Buruciye Madrasah between 1960-1962; the Huand Hatun Complex and the Old Castle in Kayseri
between 1960-1964, the Siyavus Pasha waterfront mansions on the Bosphorus, Istanbul in 1970, the
Galata Mawlawi House in Istanbul in 1973, the Hagia Sophia, the Tomb of Sultan Selim II, the Tomb of
Sultan Mehmed III, the Tomb of Murad III, the Tomb of Sultan İbrahim and the Hagia Sophia Fountain
(“şadırvan”, in Turkish) in Istanbul 1982. In 1957-1971, she worked with the restoration team of the
Rumeli Fortress and was in charge of the work on the area from the Zaganos Pasha Tower to the Halil
Pasha Tower and the area with walls next to the Fatih Tower. One of the most significant restoration
projects of her career is the Harem Section of Topkapı Palace in Istanbul between 1961-1971.

In 1973, Robert Anhegger, her husband was appointed the director of Goethe Institute in Amsterdam.
She moved to Holland with him and retired in 1983.
In 2008, she received National Architecture Awards in the category of “Contribution to Architecture”
and died in Istanbul on August 16, 2009.
-Adaş, Mesadet and Harika Söylemezoğlu, Mualla Eyüboğlu (with Kemali Söylemezoğlu, Orhan Özgüner
ve Kadri Erkmen). 1953, Eskişehir “Memleket” Hospital, honorable mention.
1.5.1.2.Her Restoration Projects:
-Hasanoğlan Village Institute, Ankara, Turkey, 1942.?
-Tomb of Barbaros Hayreddin Pasha, Istanbul, Turkey, 1952.?
-The “Ebülfazl Mahmud Efendi” Madrasah, Saraçhane, Istanbul, Turkey, 1953.
-The Üç Şerefeli Mosque, the Old Mosque, the Gazi Mihal Hammam and the Selimiye Arasta, Edirne,
Turkey, 1954-1960?.
-The Trabzon Castle, Trabzon, Turkey, 1960.
-The Buruciye Madrasah, city?, 1960-1962.
-The Huand Hatun Complex and the Old Castle, Kayseri, Turkey, 1960-1964.
-The Siyavus Pasha waterfront mansions, Istanbul, Turkey, 1970.
-The Galata Mawlawi House, Istanbul, Turkey, 1973.
-The Hagia Sophia, the Tomb of Sultan Selim II, the Tomb of Sultan Mehmed III, the Tomb of Murad III,
the Tomb of Sultan İbrahim and the Hagia Sophia Fountain (“şadırvan”, in Turkish), Istanbul, Turkey,
year ?.
-The Rumeli Fortress, Istanbul, Turkey, 1957-1971.
-The Harem Section of Topkapı Palace, Istanbul, Turkey, 1961-1971.
1.5.1.3. Publications:
1.5.1.3.1.Published articles by Mualla Eyüboğlu Anhegger:
Anhegger, Mualla Eyüboğlu. “Fatih Devrinde Yeni Sarayda da Harem Dairesi (Padişahın Evi) Var
Mıydı?.” Sanat Tarihi Yıllığı 8 (1979): 23-36.
Anhegger, Mualla Eyüboğlu. “Topkapı Sarayı Veliaht Dairesi Onarımı.” Sanat Tarihi Yıllığı 9-10 (1981):
53-81.
Anhegger, Mualla Eyüboğlu. “Padişah Evi Gecekonduya Dönmüştü.” Istanbul’danGöreme’ye Kültür
Mirasımız (1984): 43.
1.5.1.3.2. Books by Mualla Eyüboğlu Anhegger:
Anhegger, Mualla E. Topkapı Sarayıʾnda Padişah Evi: (Harem). Sandoz Kültür Yayınları, 1986.
1.5.1.3.3. Published articles on Mualla Eyüboğlu Anhegger:
Text by the editor. “Anhegger’leri Ziyaret Ettik.” Sanat Tarihi Araştırmaları Dergisi 2 (1988): 41-45.

Text by the editor. “Mualla Eyüboğlu Evi.” Arkitekt 6 (1993): 87-90.
Dostoğlu, Neslihan Türkün. “Türkiye’de Cumhuriyet’in İlk Döneminde Kadın Mimarlar.” In 75 Yılda
Değişen Kent ve Mimarlık, edited by Yıldız Sey, 28-31. Istanbul: Tarih Vakfı Yayınlari, 1998.
İlyasoğlu, Aynur. "Cumhuriyet'le Yaşıt Kadınların Yaşam Tarihi Anlatılarında Kadınlık Durumları,
Deneyimler, Öznellik." In 75 Yılda Kadınlar ve Erkekler. Edited by Ayşe Berktay Mirzaoğlu, 193-200.
Istanbul: Türkiye Ekonomik ve Toplumsal Tarih Vakfı, 1998.
Yücel, Erdem. “Restoratör Mimarlardan Mualla Eyüboğlu (Anhegger).” Yapı 276 (2004): 89-92.
Yücel, Erdem. “Cumhuriyet’ten Günümüze Restoratör Mimarlar.” In 60. Yaşına Sinan Genim’e Armağan-
Makaleler. edited by Oktay Belli and Belma Barış Kurtel, 738. Istanbul: Ege Yayınları, 2005.
Özlem, Altun. “İdealin Peşinde, Köy Enstitüleri.” Mimarlık & Dekorasyon 3 (2011): 74-80.
1.5.2.4.Book on Mualla Eyüboğlu Anhegger:
Çandar, Tuba. Hitit Güneşi: Mualla Eyüboğlu Anhegger. Istanbul: Doğan Kitap. 2003.
1.5.1.3.Sources:
(in alphatical order)
-Candan, Tezcan Karakuş. ”Hasanoğlan Yüksek Köy Enstitüsü.” Bülten, Mimarlar Odası Ankara Şubesi 49
(2007): 21-22.
-Çakıcı, Sermin and Figen K. Çorakbaş. “Cumhuriyet Dönemi Mimarlığı, Hasanoğlan Köy Enstitüsü ve
Yüksek Köy Enstitüsü Yerleşkesi’nin Tarihçesi ve Değerleri.”Accessed January 20, 2015.
http://www.mimarlikdergisi.com/index.cfm?sayfa=mimarlik&DergiSayi=383&RecID=3034
-Dostoğlu, Neslihan Türkün. “Türkiye’de Cumhuriyet’in İlk Döneminde Kadın Mimarlar.” In 75 Yılda
Değişen Kent ve Mimarlık, edited by Yıldız Sey, 28-31. Istanbul: Tarih Vakfı Yayınları, 1998.
Restorasyon Alanına Katkıları (1883-1960).” Master thesis, Yıldız Technical University, 2006.
-Ulusal Mimarlık Sergisi ve Ödülleri. “Mualla Eyüboğlu Anhegger.” Accessed January 10, 2015.
http://mo.org.tr/ulusalsergi/index.cfm?sayfa=BO-BYGRF-eyuboglu

1.6.Harika Alpar Söylemezoğlu
1918-...
Harika Alpar Söylemezoğlu-Kemali Söylemezoğlu
(Photo credit: SALT Research, Harika-Kemali Söylemezoğlu Archive, date and place are unkown.)
1.6.1.Description:
Harika Alpar Söylemezoğlu was born in Istanbul in December of 1918. Around the 1940s, modern Turkish
architecture began to witness the architectural partnership of wife and husband, such as Harika Alpar-
Kemali Söylemezoglu, Şekure-Lütfi Gürtuna, Nezihe-Pertev Taner, and Leyla-Firuzan Baydar. Among the
first generation of women architects in modern Turkey, Harika Alpar Söylemezoglu is one of the well-
known early woman figures collaborating her architect husband, Kemali Söylemezoğlu (1909-1995).
Her father was a civil engineer and his brother studied architecture in Germany. Under their influence,
she decided to pursue her architectural education at the Academy of Fine Arts, the Department of
Architecture in 1938. Around those years, architectural education in the Academy of Fine Arts formed
under the impact of Sedad Hakkı Eldem (1908-1988) who propagated the nationalist movement in
Turkish modernism and her architectural perspective began to shape within such a context.
She earned her degree in 1942 and in that year, Harika Alpar and Mualla Eyüboğlu were only two womans
among all graduates in the academy. With Leman Tomsu, Leyla Baydar and Celile Berk Butka, Harika
Alpar was the early woman members of the Union of Turkish Architects between 1934-1942. Following
her graduation, she went to Ankara and began to work with Kemali Söylemezoğlu and Paul Bonatz (1877-
1956) at the Ministry of Education. In the beginning of her career, she was involved in girls institutes and
worked at the Ministry of Education until her marriage with Kemali Söylemezoğlu in 1944. In the same
year, Kemali Söylemezoğlu accepted an academic position at the Academy of Fine Arts in Istanbul and
the young couple returned to that city. After they had their twins in 1945, she mostly collaborated with
her husband and participated several architectural design competitions with him.
Harika Alpar Söylemezoğlu worked on development plans for Kandırlı, Anamur and Mut at the
Municipal Credit Bank (İller Bank, in Turkish). Between 1955-1956, she pursued her professional career
at the architectural office established by Hayati Tabanlıoğlu (1927-1994).
In 1957, Kemali and Harika Alpar Söylemezoğlu went to Germany and lived there for two years. In that
country, she conducted her professional practice in an architectural office. Following their return to

Turkey in 1959, she served as a consultant at Istanbul University until 1964. In that year, she established
her own ready-made clothing business and worked in this sector until 1974.
1.6.1.1.Her Architectural Design Competitions:
-Istanbul Radio House (with Kemali Söylemezoğlu), Istanbul, Turkey, 1945, proposal project.
-Erzurum State Railways Neighborhood Project (with Kemali Söylemezoğlu), Erzurum, Turkey, 1945,
honorable mention.
-Istanbul Palace of Justice (with Kemali Söylemezoğlu and Mukbil Gökdoğan), Istanbul, Turkey, 1949.
-Izmir Development Plan (with Kemali Söylemezoğlu), Izmir, Turkey, 1952, honorable mention.
-Eskisehir “Memleket” Hospital (with Mesadet Adaş, Mualla Eyüboğlu, Kemali Söylemezoğlu, Orhan
Özgüner ve Kadri Erkmen), Eskisehir, Turkey, 1953, honorable mention.
-Istanbul Municipality Building (with Kemali Söylemezoğlu), Istanbul, Turkey, 1953, 2nd prize.
1.6.1.2. Publication List:
Text by the editor. “Devlet Demiryolları Umum Müdürlüğü'nün Erzurum İşletme, Toplantı Binaları ve
Memur Evleri Mahallesi Müsabakası.” Arkitekt 5-6 (1945): 100-106,121.
Text by the editor. “İstanbul Adalet Binası Proje Müsabakası.” Arkitekt 7-10 (1949): 179-194.
Text by the editor. “İzmir Şehri Milletlerarası İmar Planı Müsabakası Jüri Raporu.” Arkitekt 5-8 (1952):
119-138.
Text by the editor. “İstanbul Belediye Binası Proje Müsabakası.” Arkitekt 5-6 (1953): 71-88.
1.6.1.3.Sources:
-Dostoğlu, Neslihan Türkün. “Türkiye’de Cumhuriyet’in İlk Döneminde Kadın Mimarlar.” In 75 Yılda
Değişen Kent ve Mimarlık, edited by Yıldız Sey, 28-31. Istanbul: Tarih Vakfı Yayınları, 1998.
-Erkaslan, Özlem E. "Turkish Women Architects in the Late Ottoman and Early Republican Era, 1908-
-Tüzel, Gökçe Bayrakçeken. “Being and Becoming Professional: Work and Liberation Through Women’s
Narratives in Turkey”. PhD diss., Middle East Technical University, 2004.

1.7.Altuğ Tanrıverdi Çinici
(1935-...)
1.7.1.Description:
She was born in Istanbul in 1935 and earned her degree from Istanbul Technical University, Faculty of
Architecture in 1959. As one of the figures among the second generation of women architects in the
Republic (since 1940), her practice history exemplifies a noteworhy example of wife-and-husband
collaboration in Turkish architecture from 1960s to 2000s. She founded Çinici Architectural Office (office
named as Çinici Architects in 1963) with Behruz Çinici, her husband (1932-2011) and one of the foremost
architects in the country, in Ankara in 1963 and conducted her practice until 2000s. Unlike from the first
generation of women architects in the country (until the 1940s), she has been involved in various building
typologies throughout her active career in the private and the public sector, such as resort town, housing
development, urban planning, individual houses, primary school, hotel and yatch club, public relation
buildings within the Turkish Parliament Quarter, etc.
One of the major commissions in her career with Behruz Çinici and significant works in postwar Turkish
modern architecture is the Middle East Technical University Campus competition and buildings.
Recognized as one of the most prestigious educational and research institutions in the Republic of Turkey, this
university was established to create and support a skilled workforce for the development of the country
and the surrounding regions of the Middle East, Balkans, etc. in 1956. Following its establishment in
Ankara, an architectural design project competition was organized in 1961 and the design proposal by
Altuğ Tanrıverdi Çinici -Behruz Çinici won the first award. The overall process of the campus project
was divided into various phases and architects designed it from 1961 to 1980. (500.000 square meter). In
the meantime, re-forestiration project of the university campus began in 1961 in order to create a green
zone next to Ankara. In terms of its architectural program, it includes a main pedestrian axis around the
campus, educational-administration-social facilities, water elements, courtyards and semi-open spaces
as microclimate units. While educational facilities are situated on the west side of the campus,
administration building, the auditorium, cafeteria and social buildings are designed on the east side. In
terms of its architectural design vocabulary, this project is one of the leading examples of brutalist
aesthetics in postwar modernism of Turkey with its building materials, such as exposed concrete and
brick, wood, wall and floor coverings in various characteristics, etc.
In Altuğ Tanrıverdi Çinici-Behruz Çinici career, architectural articulation of the building program
usually reflects beyond the standards of modern and contemporary Turkish architecture. For instance,
the planning and investigative process of the one thousand unit Bin Evler Housing Complex includes the
geomorphological and climatic surveys of the site, interviews with the members of the cooperative,
research on the nature of vernacular architecture, the economy of the region and the social context, etc.
It can be seen as an exemplary of other co-operative initiative projects in the in Turkey. In addition, the
ensemble of the Public Relations Complex for the members of the Parliament was designed in a modern
approach with motifs and forms from traditional architecture. This modern building designed as an
extension of the original complex of the Parliament by Clemenz Holzmeister, is covered by rough
concrete and steel, reinforced concrete and marble were used for the structure in contrast to the old
building. On the other hand, arches, courtyards, Persian and Islamic World motifs reflect a traditional
language. In this manner, architects combine modern and historical architecture in a complex of the
Parliament. As their recent project, Mercan and Platin Housing Complex underline a contemporary
design vocabulary along with its liberated formal approach, programmatic solution, landscape design and
communial facilities.
-The Middle East Technical University, Faculty of Architecture (with Behruz Çinici), Ankara, Turkey,
1961-1980.

-The Middle East Technical University, Faculty of Arts and Sciences (with Behruz Çinici), Ankara,
Turkey, 1961-1980.
-The Middle East Technical University, Faculty of Architecture (with Behruz Çinici), Ankara, Turkey,
1961-1980.
-The Middle East Technical University, Faculty of Engineering (with Behruz Çinici), Ankara, Turkey,
1961-1980.
-The Middle East Technical University, Faculty of Administrative Sciences (with Behruz Çinici),
Ankara, Turkey, 1961-1980.
-The Middle East Technical University, Faculty of Engineering and Computer Sciences (with Behruz
Çinici), Ankara, Turkey, 1961-1980.
-The Middle East Technical University, Prepatory School (with Behruz Çinici), Ankara, Turkey, 1961-
1980.
-The Middle East Technical University, Cafeteria (with Behruz Çinici), Ankara, Turkey, 1961-1980.
-The Middle East Technical University, Sports Hall (with Behruz Çinici), Ankara, Turkey, 1961-1980.
-The Middle East Technical University, Central Library Building (with Behruz Çinici), Ankara, Turkey,
1961-1980.
-The Middle East Technical University, University Administation Building (with Behruz Çinici),
Ankara, Turkey, 1961-1980.
-The Middle East Technical University, University Health Center (with Behruz Çinici), Ankara,
Turkey, 1961-1980.
-The Middle East Technical University, Shopping Area Development (with Behruz Çinici), Ankara,
Turkey, 1961-1980.
-The Middle East Technical University, University Dormitories (with Behruz Çinici), Ankara, Turkey,
1961-1980.
-The Middle East Technical University, Professors’ Housing (with Behruz Çinici), Ankara, Turkey,
1961-1980.
-Competition proposal for Istanbul Technical University Campus Planning, Istanbul, Turkey, 1966, 1st
prize.
-Competition proposal for Diyarbakir University Campus Planning, Diyarbakir, Turkey, 1970, 3rd prize.
-Competition proposal for the Redesign of Taksim Square (with Behruz and Can Çinici), Istanbul,
Turkey, 1987, 2nd prize.
-Burhaniye, AR-TUR Resort Town, Balıkesir, Turkey, 1969.
-Primary School within Iranian Embassy, Ankara, Turkey, 1975.
-Güllük Resort Town, Muğla, Turkey, 1977.
-Public Relations Buildings within the Turkish Parliament Quarter, Ankara, Turkey, 1978.
-Villa Aytan, Muğla-Marmaris, Turkey, 1980.
-Housing for 400 MP’s in Oran, Ankara, Turkey, 1984.
-Housing Development for Soyak, Istanbul, Turkey, 1987.
-Marina Hotel ve Yacht Club, Tripoli, Libya, 1988.
-Prens Abdül Aziz Bin Ahmed Bin Abdel Palace, Saudi Arabia, 1988
-Sincan- Elvanköy Urban Planning, Ankara, Turkey, 1989
-2 Housing developments, Mercan-Platin, Istanbul, Turkey, 1993-1998.
1.7.1.3.Her Awards
-Hurriyet Simavi Foundation, Architecture and Urban Planning Award (with Behruz Çinici), 1985.
-Turkey Is Bank, Architecture and Urban Planning Award (with Behruz Çinici), 1986.
-Istanbul Municipality, Competition for the Redesign of Taksim Square (with Behruz and Can Çinici).
1.7.1.4.Her Exhibitions:
-Venice Biennale Presence of the Past (with Behruz Çinici), 1981.

1.7.2.5.1. Çinici, Altuğ and Behruz Çinici. “Ankara'da Orta Doğu Üniversitesi.” in Arkitekt 320 (1965): 108-
109, 114.
1.7.2.5.2. Çinici, Altuğ and Behruz Çinici. “Orta Doğu Üniversitesi Fen Lisesi Binası.” in Arkitekt 321 (1966): 5-
9.
1.7.1.6.Sources:
-Can Çinici, e-mail to Meral Ekincioğlu, January 1, 2015.
-Çinici, Behruz. “Altuğ-Behruz Çinici, 1961-70: Mimarlık Çalışmaları=Architectural Works. Ankara: Ajans-Türk
Matbaacilik Sanayii, 1970.?
-Çinici, Altuğ and Behruz Çinici. “Ankara'da Orta Doğu Üniversitesi.” Arkitekt 320 (1965): 108-109, 114.
-Ekincioğlu, Meral. edit. Behruz Çinici. Istanbul: Boyut Yayın Grubu. 2001.
-Tanyeli, Uğur. edit. Improvisation: Mimarlıkta Doğaçlama ve Behruz Çinici. Istanbul : Boyut Kitapları, 1999.
- http://www.akdn.org/architecture/project.asp?id=1364

2.Academic Literature on Woman in Modern and Contemporary Territories of Turkish
Architecture (Spatial practices by women architects and woman as the subject of gendered architectural spaces)
By Meral Ekincioglu, Ph.D.

2.a.Articles in printed journals
Baydar, Gülsüm. “Bedrooms in Excess Feminist Strategies Used By Tracey Emin and Semiha Berksoy.”
Woman’s Art Journal 33 (2012): 28-34.
Baydar, Gülsüm. “Room for a Newlywed Woman, Making Sense of Gender in the Architectural Discourse
of Early Republican Turkey.” Journal of Architectural Education 60 (2007): 3-11.
Baydar, Gülsüm. “Spectral Returns of Domesticity.” Environment and Planning D: Society and Space 21 (2003):
27-45.
Baydar, Gülsüm. “Tenuous Boundaries: Women, Domesticity and Nationhood in 1930s Turkey.” The
Journal of Architecture 3 (2002): pp. 229-244.
Dostoğlu, Neslihan. T. and Özlem Erdoğdu Erkaslan. “Türkiye’de Kadın Mimarların Statüsü Üzerine
Niceliksel Analiz.” Dosya, Mimarlar Odası Ankara Şubesi Yayını 19 (2010): pp. 22-26.
Elmas, Gülen. “Women, Urbanization and Regional Development in Southeast Anatolia: A Case Study
for Turkey 1.” TurkishStudies 3 (2004): 1-24.
Ergut, Elvan A. and Belgin Turan Özkaya. “Türkiye’nin İlk Kadın Mimarları.” Dosya,MimarlarOdasıAnkara
Şubesi Yayını (2010): 17-21.
Erkaslan, Özlem E. "Turkish Women Architects in the Late Ottoman and Early Republican Era, 1908-
Gürel, Meltem Ö. “Defining and Living out the Interior: the Modern Apartment and the Urban Housewife
in Turkey during the 1950s and 1960s.”Gender,PlaceandCulture:AJournalofFeministGeography6 (2009): 703-
722.
Gürel, Meltem Ö. “Consumption of Modern Furniture as a Strategy of Distinction in Turkey.” Journal of
Design History 22 (2009): 47-67.
Kılınç, Kıvanç. “Homemaker or Professional?, Girls' Schools Designed by Ernst Egli and Margarete
Schütte-Lihotzky in Ankara, 1930-1938.” New Perspectives on Turkey 48 (2013): 101-128.
Kılınç, Kıvanç. “Imported but not Delivered: The Construction of Modern Domesticity and the Spatial
Politics of Mass Housing in 1930s' Ankara.” The Journal of Architecture 6 (2012): 818-846.
Nereid, Camilla, T. “Domesticating Modernity: The Turkish Magazine Yedigün, 1933-9.” Journal of
Contemporary History 47 (2012): 483.
Orhun, Deniz. “the Relationship Between Space and Gender in Traditional Homes Accross Turkey.”
Journal of Architectural and Planning Research 4 (2010): 340-355.
Özdemir, İlkay M. and Funda Kurak Açici, Şebnem Ertaş. “Workspaces of Woman Architects and
Designs: The Example of Trabzon Turkey.” International Journal of Academic Research 3 (2011): 158-165.

2.b.Books
Dostoğlu, Neslihan T., and Özlem Erdoğdu Erkaslan. Leman Cevat Tomsu, Türk Mimarlığında Bir Öncü, 1913-
(for Archnet: This book is the first monograph and the firstdetailed publication onLeman CevatTomsu, one of the firsttwo
women architects in the Early Republic period of Turkey, with Munevver Belen. I couldn’t reach it at MIT Libraries. If MIT
and Archnet accept, you may order it.).
Dostoğlu, Neslihan T., and Müge Cengizkan, edit. Cumhuriyet Dönemi Mimarlığı ve Şehirciliği 1: Cumhuriyet
Döneminde Kadın ve Mimarlık. Ankara: Mimarlar Odası Yayınları, 2005.
( for Archnet: This book elaborates women architects in the Early Republic period of Turkey. I couldn’t reach it at MIT
Libraries. If MIT and Archnet accept, you may order it.).
Öngören, Pelin G. Engendering Space for Education in Turkey: Ismet Pasa Girls' Institute in Ankara in the 1930s.
VDM Verlag Dr. Müller, 2009.
(for Archnet: I couldn’t reach this book at MIT Libraries. If MIT and Archnet accept, you may order it.).
Tonguç, İsmail H. Eğitim Yolu ile Canlandırılacak Köy. Istanbul: Remzi Kitabevi, 1947.
(for Archnet: This book includes “People Houses” designed by women architects in modern Turkey.)
2.c. Chapter or other part of a book
Baydar, Gülsüm. “Figures of Wo/man in Contemporary Architectural Discourse.” In Negotiating
Domesticity, Spatial Productions of Gender in Modern Architecture. edited by Hilde Heynen and Gülsüm Baydar,
30-46. London: New York: Routledge, 2005.
Bozdoğan, Sibel. “Cubic Houses and Apartments.” In Modernism and Nation Building, Turkish Architectural
Culture in the Early Republic, by Sibel Bozdoğan, 193-239. the University of Washington Press, 2001.
Dostoğlu, Neslihan Türkün. “Dünyada ve Türkiye’de Değişim, Kadın ve Mimarlık.” In Cumhuriyet
Döneminde Kadın ve Mimarlık, edited by Neslihan Türkün Dostoğlu, 29-46. Ankara: Mimarlar Odası
Yayınları, 2005.
Dostoğlu, Neslihan Türkün. “Türkiye’de Cumhuriyet’in İlk Döneminde Kadın Mimarlar.” In 75 Yılda
Değişen Kent ve Mimarlık, edited by Yıldız Sey, 28-31. Istanbul: Tarih Vakfı Yayınlari, 1998.
Erkaslan, Özlem Erdoğdu. “Gender Roles at the Intersection of Public and Private Spheres:
Transformation from Detached House to Apartment in Izmir City.” In Feminist Practices Interdisiplinary
Approaches to Women in Architecture, edited by Laurie Brown, 239-261. Ashgate Publishing, 2011.
Erkaslan, Özlem Erdoğdu. “Modern Türkiye’nin İnşasında Kadın Mimarlar.” In Mimarlık ve Kadın Kimliği,
edited by Nuray Togay, 27-78. Istanbul: Boyut Yayın Grubu Yayınları, 2002.
Özgüven, Yekta. “the Beginning of Formal Architectural Education in Turkey and the Pioneer Turkish
Women in Architectural Education.” In Built Environment & Information Technologies, edited by Simge
Andolsun, Koray Temizsoy, Meltem Uçar, 127-135. Ankara: METU Faculty of Architecture, 2006.

2.d. Thesis or dissertation
Güney, Yasemin İnce. “Appropriated ‘A La Franga’ an Examination of Turkish Modernization through
the Lens of Domestic Culture.” PhD diss., the University of Michigan, 2005.
Kaya, Ayça. “Kamusal Mekan, Ayrışma ve Kadın.” Master thesis, Ankara University, 2006.
Kennedy, Nilgün Fehim. “a Comparison between Women Living in Traditional Turkish Houses and
Women Living in Apartments in Historical Context.” Master thesis, Middle East Technical University,
1999.
Kılınç, Kıvanç. “Constructing Women for the Republic: The Spatial Politics of Gender, Class, and
Domesticity in Ankara, 1928-1952.” Ph.D. diss., State University of New York at Binghamton, Department
of Art History, 2010.
Özçelik, Sedef. “İnşaat Sektöründe Kadın Profesyoneller.” Master thesis, Yıldız Technical University,
Istanbul, 2010.
Özgüven, Yekta. “Türkiye’de Kadın Mimar Kariyeri’nin Başlangıcı.” Master thesis, Yıldız Technical
University, Istanbul, 2002.
2.e. Paper presented at a meeting or conference
Dostoğlu, Neslihan T. and Özlem Erdoğdu Erkaslan. “Documentation and Archiving as a Means of
Supporting Women in Architecture.” Paper presented at Beyond the Glass Ceiling: Women Academics
in Engineering-Technology and Life Sciences Across Europe, Istanbul, November, 12-13, 2008.
2.f. Website
Koç, Pınar Bolel and Esma Igus Parmaksız. “Arşiv, Kadın, Kimlik: MSGSÜ Resim Heykel Müzesi
Arşivi’nden Leyla Turgut Terekesi.” December 10, 2014.
(for Archnet: Although Leyla Turgut [1911-1988] is one of the early women figures in modern Turkey, I could reach only this Turkishtext
on her personal life and architectural career. As authors elaborate, her family lived in Vienna from 1916 to 1931, and she received her
secondary education in that city. Then, she came to Istanbul and obtained her degree in architecture from Academy of Fine Arts in
IstanbulinIstanbulin1939.AsoneoftheearlywomenfiguresinmodernTurkey,sheconductedheracademic careeratthesameacademic
institution and her practice in Istanbul. According to this Turkish text, there is an archive at Academy of Fine Arts in Istanbul-the
current title of this academy is “Mimar Sinan University”-. In addition to this, it was organized an exhibition on her in 2005, please see
for the Turkish reference: http://www.Istanbularkeoloji.gov.tr/sergi_arsivleri, accessed on December 5th, 2014. In spite of these facts, I
couldn’t reach any detailed scholarly article or architectural text on her and/or her archive.)

3. Women Architects in “Mimar-Arkitekt” (1931-1980):
(a note for Archnet: “Mimar” [on a request by the Directorate of Press and Publications, its name changed from “Mimar”
to “Arkitekt” in 1935] is one of the leading professional architectural journals in the Republic of Turkey from 1931 to 1980,
and one of the significant sources for architectural historians, scholars, critics, etc. Please see for Zeki Sayar, its founding
editor and Mimar-Arkitekt: http://archnet.org/publications/3925)

3.1. Architectural Projects, Buildings and Competitions by Women:
3.1.1.Cevad, Leman. “Gerede ve Emirdağ C. H. Partisi Evleri.” Arkitekt 52 (1935): 110-111.
Link: http://dergi.mo.org.tr/dergiler/2/46/379.pdf, accessed on January 7th 2016.
3.1.2.Tomsu, Leman and Münevver Belen. “Gerede Halkevi Projesi.” Arkitekt 72 (1936): 330-332.
3.1.3. Leman and Münevver Belen. “Kayseri Halkevi Binası Projesi.” Arkitekt 76 (1937): 107-109.
3.1.4.Tomsu, Leman and Münevver Belen. “Ev Projesi.” Arkitekt 76 (1937): 110-111.
3.1.5.Tomsu, Leman. “Tozkoparan'da Bir Gazino Projesi.” Arkitekt 99-100 (1939): 73-75.
3.1.6.Tomsu, Leman. “Samsun Merkez Bankası Proje Müsabakası.” Arkitekt 105-106 (1939): 195-197.
3.1.7.Tomsu, Leman. “Poliklinik Binası.” Arkitekt 123-124 (1941): 49-52.
3.1.8.Turgut, Leyla. “Istanbul Açık Hava Tiyatrosu Proje Müsabakası.” Arkitekt 5-6 (1946): 106-107.
(for Leyla Turgut’s architectural competition project, see page 106).
3.1.9.Turgut, Leyla. “Ankara'da Yapılacak Bir Sinema - Otel Proje Müsabakası.” in Arkitekt 11-12 (1946): 257.
(for Leyla Turgut’s architectural competition project, see page 257).
3.1.10.Sanlı, Nihal. “Adana'da Memur, Teknisyen ve Ustabaşı Evleri.” Arkitekt 189-190 (1947): 201-203,
214.
3.1.11. Text by the editor. “İstanbul Adalet Binası Proje Müsabakası.” Arkitekt 7-10 (1949): 179-194.
(for the project designed by Kemali Söylemezoğlu, Mukbil Gökdoğan and Harika Söylemezoğlu, see,
pp. 190-193.)
3.1.12.Baydar, Feza and Leyla Baydar. “Birgiler Apartmanı.” Arkitekt 223-224-225-226 (1950): 153-155.

3.1.13. Text by the editor. “İzmir Şehri Milletlerarası İmar Planı Müsabakası Jüri Raporu.” Arkitekt 5-8
(1952): 119-138.
(for the project designed by Kemali Söylemezoğlu and Harika Söylemezoğlu, see, pp. 133.)
3.1.14. Text by the editor. “İstanbul Belediye Binası Proje Müsabakası.” Arkitekt 5-6 (1953): 71-88.
(for the project designed by Kemali Söylemezoğlu, Mesadet Adaş and Harika Söylemezoğlu, see, pp. 78-
83.)
3.1.15. Zipci, Rana and Ahmet Akın, Emin Ertam. “Çınar Oteli.” Arkitekt 297 (1959): 132-140.
3.1.16.Savcı, Ayça. “Adana'da Bir İskan Sitesi Projesi.” Arkitekt 301 (1960): 159.
3.1.17. Akkaya, Ayla. “Harbiye’de Türk Haberler Merkezi Binası Projesi.” Arkitekt 301 (1960): 159.
3.1.18.Arıkoğlu, Nezahat and İlhan Arıkoğlu. “National Cash Register (NCR) Ofis Binası.” Arkitekt 318
(1965): 14-17.
3.1.19.Arıkoğlu, Nezahat and İlhan Arıkoğlu. “Televizyon İstasyonu TV 13.” Arkitekt 320 (1965): 105-107.
3.1.20.Çinici, Altuğ and Behruz Çinici. “Ankara'da Orta Doğu Üniversitesi.” Arkitekt 320 (1965): 108-109,
114.
3.1.21.Çinici, Altuğ and Behruz Çinici. “Orta Doğu Üniversitesi Fen Lisesi Binası.” Arkitekt 321 (1966): 5-
9.
3.1.22.Arıkoğlu, Nezahat and İlhan Arıkoğlu. “Başlık: 165 Daireli Apartman.” Arkitekt 321 (1966): 10-11.
3.1.23.Arıkoğlu, Nezahat. “Bir Ev.” Arkitekt 326 (1967): 53-55.

3.1.24.Arıkoğlu, Nezahat. “Bir Sinagog.” Arkitekt 326 (1967): 56-57.
3.1.25.Arıkoğlu, Nezahat and İlhan Arıkoğlu. “Bir Ofis Binası.” Arkitekt 336 (1969): 141-142.
3.1.26.Arolat, Şaziment and Neşe Arolat. “Şişli Çocuk Hastahanesi Tevsi Projesi.” Arkitekt 353 (1974): 42-
48.
3.1.27.Taşçıoğlu, Tülay and Adnan Taşçıoğlu. “Ankara Onkoloji Hastanesi Mimari Proje Yarışması.”
Arkitekt 356 (1974): 187-192.
3.1.28.Alp, Ahmet and Lale Ege, Zeynep Oğuzoğlu. “Boğaziçi’nde İki Eski Yalı - Kurtkaya Yalısı - Başarır
Yalısı.” Arkitekt 361 (1976): 20-21.
3.1.29.Uluengin, Nihal and Bülent Uluengin. “Rıdvan Paşa Köşkü Müştemilatından Bir Pavyon Rölövesi
(Erenköy Kız Lisesi).” Arkitekt 362 (1976): 76-78.
3.1.30.Gorbon, Fatih and Ertun Hızıroğlu, (assistans) Mehmet Pehlivan, Gönül Arslan. “T.E.K Genel
Müdürlük Tesisleri Mimari Proje Yarışması.” Arkitekt 363 (1976): 124-127, 132.
3.1.31.Gorbon, Fatih and Ertun Hızıroğlu, (assistants) Kaya Dinçer, Semra Kurultay. “: İzmit Kıyı Kesimi
Planlama Yarışması.” Arkitekt 367 (1977): 109-118.
3.1.32.Türkmen, Muhlis and Yüksel Tür Erkan Sözen, Yaşar Yalçın, Oya Torum. “T.H.Y.A.O. Yönetim
Binası.” Arkitekt 372 (1978): 146-150.
3.1.33.Tezcan, Yalçın and Betül Sipahioğlu. “Çukobirlik Genel Müdürlük Binası.” Arkitekt 373 (1979): 14-
15.
3.1.34.Bolak, Esen and Sevil Bilen. “Çukobirlik Tekstil Kombinası-Adana.” Arkitekt 373 (1979): 16-17.

3.1.35.Tezcan, Yalçın and Betül Sipahioğlu, Sevil Tuncel. “Petkim 30.000 Kişilik İşçi Kenti Konut Sitesi.”
Arkitekt 373 (1979): 23-25.
3.1.36.Giritlioğlu, Semra. “Büyükada'da G. Gürgen-K. Gökkan Evi-Kapıkule'de Bir Motel Projesi.”
Arkitekt 374 (1979): 54.
3.1.37.Kulaksızoğlu, Erol and Uğur Erkman, Ayla Atasoy, Can Elgiz, Ersin Emiroğlu. “Mersin Belediyesi
Elektrik-Su İşletme ve Lojman Tesisleri.” Arkitekt 376 (1979): 132-133.
3.1.38.Schmed, Silvio and Leyla Sonad. “Küçük Bir Kuyumcu Mağazası.” Arkitekt 380 (1980): 136.
3.2. Articles and Reviews by Women:
3.2.1.Celâl, Melek. “Ressam Nazmi Ziya.” Arkitekt 81 (1937): 257-260.
3.2.2.Sözer, Mihriban and Zarif Orgun. “Türk Tezyin Sanatında Kilit Süsleri, Kapı Kuşak ve Rozasları
İle Anahtar Ağızları.” Arkitekt 127-128 (1941): 159-165.
3.2.3.Celâl, Melek. “Bibliografi: Türk İşlemeleri.”, Arkitekt 105-106 (1939): 239.
3.2.4.Sözer, Süheyl and Mihriban Sözer. “Çinili Köşkün Altın Renkli Nakışları.” Arkitekt 135-136 (1943):
80-83.
3.2.5.Sözer, Mihriban. “Millî Süslerimizden Rozetlere Dair.” Arkitekt 137-138 (1943): 111-116.
3.2.6.Celâl, Melek. “Türk El İşlemeleri.” Arkitekt 141-142 (1943): 202-205.
3.2.7.Tamer, Cahide. “Kanlıca'daki Amcazade Hüseyin Paşa Yalısı ve Yapılan Onarım.” Arkitekt 191-192
(1947): 248-251, 292.
3.2.8.Taner, Nezihe and Pertev Taner. “Kırıkkale Şehri.” Arkitekt 195-196 (1948): 72-75.
3.2.9.Sözer, Mihriban. “Sırçalı Medrese Süslemeleri Hakkında.” Arkitekt 205-206 (1949): 20-27.
3.2.10.Demiren, Şemsa. “Le Corbusier ile Mülâkat.” Arkitekt 215-216 (1949): 230-231.
3.2.11.Sözer, Mihriban. “Bir Selçuk Kapısı.” Arkitekt 215-216 (1949): 233-237.
3.2.12.Demiren, Şemsa. “Beton Arme ve A. Perret.” Arkitekt 217-218 (1950): 36-39,41.
3.2.13.Çizer, Mukadder. “Gerze Kasabası Kesin İmar Plânı İzah Raporu.” Arkitekt 231-232 (1951): 69-74.
3.2.14.Deriş, Neşe D. “Frank Lloyd Wright'in İlk Gökdelen'i.” Arkitekt 288 (1957):117-119.

3.2.15.Çakıroğlu, Necibe and Şevket Sunar. “Karadeniz Teknik Üniversitesi Binaları Şehircilik ve
Mimari Proje Yarışması Jüri Raporunun Tenkidi.” Arkitekt 308 (1962): 128.
3.2.16.Lampé, Melek C. “Gençleşen Paris.” Arkitekt 310 (1963): 30.
3.2.17.Arıkoğlu, Nezahat. “Yeni Newyork Sergisi Hakkında.” Arkitekt 312 (1963): 112.
3.2.18.Arıkoğlu, Nezahat. “Shopping Center (Çarşılar).” Arkitekt 312 (1963): 123.
3.2.19.Keskil, Süheyla. “Hatay.” Arkitekt 314 (1964): 17-20.
3.2.20.Keskil, Süheyla. “Antakya'da Sen Piyer Kilisesi ve Mağarası.” Arkitekt 314 (1964): 21.
3.2.21.Arıkoğlu, Nezahat. “B. Amerika'da İmar Hareketleri.” Arkitekt 315 (1964): 91.
3.2.22.Arıkoğlu, Nezahat. “Mimari Hakkında Bir Konuşma.” Arkitekt 317 (1964): 160-161.
3.2.23.Arıkoğlu, Nezahat. “Shopping Centerler Çarşı Merkezlerinde Bütün Bir Görünüş Yaratmak, Yazı
ve İşaretlerin Kontrolü.” Arkitekt 317 (1964): 181-182.
3.2.24.Arıkoğlu, Nezahat. “Le Corbusier.” Arkitekt 321 (1966): 37-38.
3.2.25.Arıkoğlu, Nezahat. “Whitney Müzesi.” Arkitekt 325 (1967): 29.
3.2.26.Arıkoğlu, Nezahat. “Nursing Homes.” Arkitekt 329 (1967): 27-28.
3.2.27.Arıkoğlu, Nezahat. “Nursing Homes III.” Arkitekt 331 (1968): 137.
3.2.28.Ergil, Tülay. “Yeşil İmaret Camii.” Arkitekt 335 (1969): 120-121, 124.
3.2.29.Yüğrüm, Güldem. “Aspendos Tiyatrosu.” Arkitekt 335 (1969): 125-128.
3.2.30.Yazgaç, Esin. “Istanbul Ayasofyası’nın Muhteşem Ambon'u Nasıldı? Ne Oldu?.” Arkitekt 337
(1970): 40.
3.2.31.Arıkoğlu, Nezahat. “Paolo Soleri ve Arcosanti.” Arkitekt 338 (1970): 87-88.
3.2.32.Arıkoğlu, Nezahat. “Dünya El Sanatları Derneği Kongresi.” Arkitekt 347 (1972): 119.
3.2.33.Tunay, İnci. “Sur Kapıları.” Arkitekt 347 (1972): 124-126.
3.2.34.Tura, Gülden. “Türk Süsleme Sanatlarından Kalem İşleri.” Arkitekt 350 (1973): 71.
3.2.35.Tunay, İnci. “Istanbul Surlarının Topografyası.” Arkitekt 353 (1974): 21-23.
3.2.36.Yavuzoğlu, Nazan. “Vize’de Mağara Manastır Kompleksi.” Arkitekt 355 (1974): 121-124.
3.2.37.Suher, Hande. “Profesör Mimar H. Kemali Söylemezoğlu Emekli Oldu.” Arkitekt 374 (1979): 58.
3.2.38.Suher, Hande. “Sayın Prof.Dr. Eyüp A. Kömürcüoğlu'nun İTÜ Mimarlık Fakültesi'nde Fiili
Hizmet Sürecinin Tamamlanması Töreni.” Arkitekt 380 (1980): 142-143.

3.3. Translations by Women:
3.3.1.Schütte, Vilhelm. Meşhur Mimarlar VI: Adolf Loos. Translated by Halet Çambel. In Arkitekt 133-134
(1943): 41-45.
3.3.2.Schütte, Vilhelm. Mimar Yetiştirimi. Translated by Halet Çambel. In Arkitekt 143-144 (1943): 258-
260.
3.3.3.Reese, Childe. Sanatkârlar Anlaşamıyorlar!..Translated by Celile Berk. In Arkitekt 163-164 (1945): 175-
178.
3.3.4.Oelsner, Gustav. Şehircilikte Abidevilik. Translated by Halet Çambel. In Arkitekt 167-168 (1945): 265-
270.
3.3.5.Deriş, Neşe. trans. St.Louis'de Lambert Hava Meydanı Terminus Binası. In Arkitekt 287 (1957): 69-71.
3.3.6.Portner, Leslie Judd. Amerika Mimarlar Enstitüsü Yüzüncü Yıldönümünü Kutluyor. Translated by Neşe
Derviş. In Arkitekt 288 (1957): 130-132.
3.3.7.Volkart, Hans. Okul Binalarında Yeni Temayüller. Translated by Necibe Çakıroğlu. In Arkitekt 294
(1959): 33-34.
3.3.8.Volkart, Hans. Sergi Binaları. Translated by Necibe Çakıroğlu. In Arkitekt 295 (1959): 71-73.
3.3.9.Çakıroğlu, Necibe. trans. Mimarlık Eğitimi. In Arkitekt 302 (1961): 44-46.
3.3.10.Gibberd, Frederick. Belfast'da Bir Hastane. Translated by Yıldız Üstünel. In Arkitekt 316 (1964): 129-
131.

4. Women Architects in “Mimarlık”:
(a note for Archnet: This periodical published by the Chamber of Architects of Turkey since 1963 and can be seen as one of
thecomprehensivesourcesfortherecentissuesinmodernandcontemporaryTurkisharchitecture. Thefollowinglistsinclude
projects/buildings and articles/translations by women from 1963 to 1975. -this lists are in progress. -until 2000-).
For Mimarlik, a master thesis: Gologlu, Sabiha, 2011, Analyzing the Mimarlik Journal: A Study on Architecture in Turkey
in the 1980s, Middle EastTechnical University.

4.1. Architectural Projects, Buildings and Competitions by Women:
(in chronological order, Turkish; women architect as a partner or in solo practice).
4.1.1.Çinici, Altuğ and Behruz Çinici. “Orta Doğu Teknik Üniversitesi.” Mimarlık 1 (1965): 18-22.
(Archnet can share its internet link: http://dergi.mo.org.tr/dergiler/4/313/4452.pdf)
4.1.4.Arû, Kemal Ahmet and Tekin Aydın, Yalçın Emiroğlu, Altay Erol, Mehmet Ali Handan, Hande
Suher. “Taksim Oteli.” Mimarlık 8 (1967): 26-27.
(HandeSuher is the only one woman of this architectural design team.)
4.1.5.Soytürk, Emine. “Osmanbey'de bir Butik.” Mimarlık 9 (1968): 32-34.
(This is an interior design project.)
4.1.6.Sirel, Şazi and Müjgân Şerefhanoğlu. “Topkapı Sarayı Müzesi Harem Dairesi Aydınlatması.”
Mimarlık 1 (1972): 22-30.
(Müjgân Şerefhanoğlu is the only woman architect of this project and the woman author of this publiched text.)
4.1.7.Uyanık, Ayla and Kılıç Uyanık. “Samsun Subaşı Meydanı Yeraltı Çarşısı Projesi.” Mimarlık 3 (1974):
29-31.
4.1.8.Erkal, Coşkun and Erkal, Filiz. “Merkez Bankası Konya Şube Binası.” Mimarlık 2 (1976): 100-103.
(Filiz Erkal is the woman architect of this project.)
(Archnet can share its internet link: http://dergi.mo.org.tr/dergiler/4/285/4025.pdf).
4.1.9.Ecevit, Azize and Özgür Ecevit. “Sosyal Sigortalar Kurumu Muğla Şube Müdürlüğü Binası.”
Mimarlık 4 (1979): 36-37.
(Azize Ecevit is the woman architect of this project.)

4.1.10.Veral, Aysel and Oktay Veral. “Devlet Malzeme Ofisi Ankara Yenimahalle Tesisleri.” Mimarlık 4
(1979): 38-39.
(Aysel Veral is the woman architect of this project.)
4.1.11.Karaaslan, Nuran and Merih Karaaslan. “Altındağ Belediye Sarayı ve Çevre Düzenlemesi Projesi.”
Mimarlık 2 (1987): 46-47.
(Nuran Karaaslan is the womanauthor of this published text and the woman design architect of this project.)
4.1.12.Yatman, Nesrin and Vedat İşbilir, Affan Yatman. “Türkiye Kızılay Derneği Rant Tesisleri Projesi.”
Mimarlık 2 (1987): 48-49.
(Nesrin Yatman is the woman author of this published text and the woman design architect of this project.)
4.1.13.Asatekin, N. Gül and Emre Madran. “Kuşadası - Kaleiçi Sağlıklaştırma Yenileme Projesi.” Mimarlık
1 (1988): 52-56.
(N. Gül Asatekin, is the womanauthor of this published text and the woman design architect of this project.)
4.1.14.Çinici, Altuğ and Behruz Çinici. “Subay ve Astsubay Orduevi.” Mimarlık 2 (1988): 31-32.
(Altuğ Çinici is the woman author of this published text and the woman design architect of this project.)
4.1.15.Çinici, Altuğ and Behruz Çinici. “Marina Hoteli ve Yat Klübü.” Mimarlık 2 (1988): 33-34.
(a note for Archnet: Altuğ Çinici is the woman author of this published text and the woman design architect of this project.)
4.1.16.Çinici, Altuğ and Behruz Çinici. “Prens Abdül Aziz Bin Ahmed Bin Abdel Sarayı.” Mimarlık 2
(1988): 57-58.
4.1.17.Sağlamer, Gülsün and Hülya Yürekli, Ferhan Yürekli. “Trabzon Belediyesi ve İl Özel İdaresi
Turistik Oteli.” Mimarlık 2 (1989): 36-37.
(GülsünSağlamer and Hülya Yürekli are the woman authors of this published text and the woman design architects of this
project.)

4.1.18.Erkal, Filiz and Coşkun Erkal. “Atatürk Kültür Merkezi , Ankara.” Mimarlık 2 (1989): 46-48.
(Filiz Erkal is the woman author of this published text and the woman design architect of this project.)
4.1.19.Çinici, Altuğ and Behruz Çinici. “Sincan-Elvanköy Kent Planlaması.” Mimarlık 6 (1989): 29-31.
4.1.20.Tunçağ, Sedef and Erbil Coşkuner. “Tevfik Fikret Lisesi-İzmir.” Mimarlık 2 (1990): 32-33.
(Sedef Tunçağ is the woman author of this published text and the woman design architect of this project.)
4.1.21.Erçağ, Beyhan. “Mimar Senin Eseri Olan Şehzade Mehmet Camii ve Rüstem Paşa Camii
Restorasyonları.” Mimarlık 3 (1992): 18-21.
4.1.22.Hadi, Sevinç and Şandor Hadi. “IV. Ulusal Mimarlık Sergisi ve Ödülleri 1994 Yapı Dalı Ödülü.”
Mimarlık 3 (1994): 26-27.
(Sevinç Hadi is the woman author of this published text and the woman design architect of this project, award.)
4.1.23.Usta, Gülay K. and Ayhan Usta. “IV. Ulusal Mimarlık Sergisi ve Ödülleri 1994 Grafik Sunuş
Ödülü.” Mimarlık 3 (1994): 36.
(Gülay Keleş Usta is the woman author of this published text and the woman design architect of this project, award.)
4.1.24.Usta, Gülay K. and Ayhan Usta. “Trabzon Sahil Bandırma İmaj Arama Çabaları ve Bir
Uygulama.” Mimarlık 5 (1994): 36-37.
(Gülay Keleş Usta is the woman author of this published text and the woman design architects of this project.)
4.1.25.Özer, Oğuz and Yasemen Say Özer. “Gelibolu Yarımadası Barış Parkı Uluslararası Fikir ve
Tasarım Yarışması 3. Ödül.” Mimarlık 1 (2000): 38-41.
(Yasemen Say Özer is the woman author of this published text and the woman design architects of this project.)
4.2. Articles and Reviews by Women:
(in chronological order, Turkish).

4.2.1.Baytop, Firuzan. “Kongreye Giderken.” Mimarlık 7 (1963): 19.
4.2.2.Baytop, Firuzan. “Mimarlar Odası X. Kongresinden Notlar.” Mimarlık 8 (1964): 1-2.
4.2.3.Suher, Hande. “Bölge Şartları İçinde Standartlaşma.” Mimarlık 3 (1964): 22-24.
4.2.4.Sey, Yıldız. “Dergilerden.” Mimarlık 6 (1964): 6-10.
4.2.5.Baytop, Firuzan. “Mimarlıkta Uygulamanın Önemi, Şantiyecilik." Mimarlık 7 (1964): 10.
4.2.6.Baytop, Firuzan. “Mimarlar Odası X. Kongresinden Notlar.” Mimarlık 2 (1964): 1-2.
4.2.7.Suher, Hande. “Bölge Şartları İçinde Standartlaşma.” Mimarlık 3 (1964): 22-24.
4.2.8.Sey, Yıldız. “Dergilerden.” Mimarlık 6 (1964): 6-10.
4.2.9.Baytop, Firuzan. “Mimarlar Odası XI. Genel Kurulu.” Mimarlık 3 (1965): 8-11.
4.2.10.Baytop, Firuzan. “Türkiye'de Konut Yapımının Bugünkü Durumu Üzerinde Düşünceler.” Mimarlık
5 (1965): 8-10.
4.2.11.Kıray, Mübeccel C. “Modern Şehirlerin Gelişmesi ve Türkiye'ye Has Bazı Eğilimler.” Mimarlık 7
(1965): 10-12.
4.2.12.Karahasanoglu, Nur. “Birleşik Amerika'da Yeni Kurulan Bir Şehir: Reston.” Mimarlık 2 (1966): 23-
27.
4.2.13.Baytop, Firuzan. “Istanbul Şubesi Genel Kurulundan İzlenimler.” Mimarlık 3 (1966): 7.
4.2.14.Baytop, Firuzan. “Genel Kurul İzlenimleri.” Mimarlık 4 (1966): 8-12.
4.2.15.Sey, Yıldız. “Çift Eğrilikli Yüzeylerin Akustik Dizaynının Kontrolunda Bir Metod, Analitik -
Grafik Metod." Mimarlık 5 (1966): 26.
4.2.16.Suher, Hande. “Şehircilik Özel Sayısı: Giriş.” Mimarlık 11 (1966).
(This published text by Hande Suher is an introduction for the special-dossier- issue of this periodical on Urbanism. There
is no page number.)
4.2.17.Oktav, Oya. “İki Yarışma Üzerine.” Mimarlık 6 (1967): 28.
4.2.18.Çinici, Altug and Behruz Çinici. “Orta Doğu Teknik Üniversitesi.” Mimarlık 8 (1967):19-25.
Karahasanoğlu, Nur. “Expo 67.” Mimarlık 9 (1967): 27-34.
4.2.19.Bayazit, Nigan. “Genişletilen Şehirler Problemi.” Mimarlık 6 (1968): 27-28.
4.2.20.Bayazit, Nigan. “Bina Tasarlaması Sırasında Karar Verme İşlemi.” Mimarlık 6 (1968): 19-22.
4.2.21.Bayazit, Nigan. “Matematiğe Dayanan Bazı Metotlar.” Mimarlık 6 (1968): 30-37.
4.2.22.Eti, Sevim. “1945 Sonrası Günümüz Sanatı.” Mimarlık 1 (1969): 34-37.

4.2.23.Suher, Hande. “Landscape Planning: Arazi Düzenleme: Anlam ve Kapsamı.” Mimarlık 2 (1969): 13-
14.
4.2.24.Aslanoğlu, Gönül. “Tarihte Peyzaj Anlayışı.” Mimarlık 2 (1969): 32-38.
4.2.25.Eti, Sevim. “Venedik Biennale'si Gözüyle Günümüz Sanat Problemleri.” Mimarlık 3 (1969): 25-27.
4.2.26.Aktüre, Teoman and Gönül Tankut, Mehmet Adam, Argun Evyapan. “Çevre Düzenleme Disiplini
İçinde Plancı ve Mimarın Değişmekte Olan Nitelikleri.” Mimarlık 9 (1969): 39-40.
(The only woman author/architect of this text is Gönül Tankut).
4.2.27.İnceoğlu, Mine and Necati İnceoğlu. “Bir Eğitim Araştırması.” Mimarlık 9 (1969): 51-53.
4.2.28.Yücel, Ayşın. “Mimari Tasarlamada Gün Işığı ile Aydınlatma.” Mimarlık 11 (1969): 35-37.
4.2.29.Sey, Yıldız. “Mimari Tasarlama ve Gürültü Kontrolü.” Mimarlık 11 (1969): 40-42.
4.2.30.Gürkan, Aydan. “Aşırı Duyarlıklar ya da Meslek Ahlakı.” Mimarlık 12 (1969): 27.
4.2.31.Batur, Afife. “Kavram Karmaşası, Genel Kurul’dan İzlenimler.” Mimarlık 3 (1970): 21-23.
4.2.32.Gürkan, Aydan. “Kongrede Neler Gördük?.” Mimarlık 3 (1970): 23.
4.2.33.Sey, Yıldız. “Akustik Kriterler Açısından Malzeme Özellikleri.” Mimarlık 4 (1970): 46-48.
4.2.34.Batur, Afife and Selçuk Batur. “Sanayi, Sanayi Toplumu ve Sanayi Yapısının Evrimi Üzerine Bazı
Düşünceler.” Mimarlık 6 1970): 26-41.
4.2.35.Çelik, Aliye, Pekin. “Sosyal Konutun Orijini: Komün Evleri.” Mimarlık 8 (1970): 41-42.
4.2.36.Bayazit, Nigan. “Az Katlı Yüksek Yoğunluklu Konutlar.” Mimarlık 8 (1970): 54-58.
4.2.37.Çelik, Aliye, Pekin. “Gecekondudan Sosyal Konuta Geçiş Üzerine Araştırma.” Mimarlık 8 (1970):
59-60.
4.2.38.Evyapan, Gönül, Aslan. “Merkez Kavramının Tarih İçinde Gelişimi.” Mimarlık 3 (1971): 43-48.
4.2.39.Gürkan, Aydan and İlhan Tekeli. “Turizm Politikası Üzerine.” Mimarlık 6-7 (1971): 44.
4.2.40.Batur, Afife. “Özel Yüksek Okullar Sorunu Hâlâ Çözümlenmedi.” Mimarlık 8 (1971): 11-13.
4.2.41.Göktuğ, Nadire and Mete Göktuğ, Hasan Çakır. “Deprem Sonrası Uygulamaları.” Mimarlık 12
(1971): 17-23.
4.2.42.Çakıroğulları, Aycan. “Endüstrileşme Zorunluluğu ve Mühendislik Hizmetleri.” Mimarlık 3
(1972): 15-21.
4.2.43.Akçura, Necva. “Korunması Gereken Boğaziçi Sergisi Hakkında Görüşler.” Mimarlık 6 (1972): 45.
4.2.44.Evyapan, Gönül, Aslan. “Peyzaj Mimarlığı ve Peyzaj Planlaması.” Mimarlık 8 (1972): 35-36.
4.2.45.Akçura, Necva. “Türkiye ve Eski Eserler.” Mimarlık 8 (1972): 39-42.

4.2.46.Bilge, Aygen. “Çemberlitaş ve Kıztaşı'nın Onarımları.” Mimarlık 8 (1972): 54-62.
4.2.47.Akçura, Necva and Akçura, Tuğrul. “Kasaba Ölçeğinde Çevre Değerlerini Koruma Amaçlı Bir
İnceleme: Bodrum.” Mimarlık 8 (1972): 65-71.
4.2.48.Sey, Yıldız and Atilla Yücel. “Uluslararası Mimarlar Birliği’nin XI. Kongresi.” Mimarlık 9 (1972):
22-23.
4.2.49.Sey, Yıldız and Atilla Yücel. “Türkiye'de Köy Konutu Sorununun Kapsam ve İçeriği, Çözüm
Alternatiflerinin Belirlenmesinde Temel Strateji ve Yöntem Sorunlarının Tartışılması.” Mimarlık 9 (1972):
42-49.
4.2.50.Şerefhanoğlu, Müjgân. “Akşam Yüksek Öğretimi ve Aydınlatma Sorunu.” Mimarlık 3 (1973): 39-40.
4.2.51.Aslanoğlu, İnci. “Birinci Endüstri Devrimiyle Makinenin Mimarlık-Sanat-Zenaat İlişkileri
Üzerinde Etkileri.” Mimarlık 5 (1973): 20-24.
4.2.52.Arel, Ayda. “Üç Şerefeli Cami ve Osmanlı Mimarisinde Tipolojik Sınıflandırma Sorunu.” Mimarlık
6 (1973): 17-20.
4.2.53.Çelik, Aliye, Pekin. “İklimsel Araştırmalarda Bir Atılım.” Mimarlık 6 (1973): 21-22.
4.2.54.Akçura, Necva. “Yabancı Ülkelerde Eski Eserlerin Korunması.” Mimarlık 8 (1973) 13-17.
4.2.55.Rona, Zeynep and Zehra Güreyman. “Mimar Seyfi Arkan (1903-1966).” Mimarlık 11-12 (1973): 52-
56.
4.2.56.Şerefhanoğlu, Müjgân. “Yapılarda Gün Işığı ile Lamba Işığı Bileşimi.” Mimarlık 3 (1974): 5-7.
4.2.57.Şerefhanoğlu, Müjgân. “Yapay Işık Kaynakları ve Bakım Sorunu.” Mimarlık 3 (1974): 8-11.
4.2.58.Bulca, Aydan. “Seçmeli Turizm Bibliyografyası.” Mimarlık 9-10 (1974): 39-40.
4.2.59.Batur, Afife. “Tarihi Çevre Korumasında Siyasal ve İdeolojik Boyutlar.” Mimarlık 5 (1974): 14-17.
4.2.60.Tankut, Gönül. “Boğaziçi Koruma Kararı Üzerine.” Mimarlık 5 (1975): 30-32.
4.2.61.Bulca, Aydan. “Ankara'daki Yeşil Alanların Bugünkü Kullanış Biçimleri.” Mimarlık 7 (1975): 18-19.
4.2.62.Altaban, Özcan and Vildan Okyay. “Büyük Kentlerde Sosyal ve Fiziksel Altyapının Durumu.”
Mimarlık 1 (1976): 38-41.
4.2.63.Sey, Yıldız and Tapan, Mete. “Mimari Proje Yarışmalarında Değerlendirme Sorunları.” Mimarlık 2
(1976): 107-108.
4.2.64.Nayır, Zeynep. “Olivetti Şirketi Konut ve Sosyal Hizmetler Merkezi.” Mimarlık 4 (1976): 14-17.
4.2.65.Bulca, Aydan. “İzmit: 1976.” Mimarlık 4 (1976): 89-99.
4.2.66. Aslaner, Vesile Gönül and Mustafa Arslan Aslaner. “Devlet Arşiv Sitesi.” Mimarlık 1 (1977): 65-68.

1-Woman in Modern Territories of Turkish Architecture - project by Dr. Meral Ekincioglu for Archnet-MIT- February - 2016

1-Woman in Modern Territories of Turkish Architecture - project by Dr. Meral Ekincioglu for Archnet-MIT- February - 2016

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1-Woman in Modern Territories of Turkish Architecture - project by Dr. Meral Ekincioglu for Archnet-MIT- February - 2016