1. G R A D U A T E B A C O L L E C T I O N
M A R I E C H R I S T I N E N I E L S E N
I G O T 9 9 P R O B L E M S
B U T T H E B L I N G A I N ’ T O N E

2. Note here, a clash between the origi-
nal biker culture from the 1950s and the
“happy-go-lucky” extravagant universe
that is Boll ywood. The styles appear
flashy, heavy on colours and exagger-
atedl y extravagant, in order to push the
boundaries of gender definitions. A true
“peacock” gent is dressed expressivel y,
however maintains his strong masculine
uniform features. Expressive short notes
tagged onto the garments, further under-
line this “more is more” feeling.
Flashy and outspoken these styles com-
bine silk vel vets covered in rhinestones
and sequins, sil ver fox fur with an oil y foil
printed surface together, black and shiny
gold leather fringes and a serious ruffle
overload.
This gent simpl y does not care and irrev-
erentl y holds his ground.
I GOT 99 PROBLEMS
BUT THE BLING AIN'T ONE
By the kind words of Marlo Saalmink PR.

9. Rebellious badass biker.
The boy. The guy.
The lonel y rider.
Toughness. Softness.
The attraction. Being tough.
The bling. Flashy. Daring.
Dressing for attention.
Giving a f*
Hey peacock, what you've got?

10. G R A D U A T E B A C O L L E C T I O N
M A R I E C H R I S T I N E N I E L S E N
P H O T O G R A P H Y
S T E F A N W E S S E L
M A K E U P A N D H A I R
M I L L E E R I K S T R U P
M O D E L
K R I S T O F F E R J U U L ,
U N I Q U E M O D E L S