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BALLET MUSIC:THE
SLEEPING BEAUTY
MOHARDIN BIN MOHD SALLEHAN
(BA 20110435)
By
CONTENTS
INSTRUMENTATION
01
LIST OF NUMBERS
02
LEITMOTIF
03
USE OF KEY
04
USE OF DYNAMICS
05
• The ballet is scored for a large orchestra
• Woodwind: piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets (in A, B-flat),
2 bassoons
• Brass: 4 horns (in F), 2 cornets (in A, B-flat), 2 trumpets (in A, B-flat),
3 trombones, tuba
• Percussions: 4 timpani, triangle, tambourine, military drum, cymbals, bass
drum, tam tam, glockenspiel
• Strings: harp, violins I, violins II, violas, cellos, and double basses.
• Piano
INSTRUMENTATION
• Tchaikovsky's original score contains an Introduction and 30 individual
numbers (Prologue, Act I, Act II and Act III) as listed below:
LIST OF NUMBERS
Introduction
Allegro vivo (76 bars)
Prologue
No. 1
March
Moderato (147 bars)
No. 2
Dancing Scene: Entrance of the Fairies
Moderato con moto—Tempo di Valse (210 bars)
No. 3
Pas de six:
(a) Adagio — Andante (93 bars)
(b) Var. I. Candide Allegro moderato (36 bars)
(c) Var. II. Coulante: The Fairy of Blooming Wheat
Allegro (35 bars)
(d) Var. III. Breadcrumb
Allegro moderato (41 bars)
(e) Var. IV. The Singing Canary
Moderato (25 bars)
(f) Var. V. Violante
Allegro molto vivace (76 bars)
(g) Var. VI. The Lilac Fairy
Tempo di Valse (60 bars)
(h) Coda
Allegro giusto (79 bars)
No. 4
Finale
Andante—Allegro vivo (293 bars)
No. 5
Scene
Allegro vivo (215 bars)
No. 6
Waltz
Allegro. Tempo di Valse (297 bars)
No. 7
Scene
Andante (71 bars)
LIST OF NUMBERS (cont.)
Act I
No. 8
Pas d'action:
(a) Adagio ["Rose Adagio"]
Andante—Adagio maestoso (82 bars)
(b) Dances of the Maids of Honour and Pages
Allegro moderato (63 bars)
(c) Aurora's Variation
Allegro moderato (118 bars)
(d) Coda
Allegro giusto (179 bars)
No. 9
Finale
Allegro giusto (193 bars)
LIST OF NUMBERS (cont.)
Act II
Scene I
No. 10
Entr'acte and Scene
Allegro con spirito (79 bars)
No. 11
Blind Man's Buff
Allegro vivo (56 bars)
No. 12
(a) Scene)
Moderato (17 bars)
(b)
Dance of the Duchesses
Moderato con moto. Tempo di Menuetto (24 bars)
(c)
Dance of the Baronesses
Allegro moderato. Tempo di Gavotte (26 bars)
(d)
Dance of the Countesses
Allegro non troppo (26 bars)
(e)
Dance of the Marchionesses
Allegro non troppo (46 bars)
No. 13
Farandole
(a)
Scene
Poco più vivo (16 bars)
(b)
Dance
Allegro non troppo. Tempo di Mazurka (76 bars)
No. 14
Scene
Allegro con spirito (133 bars)
No. 15
Pas d'action:
(a)
Scene of Aurora and Désiré
Andante cantabile (167 bars)
(b)
Aurora's Variation
Allegro con moto (69 bars)
(c)
Coda
Presto (94 bars)
No. 16
Scene (Scène ; Сцена)
Allegro agitato (24 bars)
No. 17
Panorama
Andantino (78 bars)
LIST OF NUMBERS (cont.)
ACT II Scene II
No. 18
Entr'acte
Andante sostenuto (78 bars)
No. 19
Symphonic Entr'acte: Sleep
Andante misterioso (99 bars)
Scene
Allegro vivace (44 bars)
No. 20
Finale
Allegro agitato (75 bars)
LIST OF NUMBERS (cont.)
Act III
No. 21
March
Allegro non troppo (109 bars)
No. 22
Polonaise
Allegro moderato e brillante (158 bars)
No. 23
Pas de quatre:
(a) Allegro non tanto (62 bars)
(b)
Var. I. The Gold Fairy
Allegro. Tempo di Valse (65 bars)
(c)
Var. II. The Silver Fairy
Allegro giusto (48 bars)
(d)
Var. III. The Sapphire Fairy
Vivacissimo (44 bars)
(e) Var. IV. The Diamond Fairy Vivace (52 bars)
(f) Coda
L'istesso tempo (49 bars)
LIST OF NUMBERS (cont.)
ACT III
No. 24
Pas de caractère:
Puss-in-Boots and the White Cat
Allegro moderato (44 bars)
No. 25
Pas de quatre:
(a) Adagio (28 bars)
(b)
Var. I. Cinderella and Prince Fortuné
Allegro. Tempo di Valse (56 bars)
(c)
Var. II. The Blue Bird and Princess Florine
Andantino (25 bars)
(d)
Coda
Presto (90 bars)
No. 26
Pas de caractère:
(a) Little Red Riding-Hood and the Wolf
Allegro moderato (68 bars)
(b)
Cinderella and Prince Fortuné
Allegro agitato (172 bars)
No. 27
Pas berrichon:
Tom Thumb, His Brothers, and the Ogre
Allegro vivo (75 bars)
LIST OF NUMBERS (cont.)
ACT III
No. 28
Pas de deux:
(a) Aurora and Prince Désiré
Allegretto (5 bars)
(b)
Entrance
Allegro moderato (42 bars)
(c)
Adagio
Andante non troppo (87 bars)
(d)
Var. I. Prince Désiré
Vivace (59 bars)
(e)
Var. II. Aurora
Andantino (56 bars)
(f) Coda
Allegro vivace (92 bars)
No. 29
Sarabande
Andante (48 bars)
No. 30
Finale
Allegro brillante. Tempo di Mazurka (384 bars)
Apotheosis
Andante molto maestoso (68 bars)
LEITMOTIF
• In the music of Sleeping beauty, there are two musical themes, a dramatic
good (Lilac Fairy) versus evil (Carabosse):
• These two musical themes that represent good and evil were repeated
whenever the respective character is on stage.
• Leitmotif helps to serve as an important thread to underline the plot.
• The Lilac Fairy’s theme is associated with a flowing cor anglais (English
horn) solo, accompanied by the other woodwind instruments in a major
tonality as shown below.
LEITMOTIF (cont.)
• The Carabosse’s music is spiky and violent in a minor tonality as shown below.
LEITMOTIF (cont.)
USE OF KEY
• When the themes are first introduced, its E Major for the Lilac Fairy’s theme,
and E Minor for Carabosse’s.
• They’re two sides of the same coin, because after all, Carabosse is also one
of the fairies.
• All the music that represents human nature is in the key of E flat.
• Tchaikovsky has taken the three most closely related keys to underline the
fact that good and evil are both part of human nature.
• Other than that, Tchaikovsky also used an extreme dynamic organisation in his
composition of the Sleeping Beauty Music.
• With most composers, fortissimo is very loud. But with Tchaikovsky, there are
fortissimo, triple f and also four fs.
USE OF DYNAMICS
REFERENCE
Mark Pullinger. 2017. Symphonic
storytelling: Tchaikovsky’s score to
The Sleeping Beauty. Bachtrack. July
27. Retrieved from
https://bachtrack.com/ballet-focus-
tchaikovsky-sleeping-beauty-petipa-
july-2017 on 18th May 2021.
01
Nicolette Fraillon. 2020. The
Australian Ballet: Ballet Scores
Explained: The Music of Sleeping
Beauty. Youtube. Retrieved from:
https://www.youtube.com/watch?v=
xZ6Sxm-Jjwc on 18th May 2021
02
Sarah Kirkup. 2017. Exploring the
genius of The Sleeping Beauty, The
Gramophone. January 23. Retrieved
from
https://www.gramophone.co.uk/fea
tures/article/exploring-the-genius-of-
the-sleeping-beauty on 18th May
2021.
03
Symphony 7526. 2019. Tchaikovsky:
"The Sleeping Beauty" Suite Op. 66a
(with Score). Youtube. Retrieved
from
https://www.youtube.com/watch?v=
GFR2kaKaIvo&t=302s on 18th May
2021.
04
THANK YOU

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MUZIK BARAT TCHAIKOVSKY.pptx

  • 1. BALLET MUSIC:THE SLEEPING BEAUTY MOHARDIN BIN MOHD SALLEHAN (BA 20110435) By
  • 3. • The ballet is scored for a large orchestra • Woodwind: piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets (in A, B-flat), 2 bassoons • Brass: 4 horns (in F), 2 cornets (in A, B-flat), 2 trumpets (in A, B-flat), 3 trombones, tuba • Percussions: 4 timpani, triangle, tambourine, military drum, cymbals, bass drum, tam tam, glockenspiel • Strings: harp, violins I, violins II, violas, cellos, and double basses. • Piano INSTRUMENTATION
  • 4. • Tchaikovsky's original score contains an Introduction and 30 individual numbers (Prologue, Act I, Act II and Act III) as listed below: LIST OF NUMBERS Introduction Allegro vivo (76 bars) Prologue No. 1 March Moderato (147 bars) No. 2 Dancing Scene: Entrance of the Fairies Moderato con moto—Tempo di Valse (210 bars) No. 3 Pas de six: (a) Adagio — Andante (93 bars) (b) Var. I. Candide Allegro moderato (36 bars) (c) Var. II. Coulante: The Fairy of Blooming Wheat Allegro (35 bars) (d) Var. III. Breadcrumb Allegro moderato (41 bars) (e) Var. IV. The Singing Canary Moderato (25 bars) (f) Var. V. Violante Allegro molto vivace (76 bars) (g) Var. VI. The Lilac Fairy Tempo di Valse (60 bars) (h) Coda Allegro giusto (79 bars) No. 4 Finale Andante—Allegro vivo (293 bars) No. 5 Scene Allegro vivo (215 bars) No. 6 Waltz Allegro. Tempo di Valse (297 bars) No. 7 Scene Andante (71 bars)
  • 5. LIST OF NUMBERS (cont.) Act I No. 8 Pas d'action: (a) Adagio ["Rose Adagio"] Andante—Adagio maestoso (82 bars) (b) Dances of the Maids of Honour and Pages Allegro moderato (63 bars) (c) Aurora's Variation Allegro moderato (118 bars) (d) Coda Allegro giusto (179 bars) No. 9 Finale Allegro giusto (193 bars)
  • 6. LIST OF NUMBERS (cont.) Act II Scene I No. 10 Entr'acte and Scene Allegro con spirito (79 bars) No. 11 Blind Man's Buff Allegro vivo (56 bars) No. 12 (a) Scene) Moderato (17 bars) (b) Dance of the Duchesses Moderato con moto. Tempo di Menuetto (24 bars) (c) Dance of the Baronesses Allegro moderato. Tempo di Gavotte (26 bars) (d) Dance of the Countesses Allegro non troppo (26 bars) (e) Dance of the Marchionesses Allegro non troppo (46 bars) No. 13 Farandole (a) Scene Poco più vivo (16 bars) (b) Dance Allegro non troppo. Tempo di Mazurka (76 bars) No. 14 Scene Allegro con spirito (133 bars) No. 15 Pas d'action: (a) Scene of Aurora and Désiré Andante cantabile (167 bars) (b) Aurora's Variation Allegro con moto (69 bars) (c) Coda Presto (94 bars) No. 16 Scene (Scène ; Сцена) Allegro agitato (24 bars) No. 17 Panorama Andantino (78 bars)
  • 7. LIST OF NUMBERS (cont.) ACT II Scene II No. 18 Entr'acte Andante sostenuto (78 bars) No. 19 Symphonic Entr'acte: Sleep Andante misterioso (99 bars) Scene Allegro vivace (44 bars) No. 20 Finale Allegro agitato (75 bars)
  • 8. LIST OF NUMBERS (cont.) Act III No. 21 March Allegro non troppo (109 bars) No. 22 Polonaise Allegro moderato e brillante (158 bars) No. 23 Pas de quatre: (a) Allegro non tanto (62 bars) (b) Var. I. The Gold Fairy Allegro. Tempo di Valse (65 bars) (c) Var. II. The Silver Fairy Allegro giusto (48 bars) (d) Var. III. The Sapphire Fairy Vivacissimo (44 bars) (e) Var. IV. The Diamond Fairy Vivace (52 bars) (f) Coda L'istesso tempo (49 bars)
  • 9. LIST OF NUMBERS (cont.) ACT III No. 24 Pas de caractère: Puss-in-Boots and the White Cat Allegro moderato (44 bars) No. 25 Pas de quatre: (a) Adagio (28 bars) (b) Var. I. Cinderella and Prince Fortuné Allegro. Tempo di Valse (56 bars) (c) Var. II. The Blue Bird and Princess Florine Andantino (25 bars) (d) Coda Presto (90 bars) No. 26 Pas de caractère: (a) Little Red Riding-Hood and the Wolf Allegro moderato (68 bars) (b) Cinderella and Prince Fortuné Allegro agitato (172 bars) No. 27 Pas berrichon: Tom Thumb, His Brothers, and the Ogre Allegro vivo (75 bars)
  • 10. LIST OF NUMBERS (cont.) ACT III No. 28 Pas de deux: (a) Aurora and Prince Désiré Allegretto (5 bars) (b) Entrance Allegro moderato (42 bars) (c) Adagio Andante non troppo (87 bars) (d) Var. I. Prince Désiré Vivace (59 bars) (e) Var. II. Aurora Andantino (56 bars) (f) Coda Allegro vivace (92 bars) No. 29 Sarabande Andante (48 bars) No. 30 Finale Allegro brillante. Tempo di Mazurka (384 bars) Apotheosis Andante molto maestoso (68 bars)
  • 11. LEITMOTIF • In the music of Sleeping beauty, there are two musical themes, a dramatic good (Lilac Fairy) versus evil (Carabosse): • These two musical themes that represent good and evil were repeated whenever the respective character is on stage. • Leitmotif helps to serve as an important thread to underline the plot. • The Lilac Fairy’s theme is associated with a flowing cor anglais (English horn) solo, accompanied by the other woodwind instruments in a major tonality as shown below.
  • 13. • The Carabosse’s music is spiky and violent in a minor tonality as shown below. LEITMOTIF (cont.)
  • 14. USE OF KEY • When the themes are first introduced, its E Major for the Lilac Fairy’s theme, and E Minor for Carabosse’s. • They’re two sides of the same coin, because after all, Carabosse is also one of the fairies. • All the music that represents human nature is in the key of E flat. • Tchaikovsky has taken the three most closely related keys to underline the fact that good and evil are both part of human nature.
  • 15. • Other than that, Tchaikovsky also used an extreme dynamic organisation in his composition of the Sleeping Beauty Music. • With most composers, fortissimo is very loud. But with Tchaikovsky, there are fortissimo, triple f and also four fs. USE OF DYNAMICS
  • 16. REFERENCE Mark Pullinger. 2017. Symphonic storytelling: Tchaikovsky’s score to The Sleeping Beauty. Bachtrack. July 27. Retrieved from https://bachtrack.com/ballet-focus- tchaikovsky-sleeping-beauty-petipa- july-2017 on 18th May 2021. 01 Nicolette Fraillon. 2020. The Australian Ballet: Ballet Scores Explained: The Music of Sleeping Beauty. Youtube. Retrieved from: https://www.youtube.com/watch?v= xZ6Sxm-Jjwc on 18th May 2021 02 Sarah Kirkup. 2017. Exploring the genius of The Sleeping Beauty, The Gramophone. January 23. Retrieved from https://www.gramophone.co.uk/fea tures/article/exploring-the-genius-of- the-sleeping-beauty on 18th May 2021. 03 Symphony 7526. 2019. Tchaikovsky: "The Sleeping Beauty" Suite Op. 66a (with Score). Youtube. Retrieved from https://www.youtube.com/watch?v= GFR2kaKaIvo&t=302s on 18th May 2021. 04