SlideShare a Scribd company logo
1 of 8
Download to read offline
Qwerty Layout
Dvorak Layout
Efficiency Comparisons of the Qwerty and the Dvorak Keyboard Layouts
Kenneth Rosen
Columbia University
IEOR 4207
Human Factors
Professor Leon S. Gold
Fall 2001
Overview
The Qwerty keyboard, named after the first six characters on the top row of
letters, is the standard keyboard used to type English text. The Dvorak keyboard was
developed by University of Washington professor Dr. August Dvorak to be a more
practical layout for typing English. The Dvorak maintains the rectangular alignment of
keys found on the Qwerty, but reassigns the individual keys across the layout. This paper
goes through various studies in an attempt to determine which design is more efficient for
the user, assuming the user has equal experience using each keyboard. Keyboard
efficiency is measured by typing speed since faster typing allows for increased
performance.
When evaluating the two designs from the perspective of a potential keyboard
operator, the user population is restricted to people who touch-type. These skilled
keyboard operators prepare to type by resting their fingers on the middle row of letter
keys, called the home row. From each finger’s starting position, touch-typists can press
the finger’s home key and can stretch the finger to press the adjacent keys that are above
and below. After some practice, they are able to type accurately without looking down at
the keyboard. In addition, as their skills become refined, touch-typists type by moving
their fingers in many directions simultaneously rather than by moving them in a serial
manner. Eventually, for most key sequences, touch-typists initiate future keystrokes
before they complete the present keystroke. Experienced touch-typists typically average
a typing rate of 55 words per minute (wpm) (West, 1998). Touch-typing has become the
usual and accepted mode of operating a computer keyboard (Noyes, 1998), so it is
appropriate to assess the two designs based on this typing technique.
With the widespread utilization of computers and, consequently, more people
becoming touch-typists, it would be valuable to identify a more productive keyboard
design. Based on a review of the relevant research, it appears that the Dvorak
configuration is more efficient than the Qwerty configuration; however, questions remain
as to what degree the Dvorak is better and whether it is one that has practical
significance. In order to finalize these issues, additional experimentation is required.
Background
The design of the keyboard traces its history to the emergence of the typewriter in
the latter half of the 19th
century. Early versions of the typewriter comprised a wide
variety of keyboards, typically with the letters arranged alphabetically. The alphabetic
sequence of keys were primarily laid out in one of three formats: a circle, one long row,
or in rows forming a rectangle. The circular and single-row layouts proved to be
unwieldy, so the rectangular layout eventually became the norm (Norman, 1990).
At that time typists did not touch-type. Instead, they kept their eyes on the
keyboard and typed with one or both index fingers. If the typist would press a succession
of letters too quickly, the large and ungainly levers manipulated by the keys would
collide, jamming the machine (Norman, 1990). In order to combat this mechanical
problem, inventor Charles Latham Sholes altered the alphabetical order and devised the
Qwerty layout for the typewriter he patented in 1868. He deliberately added distance
between keys often typed in sequence, such as q and u, to prevent their respective
typebars from coming into contact (Noyes, 1998).
In 1874, E. Remington & Sons began manufacturing its typewriter based on
Sholes’ prototype, incorporating the Qwerty layout. Remington was able to produce a
high-quality typewriter that contained several important features. As a result, it was the
first typewriter to be a commercial success. Subsequently, due to its pervasiveness, the
Qwerty layout was adopted by other typewriter manufacturers. In the end, the Qwerty
keyboard became the standard that it is to this day (Diamond, 1997).
By the early 20th
century, typists began training to touch-type and new keyboard
layouts tailored to this typing technique were being recommended. In one of the more
extensive attempts to replace the Qwerty layout, Dr. August Dvorak and his colleagues
developed the Dvorak Simplified Keyboard (DSK) in 1932. Dvorak combined studies of
touch-typing and hand physiology with data pertaining to the frequency of letters and
letter sequences to produce his design. He specifically tailored the Dvorak layout for the
touch-typist and claimed it was far superior to the Qwerty (Diamond, 1997).
Dvorak Design Goals & Comparative Data
To make a more ergonomic keyboard, Dvorak pooled a number of major design
goals. For one, he intended to reduce hand and finger reaches off the home row, which
he believed slowed down the typist. He was able to accomplish this by concentrating the
most common English letters onto the home row. As a result, 69% of keyboard strokes
occur on the home row, 24% on the top row and 7% on the bottom row. On the Qwerty
keyboard 32% of keyboard strokes occur on the home row, 51% on the top row and 17%
on the bottom row (Shieh and Lin, 1999). According to a 1993 research study by Ober
these differences translate into 37% less finger travel on the Dvorak keyboard than on the
Qwerty (Ober (1993) as cited in West, 1998).
Another aim of Dvorak was to maximize the alternating of hands while typing
consecutive letters. From his research he recognized that as one hand is typing the first
letter, the other hand is free to get into position to type the next one. Dvorak believed a
quick typing rhythm ensues when these overlapping motions successively recur. To
sustain hand alternations, he placed all the vowels (and y) on the left side of the layout
and the 13 most common consonants on the right side (Diamond, 1997). Consequently,
the Dvorak forces the typist to alternate hands 70% of the time, whereas with the Qwerty
this happens 53% of the time (Shieh and Lin, 1999).
In the event that the same hand would be used for successive keystrokes, Dvorak
sought to avoid consecutive use of the same finger (Diamond, 1997). The desire to
alternate fingers parallels the desire to alternate hands. It was thought that consecutive
use of the same finger would disrupt the typing rhythm that is fostered by alternating
fingers. Dvorak’s layout allows for successive use of the same finger 5% of the time,
compared to 9% for the Qwerty (Shieh and Lin, 1999).
Decreasing the successive use of the same finger on his keyboard also meant that
Dvorak had to distribute the keystrokes more evenly among the fingers. At the same
time, Dvorak preferred to utilize a stronger finger over a weaker finger, so he weighted
the typing load on each finger based on finger strength (Diamond, 1997). On his layout,
in line with the rank order of finger strength, the index fingers receive 31% of typing
strokes between them, the middle fingers receive 27%, the ring fingers receive 25% and
the pinkies receive 17%. For the Qwerty the load distribution is 40%, 31%, 20% and 9%,
respectively, lending more of a skew towards the stronger fingers (Shieh and Lin, 1999).
Among touch-typists, Dvorak presumed that his keyboard would ensure less
training time and quicker typing speeds than could be achieved with the Qwerty
keyboard. Specifically, he hypothesized that users, who had the same training time on
both keyboards, would attain Dvorak speeds that were on average 35% faster than their
Qwerty speeds (Noyes, 1998). Given Dvorak’s claims and the ergonomics behind his
design strategy, it is necessary to consider the studies that directly compare the Dvorak
and Qwerty to ascertain if one layout truly is more effective.
Subject-Based Studies
In 1944, the Navy conducted a study to examine replacing their Qwerty
typewriters with Dvorak typewriters. First, 14 Qwerty typists, with below average typing
speeds of 32 wpm, were retrained on Dvorak typewriters for 52 hours in order to catch up
to their Qwerty speeds. Then after completing an additional 83 hours on the Dvorak
layout, the typing speeds for this group had increased to an average 56 wpm, a 75%
improvement. In the second part of the experiment another group of 18 typists
supplemented their Qwerty skills with more training on the Qwerty keyboard. These
typists were listed as having initial typing speeds averaging 29 wpm. After 158 hours of
training, they had increased their speeds to an average 37 wpm, a mere 28%
improvement. These results suggested that the Dvorak is at least 52% faster than the
Qwerty, compelling the Navy to judge the Dvorak keyboard to be substantially more
efficient (Liebowitz and Margolis, 1990). In response to the study the Navy ordered
thousands of Dvorak typewriters; but, in the end, the Treasury Department refused to
authorize the purchase (Diamond, 1997).
In a comprehensive critique of the study, Liebowitz and Margolis reveal that the
typing speeds of the two groups were treated differently, causing the Qwerty results to be
greatly deflated. For the Dvorak group, the initial typing speed was taken from the
second training period’s first test score and the final typing speed was taken from the
period’s last test score. For the Qwerty group, the study states that because the group
contained three novice typists, who initially typed at a rate of 0 wpm, the initial and final
speeds of the group were not obtained in the same manner as they were with the Dvorak
group. Instead, the initial and final speeds of the Qwerty group were calculated as the
average of the first four typing tests and the average of the last four typing tests. This
adjustment had the effect of raising the group’s intial typing speeds and lowering its final
speeds, thereby considerably decreasing the actual gains for the Qwerty typists.
Liebowitz and Margolis rightly point out that such poor methodology serves to invalidate
the findings of the study (Liebowitz and Margolis, 1990).
Adding to the lack of credibility of the Navy study, Liebowitz and Margolis point
to evidence that this experiment was overseen by August Dvorak, who they discovered to
be the Navy’s top expert in the analysis of time and motion studies at that time. The
conflict of interest inherent in Dvorak’s involvement went beyond simple pride in his
design. As the owner of the patent on his keyboard, Dvorak had a huge potential for
profit. If the results of the study demonstrated that it would be worthwhile to replace the
standard keyboard with his keyboard, then a Navy purchase order would probably have
been the beginning of many royalties for Dvorak. Undoubtedly, Dvorak’s involvement
only enhances the study’s bias (Liebowitz and Margolis, 1990).
In another attempt to examine the costs and benefits of switching to Dvorak, the
General Services Administration commissioned a 1956 study carried out by Earle Strong,
a Pennsylvania State University professor. Highlighting the distinction between Strong’s
methodology and the Navy’s methodology, Liebowitz and Margolis emphasize that
Strong kept his study carefully controlled. In the first phase of the experiment 10
experienced government touch-typists spent over 100 hours training on the Dvorak to
catch up to their Qwerty speeds. Then the newly trained Dvorak typists continued
training and a new group of 10 Qwerty touch-typists, with proficiency comparable to the
Dvorak typists, began a parallel program to improve their skills. In this second phase the
Dvorak typists showed less improvement with their additional Dvorak training than the
Qwerty typists continuing on the Qwerty keyboards. As a result, Strong concluded that
converting to Dvorak would never be able to repay its training costs. In stark contrast to
the Navy study, Strong did not find the Dvorak to be more productive. For greater
productivity, he recommended that typists should receive further training on the Qwerty
keyboard (Liebowitz and Margolis, 1990).
Nonetheless, there is speculation concerning Strong’s conclusions. Supposedly,
there was a history of animosity between Dvorak and Strong, which could have
influenced Strong to discriminate against the Dvorak keyboard. Also, Strong is accused
of withholding his data from other researchers who wanted to verify his results (Yamada
as cited in Liebowitz and Margolis, 1990). Despite the doubts raised by these issues, the
information provided by Strong’s study found enough acceptance at that period to
convince businesses and agencies not to switch to the Dvorak (Liebowitz and Margolis,
1990).
A novel approach towards evaluating the two keyboards was implemented by
Baruch College professor Dr. Leonard J.West. West’s study employed eight touch-
typists with speeds ranging from 45-81 wpm. The subjects were given the 30 most
common two-letter digraphs to type on the Qwerty keyboard and a corresponding set of
their Dvorak-keyboard equivalents to type on the same keyboard as if it were a Dvorak
keyboard. For example, the h and e keys on the Dvorak layout are located at the j and d
positions on the Qwerty keyboard. So typing jd on the Qwerty keyboard corresponds to
typing he on the Dvorak keyboard. Two trials were run with the Qwerty digraphs and
two with the Dvorak digraphs. Each trial stepped through the list of 30 digraphs where,
for each digraph, the subjects were given 10 seconds to repetitively type the digraph as
many times as they could. The results showed that the subjects’ Dvorak keystrokes were
on average 4% faster than their Qwerty keystrokes. Accordingly, West attributed a
modest advantage to the Dvorak over the Qwerty (West, 1998).
There are a couple of procedural flaws associated with West’s approach. First,
West relies on uncommon key combinations on the Qwerty to predict the typing rates of
common key combinations on the Dvorak. He measures the typing rate of what would be
familiar keystroke sequences to a Dvorak typist based on how quickly a Qwerty typist
paces through these sequences. Yet, these sequences are relatively unfamiliar to the
Qwerty typist, so it is unlikely the Qwerty typist would reach the Dvorak typist’s
expected speed. Using the example given above, a Qwerty typist is unlikely to type the
unusual jd combination as quickly as a Dvorak typist types the familiar he combination.
In essence, the Dvorak data are handicapped. Subsequently, it could be argued that the
4% advantage that West attributes to Dvorak is undervalued.
A separate shortcoming exists because West models real-life typing with
repeatedly typing a digraph for 10 seconds. West computed the correlation coefficient
giving the relationship between the subjects’ digraph typing rates and their regular typing
rates to be r = .70 . Thus, with a proportion of variance r2
= .49, about half the factors
governing regular typing also apply to digraph typing (West, 1998). If digraph speed is
to be considered a direct measure of real-life typing speed, then a higher correlation
would be expected. Still, a positive relationship exists to the extent that West’s findings
should not be discounted altogether.
Motion Studies
Liebowitz and Margolis mention the results from two studies based on the
analysis of hand and finger motions. One case calculated the Dvorak to be 6.2% faster
and the other case calculated a 2.3% advantage (Liebowitz and Margolis, 1990). Norman
devised a computer simulation of the hand and finger movements of one high-speed
typist, which produced an estimate of a 5.4% advantage for the Dvorak keyboard
(Norman and Fisher as cited in West, 1998). Ober reports on an 11% speed differential
in favor of Dvorak that was found by another investigator (Ober (1992) as cited in West,
1998). These motion studies are limited because they depend on several rough estimates
and they may neglect important characteristics of actual typing (West, 1998).
Furthermore, similar to the criticism noted by West’s study, there is the possibility that
Qwerty typing habits were erroneously used to simulate non-analogous Dvorak typing
habits. Even so, the motion study results can serve as indicators of the relative
efficiencies of the two keyboards.
Conclusion and Recommendations
According to West, “the rationale underlying the layout of [the Dvorak keyboard]
makes its superiority highly likely” (West, 1998). Indeed, much of the scientifically
acceptable research suggests that the Dvorak outperforms the Qwerty by a margin of 5%
to 10%. Incidentally, it can be assumed that within this range the Dvorak design is the
more efficient of the two keyboards.
West explains that Dvorak’s prediction of 35% superiority might be too
extravagant because he did not fully account for the complexity of practiced touch-
typing. In particular, West asserts that coinciding finger movements that stem from
touch-typing on the Qwerty mitigate the perceived benefits of reduced total finger travel
on the Dvorak. As long as the same finger is not required for successive keystrokes, the
next fingers in the keystroke sequence can cover the distance to the upcoming keys
before the current key is hit. In other words, finger travel cannot be viewed as
sequentially additive when gauging a layout for an experienced keyboard operator.
Therefore, reduced total finger travel on the Dvorak does not necessarily lead to faster
keystrokes by the touch-typist (West, 1998).
Regardless, faced with a history of studies confounded by various defects and
results of uncertain reliability, it would be informative to conduct an experiment
comparing the keyboards starting with two groups of novice typists. While controlling
against any relevant characteristic differences, the experimenter should randomly select
an adequate sample size of non-touch-typists and evenly split them into a Qwerty group
and a Dvorak group. Then each group should be provided with equivalent training on its
respective keyboard. After all the participants have surpassed a specified minimum level
of touch-typing proficiency, the respective group typing rates should be measured. Next,
in order to check for the influence of disparities between the groups, the groups should
exchange keyboards and the process should be repeated. Ideally, analysis of the results
would satisfactorily establish the degree of efficiency differentiating the Dvorak and
Qwerty keyboards.
References
Diamond, J. (1997, April). The Curse of Qwerty. Discover Magazine. [Online] Available:
http://208.245.156.153/archive/output.cfm?ID=1092 [2001, November 13]
Liebowitz, S. J. and Margolis, S. E. (1990, April). The Fable of the Keys. Journal of Law &
Economics, 33. [Online] Available: http://wwwpub.utdallas.edu/~liebowit/keys1.html
[2001, November 14]
Norman, D. A. (1990). The Design of Everyday Things. New York: Bantam Doubleday Dell.
Noyes, J. (1998, June). QWERTY – the immortal keyboard. Computing & Control
Engineering Journal, 9, 117-122.
Shieh, K. and Lin, C. (1999). A Quantitative Model for Designing Keyboard Layout.
Perceptual and Motor Skills, 88, 113-125.
West, L. J. (1998). The Standard and Dvorak Keyboards Revisited: Direct Measures of
Speed. Santa Fe Institute, Working Paper 98-05-041E.

More Related Content

Featured

2024 State of Marketing Report – by Hubspot
2024 State of Marketing Report – by Hubspot2024 State of Marketing Report – by Hubspot
2024 State of Marketing Report – by HubspotMarius Sescu
 
Everything You Need To Know About ChatGPT
Everything You Need To Know About ChatGPTEverything You Need To Know About ChatGPT
Everything You Need To Know About ChatGPTExpeed Software
 
Product Design Trends in 2024 | Teenage Engineerings
Product Design Trends in 2024 | Teenage EngineeringsProduct Design Trends in 2024 | Teenage Engineerings
Product Design Trends in 2024 | Teenage EngineeringsPixeldarts
 
How Race, Age and Gender Shape Attitudes Towards Mental Health
How Race, Age and Gender Shape Attitudes Towards Mental HealthHow Race, Age and Gender Shape Attitudes Towards Mental Health
How Race, Age and Gender Shape Attitudes Towards Mental HealthThinkNow
 
AI Trends in Creative Operations 2024 by Artwork Flow.pdf
AI Trends in Creative Operations 2024 by Artwork Flow.pdfAI Trends in Creative Operations 2024 by Artwork Flow.pdf
AI Trends in Creative Operations 2024 by Artwork Flow.pdfmarketingartwork
 
PEPSICO Presentation to CAGNY Conference Feb 2024
PEPSICO Presentation to CAGNY Conference Feb 2024PEPSICO Presentation to CAGNY Conference Feb 2024
PEPSICO Presentation to CAGNY Conference Feb 2024Neil Kimberley
 
Content Methodology: A Best Practices Report (Webinar)
Content Methodology: A Best Practices Report (Webinar)Content Methodology: A Best Practices Report (Webinar)
Content Methodology: A Best Practices Report (Webinar)contently
 
How to Prepare For a Successful Job Search for 2024
How to Prepare For a Successful Job Search for 2024How to Prepare For a Successful Job Search for 2024
How to Prepare For a Successful Job Search for 2024Albert Qian
 
Social Media Marketing Trends 2024 // The Global Indie Insights
Social Media Marketing Trends 2024 // The Global Indie InsightsSocial Media Marketing Trends 2024 // The Global Indie Insights
Social Media Marketing Trends 2024 // The Global Indie InsightsKurio // The Social Media Age(ncy)
 
Trends In Paid Search: Navigating The Digital Landscape In 2024
Trends In Paid Search: Navigating The Digital Landscape In 2024Trends In Paid Search: Navigating The Digital Landscape In 2024
Trends In Paid Search: Navigating The Digital Landscape In 2024Search Engine Journal
 
5 Public speaking tips from TED - Visualized summary
5 Public speaking tips from TED - Visualized summary5 Public speaking tips from TED - Visualized summary
5 Public speaking tips from TED - Visualized summarySpeakerHub
 
ChatGPT and the Future of Work - Clark Boyd
ChatGPT and the Future of Work - Clark Boyd ChatGPT and the Future of Work - Clark Boyd
ChatGPT and the Future of Work - Clark Boyd Clark Boyd
 
Getting into the tech field. what next
Getting into the tech field. what next Getting into the tech field. what next
Getting into the tech field. what next Tessa Mero
 
Google's Just Not That Into You: Understanding Core Updates & Search Intent
Google's Just Not That Into You: Understanding Core Updates & Search IntentGoogle's Just Not That Into You: Understanding Core Updates & Search Intent
Google's Just Not That Into You: Understanding Core Updates & Search IntentLily Ray
 
Time Management & Productivity - Best Practices
Time Management & Productivity -  Best PracticesTime Management & Productivity -  Best Practices
Time Management & Productivity - Best PracticesVit Horky
 
The six step guide to practical project management
The six step guide to practical project managementThe six step guide to practical project management
The six step guide to practical project managementMindGenius
 
Beginners Guide to TikTok for Search - Rachel Pearson - We are Tilt __ Bright...
Beginners Guide to TikTok for Search - Rachel Pearson - We are Tilt __ Bright...Beginners Guide to TikTok for Search - Rachel Pearson - We are Tilt __ Bright...
Beginners Guide to TikTok for Search - Rachel Pearson - We are Tilt __ Bright...RachelPearson36
 

Featured (20)

2024 State of Marketing Report – by Hubspot
2024 State of Marketing Report – by Hubspot2024 State of Marketing Report – by Hubspot
2024 State of Marketing Report – by Hubspot
 
Everything You Need To Know About ChatGPT
Everything You Need To Know About ChatGPTEverything You Need To Know About ChatGPT
Everything You Need To Know About ChatGPT
 
Product Design Trends in 2024 | Teenage Engineerings
Product Design Trends in 2024 | Teenage EngineeringsProduct Design Trends in 2024 | Teenage Engineerings
Product Design Trends in 2024 | Teenage Engineerings
 
How Race, Age and Gender Shape Attitudes Towards Mental Health
How Race, Age and Gender Shape Attitudes Towards Mental HealthHow Race, Age and Gender Shape Attitudes Towards Mental Health
How Race, Age and Gender Shape Attitudes Towards Mental Health
 
AI Trends in Creative Operations 2024 by Artwork Flow.pdf
AI Trends in Creative Operations 2024 by Artwork Flow.pdfAI Trends in Creative Operations 2024 by Artwork Flow.pdf
AI Trends in Creative Operations 2024 by Artwork Flow.pdf
 
Skeleton Culture Code
Skeleton Culture CodeSkeleton Culture Code
Skeleton Culture Code
 
PEPSICO Presentation to CAGNY Conference Feb 2024
PEPSICO Presentation to CAGNY Conference Feb 2024PEPSICO Presentation to CAGNY Conference Feb 2024
PEPSICO Presentation to CAGNY Conference Feb 2024
 
Content Methodology: A Best Practices Report (Webinar)
Content Methodology: A Best Practices Report (Webinar)Content Methodology: A Best Practices Report (Webinar)
Content Methodology: A Best Practices Report (Webinar)
 
How to Prepare For a Successful Job Search for 2024
How to Prepare For a Successful Job Search for 2024How to Prepare For a Successful Job Search for 2024
How to Prepare For a Successful Job Search for 2024
 
Social Media Marketing Trends 2024 // The Global Indie Insights
Social Media Marketing Trends 2024 // The Global Indie InsightsSocial Media Marketing Trends 2024 // The Global Indie Insights
Social Media Marketing Trends 2024 // The Global Indie Insights
 
Trends In Paid Search: Navigating The Digital Landscape In 2024
Trends In Paid Search: Navigating The Digital Landscape In 2024Trends In Paid Search: Navigating The Digital Landscape In 2024
Trends In Paid Search: Navigating The Digital Landscape In 2024
 
5 Public speaking tips from TED - Visualized summary
5 Public speaking tips from TED - Visualized summary5 Public speaking tips from TED - Visualized summary
5 Public speaking tips from TED - Visualized summary
 
ChatGPT and the Future of Work - Clark Boyd
ChatGPT and the Future of Work - Clark Boyd ChatGPT and the Future of Work - Clark Boyd
ChatGPT and the Future of Work - Clark Boyd
 
Getting into the tech field. what next
Getting into the tech field. what next Getting into the tech field. what next
Getting into the tech field. what next
 
Google's Just Not That Into You: Understanding Core Updates & Search Intent
Google's Just Not That Into You: Understanding Core Updates & Search IntentGoogle's Just Not That Into You: Understanding Core Updates & Search Intent
Google's Just Not That Into You: Understanding Core Updates & Search Intent
 
How to have difficult conversations
How to have difficult conversations How to have difficult conversations
How to have difficult conversations
 
Introduction to Data Science
Introduction to Data ScienceIntroduction to Data Science
Introduction to Data Science
 
Time Management & Productivity - Best Practices
Time Management & Productivity -  Best PracticesTime Management & Productivity -  Best Practices
Time Management & Productivity - Best Practices
 
The six step guide to practical project management
The six step guide to practical project managementThe six step guide to practical project management
The six step guide to practical project management
 
Beginners Guide to TikTok for Search - Rachel Pearson - We are Tilt __ Bright...
Beginners Guide to TikTok for Search - Rachel Pearson - We are Tilt __ Bright...Beginners Guide to TikTok for Search - Rachel Pearson - We are Tilt __ Bright...
Beginners Guide to TikTok for Search - Rachel Pearson - We are Tilt __ Bright...
 

QWERTY vs DVORAK Keyboards - Kenny Rosen

  • 1. Qwerty Layout Dvorak Layout Efficiency Comparisons of the Qwerty and the Dvorak Keyboard Layouts Kenneth Rosen Columbia University IEOR 4207 Human Factors Professor Leon S. Gold Fall 2001
  • 2. Overview The Qwerty keyboard, named after the first six characters on the top row of letters, is the standard keyboard used to type English text. The Dvorak keyboard was developed by University of Washington professor Dr. August Dvorak to be a more practical layout for typing English. The Dvorak maintains the rectangular alignment of keys found on the Qwerty, but reassigns the individual keys across the layout. This paper goes through various studies in an attempt to determine which design is more efficient for the user, assuming the user has equal experience using each keyboard. Keyboard efficiency is measured by typing speed since faster typing allows for increased performance. When evaluating the two designs from the perspective of a potential keyboard operator, the user population is restricted to people who touch-type. These skilled keyboard operators prepare to type by resting their fingers on the middle row of letter keys, called the home row. From each finger’s starting position, touch-typists can press the finger’s home key and can stretch the finger to press the adjacent keys that are above and below. After some practice, they are able to type accurately without looking down at the keyboard. In addition, as their skills become refined, touch-typists type by moving their fingers in many directions simultaneously rather than by moving them in a serial manner. Eventually, for most key sequences, touch-typists initiate future keystrokes before they complete the present keystroke. Experienced touch-typists typically average a typing rate of 55 words per minute (wpm) (West, 1998). Touch-typing has become the usual and accepted mode of operating a computer keyboard (Noyes, 1998), so it is appropriate to assess the two designs based on this typing technique. With the widespread utilization of computers and, consequently, more people becoming touch-typists, it would be valuable to identify a more productive keyboard design. Based on a review of the relevant research, it appears that the Dvorak configuration is more efficient than the Qwerty configuration; however, questions remain as to what degree the Dvorak is better and whether it is one that has practical significance. In order to finalize these issues, additional experimentation is required. Background The design of the keyboard traces its history to the emergence of the typewriter in the latter half of the 19th century. Early versions of the typewriter comprised a wide variety of keyboards, typically with the letters arranged alphabetically. The alphabetic sequence of keys were primarily laid out in one of three formats: a circle, one long row, or in rows forming a rectangle. The circular and single-row layouts proved to be unwieldy, so the rectangular layout eventually became the norm (Norman, 1990). At that time typists did not touch-type. Instead, they kept their eyes on the keyboard and typed with one or both index fingers. If the typist would press a succession of letters too quickly, the large and ungainly levers manipulated by the keys would collide, jamming the machine (Norman, 1990). In order to combat this mechanical problem, inventor Charles Latham Sholes altered the alphabetical order and devised the Qwerty layout for the typewriter he patented in 1868. He deliberately added distance between keys often typed in sequence, such as q and u, to prevent their respective typebars from coming into contact (Noyes, 1998).
  • 3. In 1874, E. Remington & Sons began manufacturing its typewriter based on Sholes’ prototype, incorporating the Qwerty layout. Remington was able to produce a high-quality typewriter that contained several important features. As a result, it was the first typewriter to be a commercial success. Subsequently, due to its pervasiveness, the Qwerty layout was adopted by other typewriter manufacturers. In the end, the Qwerty keyboard became the standard that it is to this day (Diamond, 1997). By the early 20th century, typists began training to touch-type and new keyboard layouts tailored to this typing technique were being recommended. In one of the more extensive attempts to replace the Qwerty layout, Dr. August Dvorak and his colleagues developed the Dvorak Simplified Keyboard (DSK) in 1932. Dvorak combined studies of touch-typing and hand physiology with data pertaining to the frequency of letters and letter sequences to produce his design. He specifically tailored the Dvorak layout for the touch-typist and claimed it was far superior to the Qwerty (Diamond, 1997). Dvorak Design Goals & Comparative Data To make a more ergonomic keyboard, Dvorak pooled a number of major design goals. For one, he intended to reduce hand and finger reaches off the home row, which he believed slowed down the typist. He was able to accomplish this by concentrating the most common English letters onto the home row. As a result, 69% of keyboard strokes occur on the home row, 24% on the top row and 7% on the bottom row. On the Qwerty keyboard 32% of keyboard strokes occur on the home row, 51% on the top row and 17% on the bottom row (Shieh and Lin, 1999). According to a 1993 research study by Ober these differences translate into 37% less finger travel on the Dvorak keyboard than on the Qwerty (Ober (1993) as cited in West, 1998). Another aim of Dvorak was to maximize the alternating of hands while typing consecutive letters. From his research he recognized that as one hand is typing the first letter, the other hand is free to get into position to type the next one. Dvorak believed a quick typing rhythm ensues when these overlapping motions successively recur. To sustain hand alternations, he placed all the vowels (and y) on the left side of the layout and the 13 most common consonants on the right side (Diamond, 1997). Consequently, the Dvorak forces the typist to alternate hands 70% of the time, whereas with the Qwerty this happens 53% of the time (Shieh and Lin, 1999). In the event that the same hand would be used for successive keystrokes, Dvorak sought to avoid consecutive use of the same finger (Diamond, 1997). The desire to alternate fingers parallels the desire to alternate hands. It was thought that consecutive use of the same finger would disrupt the typing rhythm that is fostered by alternating fingers. Dvorak’s layout allows for successive use of the same finger 5% of the time, compared to 9% for the Qwerty (Shieh and Lin, 1999). Decreasing the successive use of the same finger on his keyboard also meant that Dvorak had to distribute the keystrokes more evenly among the fingers. At the same time, Dvorak preferred to utilize a stronger finger over a weaker finger, so he weighted the typing load on each finger based on finger strength (Diamond, 1997). On his layout, in line with the rank order of finger strength, the index fingers receive 31% of typing strokes between them, the middle fingers receive 27%, the ring fingers receive 25% and the pinkies receive 17%. For the Qwerty the load distribution is 40%, 31%, 20% and 9%, respectively, lending more of a skew towards the stronger fingers (Shieh and Lin, 1999).
  • 4. Among touch-typists, Dvorak presumed that his keyboard would ensure less training time and quicker typing speeds than could be achieved with the Qwerty keyboard. Specifically, he hypothesized that users, who had the same training time on both keyboards, would attain Dvorak speeds that were on average 35% faster than their Qwerty speeds (Noyes, 1998). Given Dvorak’s claims and the ergonomics behind his design strategy, it is necessary to consider the studies that directly compare the Dvorak and Qwerty to ascertain if one layout truly is more effective. Subject-Based Studies In 1944, the Navy conducted a study to examine replacing their Qwerty typewriters with Dvorak typewriters. First, 14 Qwerty typists, with below average typing speeds of 32 wpm, were retrained on Dvorak typewriters for 52 hours in order to catch up to their Qwerty speeds. Then after completing an additional 83 hours on the Dvorak layout, the typing speeds for this group had increased to an average 56 wpm, a 75% improvement. In the second part of the experiment another group of 18 typists supplemented their Qwerty skills with more training on the Qwerty keyboard. These typists were listed as having initial typing speeds averaging 29 wpm. After 158 hours of training, they had increased their speeds to an average 37 wpm, a mere 28% improvement. These results suggested that the Dvorak is at least 52% faster than the Qwerty, compelling the Navy to judge the Dvorak keyboard to be substantially more efficient (Liebowitz and Margolis, 1990). In response to the study the Navy ordered thousands of Dvorak typewriters; but, in the end, the Treasury Department refused to authorize the purchase (Diamond, 1997). In a comprehensive critique of the study, Liebowitz and Margolis reveal that the typing speeds of the two groups were treated differently, causing the Qwerty results to be greatly deflated. For the Dvorak group, the initial typing speed was taken from the second training period’s first test score and the final typing speed was taken from the period’s last test score. For the Qwerty group, the study states that because the group contained three novice typists, who initially typed at a rate of 0 wpm, the initial and final speeds of the group were not obtained in the same manner as they were with the Dvorak group. Instead, the initial and final speeds of the Qwerty group were calculated as the average of the first four typing tests and the average of the last four typing tests. This adjustment had the effect of raising the group’s intial typing speeds and lowering its final speeds, thereby considerably decreasing the actual gains for the Qwerty typists. Liebowitz and Margolis rightly point out that such poor methodology serves to invalidate the findings of the study (Liebowitz and Margolis, 1990). Adding to the lack of credibility of the Navy study, Liebowitz and Margolis point to evidence that this experiment was overseen by August Dvorak, who they discovered to be the Navy’s top expert in the analysis of time and motion studies at that time. The conflict of interest inherent in Dvorak’s involvement went beyond simple pride in his design. As the owner of the patent on his keyboard, Dvorak had a huge potential for profit. If the results of the study demonstrated that it would be worthwhile to replace the standard keyboard with his keyboard, then a Navy purchase order would probably have been the beginning of many royalties for Dvorak. Undoubtedly, Dvorak’s involvement only enhances the study’s bias (Liebowitz and Margolis, 1990).
  • 5. In another attempt to examine the costs and benefits of switching to Dvorak, the General Services Administration commissioned a 1956 study carried out by Earle Strong, a Pennsylvania State University professor. Highlighting the distinction between Strong’s methodology and the Navy’s methodology, Liebowitz and Margolis emphasize that Strong kept his study carefully controlled. In the first phase of the experiment 10 experienced government touch-typists spent over 100 hours training on the Dvorak to catch up to their Qwerty speeds. Then the newly trained Dvorak typists continued training and a new group of 10 Qwerty touch-typists, with proficiency comparable to the Dvorak typists, began a parallel program to improve their skills. In this second phase the Dvorak typists showed less improvement with their additional Dvorak training than the Qwerty typists continuing on the Qwerty keyboards. As a result, Strong concluded that converting to Dvorak would never be able to repay its training costs. In stark contrast to the Navy study, Strong did not find the Dvorak to be more productive. For greater productivity, he recommended that typists should receive further training on the Qwerty keyboard (Liebowitz and Margolis, 1990). Nonetheless, there is speculation concerning Strong’s conclusions. Supposedly, there was a history of animosity between Dvorak and Strong, which could have influenced Strong to discriminate against the Dvorak keyboard. Also, Strong is accused of withholding his data from other researchers who wanted to verify his results (Yamada as cited in Liebowitz and Margolis, 1990). Despite the doubts raised by these issues, the information provided by Strong’s study found enough acceptance at that period to convince businesses and agencies not to switch to the Dvorak (Liebowitz and Margolis, 1990). A novel approach towards evaluating the two keyboards was implemented by Baruch College professor Dr. Leonard J.West. West’s study employed eight touch- typists with speeds ranging from 45-81 wpm. The subjects were given the 30 most common two-letter digraphs to type on the Qwerty keyboard and a corresponding set of their Dvorak-keyboard equivalents to type on the same keyboard as if it were a Dvorak keyboard. For example, the h and e keys on the Dvorak layout are located at the j and d positions on the Qwerty keyboard. So typing jd on the Qwerty keyboard corresponds to typing he on the Dvorak keyboard. Two trials were run with the Qwerty digraphs and two with the Dvorak digraphs. Each trial stepped through the list of 30 digraphs where, for each digraph, the subjects were given 10 seconds to repetitively type the digraph as many times as they could. The results showed that the subjects’ Dvorak keystrokes were on average 4% faster than their Qwerty keystrokes. Accordingly, West attributed a modest advantage to the Dvorak over the Qwerty (West, 1998). There are a couple of procedural flaws associated with West’s approach. First, West relies on uncommon key combinations on the Qwerty to predict the typing rates of common key combinations on the Dvorak. He measures the typing rate of what would be familiar keystroke sequences to a Dvorak typist based on how quickly a Qwerty typist paces through these sequences. Yet, these sequences are relatively unfamiliar to the Qwerty typist, so it is unlikely the Qwerty typist would reach the Dvorak typist’s expected speed. Using the example given above, a Qwerty typist is unlikely to type the unusual jd combination as quickly as a Dvorak typist types the familiar he combination. In essence, the Dvorak data are handicapped. Subsequently, it could be argued that the 4% advantage that West attributes to Dvorak is undervalued.
  • 6. A separate shortcoming exists because West models real-life typing with repeatedly typing a digraph for 10 seconds. West computed the correlation coefficient giving the relationship between the subjects’ digraph typing rates and their regular typing rates to be r = .70 . Thus, with a proportion of variance r2 = .49, about half the factors governing regular typing also apply to digraph typing (West, 1998). If digraph speed is to be considered a direct measure of real-life typing speed, then a higher correlation would be expected. Still, a positive relationship exists to the extent that West’s findings should not be discounted altogether. Motion Studies Liebowitz and Margolis mention the results from two studies based on the analysis of hand and finger motions. One case calculated the Dvorak to be 6.2% faster and the other case calculated a 2.3% advantage (Liebowitz and Margolis, 1990). Norman devised a computer simulation of the hand and finger movements of one high-speed typist, which produced an estimate of a 5.4% advantage for the Dvorak keyboard (Norman and Fisher as cited in West, 1998). Ober reports on an 11% speed differential in favor of Dvorak that was found by another investigator (Ober (1992) as cited in West, 1998). These motion studies are limited because they depend on several rough estimates and they may neglect important characteristics of actual typing (West, 1998). Furthermore, similar to the criticism noted by West’s study, there is the possibility that Qwerty typing habits were erroneously used to simulate non-analogous Dvorak typing habits. Even so, the motion study results can serve as indicators of the relative efficiencies of the two keyboards. Conclusion and Recommendations According to West, “the rationale underlying the layout of [the Dvorak keyboard] makes its superiority highly likely” (West, 1998). Indeed, much of the scientifically acceptable research suggests that the Dvorak outperforms the Qwerty by a margin of 5% to 10%. Incidentally, it can be assumed that within this range the Dvorak design is the more efficient of the two keyboards. West explains that Dvorak’s prediction of 35% superiority might be too extravagant because he did not fully account for the complexity of practiced touch- typing. In particular, West asserts that coinciding finger movements that stem from touch-typing on the Qwerty mitigate the perceived benefits of reduced total finger travel on the Dvorak. As long as the same finger is not required for successive keystrokes, the next fingers in the keystroke sequence can cover the distance to the upcoming keys before the current key is hit. In other words, finger travel cannot be viewed as sequentially additive when gauging a layout for an experienced keyboard operator. Therefore, reduced total finger travel on the Dvorak does not necessarily lead to faster keystrokes by the touch-typist (West, 1998). Regardless, faced with a history of studies confounded by various defects and results of uncertain reliability, it would be informative to conduct an experiment comparing the keyboards starting with two groups of novice typists. While controlling against any relevant characteristic differences, the experimenter should randomly select an adequate sample size of non-touch-typists and evenly split them into a Qwerty group and a Dvorak group. Then each group should be provided with equivalent training on its
  • 7. respective keyboard. After all the participants have surpassed a specified minimum level of touch-typing proficiency, the respective group typing rates should be measured. Next, in order to check for the influence of disparities between the groups, the groups should exchange keyboards and the process should be repeated. Ideally, analysis of the results would satisfactorily establish the degree of efficiency differentiating the Dvorak and Qwerty keyboards.
  • 8. References Diamond, J. (1997, April). The Curse of Qwerty. Discover Magazine. [Online] Available: http://208.245.156.153/archive/output.cfm?ID=1092 [2001, November 13] Liebowitz, S. J. and Margolis, S. E. (1990, April). The Fable of the Keys. Journal of Law & Economics, 33. [Online] Available: http://wwwpub.utdallas.edu/~liebowit/keys1.html [2001, November 14] Norman, D. A. (1990). The Design of Everyday Things. New York: Bantam Doubleday Dell. Noyes, J. (1998, June). QWERTY – the immortal keyboard. Computing & Control Engineering Journal, 9, 117-122. Shieh, K. and Lin, C. (1999). A Quantitative Model for Designing Keyboard Layout. Perceptual and Motor Skills, 88, 113-125. West, L. J. (1998). The Standard and Dvorak Keyboards Revisited: Direct Measures of Speed. Santa Fe Institute, Working Paper 98-05-041E.