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Georgia Burns D. 30/12/1992
T. 07415 387812
E. georgiaburnsdesign@gmail.comGraphic Designer
Wybourn School
Collaboration between myself and
Mick Marston while at dust Collective.
The books and poster aimed to
encourage both children and parents
to participate in activities, which would
encourage learning and exploration.
Displayed is the publication 50 Things to
Do, for children 7–11 years of age. Full
of exercises and facts the books made
learning and activities fun. The schools
where given stamps, which allowed
teachers to mark off the students success.
The client has requested a reprint of 800
copies for March 2016.
50 Things to Do & 20 Things to Do
Wybourn School
20 Things to Do is aimed at the younger
age group of 3–6 years of age, the
double sided poster introduces them to
Wybourn School as a starter pack, and
encourages them to me creative at home.
50 Things to Do & 20 Things to Do
Third Angel
Third Angel approached dust Collective
as a studio, to brainstorm some ideas for
the flyer for their production of Partus.
My concept, pulling your head through
a turtle neck, being photographed to
represent birth in a non-descript way,
neither outcasting male or females.
This idea wasn’t used initially for the flyer
we created, however a photo-shoot has
been arranged in 2016 to capture the
idea for the repeat production
of the show.
Partus
Outreach
During my time with dust Collective, I was
given the task of helping Mick Marston
and the studio reach agencies in both the
UK and NY.
The duties where contacting agencies,
finding relevant contact information,
packaging up limited edition prints and
the orginsation of the process.
Illustration by Mick Marston
Tools
Homeless
A publication surrounding statistics with
the then current situation of Homelessness
in the UK. Shocking statistics, with real
life stories of hardship, coupled with
strong imagery was heavily influenced by
Color Magazine, Tibor Kalman.
In the image, Taken For Granted, a series
of images which depicted everyday
objects that homeless people do not have
access to.
Going Public
Leeds Beckett University
My critical study contains an overview of
my influences and processes throughout
my time at Leeds Beckett University. It has
since been used as an example, by the
head of the course Justin Burns.
Critical Study
dust Collective attend Sheffield Print
Fair every year, in 2015 they wanted to
develop sets of greetings cards with a
difference.
Using only lines to depict certain life
events, I came up with Crass Cards, a
quirky idea which will shock and puzzle
your loved ones.
The four displayed:
1. Sorry for you loss
2. Happy Birthday or Happy Anniversary
3. Mothers Day
4. Get well soon
Crass Cards
Sheffield Print Fair
dust Collective
Framework for the du.st website, with
place holder examples.
Using 3 columns I produced a design
which could span over 1, 2 or 3 columns.
The aim for this framework was to create
a flexible, print like grid which could
house vast amounts or minimal amounts of
multi-media and text.
du.st
Website due to launch 2016.
du.st
Experiments
Using letters as forms, Bigger is a
conceptual publication which explores
creating artwork by hand, in a digital age.
I’m heavily influenced by the 1990’s and
also greats like Wolfgang Weingart and
Emil Ruder.
Bigger
Bloc Projects
Bloc Projects new exhibition The place
of the scene, which displayed their new
gallery space, required several new print
jobs including leaflets and A1 posters.
The place of the scene
Bloc Projects
Working with clients like Bloc Projects,
enabled me to work with strict guidelines,
producing leaflets and information sheets
for their current exhibition.
Bloc projects needed their logo preparing
for a large sign to be situated on the front
of their studios.
The place of the scene
Sheffield Muesums
Going Public: International Art Collectors
in Sheffield, chose dust after a series
of interviews to design their campaign.
I was presented and supported the
studio throughout the preparation for the
exhibitions. From publications, pin badges
to large vinyl displays, it allowed me to
gain experience and expertise in the
organiastion of a large scale event.
Going Public
Sheffield Muesums
Responsive design holding page for
Going Public: International Art Collectors
in Sheffield.
www.goingpublicsheffield.org
Going Public
Sheffield Muesums
My initial idea for the Going Public
campaign, which was presented to
Sheffield Museums.
With influences from Bauhaus and DADA,
the flexible nature of the design would
of allowed for multiple ways to display
information as well as a strong way-
finding identity.
Going Public
Martin P Foster
Penny Jar Project, is a campaign ran
by Martin P foster, an activist wanting
to raise funds and awareness of
Homelessness in the UK.
Penny Jar Project is the notion of
collecting your change into a jar and
donating the contents to a worthy
individual or cause.
I used 100 pennies to relief print to
represent the notion of every little counts.
Penny Jar Project
Leeds Beckett University
Public Displays of Aggression, was an
experimental project, creating 3D wood
installations and then transferring them
onto postcards to send to loved ones.
PDA
Malala Fund
#booksnotbullets is a campaign backed
by the charity Malala Fund.
The campaign aims to put a stop to war
funding for a number of days in return
for 12 years education for every child
in the world.
I was responsible for the #booknotbullets
logo which has been shared and seen by
over 20,000 people on social media.
malala.org/booksnotbullets
#booksnotbullets
Pack It In
Pack It In, was a project containing three
books and extensive researched into
multi-ethnicity and the way white British
people are influenced by media and
common misconceptions.
Pack It In
Pack It In
I explored local international supermarkets
in Leeds, to find tins which presented all
nationalities in the news, April 2015.
Tins
Pack It In
This publication, documents a journey
and history of Harehills, Leeds. It
aims to shine a positive light on the
area, showing the cultural diversity
and art events in the area as well as
geographical documentation and statistics.
Harehills

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Georgia Burns_Portfolio_2016 copy

  • 1. Georgia Burns D. 30/12/1992 T. 07415 387812 E. georgiaburnsdesign@gmail.comGraphic Designer
  • 2. Wybourn School Collaboration between myself and Mick Marston while at dust Collective. The books and poster aimed to encourage both children and parents to participate in activities, which would encourage learning and exploration. Displayed is the publication 50 Things to Do, for children 7–11 years of age. Full of exercises and facts the books made learning and activities fun. The schools where given stamps, which allowed teachers to mark off the students success. The client has requested a reprint of 800 copies for March 2016. 50 Things to Do & 20 Things to Do
  • 3. Wybourn School 20 Things to Do is aimed at the younger age group of 3–6 years of age, the double sided poster introduces them to Wybourn School as a starter pack, and encourages them to me creative at home. 50 Things to Do & 20 Things to Do
  • 4. Third Angel Third Angel approached dust Collective as a studio, to brainstorm some ideas for the flyer for their production of Partus. My concept, pulling your head through a turtle neck, being photographed to represent birth in a non-descript way, neither outcasting male or females. This idea wasn’t used initially for the flyer we created, however a photo-shoot has been arranged in 2016 to capture the idea for the repeat production of the show. Partus
  • 5. Outreach During my time with dust Collective, I was given the task of helping Mick Marston and the studio reach agencies in both the UK and NY. The duties where contacting agencies, finding relevant contact information, packaging up limited edition prints and the orginsation of the process. Illustration by Mick Marston Tools
  • 6. Homeless A publication surrounding statistics with the then current situation of Homelessness in the UK. Shocking statistics, with real life stories of hardship, coupled with strong imagery was heavily influenced by Color Magazine, Tibor Kalman. In the image, Taken For Granted, a series of images which depicted everyday objects that homeless people do not have access to. Going Public
  • 7. Leeds Beckett University My critical study contains an overview of my influences and processes throughout my time at Leeds Beckett University. It has since been used as an example, by the head of the course Justin Burns. Critical Study
  • 8. dust Collective attend Sheffield Print Fair every year, in 2015 they wanted to develop sets of greetings cards with a difference. Using only lines to depict certain life events, I came up with Crass Cards, a quirky idea which will shock and puzzle your loved ones. The four displayed: 1. Sorry for you loss 2. Happy Birthday or Happy Anniversary 3. Mothers Day 4. Get well soon Crass Cards Sheffield Print Fair
  • 9. dust Collective Framework for the du.st website, with place holder examples. Using 3 columns I produced a design which could span over 1, 2 or 3 columns. The aim for this framework was to create a flexible, print like grid which could house vast amounts or minimal amounts of multi-media and text. du.st Website due to launch 2016. du.st
  • 10.
  • 11. Experiments Using letters as forms, Bigger is a conceptual publication which explores creating artwork by hand, in a digital age. I’m heavily influenced by the 1990’s and also greats like Wolfgang Weingart and Emil Ruder. Bigger
  • 12. Bloc Projects Bloc Projects new exhibition The place of the scene, which displayed their new gallery space, required several new print jobs including leaflets and A1 posters. The place of the scene
  • 13. Bloc Projects Working with clients like Bloc Projects, enabled me to work with strict guidelines, producing leaflets and information sheets for their current exhibition. Bloc projects needed their logo preparing for a large sign to be situated on the front of their studios. The place of the scene
  • 14. Sheffield Muesums Going Public: International Art Collectors in Sheffield, chose dust after a series of interviews to design their campaign. I was presented and supported the studio throughout the preparation for the exhibitions. From publications, pin badges to large vinyl displays, it allowed me to gain experience and expertise in the organiastion of a large scale event. Going Public
  • 15. Sheffield Muesums Responsive design holding page for Going Public: International Art Collectors in Sheffield. www.goingpublicsheffield.org Going Public
  • 16. Sheffield Muesums My initial idea for the Going Public campaign, which was presented to Sheffield Museums. With influences from Bauhaus and DADA, the flexible nature of the design would of allowed for multiple ways to display information as well as a strong way- finding identity. Going Public
  • 17. Martin P Foster Penny Jar Project, is a campaign ran by Martin P foster, an activist wanting to raise funds and awareness of Homelessness in the UK. Penny Jar Project is the notion of collecting your change into a jar and donating the contents to a worthy individual or cause. I used 100 pennies to relief print to represent the notion of every little counts. Penny Jar Project
  • 18. Leeds Beckett University Public Displays of Aggression, was an experimental project, creating 3D wood installations and then transferring them onto postcards to send to loved ones. PDA
  • 19. Malala Fund #booksnotbullets is a campaign backed by the charity Malala Fund. The campaign aims to put a stop to war funding for a number of days in return for 12 years education for every child in the world. I was responsible for the #booknotbullets logo which has been shared and seen by over 20,000 people on social media. malala.org/booksnotbullets #booksnotbullets
  • 20. Pack It In Pack It In, was a project containing three books and extensive researched into multi-ethnicity and the way white British people are influenced by media and common misconceptions. Pack It In
  • 21. Pack It In I explored local international supermarkets in Leeds, to find tins which presented all nationalities in the news, April 2015. Tins
  • 22. Pack It In This publication, documents a journey and history of Harehills, Leeds. It aims to shine a positive light on the area, showing the cultural diversity and art events in the area as well as geographical documentation and statistics. Harehills