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FOR THE LOVE OF NATURE

           Respect the bounty of the Ocean     Preserve the image and the story

                Take what you need, leave the rest for future generations




Gyotaku can be traced back in Japan as early as 1862. Gyo [ fish ] and taku [ print ]
was perfected as a way for fisherman to record the specie and size of their catches. The
catch was then prepared for their meal time. Gyotaku used sumi ink [ an ink made from
soot and water ] and rice paper [ a paper made from water and plant fibers] as its
medium. The catch was the subject. The gyotaku place in a special part of the home.
The excitement of landing the catch of the day and the enjoyment of the meal became the
story that was remembered and shared when the gyotaku came into view.


Gyotaku by Naoki is very special as it has its roots in early Japan and has evolved into his
own art form from his love of nature – observing, feeling, and being part of nature.
           We are but specs in this planet. When I go out to the deep blue,
           taken a plunge with only a wetsuit, fins, and facemask. The land is
           behind me, the heavens are above me, when I look down there is
           only the deep blue. I am alone. I have stripped my connection to
           whatever we have created.          When my senses awake my
           insignificance is apparent. I am connected to the world – all of the
           connecting Oceans and the communities that live off the shores of
           these Oceans. Here I feel the definite presence of Nature and its
           ambient environment. I have been granted permission.

Submission to The Hawaii Fishing News. ©2009 Clifton M. Hasegawa. “For The Love of
Nature:
I respect the raw power and the soothing presence of Nature.
                 Nature is overwhelming. There is no more to explain.
               [Naoki was self-taught by Nature. Nature is his classroom.]




Naoki was born in Kyoto, Japan. Kyoto was the capital of Japan for more than a
millennium from 794 to 1868. Even with the movement of the capital to Tokyo, Kyoto
remains the Heart of Japanese culture. In his formative years Naoki traveled from Kyoto
to Hilo. Naoki was introduced to fishing by Jim Rizzuto, his math teacher and in his later
years a mentor in appreciating the sea and the bounty from the sea. Naoki grew up
fishing and diving off the Kohala Coast of the Big Island. He received his early
education at Hawaii Preparatory Academy INPAI in Kamuela and continued his
education at Chapman College in California. Naoki graduated in 1985 with a bachelor's
degree in chemistry and moved back to Hawaii, his home and the place he felt most
connected to Nature.




Submission to The Hawaii Fishing News. ©2009 Clifton M. Hasegawa. “For The Love of
Nature:
Naoki shared his passion with kamaaina and visitors from across the globe as a PADI
dive instructor at Hamauma Bay for over 11 years. Each day Naoki learned and observed
the surroundings and the marine life of Hanauma Bay.


In his limited personal time Naoki reflected upon the time he spent with his grandparents,
especially when at age 8 his grandfather began teaching him about gyotaku. Naoki
established his own style of gyotaku, some traditional, some new, some of his very own.


Gyotaku began as a hobby. Naoki shared his gyotaku with family and friends for special
occasions. Encouraged by his family and friends Naoki started from his home in 1995.
Three years later he later moved into the garage. In 2000 Naoki opened Catch of the Day
at Koko Marina. He sponsored tournaments and continued to perfect his craft. Six
months later he moved to his present location at 46-020 Aloloa Street #D, Kaneohe.


Between the catch and the enjoyment of the meal, gyotaku involves three very important
steps. First, the first impressions will be made directly from the fish onto Shoji paper
using plain, non-toxic, black acrylic paint. From experience Naoki applies the right
amount of paint to achieve the detail of the scales and the fish itself.


The second step is the application of non-toxic acrylic color by brush, sea sponge or cloth
to refresh the time from when the catch came from the sea. The third and the most
critical is the eye of the fish. Naoki by fine brush and from years of marine observation
breathes life into the fish.




Submission to The Hawaii Fishing News. ©2009 Clifton M. Hasegawa. “For The Love of
Nature:
Fishing Stories Chronicled


A Fishing Excursion To Remember – Verified.         One clear day, Ryan Pike and Sterling
Kaya took off to their secret dive spot. After reaching the 100’ to 120’ depth they spotted
a monster uku cruising just outside the range of their spears. Their lungs started to begin
to burn. Miraculously Ryan got a clear shot. He launched his spear. It flew straight as
an arrow. The uku was mortally wounded. Out of nowhere a galagapagos shark
appeared. This 8 to 10 footer grabbed the uku in its monster jaws. Ryan fought to regain
his prize, his personal best for uku. Just as they were about to run out of air the shark let
loose and they headed for the surface. Ryan hauled in his line. All that remained was the
head of the uku. The head portion weighed approximately 20 lbs. Based on their visual
sighting and the approximate weight of the head they estimated the weight of the uku to
be around 60 lbs. (Two professional fishmongers on Oahu verified by weight of the head
of the uku alone that the uku would be in the 60 lb. range). The adrenaline rush, the
battle among giants, the feeling of victory and defeat are part of the Gyotaku by Naoki
displayed at Hanapa`a Fishing Supply.


Two Old Men of the Sea.      As he did each day, this fisherman went out with his trusty
throw net to seek fish to feed his family. This was a special day as he needed enough fish
to feed his ohana (family gathering) for a special gathering. As time passed, he saw a
flash of movement through this polarized glasses. From the color there was no mistaking
that this was an uhu. From the length and size is about 12 lbs. He approached slowly,
tactically and strategically. This uhu had not reached this stage of maturity without being
wise and wary. At the right time the fisherman let his net out. He got a full spread from
his throw. When the net was retrieved and when he was at a safe place he removed the
uhu from the net. There was a wound mark near the top dorsal fin. This uhu had been
speared when it was younger. This encounter had left an impact on this fish. He had
adapted to his environment and avoided being landed by spear or by net, except on this
day. The fisherman sought out Naoki to preserve the impression as on that day two old
men of the sea met.

Submission to The Hawaii Fishing News. ©2009 Clifton M. Hasegawa. “For The Love of
Nature:
Gyotaku is part of sharing. Naoki works diligently to keep his efforts locally based and
to give back to the community.


One of Naoki’s joys is to share with youth.




. The results have been very nice and the students have been thrilled. We shall continue
to peruse your sight and look forward to upcoming images.

Many Thanks,

Philip Bogdan
Teacher/Researcher
Gallaudet University
Laurent Clerc National Deaf Education Center




Submission to The Hawaii Fishing News. ©2009 Clifton M. Hasegawa. “For The Love of
Nature:
Naoki shares of himself to enrich the lives of others. Naoki’s gyotaku becomes part of
their lives.

Mr. Naoki




"Na                                                                                      oki
              captures the DYNAMIC nature of the ocean in this stunning
Submission to The Hawaii Fishing News. ©2009 Clifton M. Hasegawa. “For The Love of
Nature:
Naoki,

         We sure missed having you at the little gathering we had to present
         Mr. Honda with his beautiful gyotaku! He was really touched and
         especially liked your wording on the gift certificate – no expiration,
         when you “get lucky”. He’s looking forward to being able to bring a
         catch in with his daughter, Kelly, so they can get a truly personal work
         of art! You’ll like Kelly and Arnold!



                              For The Love of Nature
      We rely on the sea for sustenance. We must do our part to preserve and
    protect the Sea. The balance is being affected. We must change the way we
      do many things, not only for today, but for generations to come after us.


                                     Naoki Hayashi




Submission to The Hawaii Fishing News. ©2009 Clifton M. Hasegawa. “For The Love of
Nature:

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For The Love Of Nature

  • 1. FOR THE LOVE OF NATURE Respect the bounty of the Ocean Preserve the image and the story Take what you need, leave the rest for future generations Gyotaku can be traced back in Japan as early as 1862. Gyo [ fish ] and taku [ print ] was perfected as a way for fisherman to record the specie and size of their catches. The catch was then prepared for their meal time. Gyotaku used sumi ink [ an ink made from soot and water ] and rice paper [ a paper made from water and plant fibers] as its medium. The catch was the subject. The gyotaku place in a special part of the home. The excitement of landing the catch of the day and the enjoyment of the meal became the story that was remembered and shared when the gyotaku came into view. Gyotaku by Naoki is very special as it has its roots in early Japan and has evolved into his own art form from his love of nature – observing, feeling, and being part of nature. We are but specs in this planet. When I go out to the deep blue, taken a plunge with only a wetsuit, fins, and facemask. The land is behind me, the heavens are above me, when I look down there is only the deep blue. I am alone. I have stripped my connection to whatever we have created. When my senses awake my insignificance is apparent. I am connected to the world – all of the connecting Oceans and the communities that live off the shores of these Oceans. Here I feel the definite presence of Nature and its ambient environment. I have been granted permission. Submission to The Hawaii Fishing News. ©2009 Clifton M. Hasegawa. “For The Love of Nature:
  • 2. I respect the raw power and the soothing presence of Nature. Nature is overwhelming. There is no more to explain. [Naoki was self-taught by Nature. Nature is his classroom.] Naoki was born in Kyoto, Japan. Kyoto was the capital of Japan for more than a millennium from 794 to 1868. Even with the movement of the capital to Tokyo, Kyoto remains the Heart of Japanese culture. In his formative years Naoki traveled from Kyoto to Hilo. Naoki was introduced to fishing by Jim Rizzuto, his math teacher and in his later years a mentor in appreciating the sea and the bounty from the sea. Naoki grew up fishing and diving off the Kohala Coast of the Big Island. He received his early education at Hawaii Preparatory Academy INPAI in Kamuela and continued his education at Chapman College in California. Naoki graduated in 1985 with a bachelor's degree in chemistry and moved back to Hawaii, his home and the place he felt most connected to Nature. Submission to The Hawaii Fishing News. ©2009 Clifton M. Hasegawa. “For The Love of Nature:
  • 3. Naoki shared his passion with kamaaina and visitors from across the globe as a PADI dive instructor at Hamauma Bay for over 11 years. Each day Naoki learned and observed the surroundings and the marine life of Hanauma Bay. In his limited personal time Naoki reflected upon the time he spent with his grandparents, especially when at age 8 his grandfather began teaching him about gyotaku. Naoki established his own style of gyotaku, some traditional, some new, some of his very own. Gyotaku began as a hobby. Naoki shared his gyotaku with family and friends for special occasions. Encouraged by his family and friends Naoki started from his home in 1995. Three years later he later moved into the garage. In 2000 Naoki opened Catch of the Day at Koko Marina. He sponsored tournaments and continued to perfect his craft. Six months later he moved to his present location at 46-020 Aloloa Street #D, Kaneohe. Between the catch and the enjoyment of the meal, gyotaku involves three very important steps. First, the first impressions will be made directly from the fish onto Shoji paper using plain, non-toxic, black acrylic paint. From experience Naoki applies the right amount of paint to achieve the detail of the scales and the fish itself. The second step is the application of non-toxic acrylic color by brush, sea sponge or cloth to refresh the time from when the catch came from the sea. The third and the most critical is the eye of the fish. Naoki by fine brush and from years of marine observation breathes life into the fish. Submission to The Hawaii Fishing News. ©2009 Clifton M. Hasegawa. “For The Love of Nature:
  • 4. Fishing Stories Chronicled A Fishing Excursion To Remember – Verified. One clear day, Ryan Pike and Sterling Kaya took off to their secret dive spot. After reaching the 100’ to 120’ depth they spotted a monster uku cruising just outside the range of their spears. Their lungs started to begin to burn. Miraculously Ryan got a clear shot. He launched his spear. It flew straight as an arrow. The uku was mortally wounded. Out of nowhere a galagapagos shark appeared. This 8 to 10 footer grabbed the uku in its monster jaws. Ryan fought to regain his prize, his personal best for uku. Just as they were about to run out of air the shark let loose and they headed for the surface. Ryan hauled in his line. All that remained was the head of the uku. The head portion weighed approximately 20 lbs. Based on their visual sighting and the approximate weight of the head they estimated the weight of the uku to be around 60 lbs. (Two professional fishmongers on Oahu verified by weight of the head of the uku alone that the uku would be in the 60 lb. range). The adrenaline rush, the battle among giants, the feeling of victory and defeat are part of the Gyotaku by Naoki displayed at Hanapa`a Fishing Supply. Two Old Men of the Sea. As he did each day, this fisherman went out with his trusty throw net to seek fish to feed his family. This was a special day as he needed enough fish to feed his ohana (family gathering) for a special gathering. As time passed, he saw a flash of movement through this polarized glasses. From the color there was no mistaking that this was an uhu. From the length and size is about 12 lbs. He approached slowly, tactically and strategically. This uhu had not reached this stage of maturity without being wise and wary. At the right time the fisherman let his net out. He got a full spread from his throw. When the net was retrieved and when he was at a safe place he removed the uhu from the net. There was a wound mark near the top dorsal fin. This uhu had been speared when it was younger. This encounter had left an impact on this fish. He had adapted to his environment and avoided being landed by spear or by net, except on this day. The fisherman sought out Naoki to preserve the impression as on that day two old men of the sea met. Submission to The Hawaii Fishing News. ©2009 Clifton M. Hasegawa. “For The Love of Nature:
  • 5. Gyotaku is part of sharing. Naoki works diligently to keep his efforts locally based and to give back to the community. One of Naoki’s joys is to share with youth. . The results have been very nice and the students have been thrilled. We shall continue to peruse your sight and look forward to upcoming images. Many Thanks, Philip Bogdan Teacher/Researcher Gallaudet University Laurent Clerc National Deaf Education Center Submission to The Hawaii Fishing News. ©2009 Clifton M. Hasegawa. “For The Love of Nature:
  • 6. Naoki shares of himself to enrich the lives of others. Naoki’s gyotaku becomes part of their lives. Mr. Naoki "Na oki captures the DYNAMIC nature of the ocean in this stunning Submission to The Hawaii Fishing News. ©2009 Clifton M. Hasegawa. “For The Love of Nature:
  • 7. Naoki, We sure missed having you at the little gathering we had to present Mr. Honda with his beautiful gyotaku! He was really touched and especially liked your wording on the gift certificate – no expiration, when you “get lucky”. He’s looking forward to being able to bring a catch in with his daughter, Kelly, so they can get a truly personal work of art! You’ll like Kelly and Arnold! For The Love of Nature We rely on the sea for sustenance. We must do our part to preserve and protect the Sea. The balance is being affected. We must change the way we do many things, not only for today, but for generations to come after us. Naoki Hayashi Submission to The Hawaii Fishing News. ©2009 Clifton M. Hasegawa. “For The Love of Nature: