The document discusses stained glass windows created by Clarke Studios for churches in Ireland and Africa connected to Catholic missionary work. It includes images and descriptions of a 1948 window in Killeshandra, Ireland commemorating Bishop Shanahan and featuring accurate details of African figures. Letters from 1958 discuss Clarke Studios' designs for the Carmelite Convent in Nairobi, Kenya, including a nun's preferences that the angel faces be strong and manly rather than girlish. The document examines Clarke Studios' depictions of African subjects and connections to Catholic missions in their stained glass work.
15. Letters from Sr Teresa Dymphna,
Carmelite Convent, Nairobi. (1958)
• ‘Fra Angelicus angels – some of them anyway –
are beautiful. I don’t care much for the modern
type with bobbed hair etc.’
• In May 1958, she reported that she was
delighted with the beautiful designs: ‘they are
like the dream angels I had in mind but could not
satisfactorily describe’…‘I should like the faces
strong and manly – not the girlish sort.’
16. Side windows from the Carmelite Convent,
Nairobi (fitted 19th
March 1959).
18. For their help in researching details and
finding images, I am grateful to Fr Tim
Redmond in Kiltegan; Fr Edmund Hogan,
SMA; Dr Brian Kirby Provincial Archivist
for the Capuchin Fathers; and Ken Ryan,
Abbey Stained Glass.
Editor's Notes
Thanks to Fr Tim Redmond in Kiltegan; Fr Edmund Hogan, SMA; Dr Brian Kirby Provincial Archivist for the Capuchin Fathers; and Ken Ryan for some photos of the Killeshandra windows.
Corner torn out – next slide…
NNeka, Maria, Nweke Ezo, Mazeli and Adaki
The base of the window in Calabar Cathedral depicts some of the Ugandan martyrs. The sketch may be connected to the Calabar window, some of the figures seem identical, but if not, this sketch most likely relates to a window in another African location.