This document provides information about various restaurants and dining establishments around the world. It includes the names of restaurants, their locations, brief descriptions and page numbers. Some of the restaurants mentioned include La Bonne Bouche in Paris, Peacock Dinner Club in Stockholm, MangiaRe in Tokyo, William & Suzue Curley in London, and Topography in Mumbai. The document discusses the Topography restaurant in Mumbai in more detail, describing its design concept of using lines to create a unique spatial topology and how light columns transform the pattern into an ambivalent space.

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2. CONTENTS
La BONNE BOUCHE 04 096 PEaCOCk dINNER CLUB IN sWEdEN NaT fINE BIO fOOd 174 252 mERCaT a La PLaNxa
VIET HOa BaR 010 102 PEaCOCk dINNER CLUB IN sTOCkHOLm aLUx (TOkyO aOyama) 180 258 THE ORIgINaL, a dINERaNT
ITaLIa REsTaURaNT 014 108 mCNaLLy JaCksON CafE kaNEBO sENsaI sELECT sPa 186 264 fORWaRd IN BEIJINg
TOkyO BaBy CafE 020 114 HaVaNa+ LONg TaBLE 192 270 L'aNIma REsTaURaNT
saNCTUaRy TEa 026 120 BaRRIO WINEsCaPE WINE sHOP 198 276 BLaCk & WHITE BaR
THE WRIgHT 032 126 sT. REgIs mExICO CITy gOP VaRIETE, mUENCHEN 204 282 BaRBECUE gOURmET
sECONd HOmE 040 130 BEaCH BLaNkET BaByLON sHOREdITCH BOska BaR 210
WILLIam_IV--WILLIam_IV 046 136 maNgIaRE REd PRImE sTEak 216
TRIsHNa 054 140 TINdERBOx ELEmENTs aT CHEsaPEakE 222
PasHa 062 146 WILLIam & sUzUE CURLEy sUsHI-La NICOsIa 228
Nam 070 152 BUBBLE LOUNgE sUsHI-La LaRNaCa 234
CaRBON 076 158 sUCULUs REsTaURaNT TOPOgRaPHy 238
BaBEL 084 162 BaRBIE CafE sTEPs IN BEIJINg 242
mOzzaRELLa BaR & REsTaURaNT 090 168 CafE kOTa L’aVVOCaTO PENTITO REsTOBaR 246
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3. La BONNE BOUCHE
TOPOgRaPHy
Design Company: Collaborative Architecture
Address: Mumbai
Area: 208.10 m²
Photographer: Lalita Tharani
explores the spatial readings of seemingly ‘arbitrary’ lines scored in a Euclidean space. The
‘Line Vector’ traditionally read as a wall / boundary on an architectural plan, becomes both an
interface and a pattern.
The project was conceived as a ‘chilling space’ / Cafeteria during a trade expo in Mumbai.
The design intent was to demonstrate the functional and perceptional efficacy of a conceptual
space in the confines of a typical program.
The ‘Line Vector’ traverses the space changing its vector, material, functional, tactile and
tonal attributes in a distance of 16m giving rise to a unique TOPOGRAPHY.
The light columns rise up from the datum of the Topography, completing the third Vector in
the construct, transforming the Pattern to a space with ambivalent and multiple readings and
functional attributes.
The material selection was unfortunately limited to the palette offered by the associate
vendors sponsored the endeavor ( Tile was not our obvious choice for the ‘Line Vectors’)
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