SlideShare a Scribd company logo
1 of 1
Policy & Provenance
1933
League of Nations
Convention on the
Repatriation of Objects of
Artistic, Historical or
Scientific Interest, Which
Have Been Lost, Stolen or
Unlawfully Alienated or
1954
UNESCO
Convention for the
Protection of Cultural
Property in the Event of
Armed Conflict (1954
Hague Convention)
1970
UNESCO
Convention on the Means
of Prohibiting and
Preventing the Illicit
Import, Export and
Transfer of Ownership of
Cultural Property
1983
United States
Convention on Cultural
Property Implementation
Act
2008
AAMD
Guidelines on the
Acquisition of
Archaeological Materials
and Ancient Art
1995
UNIDROIT
Convention on Stolen or
Illegally Exported Cultural
Objects
2013
AAMD
Revised Guidelines on the
Acquisition of
Archaeological Materials
and Ancient Art
The illegal excavation of archaeological material and
ancient art
results in losses to the cultural record, a problem worsened by the illicit
trade of undocumented antiquities.
Research consisted of a review
of recent literature and acquisition policies from 8 US
museums
Museums occupy a unique place in the effort to stop
this activity and have begun to address the issue through the
implementation of acquisition policies requiring minimum levels of
provenance for relevant collection areas.
The Association of Art Museum Directors
2008 Guidelines on the Acquisition of Archaeological Material and
Ancient Art
- Recognize the 1970 UNESCO Convention and adopt this as a
‘threshold date’
- Establish an object registry for the publication of information on new
acquisitions with incomplete modern provenanceAs many as 112,000 ancient Greek &
Roman objects are held in private collections within
the U.S. alone.
Principal stakeholders include
Source Nations, Museums, Archaeologists, Private
Collectors
School of Library &
Information Science
The AAMD guidelines allow museums to
exercise discretion and to weigh the potential for financial
and reputational harm against the benefits of acquiring objects
with incomplete modern provenance.
One potential consequence of excessively
strict policies is the negative effect it might have upon
private collectors and subsequently upon the legitimate
antiquities market and museum collections.
HeadofDrususMinor,Roman,1st
century
ClevelandMuseumofArt
Museum Acquisition Policies Regarding Archaeological Materials
& Ancient Art
Brad Ferrier
The issues of restitution and repatriation must be
addressed in a meaningful way through the establishment of
specific policy statements which apply to all objects within a
museum’s collection.The AAMD should encourage and facilitate the
lending
of objects between museums as an alternative to acquiring
objects with insufficient documented provenance.
Conclusio
ns:

More Related Content

Similar to Ferrier Poster

Archaeological Looting And Legislation Presentation
Archaeological Looting And Legislation PresentationArchaeological Looting And Legislation Presentation
Archaeological Looting And Legislation PresentationUniversity of Cincinnati
 
Introduction to Cultural Property
Introduction to Cultural PropertyIntroduction to Cultural Property
Introduction to Cultural PropertyNicholas Poole
 
universal museums
universal museumsuniversal museums
universal museumsNeil Curtis
 
Edouard Planche - International Legislation: Update, Assessment and Way Forward
Edouard Planche - International Legislation: Update, Assessment and Way ForwardEdouard Planche - International Legislation: Update, Assessment and Way Forward
Edouard Planche - International Legislation: Update, Assessment and Way ForwardUNESCO Venice Office
 
Sample Report on Importance of Museum, Heritage and Cultural Tourism
Sample Report on Importance of Museum, Heritage and Cultural TourismSample Report on Importance of Museum, Heritage and Cultural Tourism
Sample Report on Importance of Museum, Heritage and Cultural TourismAmelia Jones
 
Getty - Behind the Doors of the Getty Trust
Getty -  Behind the Doors of the Getty TrustGetty -  Behind the Doors of the Getty Trust
Getty - Behind the Doors of the Getty Trustguestec62e307
 
Getty - Behind the Doors of the Getty Trust
Getty - Behind the Doors of the Getty TrustGetty - Behind the Doors of the Getty Trust
Getty - Behind the Doors of the Getty TrustVictor Moreno
 
Cultural Property - an introduction
Cultural Property - an introductionCultural Property - an introduction
Cultural Property - an introductionCollections Trust
 
Collecting Social Memory through Museum Collection Conservation
Collecting Social Memory through Museum Collection ConservationCollecting Social Memory through Museum Collection Conservation
Collecting Social Memory through Museum Collection ConservationNikolaos Maniatis
 
Operational instruments, capacity-building, and awareness-raising - UNESCO
Operational instruments, capacity-building, and awareness-raising - UNESCOOperational instruments, capacity-building, and awareness-raising - UNESCO
Operational instruments, capacity-building, and awareness-raising - UNESCOUNESCO Venice Office
 
Ancient Analogs of Museums.pdf
Ancient Analogs of Museums.pdfAncient Analogs of Museums.pdf
Ancient Analogs of Museums.pdfKristen Flores
 
Marina Schneider - Model provisions on State Ownership of Undiscovered Cultur...
Marina Schneider - Model provisions on State Ownership of Undiscovered Cultur...Marina Schneider - Model provisions on State Ownership of Undiscovered Cultur...
Marina Schneider - Model provisions on State Ownership of Undiscovered Cultur...UNESCO Venice Office
 
Definition of Cultural Property and Types.pptx
Definition of Cultural Property and Types.pptxDefinition of Cultural Property and Types.pptx
Definition of Cultural Property and Types.pptxVirag Sontakke
 
Safeguarding our Heritage for our Grandchildren - Can UNESCO help?
Safeguarding our Heritage for our Grandchildren - Can UNESCO help?Safeguarding our Heritage for our Grandchildren - Can UNESCO help?
Safeguarding our Heritage for our Grandchildren - Can UNESCO help?InfoAndina CONDESAN
 
The Evolution of Natural History Museums
The Evolution of Natural History MuseumsThe Evolution of Natural History Museums
The Evolution of Natural History MuseumsJoel Bartsch
 
28 The SAA Archaeological Record • September 2010Few ima.docx
28 The SAA Archaeological Record • September 2010Few ima.docx28 The SAA Archaeological Record • September 2010Few ima.docx
28 The SAA Archaeological Record • September 2010Few ima.docxjesusamckone
 
Unesco - International cooperation: tools and results in restitution issues
Unesco - International cooperation: tools and results in restitution issuesUnesco - International cooperation: tools and results in restitution issues
Unesco - International cooperation: tools and results in restitution issuesUNESCO Venice Office
 
Architectural Conservation_Ac b lec 01
Architectural Conservation_Ac b lec 01Architectural Conservation_Ac b lec 01
Architectural Conservation_Ac b lec 01Joarder Hafiz Ullah
 

Similar to Ferrier Poster (20)

Archaeological Looting And Legislation Presentation
Archaeological Looting And Legislation PresentationArchaeological Looting And Legislation Presentation
Archaeological Looting And Legislation Presentation
 
Introduction to Cultural Property
Introduction to Cultural PropertyIntroduction to Cultural Property
Introduction to Cultural Property
 
universal museums
universal museumsuniversal museums
universal museums
 
Vt2 afstoten en repatriatie
Vt2 afstoten en repatriatieVt2 afstoten en repatriatie
Vt2 afstoten en repatriatie
 
Edouard Planche - International Legislation: Update, Assessment and Way Forward
Edouard Planche - International Legislation: Update, Assessment and Way ForwardEdouard Planche - International Legislation: Update, Assessment and Way Forward
Edouard Planche - International Legislation: Update, Assessment and Way Forward
 
Sample Report on Importance of Museum, Heritage and Cultural Tourism
Sample Report on Importance of Museum, Heritage and Cultural TourismSample Report on Importance of Museum, Heritage and Cultural Tourism
Sample Report on Importance of Museum, Heritage and Cultural Tourism
 
Getty - Behind the Doors of the Getty Trust
Getty -  Behind the Doors of the Getty TrustGetty -  Behind the Doors of the Getty Trust
Getty - Behind the Doors of the Getty Trust
 
Getty - Behind the Doors of the Getty Trust
Getty - Behind the Doors of the Getty TrustGetty - Behind the Doors of the Getty Trust
Getty - Behind the Doors of the Getty Trust
 
Cultural Property - an introduction
Cultural Property - an introductionCultural Property - an introduction
Cultural Property - an introduction
 
Collecting Social Memory through Museum Collection Conservation
Collecting Social Memory through Museum Collection ConservationCollecting Social Memory through Museum Collection Conservation
Collecting Social Memory through Museum Collection Conservation
 
Operational instruments, capacity-building, and awareness-raising - UNESCO
Operational instruments, capacity-building, and awareness-raising - UNESCOOperational instruments, capacity-building, and awareness-raising - UNESCO
Operational instruments, capacity-building, and awareness-raising - UNESCO
 
Ancient Analogs of Museums.pdf
Ancient Analogs of Museums.pdfAncient Analogs of Museums.pdf
Ancient Analogs of Museums.pdf
 
Marina Schneider - Model provisions on State Ownership of Undiscovered Cultur...
Marina Schneider - Model provisions on State Ownership of Undiscovered Cultur...Marina Schneider - Model provisions on State Ownership of Undiscovered Cultur...
Marina Schneider - Model provisions on State Ownership of Undiscovered Cultur...
 
Definition of Cultural Property and Types.pptx
Definition of Cultural Property and Types.pptxDefinition of Cultural Property and Types.pptx
Definition of Cultural Property and Types.pptx
 
Safeguarding our Heritage for our Grandchildren - Can UNESCO help?
Safeguarding our Heritage for our Grandchildren - Can UNESCO help?Safeguarding our Heritage for our Grandchildren - Can UNESCO help?
Safeguarding our Heritage for our Grandchildren - Can UNESCO help?
 
The Evolution of Natural History Museums
The Evolution of Natural History MuseumsThe Evolution of Natural History Museums
The Evolution of Natural History Museums
 
28 The SAA Archaeological Record • September 2010Few ima.docx
28 The SAA Archaeological Record • September 2010Few ima.docx28 The SAA Archaeological Record • September 2010Few ima.docx
28 The SAA Archaeological Record • September 2010Few ima.docx
 
Unesco - International cooperation: tools and results in restitution issues
Unesco - International cooperation: tools and results in restitution issuesUnesco - International cooperation: tools and results in restitution issues
Unesco - International cooperation: tools and results in restitution issues
 
Architectural Conservation_Ac b lec 01
Architectural Conservation_Ac b lec 01Architectural Conservation_Ac b lec 01
Architectural Conservation_Ac b lec 01
 
Museum Law Tools & Strategies: Capacitizing Yourself as a Professional
Museum Law Tools & Strategies: Capacitizing Yourself as a ProfessionalMuseum Law Tools & Strategies: Capacitizing Yourself as a Professional
Museum Law Tools & Strategies: Capacitizing Yourself as a Professional
 

Ferrier Poster

  • 1. Policy & Provenance 1933 League of Nations Convention on the Repatriation of Objects of Artistic, Historical or Scientific Interest, Which Have Been Lost, Stolen or Unlawfully Alienated or 1954 UNESCO Convention for the Protection of Cultural Property in the Event of Armed Conflict (1954 Hague Convention) 1970 UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property 1983 United States Convention on Cultural Property Implementation Act 2008 AAMD Guidelines on the Acquisition of Archaeological Materials and Ancient Art 1995 UNIDROIT Convention on Stolen or Illegally Exported Cultural Objects 2013 AAMD Revised Guidelines on the Acquisition of Archaeological Materials and Ancient Art The illegal excavation of archaeological material and ancient art results in losses to the cultural record, a problem worsened by the illicit trade of undocumented antiquities. Research consisted of a review of recent literature and acquisition policies from 8 US museums Museums occupy a unique place in the effort to stop this activity and have begun to address the issue through the implementation of acquisition policies requiring minimum levels of provenance for relevant collection areas. The Association of Art Museum Directors 2008 Guidelines on the Acquisition of Archaeological Material and Ancient Art - Recognize the 1970 UNESCO Convention and adopt this as a ‘threshold date’ - Establish an object registry for the publication of information on new acquisitions with incomplete modern provenanceAs many as 112,000 ancient Greek & Roman objects are held in private collections within the U.S. alone. Principal stakeholders include Source Nations, Museums, Archaeologists, Private Collectors School of Library & Information Science The AAMD guidelines allow museums to exercise discretion and to weigh the potential for financial and reputational harm against the benefits of acquiring objects with incomplete modern provenance. One potential consequence of excessively strict policies is the negative effect it might have upon private collectors and subsequently upon the legitimate antiquities market and museum collections. HeadofDrususMinor,Roman,1st century ClevelandMuseumofArt Museum Acquisition Policies Regarding Archaeological Materials & Ancient Art Brad Ferrier The issues of restitution and repatriation must be addressed in a meaningful way through the establishment of specific policy statements which apply to all objects within a museum’s collection.The AAMD should encourage and facilitate the lending of objects between museums as an alternative to acquiring objects with insufficient documented provenance. Conclusio ns: