Catalogo obras de arte

1. GuariscoGallery
Frederick Morgan
British, 1847-1927
Tug-of-War
52” x 65” fr.
Signed L.R., o/c

2. Arthur Wardle
British, 1864-1949
Stealth
31” x 28 ¼” fr.
Signed L.L.
Pastel
Drawing on 40 years of collecting experience, GuariscoGallery
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sculpture. For over 25 years, the gallery has consistently offered one
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clientele (over 600 paintings, watercolors, and sculptures are on
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The 19th and early 20th centuries are particularly favorable
for collecting and investing in for several reasons. First, the era is
one of the richest art historically, encompassing both the height of
the Academic tradition and the beginning of Modern Art with the
emergence of the Impressionists and Post-Impressionists. Second,
due to the large amount of quality artwork produced by artists
during this era, many opportunities remain for collectors to acquire
exquisite quality artworks at very reasonable prices. Last, artwork
from the 19th and early 20th centuries has withstood the test of
time in terms of quality, value, and interest. Due to its beauty and
high quality, art from the 19th century continues to garner the
interest of scholars, collectors, and investors.

3. ([KLELWHG5RDO$FDGHPRI$UWV/RQGRQQR(Sweet Summer Time)
A highly successful Victorian landscape painter and illustrator, Frederick William Hulme, was best known for his detailed,
light-filled views of Surrey and Wales.
Sweet Summer Time,LVDSUHPLHUH[DPSOHRI+XOPH VRHXYUH,WZDVFKRVHQEWKHDUWLVWDVZHOODVWKH5RDO$FDGHPWREHLQFOXGHGLQWKHH[KLELWLRQRI
Frederick W. Hulme
British, 1816-1884
Sweet Summer Time, 1860
54 ¼” x 84 ¼” fr.
Signed L.C., o/c

4. John Henry Dolph
$PHULFDQ
Kittens at Play
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Signed L.L., o/c
Frederick Morgan
British, 1847-1927
Sharing Her Lunch
22 ½” x 26 ¼ ” fr.
Signed L.R., o/c
Francis C. Fairman
British, 1836–1923
Wire-haired Jack Russell Terrier, 1917
17 ¾” x 15 ¾” fr.
Signed L.R.
Watercolor
John Henry Dolph
$PHULFDQ
A Watchful Eye, 1901
28” x 32” fr.
Signed L.L., o/c

5. Gustave de Jonghe
Belgian, 1829-1893
Afternoon Repose
45 ½” x 37 ½” fr.
Signed L.R., o/p
Charming Children
and
Endearing Pets
During the 19th
century, patronage of the arts changed.
There was a rising bourgeoisie and a greater international
awareness of pictorial ideas. Genre triumphed! There
was now a fascination with everyday scenes—in images
of intimate and trivial domestic life, country experiences,
and the working class. With the Industrial Revolution, a
new, large segment of the population began accumulating
great wealth. Immense fortunes were made and patrons
were plentiful. Artists could choose a subject for the
sheer purpose of pleasing the eye or amusing the viewer.
Preferred subjects included cavaliers, beauties, military,
adorable children, and charming animals.
Gustave DeJonghe: a famous painter of elegant interior
genre scenes concentrating on the upper middle class
and often focusing on the lives of fashionable women.
De Jonghe presented his sitters in elegant costumes,
typically with a warm and welcoming disposition. Like
Boldini, Sargent, and Tissot, he depicted elegant ladies
at leisure or everyday life.
*Greatly cherished was the idea of “home.” The
gentle wife in the tranquility of beautiful surroundings,
lounging with her endearing children and adorable pets,
became an appealing subject. Beauty was heightened
by dress and haute couture. This exciting Belle Epoque
style is extremely appealing to today’s collector.

6. Showing the Clipper Sir Lancelot passing Wolf Rock lighthouse on her way up the Channel to London,
beating the Clipper Spindrift by four days in 1869.
The Sentinel -The Clipper “Sir Lancelot” Passing Wolf Rock Lighthouse
35 ¾” x 50” fr.
Signed L.L., o/c
Montague Dawson
British, 1895-1973
4

7. *The term Indiaman refers to a type of ship used by the British and Dutch East India Companies to
transport tea, spices, and other goods from India back to Europe.
Montague Dawson
British, 1895-1973
An Indiaman at Full Sail, ca. 1936-7
35 ½” x 49 ¾” fr.
Signed L.L., o/c
5

8. Marc-Laurent Bruyas
French, 1821-1896
Still-life with White Roses and Peonies
21 ¼” x 24 ¼” fr.
Signed L.L., o/c
Anthonore Christensen
Danish, 1849-1926
Still Life with Flowers on a Mossy Bank, 1874
24” x 30” fr.
,QLWLDOHG/5RF
Eugène Henri Cauchois
French, 1850-1911
Still Life of Flowers with Clarinet
40” x 33” fr.
Signed L.R., o/c

9. Frank Cadogan Cowper
British, 1877-1958
The Legend of Sir Perceval, ca. 1952-53
49 ¾” x 41 ¾” fr.
Signed on verso, o/c
Exhibited:
London, Royal Academy of Art, 1953 (no. 553)
In The Legend of Sir Perceval,
Cowper depicts a knight’s tale from
Le Morte d’Arthur. Sir Perceval, a
knight of the Round Table, has taken
an oath to assist people in distress. He
has been stopped by a raven-haired
temptress, who tries to seduce him
with a table loaded with exotic meats,
fruit, and wine.
The artist depicts the exact instant
in which Sir Perceval glances at his
sword and is reminded of his knightly
oath to King Arthur and God.
*The painting is loaded with symbols:
the boar’s head represents lust; the
hyssop plant—a powerful purgative—
is equated with penitence and humility;
and the mouse represents the ability
to overcome great odds.
The Pre-Raphaelites were a group of
Victorian British artists who worked in
a meticulous style and drew on British
history for subject matter.

10. Johan Frederick Cornelis Scherrewitz
Dutch, 1868-1951
Homeward with the Flock
46” x 39” fr.
Signed L.R., o/c
Alfred-Victor Fournier
French, 1872-1924
Couple devant la baie
25 ¾” x 32” fr.
Signed L.L., o/c

11. Frans Keelhoff and Eugene Verboeckhoven
Belgian, 1820-1893, 1799-1881
Watching Over the Herd, 1871
37 ½” x 54 ¼” fr.
Signed L.L., o/c
Eugène Verboeckhoven was the top painter of animals in Belgium as well as considered the premier 19th century animal painter worldwide.
Works by Verboeckhoven are in: The Hermitage, St Petersburg; Musée d'Orsey; National Gallery, Berlin; Metropolitan Museum of Art;
Museum of Fine Arts, Boston

12. Gustave Jean Jacquet
French, 1846-1909
Day Dreams
22 ¾” x 19 ¼” fr.
Signed L.L., o/c
Thomas Francis Dicksee
British, 1819-1895
Portrait of Kate B.
18” x 18” fr.
Titled on Verso, o/p
Charles Napier Hemy
British, 1841-1917
Fishing Boat off the Coast
27” x 37” fr.
6LJQHG//RE
Marcial Plaza Ferrand
Chilean, 1879-1949
Woman with a Parasol Reading
in a Sunlit Field, 1904
32 ¼” x 39 ¼” fr.
Signed L.L., o/c

13. Georges Binet
French, 1865-1949
Jardin au Havre (A Garden at Le Havre), 1906
57 ½” x 75 ¼” fr.
Signed L.R., o/c
Literature:
Catalogue Illustré du Salon, Société des Artistes Français (Paris: Ludovic Baschet, 1906), p. 130 (illus)
Exhibited: Salon des Artistes Français, Paris, 1906 (no. 169, Jardin au Havre)
11

14. Joseph Urban Melin
French, 1814-1886
The Chase
38” x 45 ½” fr.
Signed L.L., o/c
(GZDUG$UP¿HOG
British, 1817-1896
On the Prowl
33” x 39 ¾” fr.
Signed L.R., o/c

15. Alfred de Prades
French, active 1844-1889
Defending her Pups, 1887
55” x 67 ½” fr.
Signed L.R., o/c
13

16. John Robertson Reid
British, 1851-1926
View of Ramsgate and French Port Scene (PAIR)
ǩ´[ǩ´IU
Signed on verso, o/p
Alfred de Breanski Jr.
British, 1877-1957
Early Morning, Hills of Argyll
31” x 43” fr.
Signed L.R., o/c

17. Angelo Brombo
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A Shaded Backwater on a Venetian Canal
33 ¾” x 25 ½” fr.
Signed L.L., o/c
William Broome
British, 1838-1892
Off the Cliffs of Kent (PAIR)
17 ½” x 15 ½” fr.
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15
Jacques Bartoli
French, 1920-1997
A Seaside Gathering at a Busy Pier
25 x 34 ” fr.
Signed L.R., o/c
16
9
16
15

18. William Frederick Yeames
British, 1835-1918
Companions, 1880
39 ½” x 31” fr.
Signed L.L., o/c
Warren B. Davis
$PHULFDQ
$7UXVWHGRQ¿GDQWH
41 ½” x 36” fr.
Signed L.L., o/c

19. Johan Krouthen
Swedish, 1858-1932
A Summer Afternoon Rest, 1908
38 ¾ x 48 ¾ fr.
Signed L.L., o/c
17

20. John Frederick Herring, Jr.
British, 1815-1907
Horses and Chicken in a Stable/Horses in a Farmyard (PAIR)
21” x 21” fr.
Signed C.L., d.1855
Signed L.R., d.1851, o/c
Godefroy de Hagemann
French, 1820-1877
Le château de la Reine Blanche, près de Grez
89” x 65” fr.
Signed L.L., o/c

21. Peder Mork Monsted
Danish, 1859-1941
A Winding Stream in a Flowering Meadow, 1900
23 ⅝” x 31 ½” fr.
Signed L.R., o/c
Thomas Sidney Cooper
British, 1803-1902
Highland Sheep, 1849
27” x 30 ½” fr.
6LJQHG//RE
Zygmunt Rozwadowksi
Polish, 1870-1950
Chasing the Quarry, 1933
26 ¾” x 32 ¾” fr.
6LJQHG//RE
Emile Van Marcke de Lummen
French, 1827-1890
Cows Grazing in a Pasture
32” x 39” fr.
Signed L.R., o/c

22. Leon Augustin Lhermitte
French, 1844-1925
Au Lavoir, Deux Figures, 1921
25” x 20” fr.
Signed L.L.
Pastel
Jean François Raffaelli
French, 1850-1924
Vue présumée d'un port de Jersey
10 ¼” x 14 ⅝” fr.
Signed L.R., o/c
LÉON-AUGUSTIN LHERMITTE
The peasant and rural life were favorite subjects of the artist
Lhermitte, who tended to isolate and imbue his figures with quiet
dignity. Lhermitte worked both in oil and pastel, and his scenes
of rural life are most beautiful when they are executed in pastel,
capturing the scintillating interaction between light and atmosphere
in the countryside.
Jean François Raffaelli
Although Raffaelli was trained in the French Academic tradition of
Gérôme, the real influence on his style came from the light color and
light-infused technique of the Impressionists, with whom he exhibited in
several group shows. Raffaelli is known for his street scenes that depict
the glamour of fin-de-siècle Paris, as well as his picturesque views of the
French countryside and seaports, all of which are infused with natural
light and bright, dramatic details.

23. Leon Augustin Lhermitte
French, 1844-1925
Potins au Lavoir, 1912 (Village Gossip at the Fountain)
41” x 49” fr.
Signed L.L.
Pastel
21

24. Gustave Loiseau
French, 1865-1935
L’avant port de Dieppe
25” x 28 ½” fr.
Signed L.R., o/c
Gustave Loiseau
French, 1865-1935
Saint Cyr du Vaudreuil
25 ⅝” x 30” fr.
Signed L.R., o/c
Gustave Loiseauwas known as one of the most sincere
interpreters of the French countryside. Although he was a
close friend of the painters Maxime Maufra and Paul Gaugin,
Loiseau most identified stylistically with the Impressionists,
especially Claude Monet, both of who favored painting
landscapes en plein air and directly on the canvas.
Like the Impressionists, Loiseau was represented by the art
dealer Paul Durand-Ruel, enabling him to travel extensively
throughout the regions of Île-de-France, Normandy,
Brittany, and the Dordogne, where he worked out-of-doors,
producing spontaneous, light-infused landscapes. “I try to
reproduce as best I can the impression I get from nature,”
commented Loiseau, “I am guided only by instinct.”

25. Gustave Loiseau
French, 1865-1935
Les Falaises, Cap Fréhel, Bretagne
34 ¼” x 40 ½” fr.
Signed L.L., o/c
Exhibited:
Akita Museum of Modern Art, Japan, 1971 - Yamagata Museum of Art, Japan, 1971 - Miyagi Museum of Art, Japan, 1971
23

26. Pierre-Auguste Renoir
French, 1841-1919
Tete d’Enfant ( Jean Renoir), ca. 1896
19 ½” x 17” fr.
Signed U.L., o/c
Literature:
Accompanied by a certificate by François Daulte.
Literature:
Pissarro: Critical Catalogue of Paintings (Wildenstein, 2005), vol. 2, p. 468 (no. 702 (illus)).
Certificate from C. Durand-Ruel (Wildenstein Institute), 31 October 1997, Reference: 97.10.31/5586
Camille Pissarro
French, 1830-1903
La ferme du Friche, Osny, vaches s’abreuvant (The Farm of Le Friche, Osny, Cows Watering), 1883
23 ¾” x 27 ¼” fr.
Signed L.L., o/c

27. Henry Moret
French, 1856-1913
Paysage de Bretagne, 1906
36” x 41 ¼” fr.
Signed L.L., o/c
Literature:
To be included in the forthcoming catalogue raisonné being prepared by Jean Yves Rolland.
25

28. Ferdinand Puigaudeau
French, 1864-1930
Venise, la nuit (Santa Maria della Salute), ca. 1904
40 ½” x 35 ½” fr.
Signed L.R., o/c
Literature:
7REHLQFOXGHGLQWKHIRUWKFRPLQJVHFRQGYROXPHRIWKHDUWLVW¶V
FDWDORJXHUDLVRQQH$FHUWL¿FDWHLVRQ¿OHIRUWKLVSDLQWLQJ
Henri Lebasque
French, 1865-1937
Port Scene through a Window (Ile d’Yeu)
14” x 13 ½” fr.
Signed L.R.
Watercolor
Literature:
To be included in the forthcoming supplement to the artist’s catalogue raisonne.
Accompanied by a certificate from Denise Bazetoux.

29. Henri Lebasque
French, 1865-1937
Tennis sur la terrasse, Préfailles, 1922
33 ⅝” x 44 ¼” fr.
Signed L.L., o/c
Literature:
Bazetoux, Henri Lebasque: Catalogue raisonné (2008), pg. 28 (color illus), 141 (no. 429) (illus)
27

30. Henri Lebasque
French, 1865-1937
Literature:
Bazetoux, Henri Lebasque: Catalogue raisonné (2008),
pg. 194 , no. 673 (illus.)
-HXQH¿OOHFRXVDQW RXQJ*LUO6HZLQJ ca. 1903
30” x 26 ½” fr.
Signed L.L., o/c
Literature:
Bazetoux, Henri Lebasque: Catalogue raisonné (2008), pg. 323 (no. 1335) (illus.)
Exhibited:
Galerie Georges Petit, Paris, 12-30 March, 1927 (no. 61)
HENRI LEBASQUE
Lebasque experimented with several Post-Impressionist innovations, including
divisionism, fauvism, and intimism, before creating a style uniquely his own.
He combined the bright and boldly contrasting colors of Matisse’s fauves with
the intimate domestic scenes of Pierre Bonnard and the planar compositions of
Cézanne to create a truly individual and early modern style.
Henri Lebasque
French, 1865-1937
5HÀHWV/H3UDGHW1923
29” x 33” fr.
Signed L.R., o/c

31. Henri Lebasque
French, 1865-1937
Scène de plage (méditéranéen), ca. 1923
34” x 37” fr.
Signed L.R., o/c
Literature:
Bazetoux, Henri Lebasque: Catalogue raisonné (2008), pg. 341 (no. 1428) (illus)
29

32. George Laurence Nelson
$PHULFDQ
Helen in her Garden, Flanders, Conn., ca. 1919-20
67 ½” x 46 ½” fr.
Signed L.R., o/c
Literature:
Austin, Artists of the Litchfield Hills
(Waterbury, Conn., 2003), pg. 64 (illus)
Exhibited:
Picture Perfect: Images of Northwest Connecticut,
Mattatuck Museum, Waterbury, Connecticut, 2003
30

33. Jean Laudy
Belgian, 1877-1956
The Meeting in the Studio
53 ½” x 65 ¼” fr.
Signed U.L.
31

34. James Whitelaw Hamilton
Scottish, 1860-1932
Sundown at the Village
35” x 40 ¼” fr.
Signed L.L., o/c
Exhibited:
Venice, Esposizione Internazionale d’Arte della Citta di Venezia, 1905, no. 551
Jacqueline Marval
French, 1866-1932
9DVHGHÀHXUV
39 ¼” x 33 ¼” fr.
Signed L.R., o/c
32

35. George D’Espagnat
French, 1870-1950
Enfant dans un berceau (Child in a Crib)
25 ⅜” x 29” fr.
Signed initials, U.L., o/c
Henri Barnoin
French, 1882-1936
Le port de Douarnenez
33 ¼ x 39 ¼ fr.
Signed L.R., o/c
Exhibited:
Galeries Georges Petit, Paris

36. Sam Harris
$PHULFDQE
The Toilers-Far East, 1947
35” x 47” fr.
6LJQHG/5RE
Exhibited:
De Young Museum, San Francisco
Claude Vénard
French, 1913-1987
Still Life with Fish and Candlestick, ca. 1950
37 ½” x 37 ½” fr.
6LJQHG/5RLOPL[HGPHGLDRQFDQYDV
34

37. Emil Holzhauer
$PHULFDQ
Brooklyn Bridge, 1940
49” x 39” fr.
Signed L.R., o/c
Exhibited:
Okaloosa Walton Junior College, Niceville, Fla. 1971
Percy Whiting Fine Art Center, Fairhope, Ala., 1978
Roberson Center for Arts, Binghampton, N.Y. , 1980
Guarisco Gallery, Washington, D.C., 1990
Literature:
Curtis, Jane and Will, Monhegan:
The Artists’ Island, p. 153 (illus.)
Exhibited:
Pennsylvania Academy of the Fine Arts, 1932
Pensacola Museum of Art, Emil Holzhauer: A Retrospective, 1982
Emil Holzhauer
$PHULFDQ
Open Door, Monhegan Island, Maine, 1932
46 ½” x 40 ½” fr.
Signed L.L., o/c
35

38. William Louis Sonntag
$PHULFDQ
Long Lake with Deer and
Ducks, Adirondacks, 1881
28 ¼” x 39 ⅜” fr.
Signed L.L., o/c
The deer and ducks are attributed to
Sonntag’s colleague Arthur Fitzwilliam Tait,
with whom he shared a studio.
Alexander Francois Loemans
$PHULFDQF
A South American Landscape, ca. 1860s
16” x 21” fr.
6LJQHG/5RE
Frank Alfred Bicknell
$PHULFDQ
A New Hampshire Farmhouse
16” x 19 ¾” fr.
6LJQHG/5RE
36

39. Richard E. Miller
$PHULFDQ
La Crinoline, ca. 1904
54” x 40” fr.
Signed L.R., o/c
Literature:
Kane, A Bright Oasis: The Paintings of Richard E. Miller (exh. cat. Jordan-Volpe Gallery, 1997), p. 90
(illus. color)
Exhibited:
“A Bright Oasis: The Paintings of Richard E. Miller,” Jordan-Volpe Gallery, New York, April-June, 1997
James Carroll Beckwith
$PHULFDQ
A Sylvan Toilette, ca. 1898
38 ¾” x 31” fr.
Signed R.Center, o/c
American
Literature:
Franchi and Weber, Intimate Revelations: The Art of Carroll Beckwith (exh. cat., 1999),
p. 69, 116 (illus)
Exhibited:
Society of American Artists, New York, 1898
Intimate Revelations: The Art of Carroll Beckwith, Berry-Hill Galleries, New York,
1 December 1999-15 January 2000

40. Henry A. Ferguson
$PHULFDQ
An Egyptian Souk
41 ½” x 33 ½” fr.
Signed L.L., o/c
John Whorf
$PHULFDQ
At Sea
28 ½” x 33 ¼” fr.
Signed L.L., o/c
38

41. Ernest Albert
$PHULFDQ
The Setting Sun, 1937
37” x 45” fr.
Signed L.R., o/c
Exhibited:
National Academy of Design, New York, 1937 (no. 17)
Grand Central Art Galleries, New York
Frederick Arthur Bridgeman
$PHULFDQ
Jeune femme sur une terrasse
35” x 29” fr.
Signed L.L., o/c
39

42. Literature:
“American Pictures Painted in France,” Fine Art Connoisseur, vol. 3, no. .8 (Sept/Oct. 2006), pg. 26 (illus.)
To be included in the forthcoming catalogue raisonné being prepared by Patrick Bertrand (accompanied by a certificate)
Exhibited:
The American Art Colony in Giverny, Keny Galleries, Columbus, Ohio, October 5-Novevmber 5, 2007
Theodore Earl Butler
$PHULFDQ
Marthe at her Desk, 1904
29” x 33 ¼“ fr.
Signed L.R., o/c
Frank Desch
$PHULFDQ
Woman in a Pink Dress in the Moonlight
35 ½” x 29” fr.
Signed L.R., o/c
James Carroll Beckwith
$PHULFDQ
An Elegant Lady
17 ¼” x 17” fr.
Signed U.L.
Pastel

43. (GZDUG:LOOLV5HG¿HOG
$PHULFDQ
Islands Near Rockland, Maine
49 ¼” x 61 ¼” fr.
Signed L.L., o/c
Literature:
J.M.W. Fletcher, Edward Willis Redfield: An American Impressionist (Lahaska, Penn., 1996), pg. 167
To be included in the forthcoming catalogue raisonné of the artist’s work by Peter Folk.
Frame:
The painting is housed in a period gold-leaf Yates Maker (Bucks County, Penn.) frame.
41

44. Charles Paillet
Pair of German Shepherds
16 ½” x 21” x 9”
Jean Didier Debut
(The Harvest Dance)
´ + [´ / [´ :
Laura Gardin Fraser
Snuff
8 ½´ + [´ / [½´ :
Adrienne Etienne Gaudez
Cavalier on Horseback
with Wine Maiden
´ + [´ / [´ :
Emmanuael Frémiet
Chariot of Minerva (Athena)
´ + [½´ / [´ '
Émile-Louis Picault
Perseus and Pegasus
with the Head of Medusa
´ + [´ / [´ /

45. Sculpture
Hippolyte François Moreau
Les Soeurs (Sisters)
´ + [´ / [´ :
Lucie Signoret-Ledieu
La Nymphe de Diane
34” x 12” x 12”
Christophe Fratin
Cheval à la barrière
(Horse at the Rail)
´ + [´ / [´ :
Isidore-Romain Boitel
Virginie
(Virginia from Paul and Virginia
by Bernadin St. Pierre)
20” x 10” x 10”
Emile Joseph Nestor Carlier
A la fontaine
28 ½” x 13” x 13”
Etienne-Henri Dumaige
%HIRUHWKHRPEDWDQG$IWHUWKHRPEDW 3$,5 FD
26” x 8” x 8”

46. Watercolors
,VDDFXOOLQ 20 ¼” x 24 ¼” fr.
-RKQ1HOVRQ0DUEOH
30 ¾” x 25 ¼” fr.
Raoul de Longpre
´[ǩ´IU
(VWKHU+LQH 15 ½” x 19” fr.
+HQU-RKQ6OYHVWHU6WDQQDUG
19” x 23” fr.
$OIUHGGH%UHDQVNL
14 ¾” x 24 ¾” fr.
François Rivoire
47 ½“x 35” fr.
KDUOHV5RZERWKDP
21 ¾” x 33 ¼” fr.
10
16

47. /RFDWHGDW7KH5LW]DUOWRQ
at 22nd
Street
GuariscoGalleryis open
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6DWXUGDDQG6XQGDDPWRSP
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GuariscoGallery
1120 22nd Street, N.W.
Washington, DC 20037
(202) 333-8533 (800) 426-3747
www.guariscogallery.com guariscogallery@guariscogallery.com

48. Homer Conant
$PHULFDQ
Bell of the Ball
77 ½” x 89 ½” fr.
Signed L.R., o/c
Guarisco
Gallery
Important 19th
and
Early 20th
Century
Paintings, Sculptures,
and Watercolors
1120 22nd Street, N.W.
Washington, DC 20037