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Carolina Country DECEMBER 2006 25
“They always say there’s no mistake in a quilt,”says
Eunice Mildred Haywood. After more than 60 years
of quilting, she should know.
Growing up in Raleigh as the fifth child in a fam-
ily of six sisters and four brothers, Eunice remem-
bers that whenever her aunt would sit down at
her sewing machine she would give Eunice scraps,
fabrics, needle and thread to do hand sewing.
Later, when her daughter, Millicent, went off to
Tennessee State University, Millicent asked her
mother to make her a quilt, to make it easier on
her while she was away from home. Eunice pieced
and quilted that first one by hand, finishing it
during Millicent’s sophomore year. She named it
“Broken Dishes” to describe the quilt’s pattern.
She was surprised when people complimented her
on it. At flea markets, when Millicent would lay the
quilt over her car to hold items on display, people
asked if the quilt itself was for sale.
Eunice Haywood’s quilts continue to impress people. Two
have been displayed in the art department at North Carolina
State University. The one called “Sisters” shows silhouettes of
six women in traditional African dress. Inspired by her own
five sisters, the quilt distinguishes each woman by her ear-
rings, reflecting how similar all six sisters look in real life. The
other,“Queens on a Journey,” also has figures of black women
in traditional African dress and headdresses. Her other quilts
include “Hats,” Kwanzaa holiday quilts and lap quilts.
Still quilting at age 73, Eunice works on one when the
mood strikes her.“As you begin working, you begin creating,
too, and you never quite know how it’s going to turn out,”
she says. During the process, she usually does something
she didn’t expect to do. That element of surprise keeps her
interested as she goes along and makes each finished quilt an
individualized work of art.“There are no limits as to what
you can do,” she says.
Eunice lives in Wake Forest and is a member of the Wake
Electric cooperative. One of her brothers passed away, but
her other siblings live in Raleigh. In addition to Millicent,
she has a son, Chesley, and a 19-year-old grandson, Javian.
Quilts and gospel music
Eunice Haywood is as devoted to gospel music as she is
to quilting. She combined her passions in 2000 when she
and Millicent formed “We Care,” dedicated to preserving
black gospel quartet music by drawing attention to the
music through a series of “Signature Quilts.” The “Signature
Quilts” contain the names and signatures of black gospel
musicians and fans. Each quilt has 122 square blocks colored
in shades of red and white. One block designates the year it
was made. Another is a “Remember Me” block, representing
Eunice herself. Some of the blocks contain scripture verses,
and on others the musicians signed their names.
Eunice says that while making the quilt, creating the pat-
tern was not as hard as obtaining the signatures. But the sig-
natures are the heart of the quilt, she says.“A signature is part
of a person and nobody has a signature like yours. So that’s
one reason why all the blocks are different.” Most signatures
are from North Carolina gospel artists, but others came from
musicians in Mississippi, Tennessee and South Carolina.
Quilts are a perfect medium for helping to preserve the his-
tory of gospel music, Eunice says. Like the songs that gospel
musicians and singers have performed for generations, she
says,“quilts tell a story and they outlive us.”
Ashley-Harrington Andrews will graduate from the University of North
Carolina this month.
Gospel Music in Raleigh Dec. 10
On Dec. 10, “We Care” will sponsor a concert to raise aware-
ness of gospel music and raise money for more quilts and
concerts. The concert will be held in Hines Auditorium at St.
Augustine’s College in Raleigh at 5 p.m. Two “Signature to
a Preservation” quilts will be on display. One will be raffled
while the other will travel to workshops, conferences, concerts
and exhibitions. Performing will be Slim and the Supreme
Angels, plus Johnnie Faison & the Gospel Tones and George
Dickens & the Disciples. For information and tickets,
call (919) 271-2119 or (919) 418-1867.
To donate or get involved with preserving gospel music,
contact Eunice Haywood, 318 East Pine Ave., Wake Forest, NC
27587. Or call Carolina Country at (919) 875-3091, or e-mail
editor@carolinacountry.com
“We Care” quilts
By Ashley-Harrington Andrews
Inspired by her own five sisters, Eunice Haywood’s “Sisters” quilt has been
displayed in the art department at North Carolina State University.
preserve black gospel music traditions

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Eunice Haywood's Quilts Preserve Gospel Music Traditions

  • 1. Carolina Country DECEMBER 2006 25 “They always say there’s no mistake in a quilt,”says Eunice Mildred Haywood. After more than 60 years of quilting, she should know. Growing up in Raleigh as the fifth child in a fam- ily of six sisters and four brothers, Eunice remem- bers that whenever her aunt would sit down at her sewing machine she would give Eunice scraps, fabrics, needle and thread to do hand sewing. Later, when her daughter, Millicent, went off to Tennessee State University, Millicent asked her mother to make her a quilt, to make it easier on her while she was away from home. Eunice pieced and quilted that first one by hand, finishing it during Millicent’s sophomore year. She named it “Broken Dishes” to describe the quilt’s pattern. She was surprised when people complimented her on it. At flea markets, when Millicent would lay the quilt over her car to hold items on display, people asked if the quilt itself was for sale. Eunice Haywood’s quilts continue to impress people. Two have been displayed in the art department at North Carolina State University. The one called “Sisters” shows silhouettes of six women in traditional African dress. Inspired by her own five sisters, the quilt distinguishes each woman by her ear- rings, reflecting how similar all six sisters look in real life. The other,“Queens on a Journey,” also has figures of black women in traditional African dress and headdresses. Her other quilts include “Hats,” Kwanzaa holiday quilts and lap quilts. Still quilting at age 73, Eunice works on one when the mood strikes her.“As you begin working, you begin creating, too, and you never quite know how it’s going to turn out,” she says. During the process, she usually does something she didn’t expect to do. That element of surprise keeps her interested as she goes along and makes each finished quilt an individualized work of art.“There are no limits as to what you can do,” she says. Eunice lives in Wake Forest and is a member of the Wake Electric cooperative. One of her brothers passed away, but her other siblings live in Raleigh. In addition to Millicent, she has a son, Chesley, and a 19-year-old grandson, Javian. Quilts and gospel music Eunice Haywood is as devoted to gospel music as she is to quilting. She combined her passions in 2000 when she and Millicent formed “We Care,” dedicated to preserving black gospel quartet music by drawing attention to the music through a series of “Signature Quilts.” The “Signature Quilts” contain the names and signatures of black gospel musicians and fans. Each quilt has 122 square blocks colored in shades of red and white. One block designates the year it was made. Another is a “Remember Me” block, representing Eunice herself. Some of the blocks contain scripture verses, and on others the musicians signed their names. Eunice says that while making the quilt, creating the pat- tern was not as hard as obtaining the signatures. But the sig- natures are the heart of the quilt, she says.“A signature is part of a person and nobody has a signature like yours. So that’s one reason why all the blocks are different.” Most signatures are from North Carolina gospel artists, but others came from musicians in Mississippi, Tennessee and South Carolina. Quilts are a perfect medium for helping to preserve the his- tory of gospel music, Eunice says. Like the songs that gospel musicians and singers have performed for generations, she says,“quilts tell a story and they outlive us.” Ashley-Harrington Andrews will graduate from the University of North Carolina this month. Gospel Music in Raleigh Dec. 10 On Dec. 10, “We Care” will sponsor a concert to raise aware- ness of gospel music and raise money for more quilts and concerts. The concert will be held in Hines Auditorium at St. Augustine’s College in Raleigh at 5 p.m. Two “Signature to a Preservation” quilts will be on display. One will be raffled while the other will travel to workshops, conferences, concerts and exhibitions. Performing will be Slim and the Supreme Angels, plus Johnnie Faison & the Gospel Tones and George Dickens & the Disciples. For information and tickets, call (919) 271-2119 or (919) 418-1867. To donate or get involved with preserving gospel music, contact Eunice Haywood, 318 East Pine Ave., Wake Forest, NC 27587. Or call Carolina Country at (919) 875-3091, or e-mail editor@carolinacountry.com “We Care” quilts By Ashley-Harrington Andrews Inspired by her own five sisters, Eunice Haywood’s “Sisters” quilt has been displayed in the art department at North Carolina State University. preserve black gospel music traditions