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The Power of Stories 
by Arrey Mbongaya Ivo 
African Centre for Community and Development 
http://youtube.com/user/AfricanCentreforCom 
http://www.africancentreforcommunity.com 
https://www.facebook.com/pages/African-Centre-for-Community-and- 
Development/103686769685856 
Date 14/05/2012 
Copyrights2012 African Centre for Community and Development. All Rights Reserved.
Stories are very powerful ways of communicating events and of empowering and directing 
communities on pathways to follow or of informing them of pathways of the past. They are told by 
storytellers in various media and with different reasons, angles and sometimes for very varied 
audiences. Despite the differences in storytelling styles and the motivations, stories remain a vital 
aspect of human lives and are powerful tools for social change. Some of the ways in which stories have 
been used include the following: 
In Africa stories have been used to hand down histories and events via oral traditions. In this light 
stories are considered as part of the intangible cultural heritage of the world. 
In the bible stories were used to report historical and as well as religious events in the past. Judging 
from the number of Christians and other denominations in existence today, one cannot deny the 
effectiveness of biblical stories so far. 
Today stories are increasingly used to communicate and to highlight people, events and other entities in 
the form of news, features, magazines, newsletters and social media but despite stories being powerful 
vehicles for social change, there are some challenges that sometimes affect effective storytelling. They 
include: 
• The influence of powerful actors on the outcome of a storyteller's piece. This has been leveled 
against sponsors or certain powerful political entities and has led arguably to the reason why 
many news reports are considered as doctored or certain features are thought to be underlined 
with subtle commercials. That commercials are a weapon of storytelling cannot be denied 
despite some of the ramifications as well. 
• The influence of skewed historical, sociological and social underpinnings in the appreciation of 
an event or subject that is being reported. Some stories have been approached from inferiority 
or superiority complexes and lead to misrepresentations of given focuses. 
• The lack of experiences or research or knowledge within stories necessary to add power to the 
message. This may lead to unnecessary generalities, insensitivity and sometimes too much 
exaggeration. While many scholars have argued that things that are bleak should be painted as 
bleak or for happiness to be depicted with all its merits there has not been a definitive threshold 
for storytellers to keep their focus from straying or from misrepresentations. That this is 
difficult in doing cannot be ignored. 
• The lack of authenticity as many storytellers have not researched their subjects well or are 
known to be affected by bias and other immoral compasses. Many storytellers are unconnected 
by way of knowledge, morality and experience to their subjects and even their audiences hence
making storytelling as a weapon for social change very difficult. 
Despite these challenges stories can still be weapons to act, relate and interact between peoples or 
between ideologies in order to map trajectories for common social good. The advantages of using 
stories in creating social dialogue include: 
• The possibility of changing biased mindsets and uninformed listeners of the true nature of a 
plight, situation, community or individual. This has helped in the rewriting of some histories 
across the world especially when storytelling was done on commission for the powerful or for 
rulers in order to justify suppression and domination or favour. 
• More so, storytelling can be way of image branding. Many vulnerable communities do not have 
the means to appear on certain traditional media outlets or are sometimes spoken or written 
about by storytellers who do not have the moral compass to be objective or that have lenses 
skewed from their own handed down traditions or education. Therefore using storytelling as a 
way to communicate and in changing such mindsets might end up in highlighting the true 
conditions of the poorly represented subjects and possibly lead to interactions vital for social 
mobilization and change. 
• Besides, the more storytellers are on any one subject the more diversity and content the 
audience is left with. More content helps in the approach of issues in an informed and holistic 
manner vital in dealing with the diverse viewpoints, cultures and aspirations of the world. 
• More over storytelling is part of human culture. Man has communicated via different forms of 
storytelling through history. Man has tried to tell others of his experiences on stones in caves, 
via films, poetry, proverbs and even sculpture. Therefore using stories as a way of 
communication reiterates a human quest from generation to generation to be understood and to 
live in dignity. 
For the storyteller to be more effective, he/she must seek to paint the concise picture, to use the best 
figures to highlight events or subjects and work within compasses that empower without loosing their 
essence. In this light the storyteller becomes a social advocate hence must be tough when the subject 
matter is that which needs a strong scrutiny and be light-hearted when the escapism does not warrant 
too much seriousness. Be they be fictional or real, stories have audiences and ramifications and must be 
well spoken or written with various paradigms in consideration to impact better. That precision 
storytelling is difficult is a fact. However not doing enough to be almost precise is a burden storytellers 
must not be carrying especially in this informed hour of human interconnectedness.
Bibliography: 
Oral traditions and expressions including language as a vehicle of the intangible cultural heritage 
http://www.unesco.org/culture/ich/?pg=00053 
Influence Through Storytelling by Michael Zigarelli 
http://www.christianity9to5.org/influence-through-storytelling/ 
How to Influence and Inspire Others Through the Art of Storytelling 
http://www.bates-communications.com/insights/bid/83290/How-to-Influence-and-Inspire-Others- 
Through-the-Art-of-Storytelling 
Keeping the Tradition of African Storytelling Alive by Octavia Utley 
http://teachers.yale.edu/curriculum/viewer/initiative_09.01.08_u 
Copyrights2012 African Centre for Community and Development. All rights reserved.

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The Power of Stories by Arrey Mbongaya Ivo

  • 1. The Power of Stories by Arrey Mbongaya Ivo African Centre for Community and Development http://youtube.com/user/AfricanCentreforCom http://www.africancentreforcommunity.com https://www.facebook.com/pages/African-Centre-for-Community-and- Development/103686769685856 Date 14/05/2012 Copyrights2012 African Centre for Community and Development. All Rights Reserved.
  • 2. Stories are very powerful ways of communicating events and of empowering and directing communities on pathways to follow or of informing them of pathways of the past. They are told by storytellers in various media and with different reasons, angles and sometimes for very varied audiences. Despite the differences in storytelling styles and the motivations, stories remain a vital aspect of human lives and are powerful tools for social change. Some of the ways in which stories have been used include the following: In Africa stories have been used to hand down histories and events via oral traditions. In this light stories are considered as part of the intangible cultural heritage of the world. In the bible stories were used to report historical and as well as religious events in the past. Judging from the number of Christians and other denominations in existence today, one cannot deny the effectiveness of biblical stories so far. Today stories are increasingly used to communicate and to highlight people, events and other entities in the form of news, features, magazines, newsletters and social media but despite stories being powerful vehicles for social change, there are some challenges that sometimes affect effective storytelling. They include: • The influence of powerful actors on the outcome of a storyteller's piece. This has been leveled against sponsors or certain powerful political entities and has led arguably to the reason why many news reports are considered as doctored or certain features are thought to be underlined with subtle commercials. That commercials are a weapon of storytelling cannot be denied despite some of the ramifications as well. • The influence of skewed historical, sociological and social underpinnings in the appreciation of an event or subject that is being reported. Some stories have been approached from inferiority or superiority complexes and lead to misrepresentations of given focuses. • The lack of experiences or research or knowledge within stories necessary to add power to the message. This may lead to unnecessary generalities, insensitivity and sometimes too much exaggeration. While many scholars have argued that things that are bleak should be painted as bleak or for happiness to be depicted with all its merits there has not been a definitive threshold for storytellers to keep their focus from straying or from misrepresentations. That this is difficult in doing cannot be ignored. • The lack of authenticity as many storytellers have not researched their subjects well or are known to be affected by bias and other immoral compasses. Many storytellers are unconnected by way of knowledge, morality and experience to their subjects and even their audiences hence
  • 3. making storytelling as a weapon for social change very difficult. Despite these challenges stories can still be weapons to act, relate and interact between peoples or between ideologies in order to map trajectories for common social good. The advantages of using stories in creating social dialogue include: • The possibility of changing biased mindsets and uninformed listeners of the true nature of a plight, situation, community or individual. This has helped in the rewriting of some histories across the world especially when storytelling was done on commission for the powerful or for rulers in order to justify suppression and domination or favour. • More so, storytelling can be way of image branding. Many vulnerable communities do not have the means to appear on certain traditional media outlets or are sometimes spoken or written about by storytellers who do not have the moral compass to be objective or that have lenses skewed from their own handed down traditions or education. Therefore using storytelling as a way to communicate and in changing such mindsets might end up in highlighting the true conditions of the poorly represented subjects and possibly lead to interactions vital for social mobilization and change. • Besides, the more storytellers are on any one subject the more diversity and content the audience is left with. More content helps in the approach of issues in an informed and holistic manner vital in dealing with the diverse viewpoints, cultures and aspirations of the world. • More over storytelling is part of human culture. Man has communicated via different forms of storytelling through history. Man has tried to tell others of his experiences on stones in caves, via films, poetry, proverbs and even sculpture. Therefore using stories as a way of communication reiterates a human quest from generation to generation to be understood and to live in dignity. For the storyteller to be more effective, he/she must seek to paint the concise picture, to use the best figures to highlight events or subjects and work within compasses that empower without loosing their essence. In this light the storyteller becomes a social advocate hence must be tough when the subject matter is that which needs a strong scrutiny and be light-hearted when the escapism does not warrant too much seriousness. Be they be fictional or real, stories have audiences and ramifications and must be well spoken or written with various paradigms in consideration to impact better. That precision storytelling is difficult is a fact. However not doing enough to be almost precise is a burden storytellers must not be carrying especially in this informed hour of human interconnectedness.
  • 4. Bibliography: Oral traditions and expressions including language as a vehicle of the intangible cultural heritage http://www.unesco.org/culture/ich/?pg=00053 Influence Through Storytelling by Michael Zigarelli http://www.christianity9to5.org/influence-through-storytelling/ How to Influence and Inspire Others Through the Art of Storytelling http://www.bates-communications.com/insights/bid/83290/How-to-Influence-and-Inspire-Others- Through-the-Art-of-Storytelling Keeping the Tradition of African Storytelling Alive by Octavia Utley http://teachers.yale.edu/curriculum/viewer/initiative_09.01.08_u Copyrights2012 African Centre for Community and Development. All rights reserved.