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Nada Shabout, PhD
Consulting Director of the Research Center on Arab Modernity at
Mathaf: Arab Museum of Modern Art
Associate Professor of Art History
Director of the Contemporary Arab and Muslim Cultural Studies
Institute (CAMCSI)
University of North Texas
Between the Modern and Provincial in the Arab World
The Case of Iraq
The Modern Thought
Jameel Hamoudi, ed. Al-Fikr al-Hadith:
Majalla Shahriya lil Fan wa al-Thaqafah al-
Hura (Monthly Journal for the Free Arts
and Culture), distributed by al-Maktabah
al-Asriyah fi Baghdad), no. 4, 1st year, ca.
1949, 4.
Abdil Kadir al-Rassam, Cows on the
River Tigris, 1921.
Hafidh Al-Droubi, (1914-1991),
Baghdad Café, 1969.
Hafidh al-Droubi (1914–1991), Old Baghdad,
1972. From the looted collection of the Iraqi
Museum of Modern Art, Baghdad
“Modern art is the art of the age. Its complexity is the
result of the complexity of the age. It expresses a
number of things: anxiety, fear, the disparity in most
things, human massacres, the distance between
humanity and God, and then the new perception of
things in accordance to new theories of psychology and
other sciences.”
Jewad Selim, inauguration speech of Baghdad Group for Modern
Art first exhibition, 1951
Jawad Selim (1921-1961) at his studio, 1955Shakir Hassan Al Said (1925-2005) in
Paris, 1956
From the Left: Faiq Hassan, Saleh al-
Karaghouli, Jewad Selim, and Naziha
Salim, 1959
The Baghdad Group of Modern Art, 1950
At the Art Academy, Baghdad, 1952. Men
from the left: Shakir Hassan Al Said, Jewad
Selim, Hafidh al-Doroubi.
The women are not identified!
A trip to north Iraq Ismail Fattah and his
students. Second row includes Faiq Hassan
and his wife Suzanne.
Ismail Fattah in his Studio Jewad Selim with Motherhood
Yahya ibn Mahmud al-Wasiti, Maqamat al-
Hariri, (1054-1122)
Rural Scene
al-Maqama al-Furatiyah
Faiq Hassan, 1950
From the looted
collection of the Iraqi
Museum of Modern Art
Jewad Selim, Music in the Street, 1956
From the looted collection of the Iraqi Museum of Modern Art, Baghdad
Faiq Hassan (1914–1992), At the Market, 1958. Collection of Mathaf:
Arab Museum of Modern Art.
Madiha Omar, 1950s Naziha Salim, 1960s
From the collection of the Iraqi Museum Of Modern Art
Jamil Hamoudi, Al-nas swasiya ka asnan al-
musht (People are Equal Like the Teeth of a
Comb), 1976.
Madiha Omar, Letters, 1970
Jamil Hamoudi ,Untitled, undated. From the looted collection of the Iraqi
Museum of Modern Art, Baghdad
Shakir Hassan Al Said, Return to the Village, 1951
From the looted collection of the Iraqi Museum of Modern Art, Baghdad
Shakir Hassan Al Said, Peasants and Moon, 1953
From the looted collection of the Iraqi Museum of Modern Art, Baghdad
Shakir Hassan Al Said, From
Thousand and One Nights
Shakir Hassan Al Said, 1950s
Shakir Hassan Al Said, Persons,
1952
Al Said, Untitled, 1992
Al Said, Objective Contemplations, 1984
Jewad Selim, Two Women, 1957
Collection of Mathaf: Arab
Museum of Modern Art, Doha
Jewad Selim, Mother and Child, and Young Man and Wife, 1953
From the collection of Mathaf
Jawad Salim, Nasb al-Hurriyah, Baghdad,
Liberation Square, 1959
Between the Modern and Provincial in the Arab World--The Case of Iraq by Dr. Nada Shabout
Between the Modern and Provincial in the Arab World--The Case of Iraq by Dr. Nada Shabout

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Between the Modern and Provincial in the Arab World--The Case of Iraq by Dr. Nada Shabout

  • 1. Nada Shabout, PhD Consulting Director of the Research Center on Arab Modernity at Mathaf: Arab Museum of Modern Art Associate Professor of Art History Director of the Contemporary Arab and Muslim Cultural Studies Institute (CAMCSI) University of North Texas Between the Modern and Provincial in the Arab World The Case of Iraq
  • 2. The Modern Thought Jameel Hamoudi, ed. Al-Fikr al-Hadith: Majalla Shahriya lil Fan wa al-Thaqafah al- Hura (Monthly Journal for the Free Arts and Culture), distributed by al-Maktabah al-Asriyah fi Baghdad), no. 4, 1st year, ca. 1949, 4.
  • 3. Abdil Kadir al-Rassam, Cows on the River Tigris, 1921.
  • 4. Hafidh Al-Droubi, (1914-1991), Baghdad Café, 1969. Hafidh al-Droubi (1914–1991), Old Baghdad, 1972. From the looted collection of the Iraqi Museum of Modern Art, Baghdad
  • 5. “Modern art is the art of the age. Its complexity is the result of the complexity of the age. It expresses a number of things: anxiety, fear, the disparity in most things, human massacres, the distance between humanity and God, and then the new perception of things in accordance to new theories of psychology and other sciences.” Jewad Selim, inauguration speech of Baghdad Group for Modern Art first exhibition, 1951
  • 6. Jawad Selim (1921-1961) at his studio, 1955Shakir Hassan Al Said (1925-2005) in Paris, 1956
  • 7. From the Left: Faiq Hassan, Saleh al- Karaghouli, Jewad Selim, and Naziha Salim, 1959 The Baghdad Group of Modern Art, 1950
  • 8. At the Art Academy, Baghdad, 1952. Men from the left: Shakir Hassan Al Said, Jewad Selim, Hafidh al-Doroubi. The women are not identified! A trip to north Iraq Ismail Fattah and his students. Second row includes Faiq Hassan and his wife Suzanne.
  • 9. Ismail Fattah in his Studio Jewad Selim with Motherhood
  • 10. Yahya ibn Mahmud al-Wasiti, Maqamat al- Hariri, (1054-1122) Rural Scene al-Maqama al-Furatiyah
  • 11. Faiq Hassan, 1950 From the looted collection of the Iraqi Museum of Modern Art
  • 12. Jewad Selim, Music in the Street, 1956 From the looted collection of the Iraqi Museum of Modern Art, Baghdad
  • 13. Faiq Hassan (1914–1992), At the Market, 1958. Collection of Mathaf: Arab Museum of Modern Art.
  • 14. Madiha Omar, 1950s Naziha Salim, 1960s From the collection of the Iraqi Museum Of Modern Art
  • 15. Jamil Hamoudi, Al-nas swasiya ka asnan al- musht (People are Equal Like the Teeth of a Comb), 1976. Madiha Omar, Letters, 1970
  • 16. Jamil Hamoudi ,Untitled, undated. From the looted collection of the Iraqi Museum of Modern Art, Baghdad
  • 17. Shakir Hassan Al Said, Return to the Village, 1951 From the looted collection of the Iraqi Museum of Modern Art, Baghdad
  • 18. Shakir Hassan Al Said, Peasants and Moon, 1953 From the looted collection of the Iraqi Museum of Modern Art, Baghdad
  • 19. Shakir Hassan Al Said, From Thousand and One Nights
  • 20. Shakir Hassan Al Said, 1950s Shakir Hassan Al Said, Persons, 1952
  • 21. Al Said, Untitled, 1992 Al Said, Objective Contemplations, 1984
  • 22. Jewad Selim, Two Women, 1957 Collection of Mathaf: Arab Museum of Modern Art, Doha
  • 23. Jewad Selim, Mother and Child, and Young Man and Wife, 1953 From the collection of Mathaf
  • 24. Jawad Salim, Nasb al-Hurriyah, Baghdad, Liberation Square, 1959