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Technical Specifications
Runtime a
1 hr 50 min (110 min)
1 hr 58 min (118 min) (Extended Edition)
Sound Mix SDDS | Datasat | Dolby Digital
Color Color
Aspect Ratio 2.35 : 1
Camera
Arri Alexa, Cooke S4 and Angenieux
Optimo Lenses
Laboratory
FotoKem Laboratory, Burbank (CA), USA
(color) (digital intermediate)
nextLAB/FotoKem, USA (dailies)
Film Length
3,002 m (Portugal, 35mm)
3,010 m (6 reels)
Negative Format Codex
Cinematographic Process
ARRIRAW (2.8K) (source format)
Digital Intermediate (2K) (master format)
Printed Film Format
35 mm (anamorphic) (Kodak Vision 2383)
D-Cinema
Budget
Budget
$37,000,000 (estimated)
Opening Weekend
$26,419,396 (USA) (11 August 2013) (3,260 Screens)
£1,508,326 (UK) (25 August 2013)
HUF 61,917,791 (Hungary) (25 August 2013)
€480,445 (Netherlands) (1 September 2013) (107 Screens)
Gross
$150,368,971 (USA) (1 December 2013)
$149,681,846 (USA) (10 November 2013)
$149,221,405 (USA) (3 November 2013)
$148,561,678 (USA) (27 October 2013)
$147,710,416 (USA) (20 October 2013)
$146,525,205 (USA) (13 October 2013)
$144,895,488 (USA) (6 October 2013)
$142,360,931 (USA) (29 September 2013)
$138,064,568 (USA) (22 September 2013)
$131,591,481 (USA) (15 September 2013)
$123,613,931 (USA) (8 September 2013)
$113,240,012 (USA) (1 September 2013)
$91,287,318 (USA) (25 August 2013)
$69,697,649 (USA) (18 August 2013)
$37,908,179 (USA) (11 August 2013)
£8,077,006 (UK) (29 September 2013)
£7,675,487 (UK) (22 September 2013)
£6,982,706 (UK) (15 September 2013 £5,788,783 (UK) (8 September 2013)
£4,059,023 (UK) (1 September 2013)
£1,508,326 (UK) (25 August 2013)
€2,769,801 (Netherlands) (30 October 2013)
€2,698,705 (Netherlands) (23 October 2013)
€2,581,961 (Netherlands) (16 October 2013)
€2,442,381 (Netherlands) (9 October 2013)
€2,278,900 (Netherlands) (2 October 2013)
€1,630,743 (Netherlands) (18
Camera Details
A wider spectrum of production content is migrating to cinematic look with 4K
quality, and requires equipments that’s adaptable to large variety of cameras,
configurations, and budgets.
The three Optimo Style zooms provide focal length from 16 to 250 mm. With ability
to extend the range with a 2x (or 1.4x) extender. The 16-40 and 30-76 are extremely
light weight 4.2lbs each., allowing perfect camera balance for on the shoulder. The 25-
250 is a quality, all purpose zoom meeting most production needs with desirable
25mm WA position, 10x range and weight of 16lbs.The Style series is fully compatible
with the latest generation of digital cameras, with the resolution 4K and higher.
Setting the standard for optics technology and performance, the Optimo family offers
a range of zoom lenses to meet the most uncompromising requirements.
Manufactured with
exquisite precision, they help you bring greater artistry and cinematic expression to
your shoot in any format. Optimo lenses are now the reference lenses in every type of
production from feature films, commercials, TV series, video clips to major sports or
cultural events.

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Box office figures and technology used

  • 1.
  • 2. Technical Specifications Runtime a 1 hr 50 min (110 min) 1 hr 58 min (118 min) (Extended Edition) Sound Mix SDDS | Datasat | Dolby Digital Color Color Aspect Ratio 2.35 : 1 Camera Arri Alexa, Cooke S4 and Angenieux Optimo Lenses Laboratory FotoKem Laboratory, Burbank (CA), USA (color) (digital intermediate) nextLAB/FotoKem, USA (dailies) Film Length 3,002 m (Portugal, 35mm) 3,010 m (6 reels) Negative Format Codex Cinematographic Process ARRIRAW (2.8K) (source format) Digital Intermediate (2K) (master format) Printed Film Format 35 mm (anamorphic) (Kodak Vision 2383) D-Cinema
  • 3. Budget Budget $37,000,000 (estimated) Opening Weekend $26,419,396 (USA) (11 August 2013) (3,260 Screens) £1,508,326 (UK) (25 August 2013) HUF 61,917,791 (Hungary) (25 August 2013) €480,445 (Netherlands) (1 September 2013) (107 Screens)
  • 4. Gross $150,368,971 (USA) (1 December 2013) $149,681,846 (USA) (10 November 2013) $149,221,405 (USA) (3 November 2013) $148,561,678 (USA) (27 October 2013) $147,710,416 (USA) (20 October 2013) $146,525,205 (USA) (13 October 2013) $144,895,488 (USA) (6 October 2013) $142,360,931 (USA) (29 September 2013) $138,064,568 (USA) (22 September 2013) $131,591,481 (USA) (15 September 2013) $123,613,931 (USA) (8 September 2013) $113,240,012 (USA) (1 September 2013) $91,287,318 (USA) (25 August 2013) $69,697,649 (USA) (18 August 2013) $37,908,179 (USA) (11 August 2013) £8,077,006 (UK) (29 September 2013) £7,675,487 (UK) (22 September 2013) £6,982,706 (UK) (15 September 2013 £5,788,783 (UK) (8 September 2013) £4,059,023 (UK) (1 September 2013) £1,508,326 (UK) (25 August 2013) €2,769,801 (Netherlands) (30 October 2013) €2,698,705 (Netherlands) (23 October 2013) €2,581,961 (Netherlands) (16 October 2013) €2,442,381 (Netherlands) (9 October 2013) €2,278,900 (Netherlands) (2 October 2013) €1,630,743 (Netherlands) (18
  • 5. Camera Details A wider spectrum of production content is migrating to cinematic look with 4K quality, and requires equipments that’s adaptable to large variety of cameras, configurations, and budgets. The three Optimo Style zooms provide focal length from 16 to 250 mm. With ability to extend the range with a 2x (or 1.4x) extender. The 16-40 and 30-76 are extremely light weight 4.2lbs each., allowing perfect camera balance for on the shoulder. The 25- 250 is a quality, all purpose zoom meeting most production needs with desirable 25mm WA position, 10x range and weight of 16lbs.The Style series is fully compatible with the latest generation of digital cameras, with the resolution 4K and higher. Setting the standard for optics technology and performance, the Optimo family offers a range of zoom lenses to meet the most uncompromising requirements. Manufactured with exquisite precision, they help you bring greater artistry and cinematic expression to your shoot in any format. Optimo lenses are now the reference lenses in every type of production from feature films, commercials, TV series, video clips to major sports or cultural events.