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How to Get Work as a 
Freelance Writer 
Tutor: Fran Molloy 
Saturday 20 September, 2014 
1
INTRODUCTION 
GOING FREELANCE: 
Questions to ask yourself: 
•What are your Freelancing goals? 
•What skills do you have? 
•How much do you need to earn to survive? 
•How long can you work without pay? 
•Can you work part-time / freelance part-time? 
2
INTRODUCTION 
ESCAPE PLAN: 
Set a goal and a date 
Think about: 
What if you hate it? 
What if you love it but you can’t make it pay? 
3
“If you have any young friends who 
aspire to become writers, the second 
greatest favour you can do them is to 
present them with copies of The 
Elements of Style. 
The first greatest, of course, is to shoot 
them now, while they’re happy.” 
- Dorothy Parker 
4
http://www.crockford.com/wrrrld/style.html* 
The Elements of Style 
by 
William Strunk, Jr. 
Copyright 
1918 
By William Strunk, Jr. 
*The Software shall be used for Good, not Evil – Douglas Crockford 
5
Today’s Schedule: [1/4] 
10:00 : Welcome and intro 
10:15 : Introduction activity: Interviews for news 
10:30 : Write-up exercise 
10:45 : Present your profile 
11:00 : Writing to a genre – identify your niche 
11:15 : Types of features, WHO buys them 
11:30 : BREAK 
6
Today’s Schedule [2/4]: 
11:45 : Freelance – Business setup 
11:45 : Setting up – ABN, Tax, accounts 
12:00 : Essential tools & your workspace 
12:15 : Freelance – the system 
Identifying, pitching, things I wish I’d known 
12:30 : Rights 
contracts, copyright, liability and indemnity 
12:45 : Getting paid 
word rates / flat fee, quoting, chasing 
1:00 : LUNCH 
7
Today’s Schedule [3/4]: 
1:30 : BUILDING A PROFILE 
Portfolio sites, social media, getting online 
About.me – quick & easy website 
2:00 : Networks & groups 
NSWWC, MEAA, ASA, The Loop, CAL, Freeline, 
Rachel’s List, genre groups: travel, gardens, medical 
2:15 : Research Resources 
Nat / NSW library, Sourcebottle, HARO, expertguide 
2:30 : BREAK 
8
Today’s Schedule [4/4]: 
2:45 : Writing Samples – where they can go 
Workshop examples?? & general feedback 
3:00 : Getting your PITCH on – finding your place 
Pitch exercise: Select an outlet, write a pitch 
3:45 : Q & A 
Time for student questions / feedback 
4:00 : CLOSE 
9
freelance writer: 
A man who is paid per piece 
or per word 
or perhaps. 
- Robert Benchley 
10
Introduction Activity 
10:15 : Introduction activity: Interviews for news 
(7 minutes each) 
10:30 : Write-up exercise 
10:45 : Present your profile 
(90 seconds each) 
11
Writing to Genre 
12
Writing to Genre 
40 BEATS: 
Activism / Agriculture / Alternative / 
Architecture / Arts / Books / Business / Celebrity / 
Childrens / Consumer / Culture / Education / 
Environment / Fashion / Film / Finance / Food / 
Gaming / Gardening / Health / Lifestyle / Marine / 
Media / Medical / Military / Motoring / Music / 
Parenting / Photography / Political / Profiles / 
Property / Reviewing / Science / Sports/ Technology / 
Trade / Travel / Wedding / Womens / 
13
Writing to Genre 
•News 
•Features 
•Profiles 
•Lists 
•Blogs / opinion 
14
NEWS 
http://bit.ly/nFWfm002 - eHealthspace.org 
http://bit.ly/nFWfm003 - Telstra Smarter Business 
15
FEATURES 
•Newspapers, magazines, trade magz, online 
•Freelance : sponsored editorial 
•Use several voices 
and cases to tell a story 
•http://bit.ly/nFWfm001 
16
PROFILES 
•Easy to write – often just one interview 
•Make sure they have 
a good story to tell 
•Needs to be relevant 
•http://bit.ly/nFWfm004 
17
INFO / LISTICLES / fillers 
•Content – rarely interviews 
•Big demand on web 
•Think ‘Buzzfeed’ 
•Good place to start writing for $ 
•http://bit.ly/nFWfm005 
18
BLOGS / OPINION / WHIMSY 
•It’s NOT about you, sorry! 
•Paid spots are rare / low $ 
•Blog to the site theme 
•http://bit.ly/nFWfm006 
19
20
Caller: “How many people 
work on the Business desk?” 
Editor: “About half of them.” 
- Overheard in the Newsroom 
21
Business Setup 
22
The Business of Freelance 
•Accounting advice: worth what you pay for it 
•1. Decide your Business structure: 
– Sole trader / partnership 
– Company 
– GST? (compulsory - $75K+ turnover) 
•2. Apply for your ABN - https://abr.gov.au 
23
Accounting systems 
• Start with spreadsheets / Word docs – no cost 
• Cloud accounting is seriously AWESOME 
• Cheap, low-end : Freshbooks 
• XERO - $25 / $50 / month 
• Pocketbook - https://getpocketbook.com/ - personal 
24
Essential Tools 
• ‘Office’ – physical location 
• Get a desk / space at home 
• Co-working - Fishburners, HubSydney etc 
• wifi Café / State Library / City Library 
• Computer / Internet / Phone (VOIP) / headset 
• Recorder for interviews (smartphone) 
25
Other “Tools of the Trade” 
• Stationery 
• Doc wallets to keep work together 
• Planner / Whiteboard – stay organised 
• Work out your own systems 
• Business documents : binders / folders 
• Business cards 
26
Software & Services 
• Google – gmail, tasks, Docs, Drive etc 
• DropBox 
• Dragon Naturally Speaking (use a good headset) 
• Skype + Callburner + Audacity (sound editing) 
• REV transcription / TimeAndDate.com / Trello 
27
Freelancing: 
The System 
28
Never, ever write it 
until you’ve 
got the job 
29
PITCH -- before you write (except travel) 
If they don’t consign, don’t write a line 
• Research your story; line up your sources 
• Get the background ; know your angle 
• Have a back-up angle 
• Research the outlet ; compare this to other stories 
30
WHAT EDITORS WANT 
• More of what they already have 
• On time, to brief, right voice, needs no work 
• Solve their problems 
31
FINDING AN OUTLET 
• Newsagent 
• What you read / your friends read / your boss reads 
• Sign up: Journalist alert / editor alert 
www.careerone.com.au / www.seek.com.au / 
www.mycareer.com.au 
• Australian Writers Marketplace - 
https://www.awmonline.com.au/ 
32
THE PITCH 
• Always by email 
• SUBJECT: Freelance pitch topic in five catchy words 
• Short (2-3 pars) - Catchy - relevant 
• Show them you KNOW their publication 
• Convince them you are the RIGHT PERSON to write it 
33
PITCHING INTO THE VOID 
or what if they don’t respond? 
• Pitching to a void is the MOST COMMON experience 
– Christopher Wink: cold email pitches – 15% open rate 
• Pitching to a NO THANKS is the second most common 
• Add the DEADLINE line 
34
PITCHING INTO THE VOID 
THE DEADLINE LINE 
“I’d love to see this story published in XYZ Mag. 
However I understand you may have more stories than 
you can use, so if I don’t hear from you by (give at least a 
week, two is better), I’ll approach another publication.” 
35
THE PITCH – who to contact? 
• Newspaper: Look for EDITOR / SECTION EDITOR 
• Magazine: Ditto – look for DEPUTY EDITOR or the 
FEATURES EDITOR 
• Web: Go to ABOUT – look for giveaway job title 
• Margaret Gees Media Guide – reference section of 
libraries 
• Ring – ask them – “Hi I’m a freelance writer, what’s 
the editor’s email address?” 
36
THE PITCH 
• Get their name right 
• Get their name right 
• Get their name right 
37
CORPORATES 
• Who you know TOPS what you know 
• Let everyone know you are writing for money 
• Deliver – and get a testimonial 
• You may need insurance – prof liability / public 
liability 
38
SME BUSINESS 
• Bigger market – less demanding overall 
• Great place to start – great place to stay 
• All about relationships 
• Must be managed very well – or crisis happens 
• Get formal – get it in writing – be fair – be clear 
39
Rights, 
Contracts, 
Copyright 
Liability 
Indemnity 
40
CONTRACT FOR WORK - 
http://writerscontracts.com/ 
• a CONTRACT is as simple as an offer and acceptance 
• Make it formal – get it in writing – confirm in writing 
• “Hi Joe, confirming as discussed I will deliver 800 
words on the growing fish finger shortage crisis at 70c a 
word to you by Monday October 3, payment on 
publication plus 7 days.” 
41
WRITING CONTRACT 
• UNDERSTAND what rights you are agreeing to 
• DEFAULT: you own copyright and LICENSE the use 
of your work to a publication 
• Once published – all copyright reverts to you 
• Rights are complex – FRAN’S RIGHTS GLOSSARY 
42
WRITING CONTRACT 
• UNDERSTAND what rights you are agreeing to 
• DEFAULT: you own copyright and LICENSE the use 
of your work to a publication 
• Once published – all copyright reverts to you 
• Rights are complex – FRAN’S RIGHTS GLOSSARY 
43
INDEMNITIES AND WARRANTIES 
• INDEMNITY: The writer indemnifies the publisher: 
• NO NO NO – cross it out! This could cost you a 
fortune if they are sued 
•Publisher should indemnify you 
•WARRANTY – similar – you make a legally-bound 
guarantee 
44
RIGHTS & CONTRACT HELP 
• Better get a lawyer, son .. 
You better get a real good one .. 
• MEAA - Alliance.org.au 
• CAL – copyright.com.au 
• ASA – Australian Society of Authors 
45
Money 
Money 
Money 
46
HOW MUCH CAN WRITERS EARN? 
• MEAA / Australian Journalists Association: 
Freelance rates are 93c /word / $1000 minimum 
• Reality: Very different. Rachel’s List: 
http://www.rachelslist.com.au/?p=988 
•Most freelancers earn between $30-$50 K per year 
• Who Pays What: 
http://heypayup.tumblr.com/archive 
47
Hey pay up: 
48
RACHEL’S LIST 
– 2013 SURVEY [1/6] 
49
RACHEL’S LIST 
– 2013 SURVEY [2/6] 
50
RACHEL’S LIST 
– 2013 SURVEY [3/6] 
51
RACHEL’S LIST 
– 2013 SURVEY [4/6] 
52
RACHEL’S LIST 
– 2013 SURVEY [5/6] 
53
RACHEL’S LIST 
– 2013 SURVEY [6/6] 
54
HOW MUCH DO I CHARGE? 
• Billable time: Know how long the job will take you 
• Extras : Phone, travel, transcription 
• Margin for error: Build in revision rates or time 
• (annual salary + annual expenses + annual profit) ÷ annual 
billable work hours = your basic hourly rate 
55
HOW DO YOU ASK FOR MONEY? 
•EVERYBODY hates this conversation – even editors 
•Email: ‘My usual word rate is 70c but I’m negotiable.’ 
•Ask. Preferably by phone. “What do you pay?” 
Then confirm in writing by email 
•If money is low – “Will that increase after 2nd story?” 
56
BILLABLE TIME and ANNUAL SALARY 
• Billable time: 
• 52 WEEKS PER YEAR 
• - 4 weeks leave / 2 weeks sick / 4 weeks PD = 42 weeks 
• 5 days x 40 hours minus 1 day admin = 32 hours 
• 32 hours x 42 weeks = 1344 hours 
• $52,000 pa / 1344 hours = $38.69 per hour 
•https://www.freelancersunion.org/blog/2014/02/03/how-get-paid-57
WORK OUT WHAT YOU NEED TO EARN 
• Set a budget – weekly or monthly goal 
• Have a plan to cover shortfall 
• Look at ‘back up’ work – in your field 
58
59
WHAT PEOPLE THINK 
FREELANCING LOOKS LIKE 
60
WHAT FREELANCING REALLY 
LOOKS LIKE 
61
BUILDING A PROFILE 
• Portfolio sites 
• Social media: twitter, LinkedIn, FB 
• About.me 
62
Portfolio sites : 
•PRESSFOLIOS 
• http://pressfolios.com 
63
Portfolio sites : 
•MUCKRACK 
• http://muckrack.com 
64
Portfolio sites : 
•contently 
• http://contently.com 
65
Portfolio sites : 
•clippings.me 
• http://clippings.me 
66
BUILDING A PROFILE 
• Portfolio sites 
• Social media: twitter, LinkedIn, FB 
• About.me 
67
BUILDING A PROFILE 
• Set up your online freelancer profile 
•Your own website? Use free tools eg wordpress 
•Linked-In – [professional resume / network] 
•Facebook – create a ‘page’ 
•Twitter – engage; follow media 
68
OUR TWEETERS 
• @franmolloy 
•@crawshaw_1 
• @MomentinArt 
• @sandyfussell 
69
NETWORKS & GROUPS 
• NSWWC 
• MEAA 
• ASA 
• The Loop 
• CAL 
• Freeline 
• Rachel’s List 
70
NETWORKS & GROUPS 
•http://www.journalistdirectory.com 
•Mumbrella [media / marketing site] 
http://mumbrella.com.au/freelancer 
71
FREELANCE WRITING JOB SITES 
• NewsModo [journalists] 
www.newsmodo.com 
•NewZulu [news] 
www.newzulu.com.au 
• Rachel’s List [journalists] 
www.newsmodo.com 
•ProBlogger [bloggers] 
•http://jobs.problogger.net 72
Job Boards / Content Mills 
• Freelance Job Boards: cheap labour for small jobs 
• Freelancer.com / ozlance.com.au / Elance / Guru 
• Textbroker, MediaPiston, Constant Content, Writers 
Access, Interact Media and Daily Article. 
•Writing ‘Content Mills’ - pay a joke – eg $5 =300 words 
•The point: ‘SEO’ – Search Engine Optimised – but 2011 
changed Google algorithm has reduced demand 
73
GENRE GROUPS 
(keep searching!) 
• Health writer hub www.healthwriterhub.com/ 
• Boating writers: www.bwi.org 
• Horticultural Media Association www.hmaaustralia.com.au 
• Farm Writers Association of NSW www.nswfarmwriters.org.au 
• Aust Council of Agricultural Journos www.acaj.org.au 
• Australian Society of Travel Writers www.astw.org.au 
• Aust Medical Writers Ass’n www.medicalwriters.org 
74
RESEARCH RESOURCES 
• NSW State Library 
•National Library 
•Alumni Library Access – often less than $100 a year 
• Factiva / Library Press Display 
• Margaret Gees Media Guide 
75
SOURCES RESOURCES 
• Sourcebottle 
• HARO 
• expertguide.com.au 
76
77
“It’s a great story. I would 
delete the first eight 
paragraphs and write a lead.” 
- Overheard in the Newsroom 
78
WRITING SAMPLE WORKSHOP 
• two samples to be pitched 
• share your work ? 
•Help find an outlet 
79
PITCH WORKSHOP 
• Details in Pitch Handout 
• Work in pairs if you like 
• Select a publication / outlet 
• Practice your pitch 
80
PITCH WORKSHOP 
• Details in Pitch Handout 
• Work in pairs if you like 
• Select a publication / outlet 
• PITCH TIME: 30 SECONDS EACH !!! 
81
Q & A 
• Questions from your emails 
• Other questions 
THE END!!! 
http://www.slideshare.net/franmolloy/2014-nsw-writers-centre-course-freelancing 
82
“A professional writer is an 
amateur who didn’t quit.” 
- Richard Bach 
83

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Get Paid: Tips for Working as a Freelance Writer

  • 1. How to Get Work as a Freelance Writer Tutor: Fran Molloy Saturday 20 September, 2014 1
  • 2. INTRODUCTION GOING FREELANCE: Questions to ask yourself: •What are your Freelancing goals? •What skills do you have? •How much do you need to earn to survive? •How long can you work without pay? •Can you work part-time / freelance part-time? 2
  • 3. INTRODUCTION ESCAPE PLAN: Set a goal and a date Think about: What if you hate it? What if you love it but you can’t make it pay? 3
  • 4. “If you have any young friends who aspire to become writers, the second greatest favour you can do them is to present them with copies of The Elements of Style. The first greatest, of course, is to shoot them now, while they’re happy.” - Dorothy Parker 4
  • 5. http://www.crockford.com/wrrrld/style.html* The Elements of Style by William Strunk, Jr. Copyright 1918 By William Strunk, Jr. *The Software shall be used for Good, not Evil – Douglas Crockford 5
  • 6. Today’s Schedule: [1/4] 10:00 : Welcome and intro 10:15 : Introduction activity: Interviews for news 10:30 : Write-up exercise 10:45 : Present your profile 11:00 : Writing to a genre – identify your niche 11:15 : Types of features, WHO buys them 11:30 : BREAK 6
  • 7. Today’s Schedule [2/4]: 11:45 : Freelance – Business setup 11:45 : Setting up – ABN, Tax, accounts 12:00 : Essential tools & your workspace 12:15 : Freelance – the system Identifying, pitching, things I wish I’d known 12:30 : Rights contracts, copyright, liability and indemnity 12:45 : Getting paid word rates / flat fee, quoting, chasing 1:00 : LUNCH 7
  • 8. Today’s Schedule [3/4]: 1:30 : BUILDING A PROFILE Portfolio sites, social media, getting online About.me – quick & easy website 2:00 : Networks & groups NSWWC, MEAA, ASA, The Loop, CAL, Freeline, Rachel’s List, genre groups: travel, gardens, medical 2:15 : Research Resources Nat / NSW library, Sourcebottle, HARO, expertguide 2:30 : BREAK 8
  • 9. Today’s Schedule [4/4]: 2:45 : Writing Samples – where they can go Workshop examples?? & general feedback 3:00 : Getting your PITCH on – finding your place Pitch exercise: Select an outlet, write a pitch 3:45 : Q & A Time for student questions / feedback 4:00 : CLOSE 9
  • 10. freelance writer: A man who is paid per piece or per word or perhaps. - Robert Benchley 10
  • 11. Introduction Activity 10:15 : Introduction activity: Interviews for news (7 minutes each) 10:30 : Write-up exercise 10:45 : Present your profile (90 seconds each) 11
  • 13. Writing to Genre 40 BEATS: Activism / Agriculture / Alternative / Architecture / Arts / Books / Business / Celebrity / Childrens / Consumer / Culture / Education / Environment / Fashion / Film / Finance / Food / Gaming / Gardening / Health / Lifestyle / Marine / Media / Medical / Military / Motoring / Music / Parenting / Photography / Political / Profiles / Property / Reviewing / Science / Sports/ Technology / Trade / Travel / Wedding / Womens / 13
  • 14. Writing to Genre •News •Features •Profiles •Lists •Blogs / opinion 14
  • 15. NEWS http://bit.ly/nFWfm002 - eHealthspace.org http://bit.ly/nFWfm003 - Telstra Smarter Business 15
  • 16. FEATURES •Newspapers, magazines, trade magz, online •Freelance : sponsored editorial •Use several voices and cases to tell a story •http://bit.ly/nFWfm001 16
  • 17. PROFILES •Easy to write – often just one interview •Make sure they have a good story to tell •Needs to be relevant •http://bit.ly/nFWfm004 17
  • 18. INFO / LISTICLES / fillers •Content – rarely interviews •Big demand on web •Think ‘Buzzfeed’ •Good place to start writing for $ •http://bit.ly/nFWfm005 18
  • 19. BLOGS / OPINION / WHIMSY •It’s NOT about you, sorry! •Paid spots are rare / low $ •Blog to the site theme •http://bit.ly/nFWfm006 19
  • 20. 20
  • 21. Caller: “How many people work on the Business desk?” Editor: “About half of them.” - Overheard in the Newsroom 21
  • 23. The Business of Freelance •Accounting advice: worth what you pay for it •1. Decide your Business structure: – Sole trader / partnership – Company – GST? (compulsory - $75K+ turnover) •2. Apply for your ABN - https://abr.gov.au 23
  • 24. Accounting systems • Start with spreadsheets / Word docs – no cost • Cloud accounting is seriously AWESOME • Cheap, low-end : Freshbooks • XERO - $25 / $50 / month • Pocketbook - https://getpocketbook.com/ - personal 24
  • 25. Essential Tools • ‘Office’ – physical location • Get a desk / space at home • Co-working - Fishburners, HubSydney etc • wifi Café / State Library / City Library • Computer / Internet / Phone (VOIP) / headset • Recorder for interviews (smartphone) 25
  • 26. Other “Tools of the Trade” • Stationery • Doc wallets to keep work together • Planner / Whiteboard – stay organised • Work out your own systems • Business documents : binders / folders • Business cards 26
  • 27. Software & Services • Google – gmail, tasks, Docs, Drive etc • DropBox • Dragon Naturally Speaking (use a good headset) • Skype + Callburner + Audacity (sound editing) • REV transcription / TimeAndDate.com / Trello 27
  • 29. Never, ever write it until you’ve got the job 29
  • 30. PITCH -- before you write (except travel) If they don’t consign, don’t write a line • Research your story; line up your sources • Get the background ; know your angle • Have a back-up angle • Research the outlet ; compare this to other stories 30
  • 31. WHAT EDITORS WANT • More of what they already have • On time, to brief, right voice, needs no work • Solve their problems 31
  • 32. FINDING AN OUTLET • Newsagent • What you read / your friends read / your boss reads • Sign up: Journalist alert / editor alert www.careerone.com.au / www.seek.com.au / www.mycareer.com.au • Australian Writers Marketplace - https://www.awmonline.com.au/ 32
  • 33. THE PITCH • Always by email • SUBJECT: Freelance pitch topic in five catchy words • Short (2-3 pars) - Catchy - relevant • Show them you KNOW their publication • Convince them you are the RIGHT PERSON to write it 33
  • 34. PITCHING INTO THE VOID or what if they don’t respond? • Pitching to a void is the MOST COMMON experience – Christopher Wink: cold email pitches – 15% open rate • Pitching to a NO THANKS is the second most common • Add the DEADLINE line 34
  • 35. PITCHING INTO THE VOID THE DEADLINE LINE “I’d love to see this story published in XYZ Mag. However I understand you may have more stories than you can use, so if I don’t hear from you by (give at least a week, two is better), I’ll approach another publication.” 35
  • 36. THE PITCH – who to contact? • Newspaper: Look for EDITOR / SECTION EDITOR • Magazine: Ditto – look for DEPUTY EDITOR or the FEATURES EDITOR • Web: Go to ABOUT – look for giveaway job title • Margaret Gees Media Guide – reference section of libraries • Ring – ask them – “Hi I’m a freelance writer, what’s the editor’s email address?” 36
  • 37. THE PITCH • Get their name right • Get their name right • Get their name right 37
  • 38. CORPORATES • Who you know TOPS what you know • Let everyone know you are writing for money • Deliver – and get a testimonial • You may need insurance – prof liability / public liability 38
  • 39. SME BUSINESS • Bigger market – less demanding overall • Great place to start – great place to stay • All about relationships • Must be managed very well – or crisis happens • Get formal – get it in writing – be fair – be clear 39
  • 40. Rights, Contracts, Copyright Liability Indemnity 40
  • 41. CONTRACT FOR WORK - http://writerscontracts.com/ • a CONTRACT is as simple as an offer and acceptance • Make it formal – get it in writing – confirm in writing • “Hi Joe, confirming as discussed I will deliver 800 words on the growing fish finger shortage crisis at 70c a word to you by Monday October 3, payment on publication plus 7 days.” 41
  • 42. WRITING CONTRACT • UNDERSTAND what rights you are agreeing to • DEFAULT: you own copyright and LICENSE the use of your work to a publication • Once published – all copyright reverts to you • Rights are complex – FRAN’S RIGHTS GLOSSARY 42
  • 43. WRITING CONTRACT • UNDERSTAND what rights you are agreeing to • DEFAULT: you own copyright and LICENSE the use of your work to a publication • Once published – all copyright reverts to you • Rights are complex – FRAN’S RIGHTS GLOSSARY 43
  • 44. INDEMNITIES AND WARRANTIES • INDEMNITY: The writer indemnifies the publisher: • NO NO NO – cross it out! This could cost you a fortune if they are sued •Publisher should indemnify you •WARRANTY – similar – you make a legally-bound guarantee 44
  • 45. RIGHTS & CONTRACT HELP • Better get a lawyer, son .. You better get a real good one .. • MEAA - Alliance.org.au • CAL – copyright.com.au • ASA – Australian Society of Authors 45
  • 47. HOW MUCH CAN WRITERS EARN? • MEAA / Australian Journalists Association: Freelance rates are 93c /word / $1000 minimum • Reality: Very different. Rachel’s List: http://www.rachelslist.com.au/?p=988 •Most freelancers earn between $30-$50 K per year • Who Pays What: http://heypayup.tumblr.com/archive 47
  • 49. RACHEL’S LIST – 2013 SURVEY [1/6] 49
  • 50. RACHEL’S LIST – 2013 SURVEY [2/6] 50
  • 51. RACHEL’S LIST – 2013 SURVEY [3/6] 51
  • 52. RACHEL’S LIST – 2013 SURVEY [4/6] 52
  • 53. RACHEL’S LIST – 2013 SURVEY [5/6] 53
  • 54. RACHEL’S LIST – 2013 SURVEY [6/6] 54
  • 55. HOW MUCH DO I CHARGE? • Billable time: Know how long the job will take you • Extras : Phone, travel, transcription • Margin for error: Build in revision rates or time • (annual salary + annual expenses + annual profit) ÷ annual billable work hours = your basic hourly rate 55
  • 56. HOW DO YOU ASK FOR MONEY? •EVERYBODY hates this conversation – even editors •Email: ‘My usual word rate is 70c but I’m negotiable.’ •Ask. Preferably by phone. “What do you pay?” Then confirm in writing by email •If money is low – “Will that increase after 2nd story?” 56
  • 57. BILLABLE TIME and ANNUAL SALARY • Billable time: • 52 WEEKS PER YEAR • - 4 weeks leave / 2 weeks sick / 4 weeks PD = 42 weeks • 5 days x 40 hours minus 1 day admin = 32 hours • 32 hours x 42 weeks = 1344 hours • $52,000 pa / 1344 hours = $38.69 per hour •https://www.freelancersunion.org/blog/2014/02/03/how-get-paid-57
  • 58. WORK OUT WHAT YOU NEED TO EARN • Set a budget – weekly or monthly goal • Have a plan to cover shortfall • Look at ‘back up’ work – in your field 58
  • 59. 59
  • 60. WHAT PEOPLE THINK FREELANCING LOOKS LIKE 60
  • 61. WHAT FREELANCING REALLY LOOKS LIKE 61
  • 62. BUILDING A PROFILE • Portfolio sites • Social media: twitter, LinkedIn, FB • About.me 62
  • 63. Portfolio sites : •PRESSFOLIOS • http://pressfolios.com 63
  • 64. Portfolio sites : •MUCKRACK • http://muckrack.com 64
  • 65. Portfolio sites : •contently • http://contently.com 65
  • 66. Portfolio sites : •clippings.me • http://clippings.me 66
  • 67. BUILDING A PROFILE • Portfolio sites • Social media: twitter, LinkedIn, FB • About.me 67
  • 68. BUILDING A PROFILE • Set up your online freelancer profile •Your own website? Use free tools eg wordpress •Linked-In – [professional resume / network] •Facebook – create a ‘page’ •Twitter – engage; follow media 68
  • 69. OUR TWEETERS • @franmolloy •@crawshaw_1 • @MomentinArt • @sandyfussell 69
  • 70. NETWORKS & GROUPS • NSWWC • MEAA • ASA • The Loop • CAL • Freeline • Rachel’s List 70
  • 71. NETWORKS & GROUPS •http://www.journalistdirectory.com •Mumbrella [media / marketing site] http://mumbrella.com.au/freelancer 71
  • 72. FREELANCE WRITING JOB SITES • NewsModo [journalists] www.newsmodo.com •NewZulu [news] www.newzulu.com.au • Rachel’s List [journalists] www.newsmodo.com •ProBlogger [bloggers] •http://jobs.problogger.net 72
  • 73. Job Boards / Content Mills • Freelance Job Boards: cheap labour for small jobs • Freelancer.com / ozlance.com.au / Elance / Guru • Textbroker, MediaPiston, Constant Content, Writers Access, Interact Media and Daily Article. •Writing ‘Content Mills’ - pay a joke – eg $5 =300 words •The point: ‘SEO’ – Search Engine Optimised – but 2011 changed Google algorithm has reduced demand 73
  • 74. GENRE GROUPS (keep searching!) • Health writer hub www.healthwriterhub.com/ • Boating writers: www.bwi.org • Horticultural Media Association www.hmaaustralia.com.au • Farm Writers Association of NSW www.nswfarmwriters.org.au • Aust Council of Agricultural Journos www.acaj.org.au • Australian Society of Travel Writers www.astw.org.au • Aust Medical Writers Ass’n www.medicalwriters.org 74
  • 75. RESEARCH RESOURCES • NSW State Library •National Library •Alumni Library Access – often less than $100 a year • Factiva / Library Press Display • Margaret Gees Media Guide 75
  • 76. SOURCES RESOURCES • Sourcebottle • HARO • expertguide.com.au 76
  • 77. 77
  • 78. “It’s a great story. I would delete the first eight paragraphs and write a lead.” - Overheard in the Newsroom 78
  • 79. WRITING SAMPLE WORKSHOP • two samples to be pitched • share your work ? •Help find an outlet 79
  • 80. PITCH WORKSHOP • Details in Pitch Handout • Work in pairs if you like • Select a publication / outlet • Practice your pitch 80
  • 81. PITCH WORKSHOP • Details in Pitch Handout • Work in pairs if you like • Select a publication / outlet • PITCH TIME: 30 SECONDS EACH !!! 81
  • 82. Q & A • Questions from your emails • Other questions THE END!!! http://www.slideshare.net/franmolloy/2014-nsw-writers-centre-course-freelancing 82
  • 83. “A professional writer is an amateur who didn’t quit.” - Richard Bach 83

Editor's Notes

  1. 10:00 : Welcome and intro10:15 : Introduction activity: Interviews for news / 10:30 - Write-up exercise / 10:45 - Present your profile 11:00 : Writing to a genre – identify your niche, I list 40 areas but you can surely think of more … 11:15 : Types of features, WHO buys them 11:30 : BREAK
  2. 10:00 : Welcome and intro10:15 : Introduction activity: Interviews for news / 10:30 - Write-up exercise / 10:45 - Present your profile 11:00 : Writing to a genre – identify your niche, I list 40 areas but you can surely think of more … 11:15 : Types of features, WHO buys them 11:30 : BREAK
  3. The Elements of Style was written in 1918, so copyright (life + 50, or life + 70) has expired. There are many places it is freely available, this is quite a good one.Douglas Crockford is a well-known computer programmer who created an open source program JSMin and included a clause requiring the software to be used for good not evil, (a reference to the George W Bush “war on evildoers”) when he made it available under the standard open source agreement. Google refused to host it claiming the clause was vague & made the software non-free.
  4. 10:00 : Welcome and intro10:15 : Introduction activity: Interviews for news / 10:30 - Write-up exercise / 10:45 - Present your profile 11:00 : Writing to a genre – identify your niche, I list 40 areas but you can surely think of more … 11:15 : Types of features, WHO buys them 11:30 : BREAK
  5. 11:45 : Freelance – Business setup Setting up – ABN, Tax, accounts / Essential tools & your workspace 12:15 : Freelance – the system / Identifying, pitching, things I wish I’d known 12:30 : Rights / contracts, copyright, liability and indemnity 12:45 : Getting paid / word rates / flat fee, quoting, chasing
  6. 1:30 : BUILDING A PROFILE - Portfolio sites, social media, getting online / About.me – quick & easy website 2:00 : Networks & groups / NSWWC, MEAA, ASA, The Loop, CAL, Freeline, Rachel’s List, genre groups: travel, gardens, medical 2:15 : Research Resources // Nat / NSW library, Sourcebottle, HARO, expertguide
  7. 2:45 : Writing Samples – where they can go / Workshop examples?? & general feedback 3:00 : Getting your PITCH on – finding your place // Pitch exercise: Select an outlet, write a pitch 3:45 : Q & A / Time for student questions / feedback 4:00 : CLOSE
  8. Use the handout as a GUIDE for your introduction exercise – add your own questions if you like, leave some outYour task: find out about your writing partner - then introduce them to the class The ‘voice’ : Friendly, chatty and above all – interesting
  9. The Elements of Style was written in 1918, so copyright (life + 50, or life + 70) has expired. There are many places it is freely available, this is quite a good one.Douglas Crockford is a well-known computer programmer who created an open source program JSMin and included a clause requiring the software to be used for good not evil, (a reference to the George W Bush “war on evildoers”) when he made it available under the standard open source agreement. Google refused to host it claiming the clause was vague & made the software non-free.
  10. While most news in big media is done by staffers, there are definitely freelance gigs in trade and specialty press that want news writers.The thing with news is that you have to turn it around fast; unless you have a background in journalism, I would avoid it as a freelancer. There’s no room for error and you really do need experience.
  11. This is where freelancing is at .. Content marketing is becoming pretty big, and companies want to pay for magazine-style content.The thing about features is that you combine several sources .. It’s not like a press release, or a news story, which is all about one instance – you’re pulling together a thematic story.
  12. Your key here is RELEVANCE – profiles are great, they are a doddle to write and lots of fun, but you need to find someone who actually wants this story and then you need to skew it to their outlet. So this one, very interesting guy, art curator – had to have at least part of this being about his Sydney uni connection
  13. The ‘listicle’ is taking over the internet. Think - 9 reasons you want to write for money ; 6 things your editor won’t tell you ; 4 ways the comma is misused in corporate writing It’s getting to the stage that people are sick of them BUT they also expect them; it’s lazy writing but there is still a market for it – from people who don’t have much idea about content. They can be very good customers.
  14. Blog sites that pay well are rare … they are hard to find and generally happen as part of a range of other work you might do … This is the most common style of writing, a lot of people find their voice as bloggers and they make quite a lot through ads and sponsorship
  15. Before agreeing to a writing contract, you need to have an understanding of what rights you are negotiating before you can work out what they are worth to you. If you sell an article to a publication as a freelancer, you are actually just licensing their use of the article. In the absence of any other agreement, you can generally assume that you are selling First Print Rights, in the territory that the publication operates. And once that publication has published the article, then all copyright reverts to you. Assumption often doesn’t hold true though – and it’s quite astounding how many publishers are clueless about rights. It’s also quite worrying that there’s a growing trend for publishers to ask for the assignation of copyright or of “All Rights” – when often they will never use these. If you understand what rights you have to offer, you will be able to negotiate a fair contract that allows the publisher to do what they need to with the story, without limiting your ability to re-sell the work elsewhere if you can. In general, it’s wise to offer as few rights as possible when you are selling a story to a publisher.
  16. Before agreeing to a writing contract, you need to have an understanding of what rights you are negotiating before you can work out what they are worth to you. If you sell an article to a publication as a freelancer, you are actually just licensing their use of the article. In the absence of any other agreement, you can generally assume that you are selling First Print Rights, in the territory that the publication operates. And once that publication has published the article, then all copyright reverts to you. Assumption often doesn’t hold true though – and it’s quite astounding how many publishers are clueless about rights. It’s also quite worrying that there’s a growing trend for publishers to ask for the assignation of copyright or of “All Rights” – when often they will never use these. If you understand what rights you have to offer, you will be able to negotiate a fair contract that allows the publisher to do what they need to with the story, without limiting your ability to re-sell the work elsewhere if you can. In general, it’s wise to offer as few rights as possible when you are selling a story to a publisher.
  17. Before agreeing to a writing contract, you need to have an understanding of what rights you are negotiating before you can work out what they are worth to you. If you sell an article to a publication as a freelancer, you are actually just licensing their use of the article. In the absence of any other agreement, you can generally assume that you are selling First Print Rights, in the territory that the publication operates. And once that publication has published the article, then all copyright reverts to you. Assumption often doesn’t hold true though – and it’s quite astounding how many publishers are clueless about rights. It’s also quite worrying that there’s a growing trend for publishers to ask for the assignation of copyright or of “All Rights” – when often they will never use these. If you understand what rights you have to offer, you will be able to negotiate a fair contract that allows the publisher to do what they need to with the story, without limiting your ability to re-sell the work elsewhere if you can. In general, it’s wise to offer as few rights as possible when you are selling a story to a publisher.
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