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Navigating Archaeology’s 
Big Data Reality 
Digital Arts and Humanities Institute 
Cork 2014 
Frank Lynam 
Trinity College Dublin
1
1990s web chic 
Amazon on their 1994 launch (retronaut.com) 
David Hasselhoff online (www.subzerostudio.com/) 
National Audobon Society (blog.crazyegg.com) 
2
My type of digital archaeology 
3D visualisation (arcseer.com) 
Augmented Reality cultural heritage apps (kindareal.com) 3D artefact capture 3
The PhD early days 
4
The carrot of Open Data and the 
Semantic Web 
5
6
Mistake 1 - building everything from scratch 
7
My next mistake - focussing entirely on 
the data provider 
8
9
Linked Open Data by example 
Asking a question of the British Museum’s 
10 
Linked Open Data interface
The RDF triple 
subject 
(uri) 
object 
(uri, literal) 
predicate 
(uri) 
object 
(uri, literal) 
predicate 
(uri) 
11
An RDF triple example 
‘…the man is from England…’ 
subject 
predicate 
object 
12
One person’s subject is another’s object 
‘…England is a country…’ 
subject 
predicate 
object 
13
14
An introduction to SPARQL 
SELECT * { 
?s ?p "Rembrandt" 
} LIMIT 100 
15
The British Museum’s response 
16
The first record 
17
Christ Healing the Sick, etching 
(britishmuseum.org) 
A reclining lion, ink drawing on paper 
Garden vase and pedestal, ink sketch (britishmuseum.org) 
(britishmuseum.org) 18
More complex SPARQL 
SELECT ?s { 
?s bmo:PX_object_type ?objecttype. 
?objecttype skos:prefLabel "sarcophagus". 
?s ecrm:P45_consists_of ?material. 
?material skos:prefLabel "granodiorite" 
} LIMIT 100 
1 
2 
3 
4 
19
The query’s graph 
ecrm:P45_consists_of bmo:PX_object_type 
?material ?s ?objecttype 
skos:prefLabel skos:prefLabel 
‘granodiorite’ ‘sarcophagus’ 
20
lack of awareness 
21
data SILOS 
22
reliability 
23
data POLICY 
institutional 
24
25 
Parting questions 
1. What does it mean to be a researcher in the new Big Data 
archaeological research environment? 
2. What tools are we now to use and are these radically 
different to those used by our forebears? 
3. Are the types of questions that we are now asking in some 
way different? 
4. How much creative and/or intellectual authority will we 
cede to the control of machines out of necessity or 
choice? 
5. All of these questions combine to ultimately ask whether 
we need to be talking in terms of new epistemological 
environments when considering Big Data research or not?
Acknowledgements 
Dep. of Classics, Trinity College Dublin 
Dr Christine Morris 
Digital Arts and Humanities PhD programme 
PRTLI funded 
The Priniatikos Pyrgos Project 
Dr Barry Molloy and Dr Jo Day 
Web: www.franklynam.com 
www.linkedarc.net 
Twitter: @flynam 
Email: flynam@tcd.ie 
26

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Navigating Archaeology’s Big Data Reality

  • 1. Navigating Archaeology’s Big Data Reality Digital Arts and Humanities Institute Cork 2014 Frank Lynam Trinity College Dublin
  • 2. 1
  • 3. 1990s web chic Amazon on their 1994 launch (retronaut.com) David Hasselhoff online (www.subzerostudio.com/) National Audobon Society (blog.crazyegg.com) 2
  • 4. My type of digital archaeology 3D visualisation (arcseer.com) Augmented Reality cultural heritage apps (kindareal.com) 3D artefact capture 3
  • 5. The PhD early days 4
  • 6. The carrot of Open Data and the Semantic Web 5
  • 7. 6
  • 8. Mistake 1 - building everything from scratch 7
  • 9. My next mistake - focussing entirely on the data provider 8
  • 10. 9
  • 11. Linked Open Data by example Asking a question of the British Museum’s 10 Linked Open Data interface
  • 12. The RDF triple subject (uri) object (uri, literal) predicate (uri) object (uri, literal) predicate (uri) 11
  • 13. An RDF triple example ‘…the man is from England…’ subject predicate object 12
  • 14. One person’s subject is another’s object ‘…England is a country…’ subject predicate object 13
  • 15. 14
  • 16. An introduction to SPARQL SELECT * { ?s ?p "Rembrandt" } LIMIT 100 15
  • 17. The British Museum’s response 16
  • 19. Christ Healing the Sick, etching (britishmuseum.org) A reclining lion, ink drawing on paper Garden vase and pedestal, ink sketch (britishmuseum.org) (britishmuseum.org) 18
  • 20. More complex SPARQL SELECT ?s { ?s bmo:PX_object_type ?objecttype. ?objecttype skos:prefLabel "sarcophagus". ?s ecrm:P45_consists_of ?material. ?material skos:prefLabel "granodiorite" } LIMIT 100 1 2 3 4 19
  • 21. The query’s graph ecrm:P45_consists_of bmo:PX_object_type ?material ?s ?objecttype skos:prefLabel skos:prefLabel ‘granodiorite’ ‘sarcophagus’ 20
  • 26. 25 Parting questions 1. What does it mean to be a researcher in the new Big Data archaeological research environment? 2. What tools are we now to use and are these radically different to those used by our forebears? 3. Are the types of questions that we are now asking in some way different? 4. How much creative and/or intellectual authority will we cede to the control of machines out of necessity or choice? 5. All of these questions combine to ultimately ask whether we need to be talking in terms of new epistemological environments when considering Big Data research or not?
  • 27. Acknowledgements Dep. of Classics, Trinity College Dublin Dr Christine Morris Digital Arts and Humanities PhD programme PRTLI funded The Priniatikos Pyrgos Project Dr Barry Molloy and Dr Jo Day Web: www.franklynam.com www.linkedarc.net Twitter: @flynam Email: flynam@tcd.ie 26