SlideShare a Scribd company logo
1 of 26
Christoph Irmscher (Indiana University) cirmsche@indiana.edu “Half-Battles”:  Abolitionism and Popular Poetry 1
2 E. W. Clay, “America,” ca. 1841
3 Ernest Wadsworth Longfellow, Henry Wadsworth Longfellow, ca. 1851 (LNHS)
4 Longfellow, Poems on Slavery,  New England Anti-Slavery Tract Association, 1843
Well done!  Thy words are great and bold; 	At times they seem to me, Like Luther’s, in the days of old, 	Half-battles for the free. Go on, until this land revokes 	The old and chartered Lie, The feudal curse, whose whips and yokes 	Insult humanity. 5 Longfellow, “To William E. Channing” (1842)
In that hour, when the night is calmest, Sang he from the Hebrew Psalmist, In a voice so sweet and clear That I could not choose but hear, 6 Longfellow, “The Slave Singing at Midnight” (1842)
7 Iron Mask, Leg Shackles, Spurs Used to Restrain Slaves.  From Branagan, The Penitential Tyrant, 1807.
8 Whitman, from “The  Sleepers” (1855) Now Lucifer was not dead . . . . or if he was I am his sorrowful 	terrible heir;     I have been wronged . . . . I am oppressed . . . . I hate him that          oppresses me,     I will either destroy him, or he shall release me.     Damn him! how he does defile me,     How he informs against my brother and sister and takes pay for 	their blood,     How he laughs when I look down the bend after the steamboat 	that carries away my woman.     Now the vast dusk bulk that is the whale's bulk . . . . it seems 	mine,     Warily, sportsman! though I lie so sleepy and sluggish, my tap is          death.
The sufferance of her race is shown,   	And retrospect of life, Which now too late deliverance dawns upon;   	Yet is she not at strife.  Her children’s children they shall know   	The good withheld from her; And so her reverie takes prophetic cheer—   	In spirit she sees the stir.  Far down the depth of thousand years,  	And marks the revel shine; Her dusky face is lit with sober light,   	Sibylline, yet benign.   9 Herman Melville, “Formerly a Slave”An Idealized Portrait, by E. Vedder, in the Spring Exhibition of the National Academy, 1865
There is a poor, blind Samson in this land, 	Shorn of his strength and bound in bonds of steel, Who may, in some grim revel, raise his hand, 	And shake the pillars of this Commonweal, Till the vast Temple of our liberties A shapeless mass of wreck and rubbish lies. 10 Longfellow, “The Warning” (1842)
11 Longfellow, Personal Account Book, 1855-1856, Houghton Library
12 Josiah Henson and his Wife, North American Black Historical Museum, Inc., Amherstburg, Ontario
13 Alexander Gardner, “The Politics and Poetry of New England,” CDV, ca. 1863
14 Louis Agassiz (1809-1873)
15 J. T. Zealy, Columbia, SC, “Jack,” daguerreotype, 1850
16 Samuel Gridley Howe (1801-1876)
17 Louis Agassiz to Samuel Gridley Howe,  9 August 1863 (Houghton  Library) There is no ^such restraint upon the first^early passions as exists everywhere in those communities where^in which both sexes are legally upon a footing of equality.  The first gratification under the pressure of so great a stimulus as the advantages accruing to the family negress, from the connection with young masters, already blunts his better instincts in that direction and leads him gradually to seek more ^ “spicy partners,^” as I have heard the full blacks called by fast young men.  Moreover it is not difficult physiologically to understand why mulattoes with their peculiar constitution should be particularly attractive physically, even though that intercourse should be abhorrent to a refined moral sensibility.  Again whatever be the merit of this explanation, one thing is certain that there is no elevating element whatever conceivable in the connection of individuals of different races; there is neither love, nor desire for improvement of any kind.
18 Timothy O’Sullivan, Large Group of Slaves, Smith’s Plantation, Beaufort, South Carolina, ca. 1861
19
20 George Moses Horton, Letter to David Swain, 3 September 1844. University of North Carolina at Chapel Hill
'Twas like the evening of a nuptial pair, When love pervades the hour of sad despair-- 'Twas like fair Helen's sweet return to Troy, When every Grecian bosom swell'd with joy. The silent harp which on the osiers hung, Was then attuned, and manumission sung; Away by hope the clouds of fear were driven, And music breathed my gratitude to Heaven. 21 George Moses Horton,“On Hearing of the Intention of a Gentleman to Purchase the Poet's Freedom”
22 Slave Coffle, Washington, D.C., ca. 1819
Jane Benham, illustration for Evangeline, wood engraving, 1850 23
24 Mary Webb (1828-1859)
“In the death of Longfellow the Nation, and we might say the world, loses one of its most genial spirits. … A genuine son of Massachusetts, his influence was always given on the side of Liberty.” 25 The Christian Recorder, 30 March 1882
26 Photogravure, after Julia Margaret Cameron, Longfellow

More Related Content

What's hot

The faerie queene
The faerie queeneThe faerie queene
The faerie queene
Levilei
 
5 the canterbury tales - themes,motifs,symbols
5 the canterbury tales - themes,motifs,symbols5 the canterbury tales - themes,motifs,symbols
5 the canterbury tales - themes,motifs,symbols
Elif Güllübudak
 
The Canterbury Tales
The Canterbury TalesThe Canterbury Tales
The Canterbury Tales
Kat Lutao
 
Chaucer and canterbury f 2009
Chaucer and canterbury f 2009Chaucer and canterbury f 2009
Chaucer and canterbury f 2009
Paola Rosas
 
The faerie queene
The faerie queeneThe faerie queene
The faerie queene
haley1
 
Shakespeare’s dominant women inverting the gender divide
Shakespeare’s dominant women inverting the gender divideShakespeare’s dominant women inverting the gender divide
Shakespeare’s dominant women inverting the gender divide
Shantanu Basu
 
Representation of Women in Shakespeare's Plays, an Occasional Paper
Representation of Women in Shakespeare's Plays, an Occasional PaperRepresentation of Women in Shakespeare's Plays, an Occasional Paper
Representation of Women in Shakespeare's Plays, an Occasional Paper
Rosielyn Mae Bolon
 
Interpretation of the Symbolism in ”The Second Coming” as a Decolonial Poem
Interpretation of the Symbolism in ”The Second Coming” as a Decolonial PoemInterpretation of the Symbolism in ”The Second Coming” as a Decolonial Poem
Interpretation of the Symbolism in ”The Second Coming” as a Decolonial Poem
Sarah Abdussalam
 
The role of women in julius caesar
The role of women in julius caesarThe role of women in julius caesar
The role of women in julius caesar
wallyrox
 

What's hot (20)

Chaucer (1) The Canterbury Tales
Chaucer (1) The Canterbury TalesChaucer (1) The Canterbury Tales
Chaucer (1) The Canterbury Tales
 
The faerie queene
The faerie queeneThe faerie queene
The faerie queene
 
5 the canterbury tales - themes,motifs,symbols
5 the canterbury tales - themes,motifs,symbols5 the canterbury tales - themes,motifs,symbols
5 the canterbury tales - themes,motifs,symbols
 
the Faerie Queene
the Faerie Queene the Faerie Queene
the Faerie Queene
 
Chaucer and Canterbury Tales
Chaucer and Canterbury TalesChaucer and Canterbury Tales
Chaucer and Canterbury Tales
 
Chaucer's Canterbury Tales - General Prologue and Characters Overview
Chaucer's Canterbury Tales - General Prologue and Characters OverviewChaucer's Canterbury Tales - General Prologue and Characters Overview
Chaucer's Canterbury Tales - General Prologue and Characters Overview
 
The Canterbury Tales
The Canterbury TalesThe Canterbury Tales
The Canterbury Tales
 
The Canterbury Tales
The Canterbury TalesThe Canterbury Tales
The Canterbury Tales
 
Australian literature
Australian literatureAustralian literature
Australian literature
 
PPT on Paper 11. The Post Colonial Literature
PPT on Paper 11. The Post Colonial Literature PPT on Paper 11. The Post Colonial Literature
PPT on Paper 11. The Post Colonial Literature
 
Chaucer and canterbury f 2009
Chaucer and canterbury f 2009Chaucer and canterbury f 2009
Chaucer and canterbury f 2009
 
The faerie queene
The faerie queeneThe faerie queene
The faerie queene
 
Shakespeare’s dominant women inverting the gender divide
Shakespeare’s dominant women inverting the gender divideShakespeare’s dominant women inverting the gender divide
Shakespeare’s dominant women inverting the gender divide
 
Canterbury Tales Review
Canterbury Tales ReviewCanterbury Tales Review
Canterbury Tales Review
 
07 yeats irish airman
07 yeats   irish airman07 yeats   irish airman
07 yeats irish airman
 
Representation of Women in Shakespeare's Plays, an Occasional Paper
Representation of Women in Shakespeare's Plays, an Occasional PaperRepresentation of Women in Shakespeare's Plays, an Occasional Paper
Representation of Women in Shakespeare's Plays, an Occasional Paper
 
The Faerie Queene
The Faerie QueeneThe Faerie Queene
The Faerie Queene
 
Interpretation of the Symbolism in ”The Second Coming” as a Decolonial Poem
Interpretation of the Symbolism in ”The Second Coming” as a Decolonial PoemInterpretation of the Symbolism in ”The Second Coming” as a Decolonial Poem
Interpretation of the Symbolism in ”The Second Coming” as a Decolonial Poem
 
Short biography of shakespeare
Short biography of shakespeareShort biography of shakespeare
Short biography of shakespeare
 
The role of women in julius caesar
The role of women in julius caesarThe role of women in julius caesar
The role of women in julius caesar
 

Viewers also liked

Henry wadsworth longfellow
Henry wadsworth longfellowHenry wadsworth longfellow
Henry wadsworth longfellow
Muhammad Haroon Khamoosh
 
1 2-5 longfellow bryant
1 2-5 longfellow bryant1 2-5 longfellow bryant
1 2-5 longfellow bryant
sf3637
 
Henry wadsworth longfellow ppt
Henry wadsworth longfellow pptHenry wadsworth longfellow ppt
Henry wadsworth longfellow ppt
Melaney Zranchev
 

Viewers also liked (6)

Henry wadsworth longfellow
Henry wadsworth longfellowHenry wadsworth longfellow
Henry wadsworth longfellow
 
Longfellow
LongfellowLongfellow
Longfellow
 
1 2-5 longfellow bryant
1 2-5 longfellow bryant1 2-5 longfellow bryant
1 2-5 longfellow bryant
 
James Fenimore Cooper
James Fenimore CooperJames Fenimore Cooper
James Fenimore Cooper
 
Henry wadsworth longfellow ppt
Henry wadsworth longfellow pptHenry wadsworth longfellow ppt
Henry wadsworth longfellow ppt
 
Henry wadsworth longfellow
Henry wadsworth longfellowHenry wadsworth longfellow
Henry wadsworth longfellow
 

Similar to Longfellow presentation

URSULA K . LE GUIN (11. 1929) is Ilrcv titrrr,ylrlrr of hi.docx
URSULA K .  LE GUIN (11. 1929) is Ilrcv titrrr,ylrlrr of hi.docxURSULA K .  LE GUIN (11. 1929) is Ilrcv titrrr,ylrlrr of hi.docx
URSULA K . LE GUIN (11. 1929) is Ilrcv titrrr,ylrlrr of hi.docx
dickonsondorris
 
The Crucible Audiobook httpswww.youtube.comwatchv=Di-
The Crucible Audiobook httpswww.youtube.comwatchv=Di-The Crucible Audiobook httpswww.youtube.comwatchv=Di-
The Crucible Audiobook httpswww.youtube.comwatchv=Di-
AlleneMcclendon878
 
A History of Connecticut Food and WineBy Amy Nawro.docx
A History of Connecticut Food and WineBy Amy Nawro.docxA History of Connecticut Food and WineBy Amy Nawro.docx
A History of Connecticut Food and WineBy Amy Nawro.docx
ransayo
 
Poetry Analysis
Poetry Analysis Poetry Analysis
Poetry Analysis
twiggy9811
 
Thomas Gray- Elegy written in a Country Churchyard
Thomas Gray- Elegy written in a Country ChurchyardThomas Gray- Elegy written in a Country Churchyard
Thomas Gray- Elegy written in a Country Churchyard
kaviyky
 
URSULA K. LE GUIN (11. 1929) is Ilrcv titrrr,ylrlrr of hilc.docx
URSULA K. LE GUIN (11. 1929) is Ilrcv titrrr,ylrlrr of hilc.docxURSULA K. LE GUIN (11. 1929) is Ilrcv titrrr,ylrlrr of hilc.docx
URSULA K. LE GUIN (11. 1929) is Ilrcv titrrr,ylrlrr of hilc.docx
dickonsondorris
 
18th century poetry
18th century poetry18th century poetry
18th century poetry
HartSlides
 
Salem Powerpoint
Salem PowerpointSalem Powerpoint
Salem Powerpoint
hyruleano
 
Elit 48 c class 38 post qhq team change
Elit 48 c class 38 post qhq team changeElit 48 c class 38 post qhq team change
Elit 48 c class 38 post qhq team change
jordanlachance
 

Similar to Longfellow presentation (20)

URSULA K . LE GUIN (11. 1929) is Ilrcv titrrr,ylrlrr of hi.docx
URSULA K .  LE GUIN (11. 1929) is Ilrcv titrrr,ylrlrr of hi.docxURSULA K .  LE GUIN (11. 1929) is Ilrcv titrrr,ylrlrr of hi.docx
URSULA K . LE GUIN (11. 1929) is Ilrcv titrrr,ylrlrr of hi.docx
 
The Crucible Audiobook httpswww.youtube.comwatchv=Di-
The Crucible Audiobook httpswww.youtube.comwatchv=Di-The Crucible Audiobook httpswww.youtube.comwatchv=Di-
The Crucible Audiobook httpswww.youtube.comwatchv=Di-
 
Ode intimations to immortality
Ode intimations to immortalityOde intimations to immortality
Ode intimations to immortality
 
AMERICAN LITERATURE Outline of REVISED EDITION.pdf
AMERICAN LITERATURE Outline of   REVISED EDITION.pdfAMERICAN LITERATURE Outline of   REVISED EDITION.pdf
AMERICAN LITERATURE Outline of REVISED EDITION.pdf
 
TheShortStory_10001379.pdf
TheShortStory_10001379.pdfTheShortStory_10001379.pdf
TheShortStory_10001379.pdf
 
Alferd lord tennyson
Alferd lord tennysonAlferd lord tennyson
Alferd lord tennyson
 
AmericanLiteratureIn60Minutes.ppt
AmericanLiteratureIn60Minutes.pptAmericanLiteratureIn60Minutes.ppt
AmericanLiteratureIn60Minutes.ppt
 
African American Writers of the Harlem Renaissance
African American Writers of the Harlem RenaissanceAfrican American Writers of the Harlem Renaissance
African American Writers of the Harlem Renaissance
 
Harlem Renaissance
Harlem RenaissanceHarlem Renaissance
Harlem Renaissance
 
A History of Connecticut Food and WineBy Amy Nawro.docx
A History of Connecticut Food and WineBy Amy Nawro.docxA History of Connecticut Food and WineBy Amy Nawro.docx
A History of Connecticut Food and WineBy Amy Nawro.docx
 
Poetry Analysis
Poetry Analysis Poetry Analysis
Poetry Analysis
 
Thomas Gray- Elegy written in a Country Churchyard
Thomas Gray- Elegy written in a Country ChurchyardThomas Gray- Elegy written in a Country Churchyard
Thomas Gray- Elegy written in a Country Churchyard
 
URSULA K. LE GUIN (11. 1929) is Ilrcv titrrr,ylrlrr of hilc.docx
URSULA K. LE GUIN (11. 1929) is Ilrcv titrrr,ylrlrr of hilc.docxURSULA K. LE GUIN (11. 1929) is Ilrcv titrrr,ylrlrr of hilc.docx
URSULA K. LE GUIN (11. 1929) is Ilrcv titrrr,ylrlrr of hilc.docx
 
The Scarlet Letter
The Scarlet LetterThe Scarlet Letter
The Scarlet Letter
 
Alfred lord tennyson
Alfred lord tennysonAlfred lord tennyson
Alfred lord tennyson
 
Alfred lord Tennyson.pptx
Alfred lord Tennyson.pptxAlfred lord Tennyson.pptx
Alfred lord Tennyson.pptx
 
18th century poetry
18th century poetry18th century poetry
18th century poetry
 
Salem Powerpoint
Salem PowerpointSalem Powerpoint
Salem Powerpoint
 
Elit 48 c class 38 post qhq team change
Elit 48 c class 38 post qhq team changeElit 48 c class 38 post qhq team change
Elit 48 c class 38 post qhq team change
 
Book Banning presentation.pptx
Book Banning presentation.pptxBook Banning presentation.pptx
Book Banning presentation.pptx
 

More from Christoph Irmscher (7)

Presentation Kane
Presentation KanePresentation Kane
Presentation Kane
 
Kane Presentation
Kane PresentationKane Presentation
Kane Presentation
 
Presentation
PresentationPresentation
Presentation
 
Indiana
IndianaIndiana
Indiana
 
Stevenson
StevensonStevenson
Stevenson
 
umbcpanel
umbcpanelumbcpanel
umbcpanel
 
Irmscher Dresher-Humanities panel 11/09
Irmscher Dresher-Humanities panel 11/09Irmscher Dresher-Humanities panel 11/09
Irmscher Dresher-Humanities panel 11/09
 

Longfellow presentation

  • 1. Christoph Irmscher (Indiana University) cirmsche@indiana.edu “Half-Battles”: Abolitionism and Popular Poetry 1
  • 2. 2 E. W. Clay, “America,” ca. 1841
  • 3. 3 Ernest Wadsworth Longfellow, Henry Wadsworth Longfellow, ca. 1851 (LNHS)
  • 4. 4 Longfellow, Poems on Slavery, New England Anti-Slavery Tract Association, 1843
  • 5. Well done! Thy words are great and bold; At times they seem to me, Like Luther’s, in the days of old, Half-battles for the free. Go on, until this land revokes The old and chartered Lie, The feudal curse, whose whips and yokes Insult humanity. 5 Longfellow, “To William E. Channing” (1842)
  • 6. In that hour, when the night is calmest, Sang he from the Hebrew Psalmist, In a voice so sweet and clear That I could not choose but hear, 6 Longfellow, “The Slave Singing at Midnight” (1842)
  • 7. 7 Iron Mask, Leg Shackles, Spurs Used to Restrain Slaves. From Branagan, The Penitential Tyrant, 1807.
  • 8. 8 Whitman, from “The Sleepers” (1855) Now Lucifer was not dead . . . . or if he was I am his sorrowful terrible heir;     I have been wronged . . . . I am oppressed . . . . I hate him that          oppresses me,     I will either destroy him, or he shall release me.     Damn him! how he does defile me,     How he informs against my brother and sister and takes pay for their blood,     How he laughs when I look down the bend after the steamboat that carries away my woman.     Now the vast dusk bulk that is the whale's bulk . . . . it seems mine,     Warily, sportsman! though I lie so sleepy and sluggish, my tap is          death.
  • 9. The sufferance of her race is shown, And retrospect of life, Which now too late deliverance dawns upon; Yet is she not at strife.  Her children’s children they shall know The good withheld from her; And so her reverie takes prophetic cheer— In spirit she sees the stir.  Far down the depth of thousand years, And marks the revel shine; Her dusky face is lit with sober light, Sibylline, yet benign.   9 Herman Melville, “Formerly a Slave”An Idealized Portrait, by E. Vedder, in the Spring Exhibition of the National Academy, 1865
  • 10. There is a poor, blind Samson in this land, Shorn of his strength and bound in bonds of steel, Who may, in some grim revel, raise his hand, And shake the pillars of this Commonweal, Till the vast Temple of our liberties A shapeless mass of wreck and rubbish lies. 10 Longfellow, “The Warning” (1842)
  • 11. 11 Longfellow, Personal Account Book, 1855-1856, Houghton Library
  • 12. 12 Josiah Henson and his Wife, North American Black Historical Museum, Inc., Amherstburg, Ontario
  • 13. 13 Alexander Gardner, “The Politics and Poetry of New England,” CDV, ca. 1863
  • 14. 14 Louis Agassiz (1809-1873)
  • 15. 15 J. T. Zealy, Columbia, SC, “Jack,” daguerreotype, 1850
  • 16. 16 Samuel Gridley Howe (1801-1876)
  • 17. 17 Louis Agassiz to Samuel Gridley Howe, 9 August 1863 (Houghton Library) There is no ^such restraint upon the first^early passions as exists everywhere in those communities where^in which both sexes are legally upon a footing of equality. The first gratification under the pressure of so great a stimulus as the advantages accruing to the family negress, from the connection with young masters, already blunts his better instincts in that direction and leads him gradually to seek more ^ “spicy partners,^” as I have heard the full blacks called by fast young men. Moreover it is not difficult physiologically to understand why mulattoes with their peculiar constitution should be particularly attractive physically, even though that intercourse should be abhorrent to a refined moral sensibility. Again whatever be the merit of this explanation, one thing is certain that there is no elevating element whatever conceivable in the connection of individuals of different races; there is neither love, nor desire for improvement of any kind.
  • 18. 18 Timothy O’Sullivan, Large Group of Slaves, Smith’s Plantation, Beaufort, South Carolina, ca. 1861
  • 19. 19
  • 20. 20 George Moses Horton, Letter to David Swain, 3 September 1844. University of North Carolina at Chapel Hill
  • 21. 'Twas like the evening of a nuptial pair, When love pervades the hour of sad despair-- 'Twas like fair Helen's sweet return to Troy, When every Grecian bosom swell'd with joy. The silent harp which on the osiers hung, Was then attuned, and manumission sung; Away by hope the clouds of fear were driven, And music breathed my gratitude to Heaven. 21 George Moses Horton,“On Hearing of the Intention of a Gentleman to Purchase the Poet's Freedom”
  • 22. 22 Slave Coffle, Washington, D.C., ca. 1819
  • 23. Jane Benham, illustration for Evangeline, wood engraving, 1850 23
  • 24. 24 Mary Webb (1828-1859)
  • 25. “In the death of Longfellow the Nation, and we might say the world, loses one of its most genial spirits. … A genuine son of Massachusetts, his influence was always given on the side of Liberty.” 25 The Christian Recorder, 30 March 1882
  • 26. 26 Photogravure, after Julia Margaret Cameron, Longfellow