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FM1: Exploring Film Form
                         Micro Study Essay


MICRO                                                                MACRO
Mise-en-scène                                                        Genre
Performance                                                          Narrative
Cinematography
Editing
Sound

The focus of FM1 is primarily but not exclusively on micro feature

You need to be able to analyse a sequence of film using micro features

Key to this coursework is that you show knowledge of not only the formal
systems at work within the film, but knowledge of the interaction between film
and spectator, an awareness of your active role as spectators, and thinking
about whether the micro features used have had the ‘desired’ effect on you?
The extent to which responses derive from the micro features of film and the
extent to which they derived from personal and/ or cultural identity will begin
to be explored.

Some questions to get you thinking:

       How does this sequence create suspense?
       How does the sequence move me emotionally?
       Why do I identify strongly with a particular character?
       Why do I find the message(s) contained in the extract so
        powerful?
       How universal are responses – even if it seems clear that the
        filmmakers’ deployment of micro features has been with the
        precise intention of triggering the same response in all
        members of the audience?
       How does the film communicate?
       What does the sequence require of the spectator?

In this essay you have to go beyond identifying and describing in
formal/technical terms how micro elements are deployed. It is necessary to
address the question of how the strategies used by the filmmakers impact on
the spectator.

You need to be able to explain adequately why a film extract affects you as it
does. Start work on an extract by asking:

       What is happening to me as I watch this? Why?
       How far is it the use of one or more micro features that is
        responsible for my response?
Some Advice

   You are encouraged to use frame grabs
    to avoid over describing a scene, thus
    allowing you to produce a more
    analytical piece of work
   Extracts ideally should be self
    contained sequences or part of a
    sequence which in itself has a
    definable beginning and end point
   Extracts should be of genuine interest
    to you – so that the work is motivated
    by a sense of enquiry
   Characteristic feature(s) that are the
    focus for the analysis should be clearly
    recognisable within the extract.

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FM1 Exploring Film Form

  • 1. FM1: Exploring Film Form Micro Study Essay MICRO MACRO Mise-en-scène Genre Performance Narrative Cinematography Editing Sound The focus of FM1 is primarily but not exclusively on micro feature You need to be able to analyse a sequence of film using micro features Key to this coursework is that you show knowledge of not only the formal systems at work within the film, but knowledge of the interaction between film and spectator, an awareness of your active role as spectators, and thinking about whether the micro features used have had the ‘desired’ effect on you? The extent to which responses derive from the micro features of film and the extent to which they derived from personal and/ or cultural identity will begin to be explored. Some questions to get you thinking:  How does this sequence create suspense?  How does the sequence move me emotionally?  Why do I identify strongly with a particular character?  Why do I find the message(s) contained in the extract so powerful?  How universal are responses – even if it seems clear that the filmmakers’ deployment of micro features has been with the precise intention of triggering the same response in all members of the audience?  How does the film communicate?  What does the sequence require of the spectator? In this essay you have to go beyond identifying and describing in formal/technical terms how micro elements are deployed. It is necessary to address the question of how the strategies used by the filmmakers impact on the spectator. You need to be able to explain adequately why a film extract affects you as it does. Start work on an extract by asking:  What is happening to me as I watch this? Why?  How far is it the use of one or more micro features that is responsible for my response?
  • 2. Some Advice  You are encouraged to use frame grabs to avoid over describing a scene, thus allowing you to produce a more analytical piece of work  Extracts ideally should be self contained sequences or part of a sequence which in itself has a definable beginning and end point  Extracts should be of genuine interest to you – so that the work is motivated by a sense of enquiry  Characteristic feature(s) that are the focus for the analysis should be clearly recognisable within the extract.