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NOR AZIHAM ABD RAHIM 1081108634 DMM(HONS) DIGITAL MEDIA DELTA YEAR
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
ARTNews review of "SLASH: PAPER UNDER THE KNIFE," featuring work by Nina Katchadourianโ€จOctober 7, 2009 - April 4, 2010โ€จMuseum of Arts and Design New York Times โ€จMaps for Navigating to a New Perspective This is artwork from one of the greatest artist Nina Katchadourian.
The Art Of The Brick โ€“ Coffin Body Lego Creation - This artist used lego to create object same like coffin and human body to represent life after death. This is an entire gallery that specializes in monitor art. This monitor show visual are moving images on large flat screen TV/PC monitors
LOVE/DEATH: THE TRISTAN PROJECT BY Bill Viola Like Viola's previous works, they range from room-sized video projections of image and sound to small, silent flat panel screens, and seek to deeply engage the viewer in a visceral and emotional experience that goes to the roots of the human condition, and its spiritual sources. Most of the works in 'LOVE/DEATH: The Tristan Project' arose from the hours of material that Viola produced for a new production of Richard Wagner's nineteenth century opera, 'Tristan und Isolde'. A collaboration between Viola, theatre director Peter Sellars, Esa-Pekka Salonen, conductor of the Los Angeles Philharmonic, and Kira Perov, executive director of the Bill Viola Studio, the opera was first presented in concert form in Los Angeles in December 2004, and received its fully staged premier in Paris at the National Opera Bastille in April 2005.
The Coffin case modโ€™s keyboard has been specifically mounted in a white slide-out drawer. While working on it, the user can experience an amazing near-death experience. Technology mixed with coffins is not a new concept.
FLOOR PLAN
FLOW CHART
TECHNICAL DIAGRAM
PROJECT BUDJET
1- user need to wall in into the installation room 2- user need to feel the emotion at the room 3- sound will come out to make environment ย alive inside  the room and it will be more dramatic.
Inside the coffin visual will visualize the human body facing the torture by angle of the death. Also visual will visualize the wild creature and fire from the hell to make more horror. Beside that The sound will play as a important role to increase the user emotion. The lighting Also be apart to make environment alive  inside the room.
[object Object],[object Object],[object Object],[object Object]
[object Object]
[object Object],[object Object],[object Object]

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Final Project Presentation

  • 1. NOR AZIHAM ABD RAHIM 1081108634 DMM(HONS) DIGITAL MEDIA DELTA YEAR
  • 2.
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8. ARTNews review of "SLASH: PAPER UNDER THE KNIFE," featuring work by Nina Katchadourianโ€จOctober 7, 2009 - April 4, 2010โ€จMuseum of Arts and Design New York Times โ€จMaps for Navigating to a New Perspective This is artwork from one of the greatest artist Nina Katchadourian.
  • 9. The Art Of The Brick โ€“ Coffin Body Lego Creation - This artist used lego to create object same like coffin and human body to represent life after death. This is an entire gallery that specializes in monitor art. This monitor show visual are moving images on large flat screen TV/PC monitors
  • 10. LOVE/DEATH: THE TRISTAN PROJECT BY Bill Viola Like Viola's previous works, they range from room-sized video projections of image and sound to small, silent flat panel screens, and seek to deeply engage the viewer in a visceral and emotional experience that goes to the roots of the human condition, and its spiritual sources. Most of the works in 'LOVE/DEATH: The Tristan Project' arose from the hours of material that Viola produced for a new production of Richard Wagner's nineteenth century opera, 'Tristan und Isolde'. A collaboration between Viola, theatre director Peter Sellars, Esa-Pekka Salonen, conductor of the Los Angeles Philharmonic, and Kira Perov, executive director of the Bill Viola Studio, the opera was first presented in concert form in Los Angeles in December 2004, and received its fully staged premier in Paris at the National Opera Bastille in April 2005.
  • 11. The Coffin case modโ€™s keyboard has been specifically mounted in a white slide-out drawer. While working on it, the user can experience an amazing near-death experience. Technology mixed with coffins is not a new concept.
  • 16. 1- user need to wall in into the installation room 2- user need to feel the emotion at the room 3- sound will come out to make environment ย alive inside the room and it will be more dramatic.
  • 17. Inside the coffin visual will visualize the human body facing the torture by angle of the death. Also visual will visualize the wild creature and fire from the hell to make more horror. Beside that The sound will play as a important role to increase the user emotion. The lighting Also be apart to make environment alive inside the room.
  • 18.
  • 19.
  • 20.