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Where the Wild Things Are
Written and illustrated by Maurice Sendak
Basic
information
• Where the Wild Things Are,
Written and Illustrated by
Maurice Sendak
• Winner of the 1964 Caldecott
Medal
Style & Media  The style we see here is expressionism but
could also venture into surrealism.
 The features of the “wild things” are large
and exaggerated.
 The illustrator uses bold patterns and
colors.
 Although Max is human and has human
traits, most of the story in drawn in an
imaginary world.
 There is a lot of precision pen work in the
drawings.
 There are many bold and dark colors to
make this world seem big and foreign to
the reader.
Line  There are a lot of longer lines in
this book. The ones here create
length in the trees and setting. The
show the reader how big Max’s
imagination is.
 Other lines are thin and sketchy to
create texture in the “wild things”
Shape
 The shapes in this story are
rounded and curved, suggesting
a lot of nature. The “wild things” all
have complex shapes that vary in
each of them.
 The shape of the creatures
conveys movement and supports
the imaginative tone of the story.
Color
 The colors in this book give off a specific
mood.
 The dark tones give the reader a sense of
nighttime and isolation on this secluded
island of beasts.
 The pictures are very saturated and
contain almost no negative space.
 The colors are achromatic and include
some deep shades of blue, brown, and
green. The may coincide with the
loneliness Max feels when he misses his
home at the end.
Texture
• As stated earlier, there are
sketched and crosshatched
pen lines in the “wild things”
that convey texture in their
skin and/or fur.
• The way they are designed
gives off the impression of
rough or scaly skin, course and
fine hair, and soft fur.
• Texture is one of the strongest
elements that Sendak uses in
this book.
Composition
 The background of the
illustrations is flatter than the
foreground, but this gives the
characters more dimension
and makes them almost pop
right off the page.
 There is a good balance of flat
colors as well as detail and
more complexity.
 The dark eerie scenery makes
this world seem vast.

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Where the Wild Things Are

  • 1. Where the Wild Things Are Written and illustrated by Maurice Sendak
  • 2. Basic information • Where the Wild Things Are, Written and Illustrated by Maurice Sendak • Winner of the 1964 Caldecott Medal
  • 3. Style & Media  The style we see here is expressionism but could also venture into surrealism.  The features of the “wild things” are large and exaggerated.  The illustrator uses bold patterns and colors.  Although Max is human and has human traits, most of the story in drawn in an imaginary world.  There is a lot of precision pen work in the drawings.  There are many bold and dark colors to make this world seem big and foreign to the reader.
  • 4. Line  There are a lot of longer lines in this book. The ones here create length in the trees and setting. The show the reader how big Max’s imagination is.  Other lines are thin and sketchy to create texture in the “wild things”
  • 5. Shape  The shapes in this story are rounded and curved, suggesting a lot of nature. The “wild things” all have complex shapes that vary in each of them.  The shape of the creatures conveys movement and supports the imaginative tone of the story.
  • 6. Color  The colors in this book give off a specific mood.  The dark tones give the reader a sense of nighttime and isolation on this secluded island of beasts.  The pictures are very saturated and contain almost no negative space.  The colors are achromatic and include some deep shades of blue, brown, and green. The may coincide with the loneliness Max feels when he misses his home at the end.
  • 7. Texture • As stated earlier, there are sketched and crosshatched pen lines in the “wild things” that convey texture in their skin and/or fur. • The way they are designed gives off the impression of rough or scaly skin, course and fine hair, and soft fur. • Texture is one of the strongest elements that Sendak uses in this book.
  • 8. Composition  The background of the illustrations is flatter than the foreground, but this gives the characters more dimension and makes them almost pop right off the page.  There is a good balance of flat colors as well as detail and more complexity.  The dark eerie scenery makes this world seem vast.