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Streaming – The LRC Perspective

     Phyllis McDonald – LRC Manager
      Jade Pardy – Systems Librarian
        Louise Harris – AV Librarian
The Background

• The LRC has been recording off-air broadcasts since the
  early 1980s
     First on Phillips 2000
     Then on VHS
     Then onto DVD
• This was done under the ERA licence
• These have been catalogued as part of the LRC and
  made available for teaching
• Initially only lecturers were allowed to borrow them
• All borrowers sign to comply with the ERA licence
The challenge


• To make our recording more widely and easily available

• To have back up copies in the event of loss or damage
Procedure: Selection

• Subject Librarians familiar with the subject areas
• Liaise with lecturing staff
Procedure: Recording

• Circulate Radio Times
• Methodical approach - keep track of recordings
   Favorites – episodes number/ title
   Uploading and deleting

• Noting on the GroupWise Calendar (common to all LRC
  staff)
Procedure: after recording

• Helix Software – Upload Programmes
• „Latest Links‟ File – Cataloguing
• OPAC
Exceptions

• Foreign Language Films – ERA licence
• DVDs Produced before Uploading
• Open University productions
What We have Learnt In The Last Year

• Time Consuming – tidying programmes
• Managing the Process – keep track of series, uploading
  and deleting programmes
• Good Links with IT Department
• IT Requirements – Library Workspace
• LRC Staff Trained to Lend Support to Role
• Statistics on Usage
Staffing implications

PREVIOUSLY
• One AV Technician – distributing DVD/video players
• One Part-time Librarian – capturing the programmes
                          – cataloguing DVDs at the end of the series
Staffing implications

THEN
• One Part-time Librarian
      Capturing the programmes
      Trimming the programmes
      Uploading the programmes
      Cataloguing the programmes




• One IT Co-ordinator – encoding and creating the website
Staffing implications

NOW
• Systems Librarian – co-ordinating
• A/V Librarian – cataloguing
• Resource Assistant – trimming
• IT Co-ordinator – encoding and creating the website
• IT Assistant – digitising old videos
Retrospective digitisation

Key questions:
  1. Which videos are worth digitising?
      • Quality of the original

      • Continuing usefulness of the videos

  2. How do we prioritise?
  3. How do we keep up with the demand?
DVDs

• In the moving to streaming we can no longer provide DVD
  versions of programmes

     1. Time – we cannot keep hard copies of everything we record!

     2. Space – cannot keep recordings for long in their basic format

     3. After compression any DVD produced would be for computer
        use only

•   Commercial DVDs – do we buy streaming rights?
Intellectual property

• We cannot stream any commercial video or DVD without
  permission (which is frequently denied)

• The copyright of a programme often resides with the
  original film company not the “publisher”

• The ERA license does not cover programmes made by
  the Open University (even when part of the main stream
  broadcast schedule)
Some further questions

• Are we recording the right programmes?
     More input from lecturing staff needed

• How much are they being used?
     Detailed statistics needed

• How long should we keep them?
• How much can we store?
• How do we organise them as the collection gets bigger?

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HE Forum CCB LRC. Phyllis McDonald

  • 1.
  • 2. Streaming – The LRC Perspective Phyllis McDonald – LRC Manager Jade Pardy – Systems Librarian Louise Harris – AV Librarian
  • 3. The Background • The LRC has been recording off-air broadcasts since the early 1980s First on Phillips 2000 Then on VHS Then onto DVD • This was done under the ERA licence • These have been catalogued as part of the LRC and made available for teaching • Initially only lecturers were allowed to borrow them • All borrowers sign to comply with the ERA licence
  • 4. The challenge • To make our recording more widely and easily available • To have back up copies in the event of loss or damage
  • 5. Procedure: Selection • Subject Librarians familiar with the subject areas • Liaise with lecturing staff
  • 6. Procedure: Recording • Circulate Radio Times • Methodical approach - keep track of recordings Favorites – episodes number/ title Uploading and deleting • Noting on the GroupWise Calendar (common to all LRC staff)
  • 7. Procedure: after recording • Helix Software – Upload Programmes • „Latest Links‟ File – Cataloguing • OPAC
  • 8. Exceptions • Foreign Language Films – ERA licence • DVDs Produced before Uploading • Open University productions
  • 9. What We have Learnt In The Last Year • Time Consuming – tidying programmes • Managing the Process – keep track of series, uploading and deleting programmes • Good Links with IT Department • IT Requirements – Library Workspace • LRC Staff Trained to Lend Support to Role • Statistics on Usage
  • 10. Staffing implications PREVIOUSLY • One AV Technician – distributing DVD/video players • One Part-time Librarian – capturing the programmes – cataloguing DVDs at the end of the series
  • 11. Staffing implications THEN • One Part-time Librarian Capturing the programmes Trimming the programmes Uploading the programmes Cataloguing the programmes • One IT Co-ordinator – encoding and creating the website
  • 12. Staffing implications NOW • Systems Librarian – co-ordinating • A/V Librarian – cataloguing • Resource Assistant – trimming • IT Co-ordinator – encoding and creating the website • IT Assistant – digitising old videos
  • 13. Retrospective digitisation Key questions: 1. Which videos are worth digitising? • Quality of the original • Continuing usefulness of the videos 2. How do we prioritise? 3. How do we keep up with the demand?
  • 14. DVDs • In the moving to streaming we can no longer provide DVD versions of programmes 1. Time – we cannot keep hard copies of everything we record! 2. Space – cannot keep recordings for long in their basic format 3. After compression any DVD produced would be for computer use only • Commercial DVDs – do we buy streaming rights?
  • 15. Intellectual property • We cannot stream any commercial video or DVD without permission (which is frequently denied) • The copyright of a programme often resides with the original film company not the “publisher” • The ERA license does not cover programmes made by the Open University (even when part of the main stream broadcast schedule)
  • 16. Some further questions • Are we recording the right programmes? More input from lecturing staff needed • How much are they being used? Detailed statistics needed • How long should we keep them? • How much can we store? • How do we organise them as the collection gets bigger?