2. NEW ORLEANS COLLEGE OF CULINARY ARTS MAY, 2012
A strong notion of economic growth and community rebirth in New
Orleans is underway. Around the site, the area is populated with many local
businesses and churches lining the street, community gardens, a boxing
gym and after-school activity centers.
New Orleans’ College of Culinary Arts pushes the use of steel through
a figural, structural steel-skinned tower, which plays an active role on the
stage of the site and rebirth of the area. It houses meditative space such as
lounges, classrooms and a two-story wine room. Its structure penetrates
though the single-story restaurant and serves the public at the street edge,
while the Culinary Arts School occupies the main six-story tower.
3.
4. HOLY CROSS REDEVELOPMENT, NEW ORLEANS AUG, 2012
ROYAL ST
PARCEL D PARCEL E DESLONDE ST
RIVER
PARCEL C
MISSISSIPPI
PARCEL B PARCEL A-2
T4
2-STORY 8-UNIT
RESIDENTIAL (TYP.)
6-STORY RESIDENTIAL
ABOVE PARKING
T3
COMM 3-STORY RESIDENTIAL
PRIVATE DRIVE
A A
419,204 SF
OFFICE RE-HAB OF
EXISTING HIST. BLDG. PARKING/
PARKING/
SITE AMENITIES SITE AMENITIES
PARKING BELOW
PLAZA
PLAZA
2-STORY COMM
BLDG.
T2
T1 PARKING ON PARCEL A-1
GRADE
REYNES ST
1-STORY COMM; 2-STORY RESIDENTIAL ABOVE
6-STORY RESIDENTIAL
6-STORY RESIDENTIAL ABOVE 1-STORY OFFICE
N. RAMPART ST
DAUPHINE ST
BURGUNDY ST
ABOVE PARKING
ROYAL ST
ON-GRADE
CHARTRES
PARCEL F
GRAPHIC SCALE
60 0 30 60 120 240
1" = 60'
PARKING BENEATH ROOF PLAZA CLOCK TOWER @ 85’
84’
36’
24’
A A
5. REVIT, PARAMETRIC BUS STOP MAY, 2012 TEAM MEMBERS: TECHNICAL_REVIT, RULE-BASED PARAMETRIC SKY BRIDGE MARCH, 2012
LOCATION: 860 LAKE SHORE DRIVE, CHICAGO
Aaron Mittman
Hex-panel design
William Nemitoff
Bus stop; rigging
Devin Reynolds
Steel; signage
Double Hex-Grid Glazing
Concept, Fabrication and PARAMETERS FLEX
Lighting Components by Custom parameters - in the form of mathematical formulas - are used to generate form. In turn,
the frames and windows flex as parameters change by the user; this is a snapshot of one design.
Aaron Mittman
Rendering By William Nemitoff
TYPE PARAMETERS
Frame - Flat, Triangle-based Rig
Frame Width = 6”
Frame Depth 1 = 3’-0”
Frame Depth 2 = Frame Depth 1 * 1/3
Bus stop designed to Frame Depth 3 = Frame Depth 1 * 2/3
seat 3 + 1 ADA. Contact
with the ground is made
at only two points. A
mobius strip was used
for inspiration whereby
the double-hexogonal
grid provides the NESTED FAMILIES FRAME WINDOW
WINDOW HOSTED IN FRAME TYPE PARAMETERS INSTANCE PARAMETER
seating, structure and
environmental protection.
Glue-laminated wood
encase the structure,
provide additional
support and beauty/
clarity. Contained inside
the grid are the LED
lighting components.
Rendering By Devin Reynolds
6. URBANbuild PROTOTYPE HOME DEC, 2011
Open up the typical dark shotgun
corridor
Culminate corridor with covered light/
open spaces
Maximize daylighting of corridor
Outdoor covered entrance and rear
deck frames views of the neighborhood
Investigate opportunities of wood
frame constrcution
8. GRAPHIC DESIGN/MENU LAYOUT_ROOSTERFISH POPUP RESTAURANT 2013 IMAGES FROM CUBA. DIGITAL IMAGES. 2001
October 30th, 2012
rf
ish sh
te
ro o s
fi
st e
Octopus Confit Terrine 7
oo
r
celery, potato, smoked aioli
Seared Scallop 9
r
sweet corn butter,cranberry relish, pickled mustard
Escargot 8
garlic cream, sweet herbs pain perdu, fennel salad
Gulf Fish 8
potato blue cheese croquette, melted onion, tarragon emulsion Terracotta Roof Vista Cuban Woman On Balcony
Smoked Redfish 7
crispy cauliflower, Cucumber cream, mint, golden raisin
Crab-Gnocchi 8
caramelized pumpkin, brown butter sage, candied pumpkin seeds
U-10 Shrimp 8
butternut squash purée , corn salad, cilantro pudding
Fried Oysters & Pork Belly 8
frisée, pickled celery, radish, sherry gastrique
Ciabatta 6
buratta, choupique, truffle, fleur de sel
Roasted Vegetable Salad 7
marinated mushrooms, roasted cauliflower, hearts of palm,
puquillo pepper, olives, roasted tomato, manchego emulsion
Cuban Icon Wooden Truss Support System
9. C ON C L U S IO N F R OM R ESEAR C H ENTITLED :
Digital Regression: Intuitive Practice
and the Future of Architecture (2011).
“Architecture has a long
history independent from computer
science; however, digital technology
has become imbedded into our
contemporary society at a global
scale. As a global society, our values
are also changing as the degree of
separation between computer aided
thinking and human thought comes
closer together. Digital technology
has the capacity to render what
were otherwise unattainable ideas
into fully realized solutions. Hand-
drawing and fast thinking allow for
a less fragmented creative process
compared to the slow thought
necessary to process computer
generated ideas quickly. Our
schools are teaching students to
rely upon slow thought technology
early during the design process.
Computers can process information
quickly but they cannot think
intuitively and I don’t believe there
is a substitution for a human’s
ability to create. New generations
of architects are being introduced
to complex thought-process
thinking via digital technology at an
increasingly early age. I wonder if
this introduction to computers will
enable students and practitioners
of architecture to design more Taking Nature By Force. 10”X4’Cast Glass,
intuitively in the future. My hope Salvaged Live Oak, and Steel.
is that students of architecture, and
the profession, do not reduce their
ability and responsibility to generate
ideas using their natural intuition.
They are the sources responsible
for the generation of ideas. Human
intuition continues to guide digital
technology and not vice versa.“