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• Even if you’ve only seen one or two of his
  films you can tell his work immediately by
  the art style and contrast to the Dr. Seuss
  meets Goth Culture appreciation. His
  filmography includes work so unique that
  the styles show the demographic but most
  all of it is done in a light adult way so that
  children may enjoy the quality of his work
His background as an animator explains some of the amazing im
which carry out his personal style as if he'd drawn them from
emotion itself.


They are fairy tales for adults and children,
with themes we all deal with blown up to
operatic proportions.
• You always have to feel like it's going
  to be the greatest, even if you know
  it's going to be a piece of crap.


• One person`s craziness is another
  person`s reality.
• When Tim Burton was directing for “Edward
  Scissorhands,” he said on a behind-the-scenes
  that as a teen he was unable to communicate,
  art was his escape to the outside world.
• This is how Tim Burton views Characterization
  of a “Lifelike” character, and these show Tim’s
  vision of himself through a well done view of
  what “Life-Like” will drive you to do.
• All monster movies are basically one story. It's
  Beauty and the Beast. Monster movies are my
  form of myth, of             fairy tale. The
  purpose of folk               tales for me is a
  kind of extreme,            symbolic version
  of life, of what             you're going
  through.
Tim Walter Poe or Edgar Allan Burton?




• Burton states, “I linked those monsters and
  those Edgar Allan Poe things to direct feelings.
  I didn't read fairy tales, I watched them.”
• There was no passion for it. No passion for
  anything. Just a quiet, kind of floaty, kind of
  semi-oppressive, blank palette that you`re
  living in.
•   To freely express yourself as an artist there are a few things you need to do.

    1. Be yourself, don’t be afraid to be shot down because your dream didn’t live up
to someone elses expectation.

   2. Dream like a child, they are actually the wiser because their minds have not
been altered.

    3. Always have heart in everything you do.

    4. Draw what you feel, not what you see.

   5. Even if your ideas are outlandish, draw them and keep up your skills for that
style, they will pay off in the long run.

  6. Inspiration is key, keep up with your inspirations and allow them to help you
inspire others.

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Weese willie ps1302_tim_burton_slideshow

  • 1.
  • 2. • Even if you’ve only seen one or two of his films you can tell his work immediately by the art style and contrast to the Dr. Seuss meets Goth Culture appreciation. His filmography includes work so unique that the styles show the demographic but most all of it is done in a light adult way so that children may enjoy the quality of his work
  • 3.
  • 4. His background as an animator explains some of the amazing im which carry out his personal style as if he'd drawn them from emotion itself. They are fairy tales for adults and children, with themes we all deal with blown up to operatic proportions.
  • 5. • You always have to feel like it's going to be the greatest, even if you know it's going to be a piece of crap. • One person`s craziness is another person`s reality.
  • 6.
  • 7. • When Tim Burton was directing for “Edward Scissorhands,” he said on a behind-the-scenes that as a teen he was unable to communicate, art was his escape to the outside world.
  • 8. • This is how Tim Burton views Characterization of a “Lifelike” character, and these show Tim’s vision of himself through a well done view of what “Life-Like” will drive you to do.
  • 9.
  • 10. • All monster movies are basically one story. It's Beauty and the Beast. Monster movies are my form of myth, of fairy tale. The purpose of folk tales for me is a kind of extreme, symbolic version of life, of what you're going through.
  • 11. Tim Walter Poe or Edgar Allan Burton? • Burton states, “I linked those monsters and those Edgar Allan Poe things to direct feelings. I didn't read fairy tales, I watched them.”
  • 12. • There was no passion for it. No passion for anything. Just a quiet, kind of floaty, kind of semi-oppressive, blank palette that you`re living in.
  • 13.
  • 14. To freely express yourself as an artist there are a few things you need to do. 1. Be yourself, don’t be afraid to be shot down because your dream didn’t live up to someone elses expectation. 2. Dream like a child, they are actually the wiser because their minds have not been altered. 3. Always have heart in everything you do. 4. Draw what you feel, not what you see. 5. Even if your ideas are outlandish, draw them and keep up your skills for that style, they will pay off in the long run. 6. Inspiration is key, keep up with your inspirations and allow them to help you inspire others.

Editor's Notes

  1. Reference for my presentation can be found here:Creative Creativity: http://www.creativecreativity.com/2010/01/tim-burton-on-creativity.htmlTim Burton IMDB: http://www.imdb.com/name/nm0000318/Tim Burton: http://latimesherocomplex.files.wordpress.com/2010/12/tim-burton1.jpg?w=600&h=576Tim Burton Artwork: Http://www.TimBurton.com GalleryTim Burton Heart: http://tim-burton.org/artworks/v04.jpgTim Burton’s Vincent: http://www.youtube.com/watch?v=fxQcBKUPm8oFairytale: http://www.likesbooks.com/images/fairytale.jpgBomb: http://us.123rf.com/400wm/400/400/kenbenner/kenbenner1207/kenbenner120700068/14521436-black-and-white-illustration-of-a-bomb-holding-a-sign.jpg
  2.  If there is one thing to be said about director Tim Burton and his fingerprint in animation today it is that his mind is so extraordinary that it makes most mundane scared of his art, his passion, his life and I would like to take this time and explain who he is in character personification. Even if you’ve only seen one or two of his films you can tell his work immediately by the art style and contrast to the Dr Seuss meets Goth Culture appreciation. His filmography includes work so unique that the styles show the demographic but most all of it is done in a light adult way so that children may enjoy the quality of his work too. Listing from “Vincent - 1982” to “Edward Scissorhands - 1990” and “The Nightmare Before Christmas - 1993.”Very few directors today can put their creative stamp on material as clearly as Tim Burton.
  3. His background as an animator explains some of the amazing imagery in his movies, which carry out his personal style as if he'd drawn them from emotion itself. Frustrated with being labeled childlike or stunted, he rightfully points out that his movies deal with life or death situations, which bring up a very Shakespearian playwright. They are fairy tales for adults and children with everyday themes blown up to operatic proportions.