You And I
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The document uses a series of analogies to describe how inseparable "you and I" were. It compares their relationship to 16 different pairs that are intrinsically connected, such as a nail and finger, eyelid and eyeball, nostrils and breath. Throughout the analogies, it reinforces that "you and I" had a deep, intrinsic connection like the various natural pairs that cannot be separated.
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Charlotte's wanderings
Charlotte has wandered through space and time in search of her true love. During her travels, she speaks to Big Ben in London, who cannot provide any guidance. In Egypt, she sees the pyramids and pricks her finger, drawing cherries instead of blood. As she and her companion walk through time with the world freezing around them, Charlotte believes she still has not found her love. However, her companion reveals that they have always been together, and that her companion is in fact Charlotte's true love. The stars from Charlotte's tears then form a bridge into heaven, where they walk together arm in arm.
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This poem describes several beautiful natural moments and scenes: the breeze passing through trees, waves rippling in a storm, feeling sand between the toes. It discusses the midnight sky filled with stars, the moon in its dress, smells of cheese and grapes. The changing colors of sunrise and sunset are portrayed, bringing feelings of love, magic, and relief. Snowy peaks glistening with flakes and vast white snow are mentioned. The beauty of nature, as a warm and safe mother, is reflected upon as being worth more than any wealth.
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The document discusses the power of amalgamation, or the combining of different elements. It provides various examples of how the amalgamation of disparate parts can lead to grand results, such as clouds forming rain, words making sentences, or people of different religions forming strong tribes. Ultimately, it argues that the greatest gift created through amalgamation is love, which people willingly sacrifice their lives for.
When We Talk About Love
This poem discusses how when talking about various natural phenomena like the sun, lake, flowers, desert, mountains, wind, whales, mosquitoes, cheese, and true love, certain vivid images and sensations come to mind. For the sun it is its bright shine and heat, for the lake it is boats and fish below the surface, for flowers it is their sweet fragrance, for the desert it is vast amounts of sand and camels, for mountains it is clouds at the summits and water cascading down, for wind it is rustling leaves and flying mud, for whales it is swirling ocean waves and underwater life, for mosquitoes it is buzzing sounds and painful stings, for cheese it is its rich
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The document compares love to various natural phenomena through metaphors, ultimately concluding that love is like a wedding which represents everything. It states love is like a melting candle, a roaring waterfall, a soft-saddled horse, a stiff cushion, grieving tornadoes, a starting engine, music on a tape, and a beginning concert - all of which are likened to a wedding, which stands for love, and everything.
After A Tired Day In Office
The document describes how after a long tiring day in the office, everything seemed more vibrant and alive to the author on their way home. Various natural elements like the sun, wind, leaves, birdsong and river seemed more brilliant. Places like meadows, clouds, valleys and dance floors seemed more lively. Everyday things like bread, cave paintings, rain, boats and a baby's tears seemed more impactful. Personal items like a ring, a lover's body, mother's lap and a photo of God seemed to have new meaning. After over 12 hours of work, the author felt the world was recreated and things that seemed dead at work now seemed alive again.
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Charlotte's wanderings
Charlotte has wandered through space and time in search of her true love. During her travels, she speaks to Big Ben in London, who cannot provide any guidance. In Egypt, she sees the pyramids and pricks her finger, drawing cherries instead of blood. As she and her companion walk through time with the world freezing around them, Charlotte believes she still has not found her love. However, her companion reveals that they have always been together, and that her companion is in fact Charlotte's true love. The stars from Charlotte's tears then form a bridge into heaven, where they walk together arm in arm.
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This poem describes several beautiful natural moments and scenes: the breeze passing through trees, waves rippling in a storm, feeling sand between the toes. It discusses the midnight sky filled with stars, the moon in its dress, smells of cheese and grapes. The changing colors of sunrise and sunset are portrayed, bringing feelings of love, magic, and relief. Snowy peaks glistening with flakes and vast white snow are mentioned. The beauty of nature, as a warm and safe mother, is reflected upon as being worth more than any wealth.
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The document discusses the power of amalgamation, or the combining of different elements. It provides various examples of how the amalgamation of disparate parts can lead to grand results, such as clouds forming rain, words making sentences, or people of different religions forming strong tribes. Ultimately, it argues that the greatest gift created through amalgamation is love, which people willingly sacrifice their lives for.
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This poem discusses how when talking about various natural phenomena like the sun, lake, flowers, desert, mountains, wind, whales, mosquitoes, cheese, and true love, certain vivid images and sensations come to mind. For the sun it is its bright shine and heat, for the lake it is boats and fish below the surface, for flowers it is their sweet fragrance, for the desert it is vast amounts of sand and camels, for mountains it is clouds at the summits and water cascading down, for wind it is rustling leaves and flying mud, for whales it is swirling ocean waves and underwater life, for mosquitoes it is buzzing sounds and painful stings, for cheese it is its rich
Meeting in grudziadz by anicka a natalky
The group had a meeting in Grudziadz from October 24th to 30th where they ate a lot of food, did many activities, and made new friends while visiting many local sights; though everything must come to an end, they felt the trip was a great experience overall.
Wedding
The document compares love to various natural phenomena through metaphors, ultimately concluding that love is like a wedding which represents everything. It states love is like a melting candle, a roaring waterfall, a soft-saddled horse, a stiff cushion, grieving tornadoes, a starting engine, music on a tape, and a beginning concert - all of which are likened to a wedding, which stands for love, and everything.
After A Tired Day In Office
The document describes how after a long tiring day in the office, everything seemed more vibrant and alive to the author on their way home. Various natural elements like the sun, wind, leaves, birdsong and river seemed more brilliant. Places like meadows, clouds, valleys and dance floors seemed more lively. Everyday things like bread, cave paintings, rain, boats and a baby's tears seemed more impactful. Personal items like a ring, a lover's body, mother's lap and a photo of God seemed to have new meaning. After over 12 hours of work, the author felt the world was recreated and things that seemed dead at work now seemed alive again.
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The document is a poem describing ways to decorate and embellish the speaker's body with jewelry, makeup, and fragrances in order to attract and enchant a lover. It uses vivid imagery to describe adorning the speaker's fingers with gold rings, ears with diamond earrings, feet with silver anklets, palms with sandalwood designs, nails with red polish, neck with pearl necklaces, lips with lipstick, body with rose perfume, eyelashes with mascara, and hair with blood, culminating in a declaration of filling the speaker's heart with love and bonding in united existence.
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Yet Inside
The document contrasts the calm stillness of nature outside with the intense inner turmoil experienced by the speaker in the absence of their beloved. Through a series of comparisons between natural phenomena that are peacefully resting and the escalating agony, depression, and meaninglessness felt inside without their beloved's presence, voice, eyes, palms, lips, fragrance, dance, aura, essence, and love. The speaker addresses their beloved, emphasizing their heavenly, priceless, bountiful, spellbinding, and immortal qualities that are so sorely missed.
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You Were Nothing
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You Resembled The Creator Divine
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The document appears to be a track listing and lyrics for an Enigma album or performance. It includes 5 sections: [1] an introduction by "The Voice of Enigma"; [2] a song titled "Sadeness" with religious references; [3] a song "The Eyes of Truth" with lyrics in another language and a child's whispers; [4] a song "Find Love" about lust; and [5] a final song or section called "Return to Inocense". The document provides mystical and spiritual lyrics and themes across multiple sections and songs.
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General Cover Letter - June 2015
Mark Collantes is an audio engineer and music producer who has been pursuing music as a career since 2013. He obtained an Associate of Science degree in Recording Arts from The Los Angeles Film (& Recording) School and certifications in Pro Tools 10. He has interned at professional recording studios in Los Angeles and worked independently with several talents. Collantes is passionate about music and hopes to find opportunities to further his career.
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The narrator and other passengers on a train are halted in a siding as they watch a train full of coal pass slowly by. The coal train moves painfully slowly, with each truck seeming like an achievement as it passes. As the passengers watch mesmerized, the narrator notices a coal black horse and foal in the distance and clouds moving across the sky like the mounds of coal. When the last truck passes, the passengers sigh with relief except for an old man who is compared to a mole, with wrinkled skin and teeth like coal.
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The document is a song titled "God of the Poor (Beauty for Brokenness)" by Graham Kendrick. The song asks God to give compassion to the poor and weak, to melt cold hearts so that tears fall like rain, and to change love from a spark to a flame. It references providing for the needs of the disadvantaged, ending madness and greed so people are content with necessities, and breathing on the flame until God's justice burns brightly again.
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The document is a series of vignettes where the narrator dances in different locations and experiences. In each case, the narrator initially feels exhilarated but then faces peril as conditions change. The only exception is the final vignette, where dancing in the heart of his beloved, the narrator feels empowered by her enduring love and is reborn through it.
True Love
True love is described through vivid comparisons to things that are intensely sweet, pungent, captivating, dark, sharp, flexible, white, loud, soft, sleek, healthy, handsome, volatile, mysterious, profound, prolific, immaculate, enticing, fast, intricate, supple, effusive, intense, and omnipotent. In the end, true love is revealed to be so powerful that it compelled the author to write endless lines attempting to describe its indescribable nature.
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This document lists various natural phenomena and living things, stating that for each one "you don't need to teach" them how to act or behave naturally. It describes the natural behaviors of clouds, roses, desert sands, oceans, snakes, spiders, the sun, frogs, the moon, crocodiles, birds, eyelids, winds, conscience, fish, trees, avalanches, truth, children, and the heart without needing any instruction on how to do so.
Yet Inside
The document contrasts the calm stillness of nature outside with the intense inner turmoil experienced by the speaker in the absence of their beloved. Through a series of comparisons between natural phenomena that are peacefully resting and the escalating agony, depression, and meaninglessness felt inside without their beloved's presence, voice, eyes, palms, lips, fragrance, dance, aura, essence, and love. The speaker addresses their beloved, emphasizing their heavenly, priceless, bountiful, spellbinding, and immortal qualities that are so sorely missed.
Without The Slightest Of Hindrance Setting In.
The document describes how the narrator is unable to appreciate or enjoy various experiences in life before negative forces set in to disrupt them. These include the setting of evening, crashing waves destroying the shore, the onset of sleep, dark clouds blocking the sun, tornadoes blowing out candles, pragmatic riddles replacing mystery, the cry of accidental death interrupting childbirth, feces spoiling food, afternoon heat melting ice, divorce shattering dreams of parenthood, laziness replacing hard work, war ending humanity, manipulation destroying artistry, boredom overtaking smiles, politics ruining honesty, human error defeating perfection, the devil crushing virility, and death ending breath. However, the narrator's love remains immortalized in their heart
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The poem describes how yellow beams of sunlight are transformed when passing through different materials. As the sunlight passes through blood-stained glass it turns crimson red, leaves it becomes mesmerizing shadows, and mountain water it transforms to a honey golden converging on fish. The sunlight also illuminates ghostly ambiences when passing through dark interiors, softens frozen white ice, heats stale tea, and fumigates rotten breath while reinvigorating the brain when passing through hair.
Without The Immortal Love Of A Woman
This document describes how every part of a man (eyes, palms, veins, etc.) is empty and rotting without the love and companionship of a woman. It states that a man's entire being, from physical to emotional and spiritual, is lacking and deteriorating in "hell" without an intimate connection to a woman who can provide encouragement, passion, care, and immortal love. The document emphasizes that no man can find true fulfillment or salvation unless he has the love of a woman in his life.
Womb.
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You Were Nothing
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You Resembled The Creator Divine
The document describes how the actions and qualities of the subject resemble aspects of nature, religious figures, and positive ideals. When the subject smiles, dances, dreams, or embraces, they resemble the sun, forests, clouds, waterfalls, and patriotism. In general terms, the subject is compared to divine or celestial things through their various moods and behaviors.
Yet I Felt Lonely
The narrator feels lonely despite having many luxurious possessions such as opulent cars, a plush bed, a grand pool, and musical instruments. Though surrounded by wealth and armed forces, the narrator is lonely without someone to share experiences with, such as swimming, eating meals, making music, or listening to their heart. While wealth cannot buy true companionship or love, the narrator remains lonely without another in their life.
You Are My Beloved
The document expresses love and admiration for someone described through 17 metaphors. It portrays the beloved as a mesmerizing fairy, innocently sweet angel, delectably enchanting cloud, shining star, voluptuous carpet of roses, majestically clashing ocean, incredible painting, tantalizing droplets of rain, field of shimmering cotton, brilliant beam of sunlight, golden globule of honey, ravishing peacock, spring of celestial water, astonishingly seductive and cheeky nightingale, island of rejuvenating spice, festoon of royally scintillating pearls, and idol of irrefutable truth who has brought the speaker love, care, and relief from distress
Without My Priceless Beloved
The speaker's dwelling is engulfed in darkness and silence without their priceless beloved. While nature and the world outside thrive, the interior of the speaker's home is flooded with blood, sorrow, boredom, death, and fragrance. The shadows inside refuse to subside as the speaker's tongue is unable to speak without their beloved.
Woman
The document is a poetic description of woman that uses flowery language and metaphor to portray her in overwhelmingly positive terms. It depicts woman as a nurturing force who inspires compassion and spreads beauty, fragrance, radiance, emotions, sensuality, passion, freshness, peace, reality, love and more. Though she takes on many roles in society as a mother, sister, wife and more, in each form she remains God's most beautiful creation and is crowned as a resplendent woman.
You Could Yet Make Him Happy
The document suggests ways one could make God happy through selfless acts of compassion and service to humanity. It states that God does not need anything as his power and presence permeate all aspects of the universe. However, it says one could make God happy by embracing and nourishing those in pain, feeding the underprivileged, helping the destitute, promoting righteousness, enlightening others, supporting mankind, helping the blind, uniting the bereaved, and showering the unfortunate with love. The overall message is that serving humanity in a spirit of unconditional love and compassion could bring God happiness.
You Only Tell Me What To Do; O! Almighty Lord.
The document discusses the conflicting messages one receives about worshipping parents. On one hand, they are told to worship parents unconditionally. On the other hand, they are told not to worship those who commit harmful acts like harming nature, discriminating against others, being selfish, etc. It questions how to decide whether to worship parents or not when parents themselves sometimes engage in these negative behaviors. The document provides many examples of such behaviors parents might exhibit that would conflict with unconditional worship. It ultimately asks God which rule they should follow regarding worshipping parents.
Without Waiting
The document discusses the negative consequences that would occur if one acts without properly preparing themselves. Over multiple lines, it describes how plunging into tasks like battling, embracing all of humanity, writing an epic, singing a song, disseminating conviviality, devouring all delicacies, segregating the needle from the haystack, drifting into adventure, teaching humanity, procreating, mitigating suffering, sketching creation, solving riddles, expurgating, subjecting oneself to winter, igniting passion, inhaling all air, and bonding one's heart to love would result in defeat, disintegration, balderdash, cacophony, tears, vomit, deliriousness, meaninglessness,
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The document expresses how bonding with a person was as important to the speaker as various natural phenomena and concepts are to different parts of nature and living things. Each line draws a comparison between bonding with this person and a role or purpose that is essential, such as providing sunlight, rain, honey, or other important functions that many things in nature rely on for survival or existence.
ROSA JAMALI; POEMS
Rosa Jamali (Born 1977) is an Iranian poet based in Tehran. She studied Drama & Literature at the Art University of Tehran and holds a Master's degree in English literature from TEHRAN University. She has published six collections of poetry so far. Her first book," This Dead Body is Not an Apple, It is Either a Cucumber or a Pear”, was published in 1997, and opened new landscapes and possibilities to Persian contemporary poetry. Through broken syntax and word-play, she described a surreal world in which words have lost their meanings and have become jumbled objects within contemporary everyday life. In her other collections, she adapted a kind of music from classical Persian poetry and imbued it with the natural cadences of speech, juxtaposing long and short sentences. In her recent poems, she creates some layers of intertextuality with Persian Mythology and mysticism.
Since then she has created works that have always been strictly engaged with the forms and conscious of styles in poetics, digressing in between various literary styles and traditions. experiencing crystal, condensed and language-based imagery taking its inspiration from the style of visionary writings of Persian transcendentalists like Suhrawardi,... Rosa Jamali’s poetry also enjoys a rich influence of English poetry.
She is also an active translator; with an anthology of Anglophone, poets translated to Persian. A lecturer on Persian poetry at the British Library, US Persian Study centres and has contributed to so many poetry festivals worldwide. She is a Judge in a number of prestigious poetry Prizes inside the country and has written a number of scholarly articles on Poetry, Literary theory, and Creative writing.
Selection of her essay titled "Revelations in the Wind" discusses the Poetics of Persian Poetry.
Reference
The document consists of a series of statements describing the most priceless things that various natural phenomena and human experiences can refer one to. Each statement follows the structure of "The most priceless thing that [subject] could ever refer you to; was [object]." The subjects range from clouds and deserts to patriots and a human heart. The objects described include things like golden rain, heat, dewdrops, breeze, the sun, lions, salt water, religion, smiles, victory, frolic, breath, and love.
Reach Dorset 2009 Power Point
REACH Dorset
As practising artists - Rosie as a writer, Marc as a painter and composer - we were excited about working together on a project which would let us convey our passion and conviction about the transforming power of creativity. Between April and October 2009, we ran small weekly groups at Bridport Arts Centre, Dorset, devising exercises and activities to trigger the imagination and encourage new ideas and skills. We wanted to create a safe environment where people could experiment and explore with words and images in ways they had not done before, using the natural world as a stimulus and subject matter, sometimes involving walks to woods and on the coast.
Our main purpose was to catalyse inner change, to enable everyone to take hold of his or her own creativity in a positive way. Since this process was more important than results, we encouraged practices to loosen and inspire, such as associative writing or drawing with the eyes closed. And we were delighted so many participants described their experiences as liberating and affirming, freeing them from conventional expectations and inner critics and letting them view their lives from new angles and perspectives. Sharing work, talking and relating together also built self-acceptance, confidence and trust. We later progressed to more sustained pieces, including a personal `tree of life' design.
The outcome of this has been art and writing of remarkable quality, some of which we are presenting in this volume. Poems, prose fragments, pencil and charcoal sketches, paintings, photographs, stained glass, 3-D, textile and paper work, all evidence of the remarkable inventiveness latent within everyone. And between the lines, making them all the more valuable to us, are the moving personal stories, the compassion and humour we also shared together. Indeed, the fact that all this work was done in the midst of people's struggles with huge inner and outer challenges - stress, depression, bereavement, anxiety, panic, job loss, ill-health - confirms our belief not only in the power of art but in its sheer necessity on our human journey.
All the work is reproduced anonymously, but with the artists' permission.
REACH Dorset developed from an initial partnership between Bridport Arts Centre and Bridport Medical Centre that was brought about by Alex Coulter and the regional REACH initiative. We are deeply grateful to them and to Arts Council England South West, Dorset Primary Care Trust, Dorset Mental Health Forum and all the course participants who made REACH Dorset possible. The original project groups are now continuing their creative journeys independently, successfully demonstrating a sustainable legacy for REACH Dorset. We hope this volume will help foster more projects of this kind inspiring REACH Dorset members and others to continue working creatively as a major step towards well-being.
Rosie Jackson & Marc Yeats
Past, Present And Near Future
This document reflects on the past, present, and near future in three sections:
The past is summarized as innocent like a newborn, fleeting like the setting sun, and nimble like a squirrel.
The present is described as fast like an aircraft, boisterous like a kangaroo, and passionate like colliding thunderclouds.
The near future is left to the creator to shape, and is portrayed as mystical like an unfathomable gorge and mysterious like the universe's enigmas.
L I L A C S By Walt Whitman
This document provides a summary of Walt Whitman's poem "When Lilacs Last in the Dooryard Bloom'd." The poem is an elegy written after the assassination of Abraham Lincoln in 1865. It uses symbols like a lilac bush, a bird, and a star to mourn Lincoln's death. The poet struggles to find meaning in mourning amid the confusion of war. He questions if ceremonial poetry is still fitting to mourn public figures in modern times. The poem suggests a disconnect between humans and nature in death. It is a profound meditation on mourning Lincoln as representative of larger tragedy and unanswered questions of the time.
Treatment Note - Naudic Australia
Concept, Script and Treatment Note written and designed by me for a well known Indian ad film maker. The feedback from the Australian client was, "OMG - ...It's sensational, I'm mesmerized and my heart is racing."
Romancing
The document is a collection of short passages describing various objects and creatures "romancing" with one another through vivid imagery. Key details include rocks romancing with waves by enjoying tanginess on their bare surfaces, sheep romancing by rolling in grass under the setting sun, and a child romancing with its mother by bouncing innocently in her lap while reaching for stars.
The Goddess Of Love
The document describes how love can be found in many places in nature and everyday life. It lists over 50 examples, finding love in things like ocean waves, clouds, flowers, animals, the moon, food, music, family, nature, acts of kindness and more. Love is portrayed as being ubiquitous and found all around us.
Life Is As Omnipotent As God
The document compares life to many different things using similes, describing life as sweet, ravishing, dense, perspicuous, green, and more. It encourages the reader to fully experience all that life has to offer by interacting with each simile, such as swimming in the choppy ocean or basking under the dazzling sun. Finally, it states that life is as sacrosanct as the omnipotent Creator and encourages the reader to wholesomely lead their life.
Poured
The document describes how various objects and beings "pour" different things. It discusses how clouds pour rain, the sun pours light, a nightingale pours song, a candle pours wax, the moon pours light, roses pour fragrance, an oyster pours pearls, the mind pours fantasy, a pen pours words, a cat pours sounds, a tree pours fruit, the mouth pours sound and rhyme, the eye pours tears, the body pours sweat, cows pour milk, a photo album pours nostalgia, a panther pours a roar, the nose pours scented air, and the heart pours love with each beat.
When I Touched Your Omnipresent Feet
The document describes the speaker's profound experiences touching and interacting with a divine figure. The speaker felt a deep connection to the entire world through simple actions like shaking hands, running on the beach, eating, and conversing with this figure. Being in the figure's presence and caress allowed the speaker to feel they were experiencing and embracing all of existence. The document expresses the speaker finding spiritual fulfillment and strength through their devotion to this revered entity.
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Yours Truly In Dirt
The document describes the unhygienic and unkempt state of a person's body as seen in a mirror. Their short, sharp hair is covered in dandruff, their lips are chapped, nostrils contain hardened mucus, ears have yellow earwax, and their neck has dirt streaks. Their underarms smell unpleasant, teeth are discolored, palms are scribbled on, and ragged clothes have holes while ants eat stuck honey on their shoulder bone. Their sports shoes have a coal tar lining, and they moan in dismay and lost hope at their unwashed and unpolished appearance reflected back at them.
Yours Only Forever
This poem refutes negative things others may have said about the person's beauty and qualities. Over 12 lines, the speaker asks "who told you" negative qualities such as being ugly, fat, or having swollen lips, before asserting that to them the person is beautiful in a variety of ways such as having golden honey hair, passionate breath, and skin as resplendent as a lotus. The speaker says that even if the whole world condemned the person, to them they would still be the most fascinating and lovable person, with the speaker's heart belonging to them forever.
Your Love For Me
The document expresses the author's profound pride in their love, which is compared to lasting natural phenomena rather than fleeting experiences. Over 14 stanzas, the author states that their love was not like changing shapes of the moon, violent storms, burning candles, or decaying scents but rather enduring stars, gentle winds, unrelenting fires, and fragrant lotuses. Similarly, it was not like abandoning bird mothers, violent rain, or transient commercials, but rather nurturing human mothers, rejuvenating oceans, and impactful fables. In the end, the author states their love was not a fleeting heartbeat but rather an immortal soul that gave new beginnings and perpetual grip on life.
Your Kiss
The passage describes a kiss as having many profound and transformative effects on the speaker. The kiss is depicted through elaborate metaphors that portray it as enlightening, liberating, and filling every part of the speaker's being with warmth, beauty, happiness, and love. It allows the speaker to experience life as meaningful, empowering, and divine, even in the face of difficulties. The kiss seems to profoundly change the speaker's perspective by infusing their existence with joy, fulfillment and a sense of connection to something greater.
Your Immortal Slave
The document is a poetic expression of love for another person. It describes the speaker's love lingering and bonding with different parts of the person's body, from their hair down to their feet. The love witnesses their eyes and traces the lines on their hands. It feels closest to God while on their soul, and becomes the speaker's "immortal slave" when on their feet, devoted to them for current and future lifetimes.
Your Immortal Beats
The poem describes the speaker finding their true love and soulmate amidst the infinite possibilities in the universe. Through vivid descriptions of senses like sight, sound, touch, and smell, the poem explores all the qualities and attributes the speaker's love possesses that make them uniquely special and the only one that truly captivates the speaker, from their mesmerizing tunes and ravishing hair to their heavenly fragrance and immortal heart that bonds with the speaker's. The poem suggests their love transcends lifetimes and was destined even before birth.
Your Heart Said It All
The document expresses how a person's body parts and presence can communicate deep feelings and attraction without words. Each line describes how a different part of the person, such as their eyes, lips, cheeks, hair, hands, etc. expressed their attraction and enchanted the writer through subtle gestures and movements. The writing portrays the person as having an irresistible charm and passion that consumed the writer and filled them with love through every part of their being, without needing to say a word.
Your Godly Sweat
This document describes the power and effects of a single droplet of sweat from a godly being. In over 20 sentences, each beginning with "Just a...", it elaborates on how a single droplet was enough to profoundly impact and transform the narrator's senses, emotions, existence, and purpose when it came into contact with different parts of their body. The droplet is described as having golden color and emanating heavenly fragrance, freshness, felicity, and power. It left the narrator feeling enlightened, happy, sensuous, and driven to benevolent causes.
Young At Heart
While nature and objects undergo changes with time and seasons, losing their vibrant colors, forms, or appearances, they still maintain their core abilities and essences. The leaves of a tree become bare in autumn but the tree remains alive. Birds molt their feathers but still have the power of flight. Though bananas become dilapidated after peeling, they are still nourishing to eat. And though the elderly appear frail while walking with canes, they retain the ability to love and dream as they are young at heart.
Young And Innocent At Heart
The document describes how various natural and man-made objects undergo changes as they age but still retain their essential qualities. Leaves lose their color in autumn but trees remain alive. Birds molt feathers but can still fly. Food loses visual appeal but retains taste and nutrition. Precious metals lose shine but keep monetary value. While the elderly appear frail, they still possess the ability to love and dream as they remain young at heart.
Without Her Hands In Mine
The document describes various methods the author uses to try and erase their name from different surfaces and objects, including soil, skin, lips, walls, trees, cakes, paper, mirrors, tables, hair, pencils, beaches, windshields, eyes, maps, records, checks, friends' hearts, and bones. However, when trying to erase their name from "hers", the author is transformed into ashes and left for the afterlife as punishment, this time without her hands in mine.
You'll Have To Stay Alive
The document provides reasons for staying alive, listing natural phenomena, memories, relationships, and experiences that one would miss out on if not alive. It encourages staying alive for the sake of leaves, dreams, raindrops, memories, jokes, clothes, earth, feelings of ecstasy when alone, birds, dolphins, roses, butterflies, those who admire your accomplishments, religious idols, those who help you cross streets, cows who provide milk, winds that allow one to breathe, and one's parents who raised them. Most importantly, it says one must stay alive for the sake of the author, as their heart would stop if the other's heartbeat separated from their own.
You Simply Couldn't Hide
The document is a lengthy list describing ways that someone tries to hide negative qualities or desires through superficial means, but ultimately fails. It uses vivid, dramatic language to portray the person as deeply troubled and attempting to conceal malicious, sinister, or corrupt attributes of their body, mind and soul through cosmetic means rather than addressing the underlying issues.
You Lived In My Heart
The document describes how love lived in every part of the speaker's body. Love lived in their eyes when they saw the world, ears when they listened, feet when they walked, fingers when they wrote, stomach when they ate, nails when they scratched, tongue when they spoke, nostrils when they breathed, veins when their blood pumped, throat when they drank water, lips when they smiled, bones as they grew, teeth when they chewed, mind when they thought, scalp when they touched their hair, dreams and fantasies, the lines on their palm, sweat as it dripped, scent as day turned to night, and most importantly in their heart where there was no room for anything else.
You Can't Strangulate Yourself And Still Lead Life
The document contains a series of statements describing things that cannot be done if one wants to fully experience and lead life. Each statement provides an example of something contradictory, such as "You can't compress your fingers and still prolifically write" or "You can't stand in freezing snowflakes and still sweat like a horse." The overall message is that in order to fully live life, one cannot constrain or limit oneself in the ways described, and must face life's experiences openly without strangulating one's emotions or acting as a coward.
You're My Breath
You are my breath summarizes the deep love and connection felt between the author and their partner. The author describes their partner as their strength, inspiration, and hope who transforms struggles into triumph. Their partner instills wisdom, empathy, sharing and passion that nourishes the author's existence and proliferates newness, massacring any traces of negativity from their life. Above all, their partner is described as an omniscient messiah who was the author's very breath, body and blood every time God had granted them life.
Writing Poetry
The document provides numerous metaphors for what writing poetry is like. It describes writing poetry as cleansing the soul, transcending boundaries, releasing captive feelings through flight, evoking sensuousness, attracting and uniting objects, enlightening others with hope, consuming all in its passion, bringing life and unity through scent, revolutionizing stagnation, celebrating new beginnings, mysteries tingling the mind, dispersing light, making promises of solidarity, singing varied songs of proliferation, rising again from defeat, dancing freely to release frustration, and falling into immortalizing love.
Working Wonders
The document describes how various natural phenomena and human experiences work miraculous wonders. It lists things like breezes, rain, scents, time, sunlight, bells, music, peace, friendship, canes for the blind, food, footsteps, mother's lap, photographs, gutters, ponds, righteousness, breath, and love as working wonders for trees, landscapes, atmospheres, the lazy, graveyards, children, corporate buffoons, saints, orphans, the blind, the hungry, suicidal men, babies, devastated souls, parasites, lotus flowers, massacred consciences, the dying, and betrayed hearts.
Without You O! Beloved
The document expresses how without a beloved person, everything in life seems worse than unpleasant or undesirable things. Over multiple stanzas, it describes how without this person, normally pleasurable things like food, clothing, homes, nature, activities and possessions seem worse than negative things and the speaker has no desire to partake. It conveys how without this beloved, even the basic desires of life seem worse than death.
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1. The Book of Job: God's infinite wisdom is the key to acknowledging his jus...
You And I
- 1. YOU AND I You and I were as inseparable; as the calcium coated nail and its slender finger, You and I were as inseparable; as the fleshy eyelid and its transparent eyeball, You and I were as inseparable; as nostrils and their moist waves of breath, You and I were as inseparable; as a conglomerate of entwined roots and their rustic tree stalk, You and I were as inseparable; as perpetually pearly moon and its shine, You and I were as inseparable; as the chamber of mouth and its crimson complexioned tongue, You and I were as inseparable; as a person traversing the streets and his magnified shadow, You and I were as inseparable; as the blossoming rose and its mesmerizing redolence, You and I were as inseparable; as the colossal expanse of blue sky and its cotton wool of clouds, You and I were as inseparable; as mammoth ocean waters and their dangerously swirling waves, You and I were as inseparable; as the ominous looking panther and his thunderous growl, You and I were as inseparable; as the vivaciously chirping bird and its pair of tender wings, You and I were as inseparable; as the crusty bar of chocolate and its lingering sweetness, You and I were as inseparable; as the fiery body of sun and its infinite numbers of dazzling rays, You and I were as inseparable; as the robust mountain sheep and its tufts of furry skin, You and I were as inseparable; as the celestial fairy and the unfathomable beauty circumventing her face,
- 2. You and I were as inseparable; as the candle and its incessantly burning flame, You and I were as inseparable; as the loving mother and her newly born child, You and I were as inseparable; as the venomous snake and its stream of lethal poison, and you and i were as inseparable; as the Omnipresent Almighty; and his lakhs of disciples; residing in different quarters of earth.