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 A graduate of the University of Alberta who 
holds a master’s degree in mineral 
processing, Kiedock Kim serves as the mill 
manager of Virginia City’s Jarritt Canyon 
Mine for Veris Gold USA. Kiedock Kim also 
works as a wedding photographer and 
volunteers his photography services at 
community events. 
Whether you are taking photographs with a 
top-of-the-line camera or a more basic 
model, there are a number of tips to keep 
in mind to achieve quality results.
 First, take as many pictures as possible, 
especially when using a digital camera. Not 
only does it give the photographer many 
choices when it comes time to present a 
finished product, but taking lots of pictures also 
increases the likelihood of capturing a perfect, 
unplanned moment. 
Second, work to capture subjects' eye level, 
but not necessarily their eye contact. While it 
may be tempting to fill roll after virtual roll with 
subjects making direct eye contact with the 
camera, that can result in "staring" pictures that 
also seem too similar to each other.
 Instead, mix it up by taking pictures at 
subjects' eye level, regardless of where they 
are looking, to give your photographs a 
personal, engaging feel. 
Finally, resist the urge to use a zoom lens. 
Instead, get physically close to your subject 
for close-up shots. Doing so with warmth 
and respect encourages subjects to open 
up and share their unique selves with the 
camera in a way that would not happen 
were the photographer shooting from far 
away.

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Tips to Take Better Photographs

  • 1.
  • 2.  A graduate of the University of Alberta who holds a master’s degree in mineral processing, Kiedock Kim serves as the mill manager of Virginia City’s Jarritt Canyon Mine for Veris Gold USA. Kiedock Kim also works as a wedding photographer and volunteers his photography services at community events. Whether you are taking photographs with a top-of-the-line camera or a more basic model, there are a number of tips to keep in mind to achieve quality results.
  • 3.  First, take as many pictures as possible, especially when using a digital camera. Not only does it give the photographer many choices when it comes time to present a finished product, but taking lots of pictures also increases the likelihood of capturing a perfect, unplanned moment. Second, work to capture subjects' eye level, but not necessarily their eye contact. While it may be tempting to fill roll after virtual roll with subjects making direct eye contact with the camera, that can result in "staring" pictures that also seem too similar to each other.
  • 4.  Instead, mix it up by taking pictures at subjects' eye level, regardless of where they are looking, to give your photographs a personal, engaging feel. Finally, resist the urge to use a zoom lens. Instead, get physically close to your subject for close-up shots. Doing so with warmth and respect encourages subjects to open up and share their unique selves with the camera in a way that would not happen were the photographer shooting from far away.