The schedule, then:


          Sunday 9 May: “The Second Inquisition” by Joanna Russ

          Tuesday 10 May: Lysloff, Rene T. A. “Mozart in Mirrorshades: Ethnomusicology,
           Technology, and the Politics of Representation.” Ethnomusicology 41.2 (1997). 206-
           219. (13 s.)

          Friday 12 May: The Seven Beauties of Science Fiction: “Science Fiction and This
           Moment“

          Sunday 16 May: “Aye, and Gomorrah” by Samuel R Delany

          Tuesday 18 May: Jarrett, Michael. “Train Tracks: How the Railroad Rerouted Our Ears.”
           [pdf] Strategies, 14.1 (2001). 27-45. (17 S.)

          Thursday 20 May: The Heritage of Hastur by Marion Zimmer Bradley

          Friday 21 May: Milburn, Colin. “Nanotechnology in the Age of Posthuman Engineering:
           Science Fiction as Science.” Configurations 10.2 (Spring 2002). 261-295.

          Sunday 23 May: “The Queen of Air and Darkness” by Poul Anderson

          Tuesday 25 May: Byrne, David. “Machines of Joy: I Have Seen the Future and It Is
           Squiggly.” Leonardo Music Journal Vol. 12 (2002). 7–10.

          Thursday 27 May: Golden Witchbreed by Mary Gentle

          Friday 28 May: Weheliye, Alexander G. “„Feenin‟: Posthuman Voices in Contemporary
           Black Popular Music.” Social Text 20.2 (Summer 2002). 21-47.

          Sunday 30 May: “How to Talk to Girls at Parties” by Neil Gaiman

          Tuesday 1 June: MacLeod, Ken. “Space oddities: aliens, futurism and meaning in
           popular music.” Popular Music 22.3 (2003). 337–355. (18 S)

          Thursday 3 June: Winterstrike by Liz Williams

          Friday 4 June: López, José. “Bridging the Gaps: Science Fiction in Nanotechnology.”
           HYLE–International Journal for Philosophy of Chemistry, 10.2 (2004). 129-152.

          Sunday 6 June: “Rats” by Veronica Schanoes

          Tuesday 8 June: The Seven Beauties of Science Fiction: “Concluding Unscientific
           Postscript: The Singularity and Beyond”

          Wednesday 9 June: Collins, Karen. “Dead Channel Surfing: the commonalities between
           cyberpunk literature and industrial music.” Popular Music 24. (2005).165-178.

The schedule

  • 1.
    The schedule, then:  Sunday 9 May: “The Second Inquisition” by Joanna Russ  Tuesday 10 May: Lysloff, Rene T. A. “Mozart in Mirrorshades: Ethnomusicology, Technology, and the Politics of Representation.” Ethnomusicology 41.2 (1997). 206- 219. (13 s.)  Friday 12 May: The Seven Beauties of Science Fiction: “Science Fiction and This Moment“  Sunday 16 May: “Aye, and Gomorrah” by Samuel R Delany  Tuesday 18 May: Jarrett, Michael. “Train Tracks: How the Railroad Rerouted Our Ears.” [pdf] Strategies, 14.1 (2001). 27-45. (17 S.)  Thursday 20 May: The Heritage of Hastur by Marion Zimmer Bradley  Friday 21 May: Milburn, Colin. “Nanotechnology in the Age of Posthuman Engineering: Science Fiction as Science.” Configurations 10.2 (Spring 2002). 261-295.  Sunday 23 May: “The Queen of Air and Darkness” by Poul Anderson  Tuesday 25 May: Byrne, David. “Machines of Joy: I Have Seen the Future and It Is Squiggly.” Leonardo Music Journal Vol. 12 (2002). 7–10.  Thursday 27 May: Golden Witchbreed by Mary Gentle  Friday 28 May: Weheliye, Alexander G. “„Feenin‟: Posthuman Voices in Contemporary Black Popular Music.” Social Text 20.2 (Summer 2002). 21-47.  Sunday 30 May: “How to Talk to Girls at Parties” by Neil Gaiman  Tuesday 1 June: MacLeod, Ken. “Space oddities: aliens, futurism and meaning in popular music.” Popular Music 22.3 (2003). 337–355. (18 S)  Thursday 3 June: Winterstrike by Liz Williams  Friday 4 June: López, José. “Bridging the Gaps: Science Fiction in Nanotechnology.” HYLE–International Journal for Philosophy of Chemistry, 10.2 (2004). 129-152.  Sunday 6 June: “Rats” by Veronica Schanoes  Tuesday 8 June: The Seven Beauties of Science Fiction: “Concluding Unscientific Postscript: The Singularity and Beyond”  Wednesday 9 June: Collins, Karen. “Dead Channel Surfing: the commonalities between cyberpunk literature and industrial music.” Popular Music 24. (2005).165-178.