We at Mindfire Solutions understand that your business is unique. The good news is that you don’t have to change the way you do business to fit Salesforce CRM.
(Kun dansk version, 2013)
Psykoanalytikeren og filosoffen Slavoj Žižeks film ”The Pervert’s Guide to Cinema” (Del 1), bruges som udgangspunkt for en analyse af Statens Museum for Kunst og kunstmuseer generelt. Pointen er, at begær indlæres udefra og at det er at kunsten, der lærer os, hvad begær er.
We at Mindfire Solutions understand that your business is unique. The good news is that you don’t have to change the way you do business to fit Salesforce CRM.
(Kun dansk version, 2013)
Psykoanalytikeren og filosoffen Slavoj Žižeks film ”The Pervert’s Guide to Cinema” (Del 1), bruges som udgangspunkt for en analyse af Statens Museum for Kunst og kunstmuseer generelt. Pointen er, at begær indlæres udefra og at det er at kunsten, der lærer os, hvad begær er.
(Kun engelsk version, 2012)
Lecture given at The Courtauld Institute of Art, London in 2012 on the past, present and future of the royal cast collection based on the theory of performativity studies (J. L. Austin, J. Derrida, J. Butler). The lecture traces the history of a collection once considered a good, even necessecary performance in the eighteenth century, turning into an unwanted one during the twentieth century. In the presentation a future for the collection as a place for remembering that we forget, repress and want to get rid in history and memory, and as an experimential place for performing the loss and possible futures of sculpture and history, by focussing on co-creation and participatory projects for museums, is proposed.
The document discusses various strategies for museums to engage digital audiences. It outlines the components of a museum platform including exhibitions, collections, educational resources, publications, films, newsletters, blogs, debates and crowdsourcing projects. Two trends in crowdsourcing are described: projects that integrate existing institutional resources or ask the crowd to create novel resources. Examples are given of how the Rijksmuseum and Tate are embracing digital strategies like apps, sharing content across platforms, prioritizing accessibility across devices, and surprising audiences. Current digital efforts at the Danish National Gallery are mentioned as including digitization, metadata, distribution, professionalization, organization, prioritization, crowdsourcing and online/onsite user engagement.
The document discusses that social media engagement is about creating and sharing the right content with the intended audience through the appropriate channels, not about how much money is spent. It also lists some key areas for social media engagement like corporate branding, campaigns, and events. Contact information is provided at the end for any questions.
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