Presentation at the international symposium on natural dyies IFND ofTaiwan 2014, 3 years of experiments in textiles, natural dyeing and weaving ... www.TINCTORIALES.com #teñidonatural #teinturenaturelle #naturaldyeing
#lana #laine #wool
#telar #métieràtisser #weawing
#hilado #filature #spinning
#talleres #ateliers #workshop
Mobile Marketing, Code of Ethics, Privacy and Children_Michael HanleySara Quinn
Part of the Mobile Communications Resource Center, this is one of several presentations created by Michael Hanley for Ball State University's College of Communication, Information and Media. All rights are reserved.
We can use Azure Migrate to migrate a server to Azure. Azure migrate is a service administered by Azure to render a centralized hub to appraise and migrate on-premises servers, infrastructures, applications, and data to Azure Cloud.
All about the azure internet of things (io t)ShivamSharma909
The Internet of Things (IoT) has been in quite a trend lately in the cyber world. Its gaining popularity as vast numbers of gadgets multiplies worldwide because it brings down operational expenses, power breakthrough customer experiences, and creates new revenue streams.
Mobile Marketing, Code of Ethics, Privacy and Children_Michael HanleySara Quinn
Part of the Mobile Communications Resource Center, this is one of several presentations created by Michael Hanley for Ball State University's College of Communication, Information and Media. All rights are reserved.
We can use Azure Migrate to migrate a server to Azure. Azure migrate is a service administered by Azure to render a centralized hub to appraise and migrate on-premises servers, infrastructures, applications, and data to Azure Cloud.
All about the azure internet of things (io t)ShivamSharma909
The Internet of Things (IoT) has been in quite a trend lately in the cyber world. Its gaining popularity as vast numbers of gadgets multiplies worldwide because it brings down operational expenses, power breakthrough customer experiences, and creates new revenue streams.
Mi presentación al symposium internacional IFPECO de Antananarivo, Madagascar, mayo 2017 sobre talleres impartidos por Francoise Raffi en el Centro cultural La Redonda en Santa Fe Argentina en noviembre 2016.... #teñidonatural #teinturenaturelle #naturaldyeing
#lana #laine #wool
#telar #métieràtisser #weawing
#hilado #filature #spinning
#talleres #ateliers #workshop
www.tinctoriales.com
Multiples experiencas de teñidos naturales y tejidos en en Mamiña, Chile para el ISEND de Kuching, Borneo... #teñidonatural #teinturenaturelle #naturaldyeing
#lana #laine #wool
#telar #métieràtisser #weawing
#hilado #filature #spinning
#talleres #ateliers #workshop
Presentación al IFPECO de Madagascar en Mayo 2017, trata de unos talleres de teñidos naturales de Francoise Raffi en el Centro Cultural La Redonda en Santa Fe Argentina Varias técnicas y experimentos con plantas locales, sobre lana, algodón, viscosa, papel ... www.tinctoriales.com
#teñidonatural #teinturenaturelle #naturaldyeing
#lana #laine #wool
#telar #métieràtisser #weawing
#hilado #filature #spinning
#talleres #ateliers #workshop
www.tinctoriales.com
Présentation a l'IFPECO de Madagascar en Mayo 2017, traitant de plusieurs ataliers de teintures naturelles de Francoise Raffi au Centre Culturel La Redonda de Santa Fe Argentine. Différentes techniques et expériences avec des plantes locales, sur lain, coton, viscose, papier ... www.tinctoriales.com
#teñidonatural #teinturenaturelle #naturaldyeing
#lana #laine #wool
#telar #métieràtisser #weawing
#hilado #filature #spinning
#talleres #ateliers #workshop
www.tinctoriales.com
Centro Cultural La Redonda en Santa Fe Argentina Varias técnicas y experimentos con plantas locales, sobre lana, algodón, viscosa, papel ... www.tinctoriales.com
#teñidonatural #teinturenaturelle #naturaldyeing
#lana #laine #wool
#telar #métieràtisser #weawing
#hilado #filature #spinning
#talleres #ateliers #workshop
www.tinctoriales.com
Présentation a l'IFPECO de Madagascar en Mayo 2017, traitant de plusieurs ataliers de teintures naturelles de Francoise Raffi au Centre Culturel La Redonda de Santa Fe Argentine. Différentes techniques et expériences avec des plantes locales, sur lain, coton, viscose, papier ... www.tinctoriales.com
#teñidonatural #teinturenaturelle #naturaldyeing
#lana #laine #wool
#telar #métieràtisser #weawing
#hilado #filature #spinning
#talleres #ateliers #workshop
www.tinctoriales.com
Présentation a l'IFPECO de Madagascar en Mayo 2017, traitant de plusieurs ataliers de teintures naturelles de Francoise Raffi au Centre Culturel La Redonda de Santa Fe Argentine. Différentes techniques et expériences avec des plantes locales, sur lain, coton, viscose, papier ... www.tinctoriales.com
#teñidonatural #teinturenaturelle #naturaldyeing
#lana #laine #wool
#telar #métieràtisser #weawing
#hilado #filature #spinning
#talleres #ateliers #workshop
www.tinctoriales.com
1. N a t u r a l D y e in g
in C h ile
I F N D - W E F T T A I W A N 2 0 1 4
O c t o b e r 1 4 - 1 62 0 1 4
2. R a n c a g u a
A f t e r m y t r ip in F r a n c e a n d t o I S E N D – W E F T 2 0 1 2 in K u c h in g – S a r a w a k – M a la is ie , I
liv e a w e e k b y m y f r ie n d L u c ia in R a n c a g u a , d o in g t r ie s a b o u t m y n e w k n o w le d g e , a n d
a ls o w it h a le m b ic , w e g e t d if f e r e n t r e s u lt s , t h e p la n t s h a v e b e e n c r o p p e d n o t in t h e s a m e
t im e .
1N a t u r a l D y e in g in C h ile
4. M a m iñ a
I c o m e b a c k to M a m iñ a t o k n it , w e a v e a n d d y e w it h n e w p la n t s k n o w n in m y t r ip , o t h e r s
f r o m M a m in a , a n d a ls o c o c h in e a l, w it h t a r t r a t e t h is t im e .
3N a t u r a l D y e in g in C h ile
6. P a r c a
I h a d t h e o p p o r t u n it y t o v is it a s m a ll v illa g e r a t h e r a b a n d o n e d , ( o n ly 7 in h a b it a n t s ! ) 1 7
k m f r o m M a m in a a n d 5 k m f r o m c o p p e r - m in e C e r r o C o lo r a d o . T h e t r e e s g iv e n o m o r e
f r u it s o n a c c o u n t o f p o llu t io n , n o m o r e w a t e r, t h e b r o o k h a s d is a p p e a r e d t h r o u g h r o c k s …
I h a v e g iv e n h e lp f o r s h e e p - s h e a r in g , a n d g o t s o m e w o o l ( b e c a u s e o f a c id d u s t f r o m t h e
m in e w h ic h h u r t h a n d s , t h e w o o l m u s t t o b e w a s h e d … ) .
5N a t u r a l D y e in g in C h ile
7. 6
C a la m a
I w a s in v it e d to a n e x h ib it io n in B a h ia I n g le s a , I w e n t to C a la m a t o g iv e a s p in n in g le s s o n .
I c o u ld s e e a m a n u a l c a r d in g m a c h in e .
N a t u r a l D y e in g in C h ile
8. B a h ia I n g le s a
T h is e x h ib it io n is o n e o f t h e b e s t in C h ile , t h e r e is o n ly h a n d ic r a ft .
7N a t u r a l D y e in g in C h ile
10. R a n c a g u a
I w e n t o n t o t h e S o u t h t o v is it m y f r ie n d L u c ia , w h e r e w e c a r r ie d o n d y e in g …
9N a t u r a l D y e in g in C h ile
11. C o n c e p c ió n - C h ig u a y a n t e - C a u q u e n e s
O n m y r o a d t o w a r d s S o u t h , I v is it e d h a n d ic r a f t w o r k s h o p s in C h ig u a y a n t e , n e a r
C o n c e p c io n , I w e n t t o C a u q u e n e s t o b u y w o o l, I f o u n d t h ic k b r a id s . T h e n , I s a w lin e n
f a c t o r ie s in T o m e , I c o u ld f in d s ilk t h r o w s t e r s w a s t e .
1 0N a t u r a l D y e in g in C h ile
12. 1 1
P u e r t o M o n t t - A n g e lm ó
m a r k e t , w h e r e I h o p e d to f in d f in e r w o o l ( C a u q u e n e s w o o l a r e r a t h e r h a r d ) . T h e r e , I m e t
A n g e l a w o o l- w h o le s a le r, h e b u y s w o o l t o t h e w o m e n w h o liv e d in is le s o f th e
n e ig h b o u r h o o d ( T e n g lo , M a ille n … ) s o m e t im e s t h e y d y e w ith p la n t s , b u t o f t e n w it h
a n ilin e s .
O n m y r o a d t o t h e S o u t h , I s t a y e d in P u e r t o M o n t h , in A n g e lm o , t h e f is h - h a r b o u r a n d t h e
N a t u r a l D y e in g in C h ile
13. 1 2
C o y h a iq u e - A y s e n
is o la t e d , I d id n o t f in d m u c h w o o l. W it h t h e b u s y o u h a v e t o g o in t o A r g e n t in a , b u t , b y
c h a n c e I f o u n d a n e c o n o m ic a l f lig h t .
F a r t h e r in t h e S o u t h , I w e n t t o C o y h a iq u e a n d A y s e n , t h e a r e a is v e r y b e a u t if u l, b u t
N a t u r a l D y e in g in C h ile
14. 1 3
R a n c a g u a
I c a m e b a c k , w it h a ll s t o p s : A n g e lm o , w h e r e A n g e l t h e w o o l w h o le s a le r p r o p o s e d m e t o
h e lp h im in h is s h o p , t h e n C o n c e p c io n , a n d R a n c a g u a … a lit t le t im e t o d y e a n d t o k n it .
N a t u r a l D y e in g in C h ile
15. 1 4
M a m iñ a - R a b b it s
C o m in g b a c k in M a m iñ a , I b o u g h t s o m e a n g o r a r a b b it s t o t r y g e t t in g m y o w n a n g o r a
w o o l… r e a lly th e y g iv e v e r y v e r y lit t le … a n d e a t a s o t h e r s o n e … b u t it w a s a g o o d
e x p e r ie n c e .
N a t u r a l D y e in g in C h ile
16. 1 5
B o liv ia
I h a v e b e e n in v it e d in a n h a n d ic r a f t e x h ib it io n in P a r a n a , a n d I h a d to g iv e c o u r s e s in
S a n t a F e ( A r g e n t in e ) , t h e f r o n t ie r o f J a m a w a s c lo s e d b e c a u s e o f b a d w e a t h e r, I m u s t g o
t h r o u g h B o liv ia t o U y u n i a n d V illa z o n , I c o u ld b u y s o m e lla m a w o o l.
N a t u r a l D y e in g in C h ile
17. 1 6
S a n t a F e - P a r a n á - A r g e n t in a
T h e E x h ib it io n in P a r a n a h a s b e e n g o in g f o r f iv e d a y s , t h e n , I h a d t o le a d a w o r k s h o p
a b o u t n a t u r a l d y e in g in S a n t a F e , in a C u lt u r a l C e n t r e , L a E s q u in a E n c e n d id a , t h is c o u r s e
a s a ll o t h e r o f t h is C e n t r e w a s f r e e f o r e v e r y b o d y r e g is t e r e d , t h e a im is t o p r o m o t e C u lt u r e
a n d a ls o t o g iv e t e c h n o lo g ic a l k n o w le d g e t o s m a ll e m p lo y e r s . M y c o u r s e w a s a b o u t f iv e
d a y s , it w a s t o o s h o r t , s o m e p e o p le w e n t o n S u n d a y t o s e e t h e la s t r e s u lt s .
W h ile a f r ie n d w a s p r e p a r in g f ir e t o d y e , p e o p le w a s le a r n in g p r in c ip le s o f n a t u r a l d y e in g
a n d r e a d in g m y b o o k s . T h e n w e b e g a n t o m o r d a n t , a n d o t h e r w is e t o d y e w it h p la n ts
n e e d in g n o m o r d a n t .
N a t u r a l D y e in g in C h ile
18. 1 7
S a n t a F e - L a E s q u in a E n c e n d id a
E v e r y d a y , w e t o o k o u t t h e d y e d w o o l a n d b e g a n n e w o n e s , w e m a d e m a n y t r ie s , a ls o
w it h s h e lls , la c e s , f e a t h e r s … s o m e p e o p le b r o u g h t p e r s o n a l w o o l, s t u f f o r c lo t h . W e m a d e
t e s t s w it h m o d if ic a t o r ie s .
N a t u r a l D y e in g in C h ile
19. 1 8
S a n t a F e - L a E s q u in a E n c e n d id a
S o m e p e o p le w e r e v e r y in te r e s t e d b y t e s t s w it h m o d if ic a t o r ie s , it w a s f u n n y , w e e v e n
t r ie d u r in e … W e m a d e a ls o a t e s t e c o p r in t w it h p la n t s o f t h e p a r k .
N a t u r a l D y e in g in C h ile
23. 2 2
S a n t a F e - L a E s q u in a E n c e n d id a - S ta m p in g
A s I s t a y e d s till f e w d a y s , I c o u ld a t t e n d a c o u r s e a b o u t s t a m p in g s t u f f w it h t h e r m ic
s u b lim a t io n in k s , u n f o r t u n a t e ly t h e s e in k s c a n n o t w o r k w it h n a t u r a l s u p p o r t s … h o w e v e r I
f o u n d t h is c o u r s e v e r y in t e r e s t in g a n d t h e s e t e c h n iq u e s c o u ld p e r h a p s h e lp m e , b e c a u s e
m y f r ie n d in A n g e lm o b o u g h t t h is k in d o f m a c h in e , a n d I ’m t h in k in g o f u s in g n e w
t e c h n iq u e s w it h n a t u r a l p r o d u c t s .
N a t u r a l D y e in g in C h ile
24. S a n t a F e - L a E s q u in a E n c e n d id a - S ta m p in g
2 3N a t u r a l D y e in g in C h ile
25. M a m iñ a - M a r í a w e a w in g lo o m
C o m in g b a c k in M a m iñ a , I in s t a lle d a t o n c e m y M a r ia w e a v in g lo o m b o u g h t in S a n t a F e .
2 4N a t u r a l D y e in g in C h ile
26. M a m iñ a - M a r í a w e a w in g lo o m
2 5N a t u r a l D y e in g in C h ile
27. C o u r s e in P ic a
A f r ie n d h a s o r g a n is e d a c o u r s e a b o u t n a t u r a l d y e in g a n d w e a v in g lo o m w it h a n A y m a r a
g r o u p . E a c h p a r t ic ip a n t r e c e iv e d a M a r ia w e a v in g lo o m , a n a il- lo o m , s o m e w o o l, a n d a
s u m m a r y o f t h e c o u r s e .
2 6N a t u r a l D y e in g in C h ile
28. C o u r s e in P ic a
T h e r e w e r e s ix d a y s a b o u t d y e in g a n d t h e n s ix d a y s a b o u t w e a v in g lo o m s .
2 7N a t u r a l D y e in g in C h ile
29. C o u r s e in P ic a
2 8N a t u r a l D y e in g in C h ile
30. 2 9
C o u r s e in P ic a
D y e in g w it h c o c h in e a l a n d in d ig o .
N a t u r a l D y e in g in C h ile
31. 3 0
C o u r s e in P ic a
I n P ic a a ls o , w e w o r k e d w it h m o d if ic a t o r ie s , s u m m e d u p o n c a r d s w h ic h w e r e g iv e n w it h
c o u r s e - s u m m a r y .
N a t u r a l D y e in g in C h ile
32. C u s c o - P e r u
B e t w e e n t w o s e r ie s o f c o u r s e s in P ic a , I h a d a t r ip in C u s c o , in P e r u t o a t t e n d a w e a v in g -
c o u r s e a n d T in k u y 2 0 1 3 o r g a n iz e d b y C u s c o T r a d it io n a l T e x t ile C e n t r e . I t w a s v e r y
in t e r e s t in g , p r a c t ic a l e x e r c is e s , le c t u r e s , a n d p e o p le f r o m e v e r y p a r t s o f P e r u , b u t a ls o
f r o m A r g e n tin a , M e x ic o , G u a t e m a la , a n d e v e n f r o m I n d ia s h o w in g th e ir t e c h n iq u e s .
P e r u v ia n p e o p le w it h th e ir t r a d it io n a l c lo t h e s w e r e s p e c ia lly a m a z in g .
3 1N a t u r a l D y e in g in C h ile
34. C o u r s e in P ic a
I h a v e p r e p a r e d a s a m p le w it h e ig h t k in d s o f s t it c h e s t o b e
r e p r o d u c e d , s o m e p e o p le k e p t t h is s a m p le t o w e a v e t h e ir f in a l w o r k .
F o llo w in g d a y s , w e w o r k w it h M a r ia w e a v in g lo o m , b y u s in g le a r n e d
s t it c h e s .
3 3N a t u r a l D y e in g in C h ile
35. C o u r s e in P ic a
3 4N a t u r a l D y e in g in C h ile
36. C o u r s e in P ic a
A t t h e e n d o f c o u r s e s , a n e x h ib it io n w a s o r g a n is e d , c iv il a u t h o r it ie s c a m e ( m a y o r, t o w n -
c o u n c illo r f in a n c in g p r o je c t ) . A c o u r s e - s u m m a r y w a s g iv e n t o e v e r y b o d y a n d t h e w o r k s
w e r e s h o w n .
3 5N a t u r a l D y e in g in C h ile
37. P u e r t o M o n t t - A n g e lm ó
A t t h e b e g in n in g o f 2 0 1 4 , I n o t ic e d n o t o u r is t s w e r e c o m in g in M a m iñ a s o I c a lle d m y
f r ie n d A n g e l w h o s u g g e s t e d t o c o m e q u ic k ly t o P u e r t o M o n t t . … o n t h e r o a d t o P u e r t o
M o n t t w it h m y b a g s f u ll o f k n it t in g .
T h e r e , I h a v e b e g u n t o d y e w it h p la n t s , c o c h in e a l, a n d la r c h s a w - d u s t .
3 6N a t u r a l D y e in g in C h ile
44. 4 3
P u e r to M o n t t - A n g e lm ó
N a t u r a l D y e in g in C h ile
45. 4 4
B a h í a I n g le s a
O n c e m o r e , I c a m e t o t h e e x h ib it io n in B a h ia I n g le s a , w h e r e w e f in d n o s h o p k e e p e r s ,
o n ly h a n d ic r a f t .
N a t u r a l D y e in g in C h ile
46. M a m iñ a
C o m in g b a c k t o M a m iñ a f o r s o m e d a y s , b e f o r e a t r ip t o E c u a d o r, k n it t in g a n d w e a v in g …
4 5N a t u r a l D y e in g in C h ile
47. I q u iq u e - F a s h io n S h o w o f J e a n n e t t e B a e z a
M y f r ie n d J e a n n e t t e B a e z a o r g a n iz e d a lit t le A y m a r a f a s h io n s h o w , s h e s h o w e d m y s t u f f
a n d m y k n it t in g s h e h a s b o u g h t .
4 6N a t u r a l D y e in g in C h ile
48. M a c h a c h i - E c u a d o r
M y f r ie n d s in E c u a d o r liv e in M a c h a c h i, a v illa g e f if t e e n k m f r o m Q u it o , I lik e v e r y
m u c h t h e m a r k e t …
4 7N a t u r a l D y e in g in C h ile
49. S a q u i S ili - E c u a d o r
M y f r ie n d t o o k m e t o a v illa g e t o s e e a c a t t le m a r k e t w h e r e I c o u ld b u y s h e e p a n d
lla m a w o o l.
4 8N a t u r a l D y e in g in C h ile
50. M is a h u a li - E c u a d o r
M y f r ie n d w is h e d I c o u ld v is it a p a r t o f A m a z o n ia n f o r e s t c a lle d O r ie n t e , h e r e , w e
m e t a c r a f t s w o m a n w h o is s p in n in g a n d d y e in g t o w e a v e b r a c e le t s w it h s e e d s . H e r
w o r k is v e r y d e lic a t e . S h e g o t a d e m o n s t r a t io n d y e in g .
4 9N a t u r a l D y e in g in C h ile
51. M is a h u a li - E c u a d o r
5 0N a t u r a l D y e in g in C h ile
52. M is a h u a li - E c u a d o r t
5 1N a t u r a l D y e in g in C h ile
53. O t a v a lo - E c u a d o r
M y f r ie n d d r o v e m e a ls o t o O t o v a lo , t h e w o o l- c a p it a l in E c u a d o r, t h e r e I f o u n d w o o l
a n d t o o ls t o w e a v e .
5 2N a t u r a l D y e in g in C h ile
54. M a m iñ a - Ú lt im o s t e ñ id o s
C o m in g b a c k in M a m iñ a , I h a d t o p r e p a r e m y r e m o v a l t o g o a n d liv e in P u e r t M o n t t , I h a d
t o f in d lo r r ie s t o c a r r y t o t h is t o w n , ( m o r e 3 0 0 0 k m ) f o r t y b ig b a g s f u ll w it h w o o l, p la n t s ,
t o o ls … W h ile t h is t im e , I w a s h e d a n d d r ie d w o o l d ir t y w it h t h e a c id d u s t f r o m t h e m in e … I
m a d e m y la s t t r ie s w it h p la n t s …
5 3N a t u r a l D y e in g in C h ile
55. M a m iñ a - Ú lt im o s t e ñ id o s
I m a d e a ls o e c o p r in t , a n d t r ie d t o o b t a in g lu e f r o m r a w - h id e , I c o o k e d lla m a h id e s f o r
m a n y h o u r s , u s in g m y s m a ll f ir e - c la y s t o v e b r o u g h t b a c k f r o m C u s c o .
5 4N a t u r a l D y e in g in C h ile
56. M a m iñ a - P e tr o g lip h s
F e w d a y s b e f o r e le a v in g M a m iñ a , I h a d o p p o r t u n it y t o s e e p e t r o g ly p h s o f M a m iñ a w it h a n
in h a b it a n t im p a s s io n e d f o r a r c h a e o lo g y .
5 5N a t u r a l D y e in g in C h ile
57. M a m iñ a - H o w t o u s e t h e b a c k s t r a p lo o m
F o r m y la s t t r ip in P e r u , in M o q u e g u a , a w e a v e r f r o m C o r d ille r a s o ld m e a b a c k s t r a p
lo o m ( s a id “ o m b ilic a l” lo o m ) w it h it s “ w in c h u n a ” ( lla m a b o n e ) u s e d t o t ig h t e n t h e w o o f , a
f r ie n d S r a J o s e f in a e x p la in e d m e h o w t o u s e t h is lo o m , I m e t h e r in t h e p la c e w h e r e s h e
g u a r d s h e r g o a t s a n d s h e e p , in t h e “ q u e b r a d a ” o f M a m iñ a . T h is t r a n s f e r o f k n o w le d g e
w a s v e r y m o v in g .
5 6N a t u r a l D y e in g in C h ile
58. M a m iñ a - H o w t o u s e t h e b a c k s t r a p lo o m
5 7N a t u r a l D y e in g in C h ile
59. M a m iñ a - H o w t o u s e t h e b a c k s t r a p lo o m
5 8N a t u r a l D y e in g in C h ile
60. P u e r t o M o n t t - A n g e lm ó
A s s o o n a s I w a s t h e r e , I d y e d w o o l, a b ig p a r t o f m y w o r k h a d b e e n s o ld .
W it h m y f r ie n d A n g e l, w e b e g a n t o p r e p a r e a p r o je c t t o c r e a t e a F o u n d a t io n w it h s o c io - ,
c u lt u r a l a im t o c o lle c t t r a d it io n a l u s e s o f h a n d ic r a f t .
T h is p r o je c t is m a d e u p o f :
1 . I n a c o n t a in e r, s e t t lin g a w o r k r o o m a b o u t w o o l, t o le a r n s p in n in g , k n it t in g , w e a v in g
w it h d if f e r e n t t e c h n iq u e s o f t h e a r e a , w it h n e e d le s , h o o k , f o r k , lo o m s , f e lt …
A ll t h e s e c o u r s e s w ill b e f r e e a n d p r o p o s e d t o e v e r y p e o p le , t o s h o w a ll a b o u t w o o l,
t h a t is t h e w h o le w o r k to c r e a t e h o m e - m a d e c lo t h e s .
2 . T h e a im is t o s a v e a n a r t w h ic h is d y in g s in c e s e m i- in d u s t r ia l o r m u c h in d u s t r ia l
p r o d u c t s a r e p r o p o s e d f r o m P e r u , E c u a d o r a n d e v e n C h in a .
3 . A p r o d u c t o f o u r z o n e w h ic h is a n a n c e s t r a l o n e , u s in g a n tic s k ills a n d w h ic h c a n b e
f o u n d a g a in a n d v a lo r is e d .
4 . T h is u s e o f a p u b lic s p a c e w h ic h c a n b e c o m e a t o u r is t ic a t t r a c t io n .
5 9N a t u r a l D y e in g in C h ile
61. P u e r t o M o n t t - A n g e lm ó
5 . I t m a y b e c o m e a f r e e m u s e u m , n o n e lik e in o u r z o n e , w it h p e o p le o f t h e c o u n t r y ,
in d e p e n d e n t liv in g w it h t h e ir w o r k .
6 . T h is k in d o f w o r k c a n b e a t h e r a p y , t h e d o c t o r s o f M e n t a l H e a lt h a d v is e it t o c u r e
d e p r e s s io n . W o r k in g w ith w o o l c a n b e a s s im ila t e d t o m e d ita t io n .
7 . P e o p le c a n c r e a t e a m ic r o - c o m p a n y , g e t in t o n e w t e c h n ic s a n d c o m m e r c ia liz e t h e ir
w o r k s .
8 . O u r p r o je c t c a n jo in in f a ir t r a d e , it is n o t a n e n e m y f o r n e ig h b o u r in g s h o p k e e p e r s ,
a n d it m u s t b e c a r e f u l w it h e n v ir o n m e n t .
9 . T h is p r o je c t c a n c r e a t e fo u r jo b s in t h e f ir s t t im e , m o r e w h e n it g e t s m o r e im p o r t a n c e .
1 0 . I t c a n b e a n e x a m p le fo r o t h e r s p la c e s , a n d o u r t o w n c o u ld b e p io n e e r.
1 1 . I t is th e fir s t s t e p f o r a f o u n d a t io n a b le t o in c r e a s e t r a d it io n a l a r t s ; e c o lo g y , a n d
r e s p o n s ib le t o u r is m …
6 0N a t u r a l D y e in g in C h ile
62. C o n c lu s io n
I h a d m a n y t r ip s f o r t h o s e t w o la s t y e a r s , I t h in k I le a r n e d a lo t o f t h in g s , n o w I h a v e t o
p r a c tis e , I k n o w I h a v e r a w m a t e r ia l a n d m a c h in e s w h ic h a llo w n e w d e v e lo p m e n t s , n e w
t r ip s w ill b e a g o o d t h in g a ls o .
T h e c o u r s e s in S a n t a F e a n d P ic a w e r e a v e r y g o o d e x p e r im e n t , I h o p e I c o u ld d o it
a g a in , b e c a u s e t h e r e is a d e m a n d .
6 1N a t u r a l D y e in g in C h ile
63. A c k n o w le d g m e n t s
H e a r t y T h a n k s t o :
M y A y m a r a a n d Q u e c h u a f r ie n d s in M a m iñ a : J u a n J o s é C a u t in , “ E l S o ld a d o ” A lv a r o
J o n e s a n d O liv ia , L u is a B a c iá n , R a q u e l a n d H u m b e r t o , G u m e r c in d o , L a lo ,
S e b a s t ia n a a n d R o s a u lio , J o s e f in a a n d D o n E s t e b a n , D o n A r m a n d o “ F a n t a ” , e l
“ G r in g o ” D o n U ld is G r a s in s , A u r e lia , J o s é « C a y it o » , B e r t a a n d B la n c a C r u z , L u is a ,
Ir is , m y K o lla f r ie n d s in P a ip o t e : D a is y , S e r g io a n d t h e ir f a m ily , N ic o la s M a r in , m y
fr ie n d s L u c y a n d J o s é in R a n c a g u a , V e r o n ic a , J e a n n e t t e , C a r m e n , R o x a n a , G r a c ie la
P a la p e a n d A lic ia o f I q u iq u e , A n it a a n d R o d r ig o in C h ig u a y a n t e , A n g e l a n d V a le n t in a
in A n g e lm ó , I v a n a n d N a r c is a , D o n J a r a m illo , M a r it z a in E c u a d o r, th e M u s e u m o f
M o q u e g u a in P e r u a n d m a n y o t h e r s …
M y p a r e n t s A n d r é a n d M a d e le in e R a f f i in L o c h e s e n T o u r a in e ( F r a n c e ) w it h o u t t h o m I
Ÿ
Ÿ
c o u ld n o t b e h e r e …
D o m in iq u e C a r d o n w h o o p e n e d t o m e t h e w o r ld o f n a t u r a l d y e in gŸ
Ÿ A n d la s t b u t n o t le a s t I e s p e c ia lly t h a n k I F N D O r g a n is e r s f o r
t h e ir k in d in v it a t io n a n d t h e ir w e lc o m e
6 2N a t u r a l D y e in g in C h ile
64. B ib lio g r a p h y
D o m i n i q u e C a r d o n
M i c h e l G a r c i a
C o u l e u r G a r a n c e
C o u l e u r G a r a n c e
L e m o n d e d e s t e i n t u r e s n a t u r e l l e s , E d i t i o n s B e l i n
G u i d e d e s t e i n t u r e s n a t u r e l l e s – P l a n t e s , l i c h e n s , c h a m p i g n o n s , m o l l u s q u e s e t i n s e c t e s , E d i t i o n s
D e l a c h a u x e t N i e s t l é
D e l a g a r a n c e a u p a s t e l – l ’ h e r b i e r d e p l a n t e s t i n c t o r i a l e s , E d i t i o n s E d i s u d
P l a n t e s c o l o r a n t e s T e i n t u r e s V é g é t a l e s – L e n u a n c i e r d e s c o u l e u r s , E d t i o n s E d i s u d
C o u l e u r s v é g é t a l e s – T e i n t u r e s , p i g m e n t s e t e n c r e s , E d i t i o n s E d i s u d
, L a t e i n t u r e d e l a l a i n e e n c o u l e u r s v é g é t a l e s
, B l e u I n d i g o , D e s p l a n t e s e t d e s c o u l e u r s – I n d i g o t i e r, P o l y g o n u m , P a s t e l
6 3N a t u r a l D y e in g in C h ile
65. B ib lio g r a p h y
T e ñ i d o a r t e s a n a l , L e t V a n D e V r a n d e , E d i c i o n e s C E A C
U n m u n d o d e m a n u a l i d a d e s , T é c n i c a s t e x t i l e s ( t e ñ i d o – d e c o l o r a d o – t e x t u r i z a d o ) , E d i c i o n e s P a u l a
O f i c i o s – T e ñ i d o s , I s a b e l B a i x a s F . F r a n c i s c a P h i l i p p i Y ., E d i t o r a N a c i o n a l G a b r i e l a M i s t r a l ( p l a n t a s
d e l s u r )
T i n t e s N a t u r a l e s - r e c u p e r a c i ó n d e u n a m i l e n a r i a t r a d i c i ó n r e l e g a d a a l o l v i d o , A n a M a r í a C a r r a s c o G .
( p l a n t a s d e l n o r t e )
A r t e T e x t i l P r e h i s p á n i c o – D i s e ñ o d e l o s t e j i d o s d e l a c u l t u r a A r i c a , n o r t e d e C h i l e ( 1 0 0 0 - 1 4 7 0 d .C .) ,
H e l e n a H o r t a T r i c a l l o t i s , U n i v e r s i d a d B o l i v a r i a n a , I q u i q u e , C o l e c c i ó n E s t u d i o s R e g i o n a l e s y L o c a l e s
A w a k h u n i – t e j i e n d o l a h i s t o r i a a n d i n a
P l a n t a s M e d i c i n a l e s d e U s o C o m u n e n C h i l e , A d r i a n a H o f f m a n n , C r i s t i n a F a r g a , J o r g e L a s t r a ,
E s t e b a n L e g h a z i , E d i c i o n e s F u n d a c i ó n C l a u d i o G a y
M a n u a l d e t é c n i c a s t e x t i l e s a n d i n a s – T e r m i n a c i o n e s , M a S o l e d a d H o c e s d e l a G u a r d a , P a u l i n a
B r u g n o l i , C o n s e j o N a c i o n a l d e l a C u l t u r a y l a s A r t e s
6 4N a t u r a l D y e in g in C h ile
66. T H E E N D
M o r e p h o t o s
F a c e b o o k : F r a n c o is e G a b r ie lle R a ff i
o r L a F r a n c e s a B ig o t u d a
E - m a il: p u b lic o b r e 2 0 0 0 @ y a h o o . e s
C e l. 8 3 1 6 7 0 9 1