PRESENTED BY :
MONISHA PATTNAIK
•A SOFT WHITE LUSTUROUS
TRANSITION METAL.

•IT HAS ITS IMPORTANCE IN
INDIAN CULTURAL HISTORY.

•ONE OF THE MOST AUSPICIOUS
METAL
P
                                               R
                                               O
                                               C
                                               E
                                               S
                                               S
•THICK SILVER WIRES ARE USED TO MAKE THE FRAME
INTO WHICH SMALL DESIGN PIECES (SIKKO) ARE FITTED.
•THE FRAME IS ANNEALED USING HEAT FROM A BLOW
TORCH TO ADD STRENGTH TO THE STRUCTURE.
•IMMEDIATE COOLING ENSURES THE CONSOLIDATION AND
STRENGTH OF THE STRUCTURE.
•A MACHINE IS USED TO IMPART A ZIGZAG APPEARANCE
TO THE STRAIGHT SILVER WIRE.
•THE WIRE IS MANIPULATED IN THE FRAME TO DEPICT THE
DESIGNS.
•THE WIRE IS FILLED INSIDE THE FRAME ONE CURVE AT A
TIME.
•PLIERS AND CUTTERS ARE USED TO FIX THE WIRES
INSIDE THE FRAME. ONCE AN AREA IS FILLED WITH THE
WIRE, IT IS CUT AND THE NEXT AREA IS TAKEN UP
•A TWEEZER IS USED TO MANIPULATE IT AROUND THE
CURVE.
•AFTER THE WIRE IS FIXED, IT IS BEATEN IN TO THE
STRUCTURE TO FIT COMPACTLY.
•THE DIFFERENT COMPONENTS ARE CRAFTED
INDIVIDUALLY AND PLACED TOGETHER, A MASTERPIECE
OF THE FILIGREE CRAFT.
INFERENCE :

3.LACK OF MACHINERY TO MAKE THE PROCESS FAST.

5.LESS AVAILABLTY OF CRATSMEN .


REFERENCES

10.C:Userswin7DesktopD'source Resources - Gallery Content - SILVER
FILIGREE WORK (ORISSA).html

12.http://www.forumforhinduawakening.org/articles/id/understanding/glory-hindu-dharm

14.http://en.wikipedia.org/wiki



    THANK YOU.

Sliver filigree

  • 1.
  • 2.
    •A SOFT WHITELUSTUROUS TRANSITION METAL. •IT HAS ITS IMPORTANCE IN INDIAN CULTURAL HISTORY. •ONE OF THE MOST AUSPICIOUS METAL
  • 3.
    P R O C E S S •THICK SILVER WIRES ARE USED TO MAKE THE FRAME INTO WHICH SMALL DESIGN PIECES (SIKKO) ARE FITTED.
  • 4.
    •THE FRAME ISANNEALED USING HEAT FROM A BLOW TORCH TO ADD STRENGTH TO THE STRUCTURE.
  • 5.
    •IMMEDIATE COOLING ENSURESTHE CONSOLIDATION AND STRENGTH OF THE STRUCTURE.
  • 6.
    •A MACHINE ISUSED TO IMPART A ZIGZAG APPEARANCE TO THE STRAIGHT SILVER WIRE.
  • 7.
    •THE WIRE ISMANIPULATED IN THE FRAME TO DEPICT THE DESIGNS.
  • 8.
    •THE WIRE ISFILLED INSIDE THE FRAME ONE CURVE AT A TIME.
  • 9.
    •PLIERS AND CUTTERSARE USED TO FIX THE WIRES INSIDE THE FRAME. ONCE AN AREA IS FILLED WITH THE WIRE, IT IS CUT AND THE NEXT AREA IS TAKEN UP
  • 10.
    •A TWEEZER ISUSED TO MANIPULATE IT AROUND THE CURVE.
  • 11.
    •AFTER THE WIREIS FIXED, IT IS BEATEN IN TO THE STRUCTURE TO FIT COMPACTLY.
  • 12.
    •THE DIFFERENT COMPONENTSARE CRAFTED INDIVIDUALLY AND PLACED TOGETHER, A MASTERPIECE OF THE FILIGREE CRAFT.
  • 13.
    INFERENCE : 3.LACK OFMACHINERY TO MAKE THE PROCESS FAST. 5.LESS AVAILABLTY OF CRATSMEN . REFERENCES 10.C:Userswin7DesktopD'source Resources - Gallery Content - SILVER FILIGREE WORK (ORISSA).html 12.http://www.forumforhinduawakening.org/articles/id/understanding/glory-hindu-dharm 14.http://en.wikipedia.org/wiki THANK YOU.