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Analysis of professional magazine contents pages
Magazine contents pages typically include the magazine title, issue details, section headings, and preview images laid out in columns. Headlines and section names are usually in all capital letters for emphasis. Contents pages aim to entice readers by highlighting celebrities and featuring large preview images along with smaller supplemental photos in a consistent color scheme. Standard elements include the publication date, page numbers, and photo credits.
Photography exercise
The document discusses different camera angles used to photograph various subjects, including a low angle medium long shot, an extreme close up of a clock, a two shot medium long shot, an over the shoulder shot of someone writing, a very long shot conveying isolation, a medium close up, and a long shot. The author notes some ways they could have improved specific shots, such as getting closer to the clock, taking a photograph outside instead of through a window, and including an actual person in the long shot.
Documentaries
Documentaries aim to document real events or topics through actual footage or reconstructions. They can use narration to provide context or rely on interviews with subjects. Documentaries are not purely factual but use facts to make socially critical arguments. There are different styles including fully narrated, observational, mixed formats using interviews and narration, self-reflective acknowledging the filmmaker's role, and docudramas which recreate events. Producers act as gatekeepers in selecting what information and perspectives to include or exclude in a documentary.
Analysis of professional magazines
Three professional magazines were analyzed: Q Magazine costs £3.99 monthly and averages 140 pages including regular content sections like recommendations and a mail/news section, as well as feature articles. Another magazine costs £2.80 weekly and averages 68 pages with regular content and feature articles. A third weekly magazine costs £2.10 and includes regular content and feature articles but its average page count is not provided.
Photography exercise
The document discusses different camera angles used to photograph various subjects, including a low angle medium long shot, an extreme close up of a clock, a two shot medium long shot, an over the shoulder shot of someone writing, a very long shot conveying isolation, a medium close up, and a long shot. The author notes some ways they could have improved specific shots, such as getting closer to the clock, taking a photograph outside instead of through a window, and including an actual person in the long shot.
Analysis of professional magazine covers
Magazine companies carefully choose color schemes and front cover images to attract target audiences and stand out on shelves. They use short headlines, familiar cover people, and buzz words to grab attention. Inside information and mastheads help readers identify magazines and decide whether to purchase single issues.
Question 1
The document summarizes the key design elements and content of a music magazine front cover and sample interior pages. The front cover includes the magazine title, issue date, price, cover lines, barcode, and advertisement. The interior includes a contents page with column headings and page numbers, a double page article spread with a large headline and interview photograph, and a 940-word interview article with page numbers. Consistent fonts, colors, and formatting are used to achieve a professional magazine design.
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Analysis of professional magazine contents pages
Magazine contents pages typically include the magazine title, issue details, section headings, and preview images laid out in columns. Headlines and section names are usually in all capital letters for emphasis. Contents pages aim to entice readers by highlighting celebrities and featuring large preview images along with smaller supplemental photos in a consistent color scheme. Standard elements include the publication date, page numbers, and photo credits.
Photography exercise
The document discusses different camera angles used to photograph various subjects, including a low angle medium long shot, an extreme close up of a clock, a two shot medium long shot, an over the shoulder shot of someone writing, a very long shot conveying isolation, a medium close up, and a long shot. The author notes some ways they could have improved specific shots, such as getting closer to the clock, taking a photograph outside instead of through a window, and including an actual person in the long shot.
Documentaries
Documentaries aim to document real events or topics through actual footage or reconstructions. They can use narration to provide context or rely on interviews with subjects. Documentaries are not purely factual but use facts to make socially critical arguments. There are different styles including fully narrated, observational, mixed formats using interviews and narration, self-reflective acknowledging the filmmaker's role, and docudramas which recreate events. Producers act as gatekeepers in selecting what information and perspectives to include or exclude in a documentary.
Analysis of professional magazines
Three professional magazines were analyzed: Q Magazine costs £3.99 monthly and averages 140 pages including regular content sections like recommendations and a mail/news section, as well as feature articles. Another magazine costs £2.80 weekly and averages 68 pages with regular content and feature articles. A third weekly magazine costs £2.10 and includes regular content and feature articles but its average page count is not provided.
Photography exercise
The document discusses different camera angles used to photograph various subjects, including a low angle medium long shot, an extreme close up of a clock, a two shot medium long shot, an over the shoulder shot of someone writing, a very long shot conveying isolation, a medium close up, and a long shot. The author notes some ways they could have improved specific shots, such as getting closer to the clock, taking a photograph outside instead of through a window, and including an actual person in the long shot.
Analysis of professional magazine covers
Magazine companies carefully choose color schemes and front cover images to attract target audiences and stand out on shelves. They use short headlines, familiar cover people, and buzz words to grab attention. Inside information and mastheads help readers identify magazines and decide whether to purchase single issues.
Question 1
The document summarizes the key design elements and content of a music magazine front cover and sample interior pages. The front cover includes the magazine title, issue date, price, cover lines, barcode, and advertisement. The interior includes a contents page with column headings and page numbers, a double page article spread with a large headline and interview photograph, and a 940-word interview article with page numbers. Consistent fonts, colors, and formatting are used to achieve a professional magazine design.
Production of newspaper advertisement
The document describes the process of creating a newspaper advertisement in Adobe Photoshop. Photos of books and a Kindle were imported and their backgrounds removed using selection tools. Fire images were added and shaped around the books using an eraser tool. Text was added identifying the documentary's title, TV channel, and schedule. Rectangles and colors were used to make all elements legible against the background. The final advertisement was exported.
Production of newspaper advertisement
The document describes the process of creating a newspaper advertisement in Adobe Photoshop. Photos of books and a Kindle were imported and their backgrounds removed using selection tools. Fire images were added and shaped around the books using an eraser tool. Text was added identifying the documentary topic and providing scheduling details. Rectangles were inserted behind text for readability. The final advertisement was exported.
Video production logging sheet
This document is a logging sheet for a video production titled "Moving Foreword". It contains descriptions and timing information for interviews conducted with an author, librarian, and English literature teacher on the topic of eBooks. It also includes descriptions of cutaway footage showing people reading physical books and eBooks, browsing in libraries and bookstores, and watching films on various devices. The logging sheet aims to catalog all footage captured for the documentary on the transition from physical books to eBooks.
Moving foreword 2
This document contains a questionnaire to evaluate a documentary, radio trailer, and newspaper advertisement. It asks respondents about their demographics and has them rate various elements of each media piece on scales of 1 to 5. It also asks open-ended questions to gather feedback on how well each piece relates to its target audience of 16-30 year olds and whether it effectively promotes the documentary about the development of books.
Audience feedback – moving foreword
The document contains survey results and feedback from people about a documentary project. It includes graphs and tables showing responses to questions about the gender and ages of respondents, ratings of different elements of the documentary, whether the title and content were suitable, and feedback on the radio trailer and newspaper advertisement created to promote the documentary. In general, the feedback was positive about the creative and interesting nature of the documentary, interviews, and promotional materials, with some minor suggestions for improvements.
Edit descision list
This document provides an edit decision list for a video production comparing books to ebooks. It includes various shots of people reading books and from e-readers, interviews discussing preferences, and clips showing the production of books and their cultural significance. The list details the file names, shot descriptions, timings, and type of edit for each video segment.
Running order
The documentary explores the debate between physical books and eBooks. It includes interviews with a variety of people such as librarians, authors, publishers, and English teachers who discuss their preferences and perspectives on books versus eBooks. Archive footage is also included relating books that have been adapted into films. The documentary examines how the rise of eBooks has impacted various book-related industries and professions.
Documentary arrangements
The document summarizes the responses received from various contacts for arranging interviews for a documentary on books versus eBooks. J.K. Rowling declined an interview unless it was for promotional purposes. An interview with Christine Walton was scheduled for October 30th. An interview with the librarian and an author from a school was confirmed for October 11th. Julie Mann, a senior librarian at Greasby Library, agreed to an interview on October 22nd. Patrick Ness was unable to be interviewed since he lives in the USA. Liz Folan agreed to an interview on November 11th.
Tv scheduling
This document discusses TV scheduling and programming in the UK. It breaks down scheduling into time periods from 6am to 6pm and defines the target audiences for each period. It also examines the most popular genres and the target audiences of each major channel. It finds that BBC 1 and ITV 1 have only 2% repeats while BBC 2, Channel 4, and Five have 50% or more repeats. These latter channels also buy more programming from the US to save money. The document also defines terms like "hammocking", "pre-echo", and "inheritance" used in scheduling and notes that starting times may be delayed slightly to air advertisements.
Brainstorming
This document lists various topics that could potentially be the subject of documentary films, including health, gaming, cinema/films, sports, theme parks, music, fashion, fast food, books, tattoos, hair & makeup, Christmas, boy bands, clothes, energy drinks, vehicles, pets/animals, cars, technology, fears, Royal Mail, social networking, parties, and holidays. The list provides a wide range of ideas spanning industries, interests, and cultural phenomena that could be explored in more depth through the documentary film format.
Features of a documentary
There are five central elements to documentaries: observation, which places the audience as eyewitnesses; interviews with interviewees addressing the unseen interviewer; use of drama; careful composition of shots; and unfolding of the argument. Gatekeeping in documentaries involves the selection and rejection of information by producers. Narratives can also be categorized as open or closed based on unanswered questions, single or multi-stranded based on narrative threads, and linear, non-linear, or circular based on chronological order.
Codes and conventions of documentaries
This document outlines various codes and conventions used in documentary filmmaking. It discusses the typical narrative structure of documentaries being single-stranded with themes throughout. It also describes common camerawork techniques like establishing shots, interviews filmed in close-up or medium close-up usually framed on the left or right side. Sound, mise-en-scene, graphics, archive material, and editing conventions are also outlined such as using relevant backgrounds, music to set the scene, white text for titles, and cuts being the most common type of edit. The document provides an overview of technical and stylistic elements frequently employed in documentary films.
Codes and conventions of documentaries
Documentaries typically follow certain conventions regarding their structure, camerawork, voiceovers, and editing. Narratively, they tend to be single-stranded with themes throughout and a voiceover that ties the story together. Visually, establishing shots are used to set the context while interviews employ close-ups, rule of thirds framing, and creative camera angles. Sound-wise, voiceovers provide context and facts, music heightens emotion, and effects are included in reconstructions. Graphically, white text stands out for titles and credits while titles identify interviewees. Archive material must be relevant to the topic and voiceovers further explain context. Cuts, dissolves, and montages are common editing techniques.
Doc analysis
This documentary about Meat Loaf used a non-linear narrative structure. It focused on two main themes: the power of media and how it influences audiences, and revealing the inner workings of the media business. Various camera techniques were used including medium shots, steadicam shots, and point-of-view shots. Interviews featured the interviewee on one side of the screen to show the background. Chromakey was used to add imagery and Meat Loaf's name in the backgrounds of interviews. Music, voiceovers, and archive materials from Meat Loaf's career were incorporated throughout.
Doc analysis
The documentary "The Devil Made Me Do It" uses a nonlinear narrative structure to explore various themes such as good vs. evil, the power of media and religion. Scenes from family homes to police stations are filmed using techniques like low angle shots, steadicam, and tracking shots. Interviews are captured in medium closeups while sounds of music, voices and animals enhance the documentary. Archival materials including newspaper clippings and music are incorporated alongside graphics and titles.
Documentaries
This document defines and describes different types of television documentaries. It begins by explaining that documentaries aim to document real events or situations using actual footage or reconstructions. There are several types of documentaries described, including fully narrated, fly on the wall, mixed, self-reflective, docudrama, and docusoaps. Key features of documentaries are also outlined, such as observation techniques, interviews, dramatization, composition of shots, and unfolding an argument. Different narrative structures for documentaries are discussed, such as open vs closed, single strand vs multi-strand, and linear vs non-linear formats.
Question 3
Bauer Media produces over 300 magazines across 15 countries, covering a wide range of interests. They have connections to TV, radio, and internet outlets. Bauer Media evaluates competitors like IPC Media to stay aware of new developments and produces most magazines on a weekly basis to reach audiences aged 15 to 75.
Question 3
Bauer Media is a media company that publishes over 300 magazine titles across 15 countries. They have contact details online to reach different departments. While they create competition for other publishers, Bauer Media was selected because they do not have an easy listening magazine or monthly publication, allowing the document's magazine to sell worldwide without competing directly against Bauer Media's existing genres and formats.
Question 3
Bauer Media produces over 300 magazines across 15 countries, covering various interests with 80 brand names. They have contact information available on their website and produce most magazines on a weekly basis, allowing worldwide sales through online and social media platforms. Their magazines target an age range of 15 to 75 years old and they own Q magazine and Kerrang, while not having an easy listening magazine or monthly publication.
Six
Quark Xpress technologies allow users to manipulate images and text, such as changing background colors, image sizes, and text styles. When combined, these technologies can be used to produce professional products by making images more detailed and allowing control over layout and page setup.
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Production of newspaper advertisement
The document describes the process of creating a newspaper advertisement in Adobe Photoshop. Photos of books and a Kindle were imported and their backgrounds removed using selection tools. Fire images were added and shaped around the books using an eraser tool. Text was added identifying the documentary's title, TV channel, and schedule. Rectangles and colors were used to make all elements legible against the background. The final advertisement was exported.
Production of newspaper advertisement
The document describes the process of creating a newspaper advertisement in Adobe Photoshop. Photos of books and a Kindle were imported and their backgrounds removed using selection tools. Fire images were added and shaped around the books using an eraser tool. Text was added identifying the documentary topic and providing scheduling details. Rectangles were inserted behind text for readability. The final advertisement was exported.
Video production logging sheet
This document is a logging sheet for a video production titled "Moving Foreword". It contains descriptions and timing information for interviews conducted with an author, librarian, and English literature teacher on the topic of eBooks. It also includes descriptions of cutaway footage showing people reading physical books and eBooks, browsing in libraries and bookstores, and watching films on various devices. The logging sheet aims to catalog all footage captured for the documentary on the transition from physical books to eBooks.
Moving foreword 2
This document contains a questionnaire to evaluate a documentary, radio trailer, and newspaper advertisement. It asks respondents about their demographics and has them rate various elements of each media piece on scales of 1 to 5. It also asks open-ended questions to gather feedback on how well each piece relates to its target audience of 16-30 year olds and whether it effectively promotes the documentary about the development of books.
Audience feedback – moving foreword
The document contains survey results and feedback from people about a documentary project. It includes graphs and tables showing responses to questions about the gender and ages of respondents, ratings of different elements of the documentary, whether the title and content were suitable, and feedback on the radio trailer and newspaper advertisement created to promote the documentary. In general, the feedback was positive about the creative and interesting nature of the documentary, interviews, and promotional materials, with some minor suggestions for improvements.
Edit descision list
This document provides an edit decision list for a video production comparing books to ebooks. It includes various shots of people reading books and from e-readers, interviews discussing preferences, and clips showing the production of books and their cultural significance. The list details the file names, shot descriptions, timings, and type of edit for each video segment.
Running order
The documentary explores the debate between physical books and eBooks. It includes interviews with a variety of people such as librarians, authors, publishers, and English teachers who discuss their preferences and perspectives on books versus eBooks. Archive footage is also included relating books that have been adapted into films. The documentary examines how the rise of eBooks has impacted various book-related industries and professions.
Documentary arrangements
The document summarizes the responses received from various contacts for arranging interviews for a documentary on books versus eBooks. J.K. Rowling declined an interview unless it was for promotional purposes. An interview with Christine Walton was scheduled for October 30th. An interview with the librarian and an author from a school was confirmed for October 11th. Julie Mann, a senior librarian at Greasby Library, agreed to an interview on October 22nd. Patrick Ness was unable to be interviewed since he lives in the USA. Liz Folan agreed to an interview on November 11th.
Tv scheduling
This document discusses TV scheduling and programming in the UK. It breaks down scheduling into time periods from 6am to 6pm and defines the target audiences for each period. It also examines the most popular genres and the target audiences of each major channel. It finds that BBC 1 and ITV 1 have only 2% repeats while BBC 2, Channel 4, and Five have 50% or more repeats. These latter channels also buy more programming from the US to save money. The document also defines terms like "hammocking", "pre-echo", and "inheritance" used in scheduling and notes that starting times may be delayed slightly to air advertisements.
Brainstorming
This document lists various topics that could potentially be the subject of documentary films, including health, gaming, cinema/films, sports, theme parks, music, fashion, fast food, books, tattoos, hair & makeup, Christmas, boy bands, clothes, energy drinks, vehicles, pets/animals, cars, technology, fears, Royal Mail, social networking, parties, and holidays. The list provides a wide range of ideas spanning industries, interests, and cultural phenomena that could be explored in more depth through the documentary film format.
Features of a documentary
There are five central elements to documentaries: observation, which places the audience as eyewitnesses; interviews with interviewees addressing the unseen interviewer; use of drama; careful composition of shots; and unfolding of the argument. Gatekeeping in documentaries involves the selection and rejection of information by producers. Narratives can also be categorized as open or closed based on unanswered questions, single or multi-stranded based on narrative threads, and linear, non-linear, or circular based on chronological order.
Codes and conventions of documentaries
This document outlines various codes and conventions used in documentary filmmaking. It discusses the typical narrative structure of documentaries being single-stranded with themes throughout. It also describes common camerawork techniques like establishing shots, interviews filmed in close-up or medium close-up usually framed on the left or right side. Sound, mise-en-scene, graphics, archive material, and editing conventions are also outlined such as using relevant backgrounds, music to set the scene, white text for titles, and cuts being the most common type of edit. The document provides an overview of technical and stylistic elements frequently employed in documentary films.
Codes and conventions of documentaries
Documentaries typically follow certain conventions regarding their structure, camerawork, voiceovers, and editing. Narratively, they tend to be single-stranded with themes throughout and a voiceover that ties the story together. Visually, establishing shots are used to set the context while interviews employ close-ups, rule of thirds framing, and creative camera angles. Sound-wise, voiceovers provide context and facts, music heightens emotion, and effects are included in reconstructions. Graphically, white text stands out for titles and credits while titles identify interviewees. Archive material must be relevant to the topic and voiceovers further explain context. Cuts, dissolves, and montages are common editing techniques.
Doc analysis
This documentary about Meat Loaf used a non-linear narrative structure. It focused on two main themes: the power of media and how it influences audiences, and revealing the inner workings of the media business. Various camera techniques were used including medium shots, steadicam shots, and point-of-view shots. Interviews featured the interviewee on one side of the screen to show the background. Chromakey was used to add imagery and Meat Loaf's name in the backgrounds of interviews. Music, voiceovers, and archive materials from Meat Loaf's career were incorporated throughout.
Doc analysis
The documentary "The Devil Made Me Do It" uses a nonlinear narrative structure to explore various themes such as good vs. evil, the power of media and religion. Scenes from family homes to police stations are filmed using techniques like low angle shots, steadicam, and tracking shots. Interviews are captured in medium closeups while sounds of music, voices and animals enhance the documentary. Archival materials including newspaper clippings and music are incorporated alongside graphics and titles.
Documentaries
This document defines and describes different types of television documentaries. It begins by explaining that documentaries aim to document real events or situations using actual footage or reconstructions. There are several types of documentaries described, including fully narrated, fly on the wall, mixed, self-reflective, docudrama, and docusoaps. Key features of documentaries are also outlined, such as observation techniques, interviews, dramatization, composition of shots, and unfolding an argument. Different narrative structures for documentaries are discussed, such as open vs closed, single strand vs multi-strand, and linear vs non-linear formats.
Question 3
Bauer Media produces over 300 magazines across 15 countries, covering a wide range of interests. They have connections to TV, radio, and internet outlets. Bauer Media evaluates competitors like IPC Media to stay aware of new developments and produces most magazines on a weekly basis to reach audiences aged 15 to 75.
Question 3
Bauer Media is a media company that publishes over 300 magazine titles across 15 countries. They have contact details online to reach different departments. While they create competition for other publishers, Bauer Media was selected because they do not have an easy listening magazine or monthly publication, allowing the document's magazine to sell worldwide without competing directly against Bauer Media's existing genres and formats.
Question 3
Bauer Media produces over 300 magazines across 15 countries, covering various interests with 80 brand names. They have contact information available on their website and produce most magazines on a weekly basis, allowing worldwide sales through online and social media platforms. Their magazines target an age range of 15 to 75 years old and they own Q magazine and Kerrang, while not having an easy listening magazine or monthly publication.
Six
Quark Xpress technologies allow users to manipulate images and text, such as changing background colors, image sizes, and text styles. When combined, these technologies can be used to produce professional products by making images more detailed and allowing control over layout and page setup.