This document summarizes major art movements from the 19th to 20th centuries. It discusses Impressionism and its founders Monet, Manet, and Renoir who painted landscapes and scenes of modern life. Later movements like Expressionism, Cubism, Futurism and Dadaism used abstracted, emotional styles that departed from realism. In the mid-20th century, Abstract Expressionism used gestural brushstrokes and spontaneity. Pop Art appropriated imagery from popular culture, while Performance Art engaged the body and space over time. Installation Art aimed to modify the viewer's experience through sculptural environments.

2. Lesson 2

5. • “Impression”
• second half of the 19th century
• Distinct and Raw Characteristics (Unpolished)

6. Claude Monet
landscape painting
Edouard Manet
modern-life subjects
Auguste Renoir
snapshots of real-life paintings
of actual people and figures

7. “Mlle Irene Cahen d’Anvers”
Auguste Pierre Renoir

8. "The Luncheon of the Boating Party,“
Pierre Auguste Renoir

9. “Monet’s Garden at Giverny”
Claude Monet

10. • became popular in the 1900's
• Artworks are more emotional force (not on realistic or
natural images)
• used distorted outlines, unrealistic or unnatural images
• works are not actually what they see in the physical world,
but depend on their imaginations and feelings.

11. • Fauvism
• Dadaism
• Surrealism
• Social realism
• Neoprimitivism

12. Sub-Movements:
1. Fauvism (Les Fauves/"the
wild beasts")
- Uses bold, vibrant colors, and
visual distortions.
“Blue Window”
Henri Matisse

13. Sub-Movements:
2. Dadaism ("non-style")
- Characterized by
imagination, dream fantasies,
memory images, and visual
tricks and fantasies.
“I and the Village”
Marc Chagall

14. Sub-Movements:
3. Surrealism
- Depicts an illogical
subconscious dream world
beyond the logical,
conscious, physical one.
“Persistence of Memory”
Salvador Dali

15. Sub-Movements:
4. Social Realism
- Expresses the artist’s role in social reform.
- Social Issues serve as inspiration
“Miners’ Wives”
Ben Shahn
“Guernica”
Pablo Picasso

16. Sub-Movements:
5.Neoprimitivism
-incorporated elements
from the native arts of
African tribes (wood
carvings)
“Yellow Sweater”
Amedeo Modigliani

17. • existed from various intellectual
points of view
• intellectualism was reflected in art
• Expressionism was emotional, while
abstractionism was logical and
rational
• Geometrical shapes, patterns, lines,
angles, textures, and swirls of color
were used.
•Cubism
• Futurism
• Mechanical style
• Non-objectivism

18. 1. CUBISM - The cubist style
was derived from the word
cube, a three-dimensional
geometric figure composed
of lines, planes, and angles.
“Girl Before a Mirror”
Pablo Picasso

19. 2. FUTURISM
- began in Italy in the early
1900s
- fast-paced, machine-
propelled age.
- inspirationare are motion,
force, speed, and strength of
mechanical forms
“Armored Train”
Gino Severeni

20. 3. MECHANICAL STYLE
- basic forms such as planes,
cones, spheres, and
cylinders all fit together in
a precise and neat manner
“Discs in the City”
Fernand Leger

21. 4. NON-OBJECTIVISM
- styles don’t make use of
figures or even
representations of figures
“New York City”
Piet Mondrian

22. •new forms of abstract art developed by
American painters such as Jackson Pollock, Mark
Rothko and Willem de Kooning in the 1940s and 1950s.
•It is often characterised by gestural brush-strokes or
mark-making, and the impression of spontaneity.

23. “Ocean Greyness”
Jackson Pollock
“Autumn Rhythm”
Jackson Pollock

24. • Op Art
• Pop Art
• Performance Art
• Installation Art

25. art movement that gives a
visual experience – a form of
"action painting," taking
place in the viewer's eye,
giving the illusion of
movement.
“Fall”
Bridget Riley

27. a movement made of the
use of commonplace, trivial,
even nonsensical objects
that pop artists seemed to
enjoy and laugh at.
“Marilyn Monroe”
Andy Warhol

29. • time, space, the performer's body,
and a relationship between the
performer and audience.
• the actions of an individual or a
group of a particular place and at a
particular time constitute the
work.
• The performer himself or herself is
the artist.

31. • use of sculptural materials and
other media to modify the way the
viewer experiences a particular
space.
• environmental art, project art, and
temporary art.
• It creates an entire sensory
experience for the viewer that
allows him to walk through them. “Cordillera Labyrinth”
Roberto Villanueva