The document describes a day through abstract words and phrases that convey different moods at different times of the day. The morning starts out dark, cold, unfamiliar, and foreboding. As the day progresses, the tones shift from grimy and bustling to tranquil and serene before becoming crowded, dystopian, and empty. The afternoon brings bleakness and despondence before ending with danger, violence, and darkness setting in once more.

1. 8am
Dark Dense
Cold
Unfamiliar
Foreboding
Desolate
Shadow
Alien
Dream
Numb
‘Cruel’
Brooding Haze Shroud

2. 9am
Grimy
Bustling
Mist
Empty
Rough
‘Mad World’
Confusion
Congestion
Busy
Gritty (British films) Apathy

3. 10am
Tired
Laborious
Desolate
arduous
Hollow Weary
Fatigue

4. 11am
Tranquil Calm before storm
Serene
Eerie Solemn
Drowsy
Dreary Aftermath

6. 12pm
Crowded
Hollow Ethereal
Claustrophobic
Dystopian Sci-Fi
Empty
Desert
Cold
Desolate

7. 1pm
Leisure
‘Receive’
Calm
Colour
Frost
Bright
Relaxed
Respite

9. 2pm
Emotionless
Bleak Despondence

10. 3pm
Isolation

11. 5pm
Action Gloom
Danger
Gritty British Dramas
Christmas Lights
Fire Incandescence
Violence
Liberation (wind)
Darkness

12. Surveillance: “As our lives move into media, monitoring has become
a mundane, perhaps even desirable, part of social subjectivity”
(Deuze, 107:2012).
“ALL societies that are dependent on communication and
information technologies for administrative and control processes
are surveillance societies”, (David Lyon, 2001).
“Being seen changes our behaviour”, (Deuze, 105:2012).
“Jeremy Bentham… in the late seventeenth century proposed a
model of a disciplined and orderly society based on being able to see
everyone and everything all the time. Bentham called his principle of
construction and plan of management a “Panopticon” (translation:
all-observing)”, (Deuze, 107:2012).