The document is a trailer for a film called "Hatton Park" and provides snippets of dialogue and descriptions of scenes between students at a school:
1) Jessie gets in trouble with her teacher and leaves the classroom annoyed.
2) Jessie and her friend Sarah discuss how Jessie can't stand her teacher.
3) Jessie joins her friends Zac and Ryan, and they see another student Elizabeth looking at a photo of Zac.
4) The final scene shows a student Billy alone on a bench outside the school on his phone.
Our thriller film aims to attract a younger audience aged 16-30 through its inclusion of young actors and actresses in leading roles. Specifically, the female detective is portrayed as attractive and seductive through her clothing, dark hair, and red lipstick, which is intended to draw the interest of male viewers. Additionally, the other male detective brings a comedic element which broadens the potential audience by incorporating elements of comedy, a popular genre. The crime drama genre of the film also resembles the popular CSI series, so it is hoped to appeal to a similar 15-40 year old demographic.
The document discusses the software Adobe Photoshop that the author used to construct their magazine cover product. They describe key features of Photoshop like cutting out tools and color/lighting editing tools that allowed them to create a realistic cover. They discuss how Photoshop gave them a platform to work on the entire cover as a whole, position images and layers, and achieve the intended design. The author also learned about using other media like Voki for evaluations and Blogger to organize research and track their progress in constructing the final product. Overall, the author gained new skills in editing images and using different software and media platforms through this process.
Jamie Marshall created screenshots of their process designing magazine pages in Photoshop. For the front cover, they added a masthead and background image, then shaped text around the image and added conventions like price. They finalized the cover by changing the main image. For the contents page, they used the same color scheme and filled boxes with images and text. Their double page spread design included boxes, a dividing line, and questionnaires with the artist's image.
The document provides an analysis of the design elements of a magazine cover featuring Bruno Mars. Key elements analyzed include the masthead in bold red writing at the top, the central dominant image of Bruno Mars holding a cigarette, and use of contrasting colors like red, black, and yellow to signify the rock genre. Typefaces use bold sans serif fonts to look less formal. The main cover line "Best Rock of 2013" stands out in bold black against the white background. Elements are analyzed in terms of attracting the target audience and adhering to principles of magazine design.
The document asks a series of questions about preferences for elements that may be included in a social realist short film, including the respondent's gender and age, familiarity with the genre, common themes, suitable music, preferred ending, preferred gender of the main protagonist, and preference for a smaller or larger cast.
The document discusses feedback on a film poster design from multiple perspectives. It suggests changing the font to be bolder to better represent the gritty nature of the film. It also recommends adding information on which characters the actors are playing and rearranging the placement and size of reviews and ratings. Overall, the poster was viewed as too crowded and needing to make text and elements smaller and reorder them.
The document is a trailer for a film called "Hatton Park" and provides snippets of dialogue and descriptions of scenes between students at a school:
1) Jessie gets in trouble with her teacher and leaves the classroom annoyed.
2) Jessie and her friend Sarah discuss how Jessie can't stand her teacher.
3) Jessie joins her friends Zac and Ryan, and they see another student Elizabeth looking at a photo of Zac.
4) The final scene shows a student Billy alone on a bench outside the school on his phone.
Our thriller film aims to attract a younger audience aged 16-30 through its inclusion of young actors and actresses in leading roles. Specifically, the female detective is portrayed as attractive and seductive through her clothing, dark hair, and red lipstick, which is intended to draw the interest of male viewers. Additionally, the other male detective brings a comedic element which broadens the potential audience by incorporating elements of comedy, a popular genre. The crime drama genre of the film also resembles the popular CSI series, so it is hoped to appeal to a similar 15-40 year old demographic.
The document discusses the software Adobe Photoshop that the author used to construct their magazine cover product. They describe key features of Photoshop like cutting out tools and color/lighting editing tools that allowed them to create a realistic cover. They discuss how Photoshop gave them a platform to work on the entire cover as a whole, position images and layers, and achieve the intended design. The author also learned about using other media like Voki for evaluations and Blogger to organize research and track their progress in constructing the final product. Overall, the author gained new skills in editing images and using different software and media platforms through this process.
Jamie Marshall created screenshots of their process designing magazine pages in Photoshop. For the front cover, they added a masthead and background image, then shaped text around the image and added conventions like price. They finalized the cover by changing the main image. For the contents page, they used the same color scheme and filled boxes with images and text. Their double page spread design included boxes, a dividing line, and questionnaires with the artist's image.
The document provides an analysis of the design elements of a magazine cover featuring Bruno Mars. Key elements analyzed include the masthead in bold red writing at the top, the central dominant image of Bruno Mars holding a cigarette, and use of contrasting colors like red, black, and yellow to signify the rock genre. Typefaces use bold sans serif fonts to look less formal. The main cover line "Best Rock of 2013" stands out in bold black against the white background. Elements are analyzed in terms of attracting the target audience and adhering to principles of magazine design.
The document asks a series of questions about preferences for elements that may be included in a social realist short film, including the respondent's gender and age, familiarity with the genre, common themes, suitable music, preferred ending, preferred gender of the main protagonist, and preference for a smaller or larger cast.
The document discusses feedback on a film poster design from multiple perspectives. It suggests changing the font to be bolder to better represent the gritty nature of the film. It also recommends adding information on which characters the actors are playing and rearranging the placement and size of reviews and ratings. Overall, the poster was viewed as too crowded and needing to make text and elements smaller and reorder them.
This poster review summarizes two social realism films - This Is England and FishTank. For This Is England, the long shot establishes the characters and setting. The central title draws the eye, and the director's name is in spray paint font. Ratings and reviews allow viewers to gauge the film. For FishTank, a mid shot shows the protagonist peering out a window longingly. The bold title is the main focus, and the neglected bedroom setting hints at the protagonist's struggles.
During the third production meeting, the team discussed the successful filming of the webcam scenes where some scripted lines were changed on set to flow better. They also adjusted the bedroom set to look like a stereotypical working class girl's room. Additional test footage and microphone checks were recorded. In post-production, it was agreed to convert the film to black and white, add a camcorder template, adjust noise effects, and include soft acoustic music from Emeli Sande's "Read All About It Part 3", pending permission.
We discussed the successful filming of all webcam scenes and minor changes made to script lines on set that flowed better. The bedroom set was adjusted to look like a typical working class girl's room. Additional test footage and microphone adjustments were recorded. In post-production, it was agreed to convert the film to black and white, add a camcorder template, adjust noise effects, and include soft acoustic music from Emeli Sande's "Read All About It Part 3", pending permission.
We discussed the successful filming of all webcam scenes and minor changes made to script lines on set that flowed better. The bedroom set was also adjusted to look like a typical working class girl's room. Additional test footage and microphone adjustments were recorded. In post-production, it was agreed to convert the film to black and white, add a camcorder template, adjust noise effects, and include soft acoustic music from Emeli Sande in the background, pending permission.
The document is a script that follows Kayleigh, a teenage girl living in a troubled home with her mother Tracy. The two argue after Tracy accuses Kayleigh of stealing money. Their fight escalates physically. Distraught, Kayleigh vents to her nan and through a webcam, expressing her desire to leave the toxic environment as she can no longer handle the abuse.
Kayleigh is a 16-year-old girl living in a council flat in London with her alcoholic mother who neglects her motherly duties. Kayleigh is intelligent but lacks motivation from her unsupportive home life. The film shows Kayleigh's daily struggles of caring for her alcoholic mother alone while dealing with her own problems, revealing to the audience what it's like to live with an alcoholic parent and eliciting sympathy for Kayleigh.
This poster review summarizes two social realism films - This Is England and FishTank. For This Is England, the long shot establishes the characters and setting. The central title draws the eye, and the director's name is in spray paint font. Ratings and reviews allow viewers to gauge the film. For FishTank, a mid shot shows the protagonist peering out a window longingly. The bold title is the main focus, and the neglected bedroom setting hints at the protagonist's struggles.
During the third production meeting, the team discussed the successful filming of the webcam scenes where some scripted lines were changed on set to flow better. They also adjusted the bedroom set to look like a stereotypical working class girl's room. Additional test footage and microphone checks were recorded. In post-production, it was agreed to convert the film to black and white, add a camcorder template, adjust noise effects, and include soft acoustic music from Emeli Sande's "Read All About It Part 3", pending permission.
We discussed the successful filming of all webcam scenes and minor changes made to script lines on set that flowed better. The bedroom set was adjusted to look like a typical working class girl's room. Additional test footage and microphone adjustments were recorded. In post-production, it was agreed to convert the film to black and white, add a camcorder template, adjust noise effects, and include soft acoustic music from Emeli Sande's "Read All About It Part 3", pending permission.
We discussed the successful filming of all webcam scenes and minor changes made to script lines on set that flowed better. The bedroom set was also adjusted to look like a typical working class girl's room. Additional test footage and microphone adjustments were recorded. In post-production, it was agreed to convert the film to black and white, add a camcorder template, adjust noise effects, and include soft acoustic music from Emeli Sande in the background, pending permission.
The document is a script that follows Kayleigh, a teenage girl living in a troubled home with her mother Tracy. The two argue after Tracy accuses Kayleigh of stealing money. Their fight escalates physically. Distraught, Kayleigh vents to her nan and through a webcam, expressing her desire to leave the toxic environment as she can no longer handle the abuse.
Kayleigh is a 16-year-old girl living in a council flat in London with her alcoholic mother who neglects her motherly duties. Kayleigh is intelligent but lacks motivation from her unsupportive home life. The film shows Kayleigh's daily struggles of caring for her alcoholic mother alone while dealing with her own problems, revealing to the audience what it's like to live with an alcoholic parent and eliciting sympathy for Kayleigh.