William Kenneth Ross Robertson married Tanis Maxine Welker. The document records the marriage of two individuals, William Kenneth Ross Robertson and Tanis Maxine Welker.
Importancia del curso de informática dentro del curriculo de post gradoRicardo ALVARADO FANO
Articulo Científico elaborado en el curso de Seminario de Currículo en la Educación de la Maestría en Docencia en el Nivel Superior de la Universidad Nacional Daniel Alcides Carrión bajo la asesoria del Mg. David Auris Villegas.
The document discusses issues in Iran such as women's depression, the criminalization of homosexuality, the use of harsh punishments like "eye for an eye" justice, and support for terrorist groups. It warns that negotiating with Iran could have dangerous consequences, as past negotiations resulted in negative outcomes. The document advocates stopping Iran's potential nuclear weapons program and considers Iran's leaders to be "fanatic psychos" who must be stopped for the sake of world security.
William Kenneth Ross Robertson married Tanis Maxine Welker. The document records the marriage of two individuals, William Kenneth Ross Robertson and Tanis Maxine Welker.
Importancia del curso de informática dentro del curriculo de post gradoRicardo ALVARADO FANO
Articulo Científico elaborado en el curso de Seminario de Currículo en la Educación de la Maestría en Docencia en el Nivel Superior de la Universidad Nacional Daniel Alcides Carrión bajo la asesoria del Mg. David Auris Villegas.
The document discusses issues in Iran such as women's depression, the criminalization of homosexuality, the use of harsh punishments like "eye for an eye" justice, and support for terrorist groups. It warns that negotiating with Iran could have dangerous consequences, as past negotiations resulted in negative outcomes. The document advocates stopping Iran's potential nuclear weapons program and considers Iran's leaders to be "fanatic psychos" who must be stopped for the sake of world security.
The document discusses the color red and what it means to residents of Sderot, Israel. For Sderot residents, the color red means they have 10 seconds or less to find cover from incoming rockets, as red warning sirens signal an imminent attack. The residents express fear of sleeping due to the threat of rockets, having endured enough of living with the red warnings, and appreciate messages of support from others.
Baruch Nachshon was born in Haifa in Mandatory Palestine (Israel) in 1939.
Nachshon began painting at an earlyage, He developed his relationship to art
and to artists throughout his youth. During his military service Nachshon herded
flocks for the IDF, filling his life with a love and appreciation for nature. His
work work is filled with the life and imagery he received then. Upon
completing his military service Nachshon was torn between temptation
of an artists life in Paris and his deep love for the land of Israel.
Nachshon Chose Israel, his spiritual home. He continued his art
training with Shlomo Nerani, Cezanne's only pupil, his mentor from
childhood.Nachshon, whom Nerani viewed as his spiritual heir,
was his only student allowed to see the master at work.
Nachshon is a devoted Lubavitch Hassid since being drawn
to the movement by its evocative, spiritual melodies.
In 1965, Nachshon met with his Rebbe, Menachem Mendel
Schneerson in a private session, lasting three hours. The
young artist was able to share with the Rebbe his concerns and
misgivings about his role as a Jewish artist and the conflicts which
confront him. The Rebbe advised Nachshon that for many generations
the art of painting had failed to find its ultimate rectification in holiness,
but that with the help of God he might come to bring about that long
anticipated rectification. The Rebbe then offered to fund Nachshon's
studies in New York on the condition that he would find a program of
study acceptable to Jewish religious values. Despite the difficulty
inherent in such a task, Nachshon gladly received the Rebbe's offer
and devoted himself fully to the celebration of the wisdom of the
Creator through visual art.
The document lists the names of various Israeli artists and some of their works such as landscapes, cities, and scenes of daily life in Israel. Some of the artists mentioned include Yosel Bergner, Zvi Adler, Yaakov Agam, Marcel Janco, Reuven Rubin, and Mordechai Levanon. The presentation provides an overview of prominent Israeli artists and the types of works they created depicting different places and aspects of Israeli culture and society.
Two synagogues in Gaza were severely vandalized. While God may forgive the perpetrators, the writer is unable to do so. The synagogues in Gaza were seriously damaged.
The document discusses the color red and what it means to residents of Sderot, Israel. For Sderot residents, the color red means they have 10 seconds or less to find cover from incoming rockets, as red warning sirens signal an imminent attack. The residents express fear of sleeping due to the threat of rockets, having endured enough of living with the red warnings, and appreciate messages of support from others.
Baruch Nachshon was born in Haifa in Mandatory Palestine (Israel) in 1939.
Nachshon began painting at an earlyage, He developed his relationship to art
and to artists throughout his youth. During his military service Nachshon herded
flocks for the IDF, filling his life with a love and appreciation for nature. His
work work is filled with the life and imagery he received then. Upon
completing his military service Nachshon was torn between temptation
of an artists life in Paris and his deep love for the land of Israel.
Nachshon Chose Israel, his spiritual home. He continued his art
training with Shlomo Nerani, Cezanne's only pupil, his mentor from
childhood.Nachshon, whom Nerani viewed as his spiritual heir,
was his only student allowed to see the master at work.
Nachshon is a devoted Lubavitch Hassid since being drawn
to the movement by its evocative, spiritual melodies.
In 1965, Nachshon met with his Rebbe, Menachem Mendel
Schneerson in a private session, lasting three hours. The
young artist was able to share with the Rebbe his concerns and
misgivings about his role as a Jewish artist and the conflicts which
confront him. The Rebbe advised Nachshon that for many generations
the art of painting had failed to find its ultimate rectification in holiness,
but that with the help of God he might come to bring about that long
anticipated rectification. The Rebbe then offered to fund Nachshon's
studies in New York on the condition that he would find a program of
study acceptable to Jewish religious values. Despite the difficulty
inherent in such a task, Nachshon gladly received the Rebbe's offer
and devoted himself fully to the celebration of the wisdom of the
Creator through visual art.
The document lists the names of various Israeli artists and some of their works such as landscapes, cities, and scenes of daily life in Israel. Some of the artists mentioned include Yosel Bergner, Zvi Adler, Yaakov Agam, Marcel Janco, Reuven Rubin, and Mordechai Levanon. The presentation provides an overview of prominent Israeli artists and the types of works they created depicting different places and aspects of Israeli culture and society.
Two synagogues in Gaza were severely vandalized. While God may forgive the perpetrators, the writer is unable to do so. The synagogues in Gaza were seriously damaged.