Marques Houston – That Girl
Forms and conventions Genre: R’n’B, Pop Video Director: Date Released: March 26, 2003  Type Of Video: Performance, Narrative Adherence to R’n’B/pop music video conventions: Choreographed dancing Use of close-ups to show facial expressions Variety of camera techniques Stylish costumes Clear relationship between language and  images Jump cutting Flashy jewellery/ bling All the women in the video are sexually provocative
Representation The jewellery and the luxury connotes his high status All the women he attracts shows that he’s a desirable male
Institutions Marques Houston belongs to the ultimate group entertainment (TUG) which is a subsidiary of universal records. Universal records is one of the big 4, which is an oligopoly over the music industry The song is on YouTube and various other sites 795,096 views on YouTube
Audiences Male audiences may receive visual pleasure from looking at the females in the video (the male gaze – Laura Mulvey, feminist film theorist) Male Audiences may identify with Marques in different ways from his mise en scene (uses and gratifications theory – personal identity) The video is also humours because Marques keeps looking at these random girls while he is with his girlfriend and she keeps getting mad at him. The women have the control in this video ( post feminist)
Paramore - Crushcrushcrush
Forms and conventions Genre: alternative rock Video director: Shane Drake Date released: November 21 2007  Type of video: performance, concept  Adherence to rock music video  conventions: Instruments-guitars and drums Close ups on Singer Dressed casually Break the instruments  Energetic and lively videos High key lighting
Representation Talented rockers from how they play their instuments themselves  Low angle on guitar players show that he has a high status and he is idolized The singer has red hair with yellow ends which shows that the band is doing their own thing and being their own band
 
Institutions Paramore belongs to Fueled by ramen, which is an independent record label The song is playable on some music video games such as rock band, guitar hero on tour: decade and ultimate band The single won a teen choice award for best rock track
Audiences  The band is aimed at teenagers which is shown by the way they dress, make their hair and from what they sing about.  (uses and gratifications theory – personal identity) People may want to be like her because of how rebellious she is
Ne-yo - Mad
Forms and conventions Genre: R’n’B Video director: Diane Martel Date released: October 21 2008 Type of video: Performance, Narrative Adherence to R’n’B music video  conventions: Flashy jewellery/ bling Variety of camera angles  Use of close-ups to show  facial expressions Stylish costumes Troubled relationships Jump cuts High angle shots
Representation He has money which is shown by his stylish clothing  He is represented as just human in this video since he has problems and sadness in his life which is more realistic then them being billionaires and having random parties
Institution Def jam is the label Ne-yo belongs to which is a subsidiary label to universal music group  Reached a peak position of 3 on the UK R’n’B chart Has  17,340,036 views on YouTube
Audiences People who relate to him, who have troubled relationships can identify with him so they would want to hear his music which could make them feel like their not alone (personal Identity, uses and gratifications)
Tool – Schism
Forms and conventions Genre: alternative metal  Video director: Adam Jones Date released: 2001 Type of video: concept, narrative?  Adherence to alternative metal conventions  Dystopia Low key lighting  Low and high angles Different species  Pale, gothic mise en scene
Representation  Unconventional representation of abnormal humans, it represents these creatures as in pieces which fit together which is what the song is about.
Institutions Tool won the Grammy Award for Best Metal Performance for the song in 2002 Schism is renowned for its use of uncommon time signatures and the frequency of its meter changes. In one analysis of the song the song alters meter 47 times Tool belongs to tool dissertational which is a subsidiary label of Sony, tool dissertational was created after their law suit in the 1990’s with their record label at the time, volcano entertainment.
Audiences People who like abstract and abnormal creatures, the narrative is an unusual way to show a relationship which falls apart, these creatures in the end come together to make one being.  The unusualness of this video will keep people watching
Gracious K - Migraine Skank
Forms and conventions Genre: Hip Hop, dance Video director:  Date released: 2009 Type of video: performance, narrative  Adherence to Hip Hop music video conventions: Choreographed dancing Use of close-ups to show facial  expressions Variety of camera techniques Stylish costumes Clear relationship between language  and images Jump cutting Flashy jewellery/ bling All the women in the video are sexually  provocative Low angle shots
Representation  Shows that these rappers go to the best parties and people want to be like them because of this and the money He is represented as knowing all the most established people in the music industry and he moves in big social circles
Institutions Available on iTunes (original and hot new remixes). Video features N-Dubz, Chipmunk, DJ Ironik, Giggs, Bashy, Diversity (Britain's Got Talent) + Flawless, Cairon (Big Brother), Trevor Nelson & Gemma, Ricky & Melvin, Mistajam, Ras Kwame, Abrantee, Eddie Kadi, Ace & Vis, Tribal Man, Loick, Selah & more!
Audiences Shows other famous rap artists which may attract their fans to this song Shows that these rappers go to the best parties and people want to be like them because of this and the money (uses and gratifications theory – personal identity)

music work

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    Forms and conventionsGenre: R’n’B, Pop Video Director: Date Released: March 26, 2003 Type Of Video: Performance, Narrative Adherence to R’n’B/pop music video conventions: Choreographed dancing Use of close-ups to show facial expressions Variety of camera techniques Stylish costumes Clear relationship between language and images Jump cutting Flashy jewellery/ bling All the women in the video are sexually provocative
  • 3.
    Representation The jewelleryand the luxury connotes his high status All the women he attracts shows that he’s a desirable male
  • 4.
    Institutions Marques Houstonbelongs to the ultimate group entertainment (TUG) which is a subsidiary of universal records. Universal records is one of the big 4, which is an oligopoly over the music industry The song is on YouTube and various other sites 795,096 views on YouTube
  • 5.
    Audiences Male audiencesmay receive visual pleasure from looking at the females in the video (the male gaze – Laura Mulvey, feminist film theorist) Male Audiences may identify with Marques in different ways from his mise en scene (uses and gratifications theory – personal identity) The video is also humours because Marques keeps looking at these random girls while he is with his girlfriend and she keeps getting mad at him. The women have the control in this video ( post feminist)
  • 6.
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    Forms and conventionsGenre: alternative rock Video director: Shane Drake Date released: November 21 2007 Type of video: performance, concept Adherence to rock music video conventions: Instruments-guitars and drums Close ups on Singer Dressed casually Break the instruments Energetic and lively videos High key lighting
  • 8.
    Representation Talented rockersfrom how they play their instuments themselves Low angle on guitar players show that he has a high status and he is idolized The singer has red hair with yellow ends which shows that the band is doing their own thing and being their own band
  • 9.
  • 10.
    Institutions Paramore belongsto Fueled by ramen, which is an independent record label The song is playable on some music video games such as rock band, guitar hero on tour: decade and ultimate band The single won a teen choice award for best rock track
  • 11.
    Audiences Theband is aimed at teenagers which is shown by the way they dress, make their hair and from what they sing about. (uses and gratifications theory – personal identity) People may want to be like her because of how rebellious she is
  • 12.
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    Forms and conventionsGenre: R’n’B Video director: Diane Martel Date released: October 21 2008 Type of video: Performance, Narrative Adherence to R’n’B music video conventions: Flashy jewellery/ bling Variety of camera angles Use of close-ups to show facial expressions Stylish costumes Troubled relationships Jump cuts High angle shots
  • 14.
    Representation He hasmoney which is shown by his stylish clothing He is represented as just human in this video since he has problems and sadness in his life which is more realistic then them being billionaires and having random parties
  • 15.
    Institution Def jamis the label Ne-yo belongs to which is a subsidiary label to universal music group Reached a peak position of 3 on the UK R’n’B chart Has 17,340,036 views on YouTube
  • 16.
    Audiences People whorelate to him, who have troubled relationships can identify with him so they would want to hear his music which could make them feel like their not alone (personal Identity, uses and gratifications)
  • 17.
  • 18.
    Forms and conventionsGenre: alternative metal Video director: Adam Jones Date released: 2001 Type of video: concept, narrative? Adherence to alternative metal conventions Dystopia Low key lighting Low and high angles Different species Pale, gothic mise en scene
  • 19.
    Representation Unconventionalrepresentation of abnormal humans, it represents these creatures as in pieces which fit together which is what the song is about.
  • 20.
    Institutions Tool wonthe Grammy Award for Best Metal Performance for the song in 2002 Schism is renowned for its use of uncommon time signatures and the frequency of its meter changes. In one analysis of the song the song alters meter 47 times Tool belongs to tool dissertational which is a subsidiary label of Sony, tool dissertational was created after their law suit in the 1990’s with their record label at the time, volcano entertainment.
  • 21.
    Audiences People wholike abstract and abnormal creatures, the narrative is an unusual way to show a relationship which falls apart, these creatures in the end come together to make one being. The unusualness of this video will keep people watching
  • 22.
    Gracious K -Migraine Skank
  • 23.
    Forms and conventionsGenre: Hip Hop, dance Video director: Date released: 2009 Type of video: performance, narrative Adherence to Hip Hop music video conventions: Choreographed dancing Use of close-ups to show facial expressions Variety of camera techniques Stylish costumes Clear relationship between language and images Jump cutting Flashy jewellery/ bling All the women in the video are sexually provocative Low angle shots
  • 24.
    Representation Showsthat these rappers go to the best parties and people want to be like them because of this and the money He is represented as knowing all the most established people in the music industry and he moves in big social circles
  • 25.
    Institutions Available oniTunes (original and hot new remixes). Video features N-Dubz, Chipmunk, DJ Ironik, Giggs, Bashy, Diversity (Britain's Got Talent) + Flawless, Cairon (Big Brother), Trevor Nelson & Gemma, Ricky & Melvin, Mistajam, Ras Kwame, Abrantee, Eddie Kadi, Ace & Vis, Tribal Man, Loick, Selah & more!
  • 26.
    Audiences Shows otherfamous rap artists which may attract their fans to this song Shows that these rappers go to the best parties and people want to be like them because of this and the money (uses and gratifications theory – personal identity)