Maya lecture
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This course provides an introduction to basic design principles and elements of two-dimensional art. Students will explore a variety of media and techniques. Concepts covered include line, shape, value, color, texture, and composition as well as creative problem solving.
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Prefatory Slide Lecture
This document outlines some basic properties of art, including form and content. Form refers to visual aspects like line, shape, color, space, and composition. Content refers to non-visual aspects like social context and meaning. Key elements of form are discussed, such as line types, color properties, texture, perspective, and styles. Content includes the context, intention, and meanings associated with a work of art.
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The document provides an overview of ancient Near Eastern art from Mesopotamia and surrounding regions between 3500-2200 BCE. It describes the rise of city-states in Sumer and the importance of ziggurats and temples, as well as votive statues dedicated to gods. It then discusses the later Akkadian and Babylonian empires that rose in the region and their artistic styles, culminating with the Code of Hammurabi.
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The document lists several famous paintings from the 19th century including works by Ingres, Manet, Monet, Renoir, Cassatt, and Morisot. Key paintings mentioned are Napoleon at his throne by Ingres from 1800, Luncheon on the Grass and Olympia by Manet from 1863, Impression, Sunrise by Monet from 1872, Moulin de la galette and La Loge by Renoir from 1876 and 1878, At The Opera and Five o clock tea by Cassatt from 1878 and 1880, and woman and child at the balcony, Psyche, and Wet Nurse by Morisot from 1871, 1876, and 1880.
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The document discusses art movements and artists from the 18th century, including Rococo and Neoclassicism styles. It mentions paintings by Johann Zoffany depicting Royal Academicians and the Tribuna of the Uffizi gallery. The document also references works by Angelica Kauffmann such as her painting "Cornelia, Mother of the Gracchi, pointing to children as her treasures" as well as artists Elisabeth Vigee-Lebrun who painted Marie Antoinette and Jacques-Louis David's portrait of Marie Antoinette.
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Women are often portrayed as objects that exist for the male gaze in media and society. This reduces women's humanity and places the power to define women's worth in the hands of how appealing they are to the male perspective. Such objectification and lack of agency promotes a culture that disrespects women and fails to recognize their full humanity beyond physical appearance.
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- 1. LTCC Art 107