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Guitarra I    9     15   19 Milonga de Junio                                                                                                                                                                                                             23                         27 Máximo Diego Pujol                                                                                                                                                              35                                                              31 V.S.
2 Guitarra I                       40  46  53   58  64              3                                             3                      3                                         3                      69 74                                                                                                                                              80         84                

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Maximo diego-pujol-milonga-de-junio-guitarra-i

  • 1.
    Guitarra I    9    15   19 Milonga de Junio                                                                                                                                                                                                             23                         27 Máximo Diego Pujol                                                                                                                                                              35                                                              31 V.S.
  • 2.
    2 Guitarra I                      40  46  53   58  64              3                                             3                      3                                         3                      69 74                                                                                                                                              80         84                