The document provides an overview of an infrastructure optimization assessment conducted for Sample Scientific. It finds that Sample Scientific's infrastructure optimization capabilities are currently basic across business productivity, collaboration, unified communications, and enterprise content management. Advancing these capabilities to a standardized level is estimated to generate annual value between $423,623 to $1,704,292 by increasing productivity and reducing costs. The report provides recommendations to help Sample Scientific optimize its infrastructure.
This storyboard uses extreme close-ups in the live action shots to show intricate movements with quick cuts, focusing on stereotypical elements like a car keypad. Shot 12 fades from live action to stop motion shots inside the car to bridge the transition smoothly without an abrupt jump between the sequences. The stop motion shots will depict the scene inside the car.
A2 Media Studies Advanced Portfolio Schedule Jessjessicasquires
This document outlines the schedule and progress of a media studies advanced portfolio project. It includes tasks such as completing research, planning, rough cuts, final cuts, album covers, and posters. Deadlines are assigned to each task, and actual completion dates are tracked. The schedule also allows marking the progress of tasks as incomplete or completed. The final deadline for handing in the project is December 1st, 2009.
The document outlines a project schedule and progression record from February 26th 2010. It shows that research was completed on October 23rd 2009 and planning was completed on November 5th 2009, both meeting their deadlines. The key denotes that tasks marked in green were completed and met their deadlines, while incomplete tasks that missed deadlines are in red.
This document outlines a project schedule from February 26th 2010, showing the key stages completed such as research by October 23rd 2009, planning by November 5th 2009, and a rough cut by November 13th 2009, with further milestones of a first draft checklist by December 1st 2009 and a final cut and digi-pack completion targeted for January 29th and February 26th 2010 respectively.
The document outlines a project schedule and progression record from February 26th 2010. It shows that research was completed by October 23rd 2009 and was both complete and met its deadline.
This document provides a schedule and progression record for a project from February 26th, 2010. It outlines the key dates that various parts of the project were completed, including research being finished by October 23rd 2009, planning completed by November 5th 2009, a rough cut finished by November 13th 2009, and a final cut and digi-pack being completed by January 29th and February 26th 2010 respectively, with an evaluation taking place on November 30th 2009.
This document outlines the schedule and progress of a project from initial research through completion. Key dates include:
- Research was completed by October 23rd, 2009.
- Planning was finished by November 5th, 2009, ahead of the predicted date.
- The rough cut was completed by November 13th, 2009, meeting the deadline.
- The final cut and packaging were finished by February 26th, 2010, with all deadlines for the project being met.
The document provides an overview of an infrastructure optimization assessment conducted for Sample Scientific. It finds that Sample Scientific's infrastructure optimization capabilities are currently basic across business productivity, collaboration, unified communications, and enterprise content management. Advancing these capabilities to a standardized level is estimated to generate annual value between $423,623 to $1,704,292 by increasing productivity and reducing costs. The report provides recommendations to help Sample Scientific optimize its infrastructure.
This storyboard uses extreme close-ups in the live action shots to show intricate movements with quick cuts, focusing on stereotypical elements like a car keypad. Shot 12 fades from live action to stop motion shots inside the car to bridge the transition smoothly without an abrupt jump between the sequences. The stop motion shots will depict the scene inside the car.
A2 Media Studies Advanced Portfolio Schedule Jessjessicasquires
This document outlines the schedule and progress of a media studies advanced portfolio project. It includes tasks such as completing research, planning, rough cuts, final cuts, album covers, and posters. Deadlines are assigned to each task, and actual completion dates are tracked. The schedule also allows marking the progress of tasks as incomplete or completed. The final deadline for handing in the project is December 1st, 2009.
The document outlines a project schedule and progression record from February 26th 2010. It shows that research was completed on October 23rd 2009 and planning was completed on November 5th 2009, both meeting their deadlines. The key denotes that tasks marked in green were completed and met their deadlines, while incomplete tasks that missed deadlines are in red.
This document outlines a project schedule from February 26th 2010, showing the key stages completed such as research by October 23rd 2009, planning by November 5th 2009, and a rough cut by November 13th 2009, with further milestones of a first draft checklist by December 1st 2009 and a final cut and digi-pack completion targeted for January 29th and February 26th 2010 respectively.
The document outlines a project schedule and progression record from February 26th 2010. It shows that research was completed by October 23rd 2009 and was both complete and met its deadline.
This document provides a schedule and progression record for a project from February 26th, 2010. It outlines the key dates that various parts of the project were completed, including research being finished by October 23rd 2009, planning completed by November 5th 2009, a rough cut finished by November 13th 2009, and a final cut and digi-pack being completed by January 29th and February 26th 2010 respectively, with an evaluation taking place on November 30th 2009.
This document outlines the schedule and progress of a project from initial research through completion. Key dates include:
- Research was completed by October 23rd, 2009.
- Planning was finished by November 5th, 2009, ahead of the predicted date.
- The rough cut was completed by November 13th, 2009, meeting the deadline.
- The final cut and packaging were finished by February 26th, 2010, with all deadlines for the project being met.
This document provides a schedule and progression record for a project from February 26th, 2010. It outlines the key dates that various parts of the project were completed, including research being finished by October 23rd 2009, planning completed by November 5th 2009, a rough cut finished by November 13th 2009, and a final cut and digi-pack being completed by January 29th and February 26th 2010 respectively, with an evaluation taking place on November 30th 2009.
The document outlines a project schedule from February 26th 2010, showing that research was completed by October 23rd 2009, planning was finished by November 5th 2009, and a rough cut was finished by November 13th 2009 with a first hand in deadline of December 1st 2009.
This document outlines the schedule and progress of a music video project from research through completion. Key dates include:
- Research was completed by October 23rd 2009 and planning was finished by November 5th 2009.
- The rough cut was finished earlier than scheduled on November 11th 2009.
- Final cuts were delayed until February 26th 2010 due to snow but the digipack and evaluation were completed as planned.
The document discusses the ways in which the media product challenges conventions of real media products. It analyzes the music video against theories of music video conventions proposed by Andrew Goodwin. The music video uses unconventional elements like location and characters (Lego band members) while also incorporating some conventional elements like quick cuts and close-ups. Audience feedback revealed a preference for simplicity, intertextuality, ambiguous shots, and enough visual stimulation through color and shots of the band, while still defying conventions in a coherent way. Based on this, some changes were made to the digipack products.
The document summarizes the shots used in the storyboard for a music video. It describes various shot types used, including establishing shots, mid-shots, close-ups, and canted angles. It explains that establishing shots are used to set the scene and location. Mid-shots and close-ups showcase specific elements like the drummer's intricate playing. Canted angles show the crowd and display individual emotions. The storyboard utilizes different angles, like from the camera operator, to portray an authentic music performance.
The document discusses album covers, posters, and merchandise from the electronic music duo Daft Punk. It analyzes the consistent stylistic elements across their releases from 1997 to 2007, including the use of simplistic black and metallic color schemes representing their futuristic sound. A key point is how Daft Punk engages their target audience through unconventional techniques like varying album title prominence and using intertextuality across releases to build intrigue without clearly defining their genre. The document also examines the influence of the "Daft Bodies" dance video created by fans in 2007, which gained widespread popularity online and led to greater commercial success and merchandise sales for Daft Punk's music.
This document analyzes the intertextuality used in the album artwork, singles, music videos, and merchandise for Take That's 2008 album "The Circus". It discusses how consistent colors, themes, fonts, and imagery were used across materials to create unconscious links between the artists and their music for a wide audience. Key elements like the sky blue background and circus props helped tie the various releases together under the overarching "Circus" theme.
The document outlines a schedule for a product development project including:
1. Various stages of front cover development from mock ups to finalization.
2. Content creation including blogging, editing, and finalizing two-page spreads.
3. A final update was added to document the full project schedule and added final products like a cover, content, and double page spread.
Stoke Film Theatre shows a wider variety of independent, foreign, and non-mainstream films compared to multiplex cinemas. Multiplex cinemas aim to make a profit by appealing to broad audiences with popular mainstream genres like comedy, romance, and action films. While multiplexes offer more total choices, their selections emphasize big commercial releases and cater mostly to mainstream tastes in order to earn higher revenues. Independent theaters help ensure diversity in cinema by providing access to films from different cultures and perspectives that might not otherwise reach audiences.
The document discusses several photo shoots with models positioned in different configurations. The photographer took multiple shots, making minor adjustments to the positioning and poses of the models in red, orange, green and purple in each shot. The goal was to create a symmetrical composition while showing individuality and avoiding problems like glare or unconventional facial expressions. In one successful shot, the orange and green models' hips were touching in a V shape with the red and purple models level and looking in different directions.
1. Film4 is a free digital television channel in the UK owned by Channel 4 that screens films.
2. It was originally a subscription service but became free-to-air in 2006 to increase its availability from 300,000 households to 18 million.
3. Film4 funds between 15-20 films per year through financing, production, distribution and broadcasting on both free and pay TV. It supports new talent through subsidiaries like FilmFour Lab.
This document outlines the schedule and process for developing a front cover and content pages for a publication. It includes stages for photo shoots, blog reviews, editing, evaluations, preliminary drafts, finalizing designs, choosing ideas and images, developing questionnaires, and incorporating feedback to complete the final product. The expected finish date for analysis and the final cover is November 9th, 2008.
The document discusses how the creator of an indie magazine tried to balance conventions with challenging conventions through their use of color, fonts, and imagery. Bright, clashing colors were used conventionally but also pushed boundaries. Font choices fit with indie aesthetics while allowing room for creativity. Photos featured indie fashion icons and natural settings to tell visual stories in a way that was both conventional and individual. Overall, the creator found success by strategically challenging and adhering to conventions.
Clash Magazine inspired the document author's front cover design through its unique and varied use of colors, typefaces, and layouts across issues while still maintaining a consistent and recognizable style. Though each issue presents the themes and genres of music differently, Clash challenges conventions to effectively represent the diversity of indie music and culture to its target audience.
AS Britsih Film Research (working title films)jessicasquires
Working Title Films is a British film production company founded in 1984 in London. It produces feature films and television shows across a variety of genres from comedy to drama. Some of Working Title Films' most successful productions include Four Weddings and a Funeral, Pride & Prejudice, Shaun of the Dead, Love Actually, and Atonement, with worldwide box office earnings totaling over $500 million collectively.
The document discusses several photo shoots with models positioned in different configurations. The photographer took multiple shots, making minor adjustments to the positioning and expressions of the models in each shot. In one effective configuration, two models were positioned with their hips touching to form a V-shape, looking in different directions to intrigue viewers while also creating symmetry. However, issues like unintended facial expressions, hair in faces, and models being off-center persisted across the various shots.
This document provides a schedule and progression record for a project from February 26th, 2010. It outlines the key dates that various parts of the project were completed, including research being finished by October 23rd 2009, planning completed by November 5th 2009, a rough cut finished by November 13th 2009, and a final cut and digi-pack being completed by January 29th and February 26th 2010 respectively, with an evaluation taking place on November 30th 2009.
The document outlines a project schedule from February 26th 2010, showing that research was completed by October 23rd 2009, planning was finished by November 5th 2009, and a rough cut was finished by November 13th 2009 with a first hand in deadline of December 1st 2009.
This document outlines the schedule and progress of a music video project from research through completion. Key dates include:
- Research was completed by October 23rd 2009 and planning was finished by November 5th 2009.
- The rough cut was finished earlier than scheduled on November 11th 2009.
- Final cuts were delayed until February 26th 2010 due to snow but the digipack and evaluation were completed as planned.
The document discusses the ways in which the media product challenges conventions of real media products. It analyzes the music video against theories of music video conventions proposed by Andrew Goodwin. The music video uses unconventional elements like location and characters (Lego band members) while also incorporating some conventional elements like quick cuts and close-ups. Audience feedback revealed a preference for simplicity, intertextuality, ambiguous shots, and enough visual stimulation through color and shots of the band, while still defying conventions in a coherent way. Based on this, some changes were made to the digipack products.
The document summarizes the shots used in the storyboard for a music video. It describes various shot types used, including establishing shots, mid-shots, close-ups, and canted angles. It explains that establishing shots are used to set the scene and location. Mid-shots and close-ups showcase specific elements like the drummer's intricate playing. Canted angles show the crowd and display individual emotions. The storyboard utilizes different angles, like from the camera operator, to portray an authentic music performance.
The document discusses album covers, posters, and merchandise from the electronic music duo Daft Punk. It analyzes the consistent stylistic elements across their releases from 1997 to 2007, including the use of simplistic black and metallic color schemes representing their futuristic sound. A key point is how Daft Punk engages their target audience through unconventional techniques like varying album title prominence and using intertextuality across releases to build intrigue without clearly defining their genre. The document also examines the influence of the "Daft Bodies" dance video created by fans in 2007, which gained widespread popularity online and led to greater commercial success and merchandise sales for Daft Punk's music.
This document analyzes the intertextuality used in the album artwork, singles, music videos, and merchandise for Take That's 2008 album "The Circus". It discusses how consistent colors, themes, fonts, and imagery were used across materials to create unconscious links between the artists and their music for a wide audience. Key elements like the sky blue background and circus props helped tie the various releases together under the overarching "Circus" theme.
The document outlines a schedule for a product development project including:
1. Various stages of front cover development from mock ups to finalization.
2. Content creation including blogging, editing, and finalizing two-page spreads.
3. A final update was added to document the full project schedule and added final products like a cover, content, and double page spread.
Stoke Film Theatre shows a wider variety of independent, foreign, and non-mainstream films compared to multiplex cinemas. Multiplex cinemas aim to make a profit by appealing to broad audiences with popular mainstream genres like comedy, romance, and action films. While multiplexes offer more total choices, their selections emphasize big commercial releases and cater mostly to mainstream tastes in order to earn higher revenues. Independent theaters help ensure diversity in cinema by providing access to films from different cultures and perspectives that might not otherwise reach audiences.
The document discusses several photo shoots with models positioned in different configurations. The photographer took multiple shots, making minor adjustments to the positioning and poses of the models in red, orange, green and purple in each shot. The goal was to create a symmetrical composition while showing individuality and avoiding problems like glare or unconventional facial expressions. In one successful shot, the orange and green models' hips were touching in a V shape with the red and purple models level and looking in different directions.
1. Film4 is a free digital television channel in the UK owned by Channel 4 that screens films.
2. It was originally a subscription service but became free-to-air in 2006 to increase its availability from 300,000 households to 18 million.
3. Film4 funds between 15-20 films per year through financing, production, distribution and broadcasting on both free and pay TV. It supports new talent through subsidiaries like FilmFour Lab.
This document outlines the schedule and process for developing a front cover and content pages for a publication. It includes stages for photo shoots, blog reviews, editing, evaluations, preliminary drafts, finalizing designs, choosing ideas and images, developing questionnaires, and incorporating feedback to complete the final product. The expected finish date for analysis and the final cover is November 9th, 2008.
The document discusses how the creator of an indie magazine tried to balance conventions with challenging conventions through their use of color, fonts, and imagery. Bright, clashing colors were used conventionally but also pushed boundaries. Font choices fit with indie aesthetics while allowing room for creativity. Photos featured indie fashion icons and natural settings to tell visual stories in a way that was both conventional and individual. Overall, the creator found success by strategically challenging and adhering to conventions.
Clash Magazine inspired the document author's front cover design through its unique and varied use of colors, typefaces, and layouts across issues while still maintaining a consistent and recognizable style. Though each issue presents the themes and genres of music differently, Clash challenges conventions to effectively represent the diversity of indie music and culture to its target audience.
AS Britsih Film Research (working title films)jessicasquires
Working Title Films is a British film production company founded in 1984 in London. It produces feature films and television shows across a variety of genres from comedy to drama. Some of Working Title Films' most successful productions include Four Weddings and a Funeral, Pride & Prejudice, Shaun of the Dead, Love Actually, and Atonement, with worldwide box office earnings totaling over $500 million collectively.
The document discusses several photo shoots with models positioned in different configurations. The photographer took multiple shots, making minor adjustments to the positioning and expressions of the models in each shot. In one effective configuration, two models were positioned with their hips touching to form a V-shape, looking in different directions to intrigue viewers while also creating symmetry. However, issues like unintended facial expressions, hair in faces, and models being off-center persisted across the various shots.
KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA
The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA