Lonely Tree productions
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The document describes plans for an opening sequence for a mystery film called "Curious Minds". Robert Oliver will compose the soundtrack for the opening sequence, which will feature shots of the backs of Cambridge colleges set to a guitar and piano score. The sequence will then show groups in Trinity Street and focus in on the main character, Mr. Horthorn, as he receives a phone call. Potential challenges include dealing with weather and filming people in the street.
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Analysis of high hopes
The document analyzes the music video for Kodaline's "High Hopes" using narrative theory. It identifies three main characters - two men and a woman. The first man is suicidal but is saved by the woman, making her the hero and him the princess according to Propp's theory. However, their roles could be reversed when she gets in his car to escape the men chasing her, making him the hero and her the princess. These chasing men are identified as the villains. The video also touches on Todorov's theory of equilibrium, showing a sense of calm between the two protagonists before the villain disrupts it by shooting them. It briefly explores the postmodern theme of flashbacks when the couple
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This document outlines ideas for two film genres: a horror film and a romantic comedy.
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Shady records case study
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This document provides information on three potential artists for a music video coursework:
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2) Wrabel, an American singer-songwriter whose album "Sideways" contains the song "Ten Feet Tall".
3) Ella Henderson, a British pop and soul singer who rose to fame on The X Factor and whose debut album is "Chapter One".
Tom jones
Tom Jones became the front man for the band Tommy Scott and the Senators, but had little success with them. While performing with the band, Jones was discovered by Gordon Mills, who became his manager. Mills took Jones to London to begin a solo career. Jones's first album did not chart but his second, featuring the hit single "It's Not Unusual," reached number one internationally and launched his career as a successful solo artist.
We will rock you
The document summarizes performances the author has seen, including Mamma Mia, Blood Brothers, and We Will Rock You. It provides more details about We Will Rock You, noting that it is based on Queen songs and set in the future. Background on Queen and its members Brian May, Freddie Mercury, and Roger Taylor is presented. Freddie Mercury's biography and the charity founded after his death from AIDS is covered. The storyline of We Will Rock You is summarized, which is set in 2046 in a future where live music has been banned.
Access by CP Lee, part of the Research, Innovation & Enterprise Exchange powe...
Access by CP Lee, part of the Research, Innovation & Enterprise Exchange powe...University of Salford
Research, Innovation & Enterprise Exchange
powered by PechaKucha
Thu 31 Jan, 2013
University of Salford
http://uos_research_exchange.eventbrite.co.ukPitch 1
The document proposes an idea for a music video about revenge. In the proposed story, a teenage girl finds out her boyfriend has been cheating on her and becomes overwhelmed with anger and the desire for revenge. At the beginning of the video, the girl is depicted as innocent, but after discovering the cheating, she transforms into a "bad ass" girl dressed all in black with dark makeup and piercings. Throughout the video, the girl is surrounded by smoke, fire and other dark elements as she destroys belongings of her ex-boyfriend, such as his guitar, bike, and car, to enact her revenge.
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Analysis of high hopes
The document analyzes the music video for Kodaline's "High Hopes" using narrative theory. It identifies three main characters - two men and a woman. The first man is suicidal but is saved by the woman, making her the hero and him the princess according to Propp's theory. However, their roles could be reversed when she gets in his car to escape the men chasing her, making him the hero and her the princess. These chasing men are identified as the villains. The video also touches on Todorov's theory of equilibrium, showing a sense of calm between the two protagonists before the villain disrupts it by shooting them. It briefly explores the postmodern theme of flashbacks when the couple
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This document outlines ideas for two film genres: a horror film and a romantic comedy.
For the horror film, the document provides details on conventions like good vs. evil battles, blood and gore, dark atmospheres, and flashing cuts. The proposed storyline follows a group of girls exploring an old railroad where ghost rumors turn out to be true. Locations mentioned include train tracks, woodland, old houses, and cars.
For the romantic comedy, conventions discussed include love, humor, jokes, family, and sad music. The proposed storyline is about an ex-wife and son staying with the ex-husband and his new, young girlfriend after their house burns down. Locations proposed are beaches, houses,
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This document provides information on three potential artists for a music video coursework:
1) Afrojack, a Dutch DJ and producer known for collaborating with major artists and his album "Forget The World".
2) Wrabel, an American singer-songwriter whose album "Sideways" contains the song "Ten Feet Tall".
3) Ella Henderson, a British pop and soul singer who rose to fame on The X Factor and whose debut album is "Chapter One".
Tom jones
Tom Jones became the front man for the band Tommy Scott and the Senators, but had little success with them. While performing with the band, Jones was discovered by Gordon Mills, who became his manager. Mills took Jones to London to begin a solo career. Jones's first album did not chart but his second, featuring the hit single "It's Not Unusual," reached number one internationally and launched his career as a successful solo artist.
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Access by CP Lee, part of the Research, Innovation & Enterprise Exchange powe...
Access by CP Lee, part of the Research, Innovation & Enterprise Exchange powe...University of Salford
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The fast lane opening sequence ppt
The document outlines a proposed opening sequence for a UK drama film titled "The Fast Lane". The sequence introduces the main characters Cavell, a teenager living alone after his mother's death, and his friend Damien. It would show Cavell waking up and meeting Damien, who picks him up. They have a brief conversation about Cavell's loss before witnessing a drug exchange that turns tense, scattering when police sirens are heard. The document discusses inspiration drawn from similar UK films and details production plans for shooting, actors, and distributor Revolver Films.
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The fast lane opening sequence ppt
The document outlines a proposed opening sequence for a UK drama film titled "The Fast Lane". The sequence introduces the main characters Cavell, a teenager living alone after his mother's death, and his friend Damien. It would show Cavell waking up and meeting Damien, who picks him up. They have a brief conversation about Cavell's loss before witnessing a drug exchange that turns tense, scattering when police sirens are heard. The document discusses inspiration drawn from similar UK films and details production plans for shooting, actors, and distributor Revolver Films.
The fast lane opening sequence ppt
The document outlines a proposed opening sequence for a UK drama film titled "The Fast Lane". The sequence introduces the main characters Cavell, a teenager living alone after his mother's death, and his friend Damien. It would show Cavell waking up and meeting Damien, who picks him up. They have a brief conversation about Cavell's loss before witnessing a drug exchange that turns tense, scattering when police sirens are heard. The document discusses inspiration drawn from similar UK films and details production plans for shooting, actors, and distributor Revolver Films.
The fast lane opening sequence ppt
The document outlines a proposed opening sequence for a UK drama film titled "The Fast Lane". The sequence introduces the main characters Cavell, a teenager living alone after his mother's death, and his friend Damien. It would show Cavell waking up and meeting Damien, who picks him up. They have a brief conversation about Cavell's loss before witnessing a drug exchange that turns tense, scattering when police sirens are heard. The document discusses inspiration drawn from similar UK films and details production plans for shooting, actors, and distributor.
The fast lane opening sequence ppt
The document outlines a proposed opening sequence for a UK drama film titled "The Fast Lane". The sequence introduces the main characters Cavell, a teenager living alone after his mother's death, and his friend Damien. It would show Cavell waking up and meeting Damien, who picks him up. They have a brief conversation about Cavell's loss before witnessing a drug exchange that turns tense, scattering when police sirens are heard. The document discusses inspiration drawn from similar UK films and details production plans for shooting and distributing the opening sequence.
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The document outlines a proposed opening sequence for a UK drama film titled "The Fast Lane". The sequence introduces the main characters Cavell, a teenager living alone after his mother's death, and his friend Damien. It would show Cavell waking up and meeting Damien, who picks him up. They have a brief conversation about Cavell's loss before witnessing a drug exchange that turns tense, scattering when police sirens are heard. The document discusses inspiration drawn from similar UK films and details production plans for shooting, actors, and distributor.
The Fast Lane Opening Sequence
The document outlines a proposed opening sequence for a UK drama film titled "The Fast Lane". The sequence introduces the main characters Cavell, a teenager living alone after his mother's death, and his friend Damien. It would show Cavell waking up and meeting Damien, who picks him up in a car. They have a brief conversation about Cavell's situation before witnessing a drug exchange that turns tense, causing the groups to scatter when police sirens are heard. The filmmakers drew inspiration from similar UK youth dramas and plan to shoot the sequence with various camera techniques over the scheduled days.
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The document outlines a proposed opening sequence for a UK drama about a teenage boy named Cavell living in London who is trapped in gang culture after his mother's death. The sequence would show Cavell waking up and meeting with his friend Damien, who also sells drugs. They would witness a drug exchange that turns tense, fleeing when police sirens are heard. The filmmakers drew inspiration from similar UK dramas and planned to shoot the sequence over two days with actors Ben Tedeku as Cavell and Lavell as Damien. They would distribute the film through Revolver Films, known for distributing successful UK films about urban youth.
The fast lane (opening sequence)
This document outlines a proposed opening sequence for a UK drama film about a London teenager named Cavell who is trapped in gang culture after his mother's death. The sequence would show Cavell waking up and meeting with his friend Damien, who supports him. They would then conduct a drug deal that goes wrong, fleeing from police. The film aims to capture the lives of troubled UK youth. It draws inspiration from similar films and hopes to appeal to audiences aged 16-24 with its portrayal of gang culture in London.
Neumann 1Neumann 2Maria NeumannJ. Gleason Cinema 26Mar. .docx
Neumann 1
Neumann 2
Maria Neumann
J. Gleason
Cinema 26
Mar. 2, 2020Midterm Proposal
Billy Wilder’s Sunset Boulevard from 1950 gives us a new outlook on noir films. This film isn’t the traditional crime investigation content. The plot focuses on how the talent of a star dies out without her realizing it. As she enlists the help of a young aspiring writer, holding him in her mansion, she manipulates him to make her feel like the star she once was. The scene where Joe stumbles on the driveway of Norma’s mansion as he is being chased by the people trying to take his car and the mansion seems to be abandoned. When he gets out of the car to explore the house, which seems to be more a haunted house by its condition reminds me of a similar scene in Alex Garland’s Ex Machina from 2014. As Kevin arrives at his boss’s house, which is very secluded and far away from everything, we can see that there’s something fishy going on. Especially since when he arrives it’s gloomy and the environment seems blue. Much like in Sunset Boulevard, Ex Machina follows the story of a man being manipulated by someone else that seems to know more about what is really happening around them.
Key Reminders
Properly punctuate titles, spell check, re-read for clarity
Anyone should be able to pick up this paper and read it without
prior knowledge of the topic or the film, give a proper intro
Don’t state the obvious (i.e. saying a silent film uses sound differently
than a sound film)
Don’t use “I” or “my” statements (No “I think”, “I am going to talk
about…”, “it drew my attention”) Speak objectively about the film and
use your examples to back up your point. Talk about the film from the
“audience” or “viewer” perspective.
You are making an argument! State your case…
Form a thesis statement
Look for something specific
Choose scenes that actually back up your point
Be specific with your examples
Be specific with the details in your examples
Don’t repeat yourself or talk in circles
Pick a Topic, Stay on Topic
Things to Analyze
Camera Movement
Lighting
Editing
Color*
Sound Design*
Production Design
Wardrobe
Shot Size
Camera Angle
Blocking of Actors
My Darling Clementine, John Ford (1946)
Dunkirk, Christopher Nolan (2017)
“
Intro + Thesis: Perspective is a useful tool in
cinema. Shootout scenes from the end of John
Ford’s 1946 western My Darling Clementine and the
beginning of 2017’s Dunkirk by Christopher Nolan
play with perspective in different ways. While they
both use naturalistic sound design to place a
viewer in the action, the films have contrasting
camera styles that makes the audience observers
in Clementine and participants in Dunkirk.
“
As Earp’s character approaches the OK Corral, the sound is barely
audible. It only includes the ambience of the West and Earp’s footsteps
crunching in the dirt. The wide shot holds steady as he comes nearer…
The stagecoach we saw in the distance mom.
John's script
Die Hard 3 is an action film starring Bruce Willis as John McClane. The film follows McClane as he works to stop a terrorist, Simon Gruber, from taking control of New York City. Gruber seeks revenge on McClane for his brother's death in the previous film. McClane teams up with Zeus Carver to disarm bombs and stay ahead of Gruber's deadly plans. The film uses fast editing and intense action scenes to keep audiences engaged as McClane races to save the city from Gruber's violent plot.
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This document provides information about the short film "Contractions" including:
1) The film explores the concept of rebirth and follows how life being pushed back into a person affects their surroundings.
2) It was directed by Christopher Hewitt for the F5 film and animation conference and aims to be abstract to make viewers question what happened before.
3) Details are given about the director and examples of camera angles, sounds, editing, and mise-en-scene used in the film.
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On every street digi
This document provides a track listing and copyright information for an acoustic music video of the album "On Every Street" by the band Damaged Souls. It lists the song titles that are featured in the video and notes that the 2013 video is copyrighted by RobinmcobinPorductions and Universal Records, exclusively for private viewing and not for public or advertising use as all rights are owned by Universal Records.
Digi
This document describes the layout of an object with two sides that each have two sections. The outside of the object has a left and right section, while the inside has another left and right section.
Adverts
This document contains examples of different sized advertisements for musicians and albums in a magazine, including a half page advert, a quarter page advert, and a full page advert. The ads include the name of the artist or group, the album name, release date, product format such as CD or vinyl, picture of the artist or album cover, and sometimes the record label.
Shot list
This document outlines 52 shots that would be used to tell the story of a detective investigating the case of a murdered girl. The shots follow the detective as he reviews case files, evidence, and photos related to the girl. They show his sadness, frustration and determination as he tries to identify a suspect. The shots also depict the suspect, including him speaking to the detective and looking smug. The document concludes with shots of the detective searching for the suspect, with their roles being reversed as the suspect now sees the detective's silhouette.
Production schedule
This production schedule outlines the details for filming the music video "On Every Street" over two days. Day one involves shooting scenes with the victim in a park and filming the detective driving. Day two consists of indoor shots of the suspect and detective in Cherry Hinton Village Centre and exterior shots of the detective walking down the street. The schedule provides crew contact details, a cast list, equipment needed, and a breakdown of shooting times and locations for each day.
The Victim
Sara Church was a student in her late teens or early twenties who was either murdered or died by accident, according to a document that provides little information about her or the circumstances of her death, leaving it up to the audience to decide what happened.
The Detective
Tony Shore is a detective in his late twenties to early thirties who loves his job but gets frustrated when he cannot solve a crime. He doesn't rest until a job is finished and looks beyond the case and suspect into people's lives and motives. The video does not show if Tony solves the case he is working on.
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The fast lane opening sequence ppt
The document outlines a proposed opening sequence for a UK drama film titled "The Fast Lane". The sequence introduces the main characters Cavell, a teenager living alone after his mother's death, and his friend Damien. It would show Cavell waking up and meeting Damien, who picks him up. They have a brief conversation about Cavell's loss before witnessing a drug exchange that turns tense, scattering when police sirens are heard. The document discusses inspiration drawn from similar UK films and details production plans for shooting, actors, and distributor Revolver Films.
The fast lane opening sequence ppt
The document outlines a proposed opening sequence for a UK drama film titled "The Fast Lane". The sequence introduces the main characters Cavell, a teenager living alone after his mother's death, and his friend Damien. It would show Cavell waking up and meeting Damien, who picks him up. They have a brief conversation about Cavell's loss before witnessing a drug exchange that turns tense, scattering when police sirens are heard. The document discusses inspiration drawn from similar UK films and details production plans for shooting and distributing the opening sequence.
The fast lane opening sequence ppt
The document outlines a proposed opening sequence for a UK drama film titled "The Fast Lane". The sequence introduces the main characters Cavell, a teenager living alone after his mother's death, and his friend Damien. It would show Cavell waking up and meeting Damien, who picks him up. They have a brief conversation about Cavell's loss before witnessing a drug exchange that turns tense, scattering when police sirens are heard. The document discusses inspiration drawn from similar UK films and details production plans for shooting, actors, and distributor Revolver Films.
The fast lane opening sequence ppt
The document outlines a proposed opening sequence for a UK drama film titled "The Fast Lane". The sequence introduces the main characters Cavell, a teenager living alone after his mother's death, and his friend Damien. It would show Cavell waking up and meeting Damien, who picks him up. They have a brief conversation about Cavell's loss before witnessing a drug exchange that turns tense, scattering when police sirens are heard. The document discusses inspiration drawn from similar UK films and details production plans for shooting, actors, and distributor Revolver Films.
The fast lane opening sequence ppt
The document outlines a proposed opening sequence for a UK drama film titled "The Fast Lane". The sequence introduces the main characters Cavell, a teenager living alone after his mother's death, and his friend Damien. It would show Cavell waking up and meeting Damien, who picks him up. They have a brief conversation about Cavell's loss before witnessing a drug exchange that turns tense, scattering when police sirens are heard. The document discusses inspiration drawn from similar UK films and details production plans for shooting, actors, and distributor.
The fast lane opening sequence ppt
The document outlines a proposed opening sequence for a UK drama film titled "The Fast Lane". The sequence introduces the main characters Cavell, a teenager living alone after his mother's death, and his friend Damien. It would show Cavell waking up and meeting Damien, who picks him up. They have a brief conversation about Cavell's loss before witnessing a drug exchange that turns tense, scattering when police sirens are heard. The document discusses inspiration drawn from similar UK films and details production plans for shooting and distributing the opening sequence.
The fast lane opening sequence ppt
The document outlines a proposed opening sequence for a UK drama film titled "The Fast Lane". The sequence introduces the main characters Cavell, a teenager living alone after his mother's death, and his friend Damien. It would show Cavell waking up and meeting Damien, who picks him up. They have a brief conversation about Cavell's loss before witnessing a drug exchange that turns tense, scattering when police sirens are heard. The document discusses inspiration drawn from similar UK films and details production plans for shooting, actors, and distributor.
The Fast Lane Opening Sequence
The document outlines a proposed opening sequence for a UK drama film titled "The Fast Lane". The sequence introduces the main characters Cavell, a teenager living alone after his mother's death, and his friend Damien. It would show Cavell waking up and meeting Damien, who picks him up in a car. They have a brief conversation about Cavell's situation before witnessing a drug exchange that turns tense, causing the groups to scatter when police sirens are heard. The filmmakers drew inspiration from similar UK youth dramas and plan to shoot the sequence with various camera techniques over the scheduled days.
The Fast Lane (Opening Sequence)
The document outlines a proposed opening sequence for a UK drama about a teenage boy named Cavell living in London who is trapped in gang culture after his mother's death. The sequence would show Cavell waking up and meeting with his friend Damien, who also sells drugs. They would witness a drug exchange that turns tense, fleeing when police sirens are heard. The filmmakers drew inspiration from similar UK dramas and planned to shoot the sequence over two days with actors Ben Tedeku as Cavell and Lavell as Damien. They would distribute the film through Revolver Films, known for distributing successful UK films about urban youth.
The fast lane (opening sequence)
This document outlines a proposed opening sequence for a UK drama film about a London teenager named Cavell who is trapped in gang culture after his mother's death. The sequence would show Cavell waking up and meeting with his friend Damien, who supports him. They would then conduct a drug deal that goes wrong, fleeing from police. The film aims to capture the lives of troubled UK youth. It draws inspiration from similar films and hopes to appeal to audiences aged 16-24 with its portrayal of gang culture in London.
Neumann 1Neumann 2Maria NeumannJ. Gleason Cinema 26Mar. .docx
Neumann 1
Neumann 2
Maria Neumann
J. Gleason
Cinema 26
Mar. 2, 2020Midterm Proposal
Billy Wilder’s Sunset Boulevard from 1950 gives us a new outlook on noir films. This film isn’t the traditional crime investigation content. The plot focuses on how the talent of a star dies out without her realizing it. As she enlists the help of a young aspiring writer, holding him in her mansion, she manipulates him to make her feel like the star she once was. The scene where Joe stumbles on the driveway of Norma’s mansion as he is being chased by the people trying to take his car and the mansion seems to be abandoned. When he gets out of the car to explore the house, which seems to be more a haunted house by its condition reminds me of a similar scene in Alex Garland’s Ex Machina from 2014. As Kevin arrives at his boss’s house, which is very secluded and far away from everything, we can see that there’s something fishy going on. Especially since when he arrives it’s gloomy and the environment seems blue. Much like in Sunset Boulevard, Ex Machina follows the story of a man being manipulated by someone else that seems to know more about what is really happening around them.
Key Reminders
Properly punctuate titles, spell check, re-read for clarity
Anyone should be able to pick up this paper and read it without
prior knowledge of the topic or the film, give a proper intro
Don’t state the obvious (i.e. saying a silent film uses sound differently
than a sound film)
Don’t use “I” or “my” statements (No “I think”, “I am going to talk
about…”, “it drew my attention”) Speak objectively about the film and
use your examples to back up your point. Talk about the film from the
“audience” or “viewer” perspective.
You are making an argument! State your case…
Form a thesis statement
Look for something specific
Choose scenes that actually back up your point
Be specific with your examples
Be specific with the details in your examples
Don’t repeat yourself or talk in circles
Pick a Topic, Stay on Topic
Things to Analyze
Camera Movement
Lighting
Editing
Color*
Sound Design*
Production Design
Wardrobe
Shot Size
Camera Angle
Blocking of Actors
My Darling Clementine, John Ford (1946)
Dunkirk, Christopher Nolan (2017)
“
Intro + Thesis: Perspective is a useful tool in
cinema. Shootout scenes from the end of John
Ford’s 1946 western My Darling Clementine and the
beginning of 2017’s Dunkirk by Christopher Nolan
play with perspective in different ways. While they
both use naturalistic sound design to place a
viewer in the action, the films have contrasting
camera styles that makes the audience observers
in Clementine and participants in Dunkirk.
“
As Earp’s character approaches the OK Corral, the sound is barely
audible. It only includes the ambience of the West and Earp’s footsteps
crunching in the dirt. The wide shot holds steady as he comes nearer…
The stagecoach we saw in the distance mom.
John's script
Die Hard 3 is an action film starring Bruce Willis as John McClane. The film follows McClane as he works to stop a terrorist, Simon Gruber, from taking control of New York City. Gruber seeks revenge on McClane for his brother's death in the previous film. McClane teams up with Zeus Carver to disarm bombs and stay ahead of Gruber's deadly plans. The film uses fast editing and intense action scenes to keep audiences engaged as McClane races to save the city from Gruber's violent plot.
Contractions
This document provides information about the short film "Contractions" including:
1) The film explores the concept of rebirth and follows how life being pushed back into a person affects their surroundings.
2) It was directed by Christopher Hewitt for the F5 film and animation conference and aims to be abstract to make viewers question what happened before.
3) Details are given about the director and examples of camera angles, sounds, editing, and mise-en-scene used in the film.
Video production
The Big Shave is a 1967 short film directed by Martin Scorsese about a young man shaving in a bathroom. The shave becomes increasingly violent as he cuts himself, culminating in him slitting his own throat. Many interpret this as a metaphor for the self-destructive nature of US involvement in the Vietnam War. Through graphic imagery and an upbeat musical contrast, the film delivers a hard-hitting anti-war message in its depiction of American "cutting its own throat" in Vietnam. Scorsese's stylistic choices like the pristine setting and close-up shots add impact to this early work from the acclaimed director.
Similar to Lonely Tree productions (14)
Neumann 1Neumann 2Maria NeumannJ. Gleason Cinema 26Mar. .docx
Neumann 1Neumann 2Maria NeumannJ. Gleason Cinema 26Mar. .docx
More from robinmcobin
On every street digi
This document provides a track listing and copyright information for an acoustic music video of the album "On Every Street" by the band Damaged Souls. It lists the song titles that are featured in the video and notes that the 2013 video is copyrighted by RobinmcobinPorductions and Universal Records, exclusively for private viewing and not for public or advertising use as all rights are owned by Universal Records.
Digi
This document describes the layout of an object with two sides that each have two sections. The outside of the object has a left and right section, while the inside has another left and right section.
Adverts
This document contains examples of different sized advertisements for musicians and albums in a magazine, including a half page advert, a quarter page advert, and a full page advert. The ads include the name of the artist or group, the album name, release date, product format such as CD or vinyl, picture of the artist or album cover, and sometimes the record label.
Shot list
This document outlines 52 shots that would be used to tell the story of a detective investigating the case of a murdered girl. The shots follow the detective as he reviews case files, evidence, and photos related to the girl. They show his sadness, frustration and determination as he tries to identify a suspect. The shots also depict the suspect, including him speaking to the detective and looking smug. The document concludes with shots of the detective searching for the suspect, with their roles being reversed as the suspect now sees the detective's silhouette.
Production schedule
This production schedule outlines the details for filming the music video "On Every Street" over two days. Day one involves shooting scenes with the victim in a park and filming the detective driving. Day two consists of indoor shots of the suspect and detective in Cherry Hinton Village Centre and exterior shots of the detective walking down the street. The schedule provides crew contact details, a cast list, equipment needed, and a breakdown of shooting times and locations for each day.
The Victim
Sara Church was a student in her late teens or early twenties who was either murdered or died by accident, according to a document that provides little information about her or the circumstances of her death, leaving it up to the audience to decide what happened.
The Detective
Tony Shore is a detective in his late twenties to early thirties who loves his job but gets frustrated when he cannot solve a crime. He doesn't rest until a job is finished and looks beyond the case and suspect into people's lives and motives. The video does not show if Tony solves the case he is working on.
The Suspect
Lewis Roper, a man in his early twenties from Suffolk, England, is accused of murdering Sara despite coming from a well-off family and having a successful career until this accusation. Throughout a music video, Lewis pleads his innocence against evidence that largely points to his guilt, though by the end of the video his fate is not decided and he is not convicted.
The Victim
Sara Church was a student in her late teens or early twenties who was either murdered or died by accident, according to a document that provides little information about her or the circumstances of her death, leaving it up to the audience to decide what happened.
Rob music video vpitch
To demonstrate creativity, the music video would use shots like a moving picture on a case board that becomes a video, a reflection shot showing clips of the victim's life, and a drink in the detective's glass turning to blood as he thinks of the death.
Goodwins Analysis
The document outlines 6 factors that contribute to stage, stadium, and studio performance as well as location filming. It discusses editing video and audio together in time to music or beats. It also mentions using an artist's logo or iconography as well as shots that involve spying, frames within frames, mirror shots, exhibitionism, private views, borrowing actions or phrases from other media, and thanking viewers for watching.
Filming Locations
This document provides filming location suggestions for Cambridge, including getting shots from a punt along the River Cam to set the scene, filming Trinity Street and Trinity Lane where the main character is located, and getting a long shot of Trinity Street showing people going about their business and eventually focusing on the main character.
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Lonely Tree productions
- 2. ROBERT OLIVER I am good at editing and I like the challenge of making complex videos. I enjoy creating music and I have myself composed the films opening sequence soundtrack.
- 3. CURIOUS MINDS Genre: Mystery William Horthorn is a Cambridge Graduate who has a fond interest in the supernatural and historical un-solved crimes. We Follow William in his Quest to Solve an ancient murder mystery in Modern Cambridge. As he begins to un ravel the mystery, attempts to end his life are made. Somebody wants this ancient murder, to remain unsolved.
- 4. FILM OVERVIEW The films about a detective who is trying to solve a murder case, but certain people are trying to stop him. Similar to any TV series or Films ? : Lewis (Similar settings, Carm simple music). Jonathon Creek (Complex Cases not simple to solve).
- 5. CHARACTERS Mr. William Horthorn Age: 32 Education: Cambridge Kings College Mid-Upper Class Eccentric Clothing yet fairly up to date and leads modern lifestyle. Beard, small stubble.
- 6. OPENING SEQUENCE OVERVIEW A Guitar and piano based soundtrack plays throughout. The Film begins with the Production Logo. There are shots of the back of the Colleges. Simple yet beautiful. The Shots then change into visuals of Trinity street. In Trinity street we see groups of people going about there lives.
- 7. OPENING SEQUENCE OVERVIEW The Camera than focuses on a smart looking figure in the distance. The Camera zooms in on this figure. This figures phone rings and he answers. : ‘I'm on my way.’ The music Pinnacles as the title of the movie goes up. The End of the opening sequence.
- 8. LOCATIONS Cambridge: The Back of the colleges and also Trinity Street. The home of our Famous investigator.
- 9. CASTING Edward Oliver as Mr. Horthorn. Why? He is 24 years old so he is close to the characters age. Edward looks Older than he is and he also has a beard which makes my casting ideal.
- 10. CHALLENGES What Problems may I face ? The Weather is fairly important, as the two opening shots of the backs needs to look magical and picturesque. It may be hard to film a group of people walking through the street. E.g. if people look at the camera.
- 11. Any Questions ?