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K. A. Laity writes
"Laity is a very remarkable sorceress indeed.” -- Elizabeth Hand
"You will want to savor every word, every page and read this book over and over.” -- The Pagan and The Pen
JANE QUIET is my kind of woman: smart, sexy (it's the smart that makes her sexy), fearless when fighting monsters from beyond this mortal coil...and, well, she doesn't say a lot but she knows how to kick monster ass!  -- Philip Nutman
Very funny, clever, and well-constructed. Fun for the audience and for the performers. -- Van Allen Plexico
“ Domus inferna Sancti Guthlaci:  A Rediscovery of the Twelfth-Century Narrative of The Saint and the Money Pit”
“ Grimma Gæst”
“ Darkest Day”
“ The Virgin Victim:  Re-imagining a medieval folk ballad in  The Virgin Spring  and  Last House on the Left ”
“ Illusory Adversaries?:  Images of Female Power in  Sandman: The Kindly Ones ”
“ Imagineer: Clive Barker's Queering of the Conservative Bent of Horror Literature”
“ Roses, Beads and Bones: Gender, Borders and Slippage in Tove Jansson's Moomin Comics”

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K. A. Laity Writes

  • 1. K. A. Laity writes
  • 2. "Laity is a very remarkable sorceress indeed.” -- Elizabeth Hand
  • 3. "You will want to savor every word, every page and read this book over and over.” -- The Pagan and The Pen
  • 4. JANE QUIET is my kind of woman: smart, sexy (it's the smart that makes her sexy), fearless when fighting monsters from beyond this mortal coil...and, well, she doesn't say a lot but she knows how to kick monster ass! -- Philip Nutman
  • 5. Very funny, clever, and well-constructed. Fun for the audience and for the performers. -- Van Allen Plexico
  • 6. “ Domus inferna Sancti Guthlaci: A Rediscovery of the Twelfth-Century Narrative of The Saint and the Money Pit”
  • 9. “ The Virgin Victim: Re-imagining a medieval folk ballad in The Virgin Spring and Last House on the Left ”
  • 10. “ Illusory Adversaries?: Images of Female Power in Sandman: The Kindly Ones ”
  • 11. “ Imagineer: Clive Barker's Queering of the Conservative Bent of Horror Literature”
  • 12. “ Roses, Beads and Bones: Gender, Borders and Slippage in Tove Jansson's Moomin Comics”