The document showcases 4 stainless steel frames produced by INSILVIS in Italy in 2011. Each frame displays the design, materials, year of production, and manufacturer's information. The images are intended to illustrate the frames and are subject to differences from the originals due to photography or printing.
Thin signs, taut lines, structural simplification.
This valet stand draws inspiration from the north wind and its literal and historical significance.
This wind forecasts weather and seasonal changes, thus metaphorically foreshadowing emotional and existential modifications.
A powerful impulse for renewal from the visible and invisible reality of the physical and spiritual world.
NORTHWIND is made of stainless steel, due to its structural and corrosion resistance and low maintenance: its motley brightness, furthermore, calls to mind the natural luminous changeability.
NORTHWIND is suitable not only for domestic use but also for commercial places.
Thin signs, taut lines, structural simplification.
This valet stand draws inspiration from the north wind and its literal and historical significance.
This wind forecasts weather and seasonal changes, thus metaphorically foreshadowing emotional and existential modifications.
A powerful impulse for renewal from the visible and invisible reality of the physical and spiritual world.
NORTHWIND is made of stainless steel, due to its structural and corrosion resistance and low maintenance: its motley brightness, furthermore, calls to mind the natural luminous changeability.
NORTHWIND is suitable not only for domestic use but also for commercial places.
A unique stainless steel bend bar allows a comfortable placement of helmet and clothing.
The design is directly and plainly suggested by the function.
This item conveys a sensation of strength and toughness, counterbalanced by the upper loop and by the lower acetal resin knob.
TRACK is coordinated with the INSILVIS’s valet hanger MILKY WAY.
Two attachment point allow a firm fastening to walls.
A mildly shaped ceramic heart is pierced by a stainless steel arrow.
Figurative meanings are well-know: EMOTION coat hook simply adds a design-oriented and useful interpretation.
The heart is available in different colours: red conveying emotion and passion, white conveying innocence and purity.
The topological imperfection of the coat hanger, made of sand cast aluminum, characterizes the unconventional valet stand ATELIER.
The roughness of the surface dilates itself, as though changing scale, to acquire plastic values that define autonomous formal entities.
A relationship between geometric and organic, solids and voids is being created, balanced by the rigor of the overall composition.
The modular wall-mounted coat hook CONTINUITY 3 interprets the theme of friezes and festoons: a frieze is a design on two-dimensional surfaces which is repetitive in one direction according to symmetry properties; the festoon is a three-dimensional ornament composed of a intertwining of branches, fruit, flowers and leaves.
The decorative character, purified and refined in the perfection of the geometric sign, crystallizes in a clean form, perfectly descriptive of the functionality of the object.
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Similar to Insilvis FRAME, coat hangers collection
A unique stainless steel bend bar allows a comfortable placement of helmet and clothing.
The design is directly and plainly suggested by the function.
This item conveys a sensation of strength and toughness, counterbalanced by the upper loop and by the lower acetal resin knob.
TRACK is coordinated with the INSILVIS’s valet hanger MILKY WAY.
Two attachment point allow a firm fastening to walls.
A mildly shaped ceramic heart is pierced by a stainless steel arrow.
Figurative meanings are well-know: EMOTION coat hook simply adds a design-oriented and useful interpretation.
The heart is available in different colours: red conveying emotion and passion, white conveying innocence and purity.
The topological imperfection of the coat hanger, made of sand cast aluminum, characterizes the unconventional valet stand ATELIER.
The roughness of the surface dilates itself, as though changing scale, to acquire plastic values that define autonomous formal entities.
A relationship between geometric and organic, solids and voids is being created, balanced by the rigor of the overall composition.
The modular wall-mounted coat hook CONTINUITY 3 interprets the theme of friezes and festoons: a frieze is a design on two-dimensional surfaces which is repetitive in one direction according to symmetry properties; the festoon is a three-dimensional ornament composed of a intertwining of branches, fruit, flowers and leaves.
The decorative character, purified and refined in the perfection of the geometric sign, crystallizes in a clean form, perfectly descriptive of the functionality of the object.
The valet hanger HONEY MOON is a gentle sign, an embroidery fretworked on the whiteness of the acrylic surface.
The form, designed by the function, foreshadows iconic references stratified in our memory.
The strength of the symbolic signs, that express perfectly definite messages, is mitigated by the contemporary cultural filters, that recognize the complexity of the methaforical interpretation.
Sunday Morning.
“To pick a piece of clothing from a support, light and sparkling like a Sunday Morning.
The upper pierced arch leans forward like a slice of sun.
Now I go out”.
Seductive and sculptural, this stainless steel valet stand with a precise geometric design has joined the already numerous INSILVIS suggestions in this sector to enhance their cultural stratification and stylistic heritage.
Insilvis, SIGN OF ORIENT AND OCCIDENT, valet standinsilvis
Thin lines carve the space with the strength and the clarity of the prophetical signs drawn on the sand.
The massive geometry of the base and the conical ends frames this spidery stainless steel structure.
The composition is symmetrical and rigorous, literally minimalist.
SIGN OF ORIENT AND OCCIDENT is made of stainless steel, due to its structural and corrosion resistance and low maintenance.
The valet stand is suitable not only for domestic use but also for commercial places.
Transforming Brand Perception and Boosting Profitabilityaaryangarg12
In today's digital era, the dynamics of brand perception, consumer behavior, and profitability have been profoundly reshaped by the synergy of branding, social media, and website design. This research paper investigates the transformative power of these elements in influencing how individuals perceive brands and products and how this transformation can be harnessed to drive sales and profitability for businesses.
Through an exploration of brand psychology and consumer behavior, this study sheds light on the intricate ways in which effective branding strategies, strategic social media engagement, and user-centric website design contribute to altering consumers' perceptions. We delve into the principles that underlie successful brand transformations, examining how visual identity, messaging, and storytelling can captivate and resonate with target audiences.
Methodologically, this research employs a comprehensive approach, combining qualitative and quantitative analyses. Real-world case studies illustrate the impact of branding, social media campaigns, and website redesigns on consumer perception, sales figures, and profitability. We assess the various metrics, including brand awareness, customer engagement, conversion rates, and revenue growth, to measure the effectiveness of these strategies.
The results underscore the pivotal role of cohesive branding, social media influence, and website usability in shaping positive brand perceptions, influencing consumer decisions, and ultimately bolstering sales and profitability. This paper provides actionable insights and strategic recommendations for businesses seeking to leverage branding, social media, and website design as potent tools to enhance their market position and financial success.
You could be a professional graphic designer and still make mistakes. There is always the possibility of human error. On the other hand if you’re not a designer, the chances of making some common graphic design mistakes are even higher. Because you don’t know what you don’t know. That’s where this blog comes in. To make your job easier and help you create better designs, we have put together a list of common graphic design mistakes that you need to avoid.
Top 5 Indian Style Modular Kitchen DesignsFinzo Kitchens
Get the perfect modular kitchen in Gurgaon at Finzo! We offer high-quality, custom-designed kitchens at the best prices. Wardrobes and home & office furniture are also available. Free consultation! Best Quality Luxury Modular kitchen in Gurgaon available at best price. All types of Modular Kitchens are available U Shaped Modular kitchens, L Shaped Modular Kitchen, G Shaped Modular Kitchens, Inline Modular Kitchens and Italian Modular Kitchen.
Book Formatting: Quality Control Checks for DesignersConfidence Ago
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Quality control is vital to every industry. This is why every department in a company need create a method they use in ensuring quality. This, perhaps, will not only improve the quality of products and bring errors to the barest minimum, but take it to a near perfect finish.
It is beyond a moot point that a good book will somewhat be judged by its cover, but the content of the book remains king. No matter how beautiful the cover, if the quality of writing or presentation is off, that will be a reason for readers not to come back to the book or recommend it.
So, this presentation points designers to some important things that may be missed by an editor that they could eventually discover and call the attention of the editor.
Between Filth and Fortune- Urban Cattle Foraging Realities by Devi S Nair, An...Mansi Shah
This study examines cattle rearing in urban and rural settings, focusing on milk production and consumption. By exploring a case in Ahmedabad, it highlights the challenges and processes in dairy farming across different environments, emphasising the need for sustainable practices and the essential role of milk in daily consumption.
Can AI do good? at 'offtheCanvas' India HCI preludeAlan Dix
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https://www.alandix.com/academic/talks/offtheCanvas-IndiaHCI2024/
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White wonder, Work developed by Eva TschoppMansi Shah
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1. FRAME
MADE IN ITALY
FRAME 4 + ANCHOR 1
eGREGE formae
2. FRAME 1
FRAME 1 + ANCHOR 1
17
Gruccia.
8
FRAME 1
Coat hanger.
Design: INSILVIS
Material: stainless steel.
Year of production : 2011.
Anno di produzione: 2011.
Materiale: acciaio inossidabile.
www.insilvis.com
The images are purely illustrative: forms and colors can differ sensitively
FRAME | I - GB 2011 INSILVIS,
Copyright Ó 2011 - INSILVIS Communication form the originals on account to the fotografic shot or the printing system.
3. FRAME 1
FRAME 1 + ANCHOR 1
www.insilvis.com
The images are purely illustrative: forms and colors can differ sensitively
FRAME | I - GB 2011 INSILVIS,
Copyright Ó 2011 - INSILVIS Communication form the originals on account to the fotografic shot or the printing system.
4. FRAME 2
FRAME 2 + ANCHOR 1
25
Gruccia.
FRAME 2
Coat hanger.
Design: INSILVIS
44,5
Material: stainless steel.
Year of production : 2011.
Anno di produzione: 2011.
Materiale: acciaio inossidabile.
www.insilvis.com
The images are purely illustrative: forms and colors can differ sensitively
FRAME | I - GB 2011 INSILVIS,
Copyright Ó 2011 - INSILVIS Communication form the originals on account to the fotografic shot or the printing system.
5. FRAME 3
FRAME 3 + ANCHOR 1
29
Gruccia.
FRAME 3
Coat hanger.
Design: INSILVIS
44,5
Material: stainless steel.
Year of production : 2007.
Anno di produzione: 2007.
Materiale: acciaio inossidabile.
www.insilvis.com
The images are purely illustrative: forms and colors can differ sensitively
FRAME | I - GB 2011 INSILVIS,
Copyright Ó 2011 - INSILVIS Communication form the originals on account to the fotografic shot or the printing system.
6. FRAME 3 + ANCHOR 1 + SEQUENCE 30
FRAME 3 + ANCHOR 1 + SEQUENCE 30
www.insilvis.com
The images are purely illustrative: forms and colors can differ sensitively
FRAME | I - GB 2011 INSILVIS,
Copyright Ó 2011 - INSILVIS Communication form the originals on account to the fotografic shot or the printing system.
7. FRAME 4
FRAME 4 + ANCHOR 1
29
Gruccia.
FRAME 4
Coat hanger.
Design: INSILVIS
44,5
Material: stainless steel.
Year of production : 2011.
Anno di produzione: 2011.
Materiale: acciaio inossidabile.
www.insilvis.com
The images are purely illustrative: forms and colors can differ sensitively
FRAME | I - GB 2011 INSILVIS,
Copyright Ó 2011 - INSILVIS Communication form the originals on account to the fotografic shot or the printing system.
8. FRAME 10
FRAME 10 + ANCHOR 1
50
Gruccia.
Coat hanger.
FRAME 10
Design: INSILVIS
44,5
Material: stainless steel.
Year of production : 2011.
Anno di produzione: 2011.
Materiale: acciaio inossidabile.
www.insilvis.com
The images are purely illustrative: forms and colors can differ sensitively
FRAME | I - GB 2011 INSILVIS,
Copyright Ó 2011 - INSILVIS Communication form the originals on account to the fotografic shot or the printing system.
9. FRAME 15
21
Gruccia.
Coat hanger.
FRAME 15
Design: INSILVIS
45,5
Material: stainless steel.
Year of production : 2011.
Anno di produzione: 2011.
Materiale: acciaio inossidabile.
www.insilvis.com
3,5
The images are purely illustrative: forms and colors can differ sensitively
FRAME | I - GB 2011 INSILVIS,
Copyright Ó 2011 - INSILVIS Communication form the originals on account to the fotografic shot or the printing system.
10. FRAME 20
FRAME 20 + ANCHOR 1
16
Gruccia.
Coat hanger.
FRAME 20
Design: INSILVIS
45
Material: stainless steel.
Year of production : 2011.
Anno di produzione: 2011.
Materiale: acciaio inossidabile.
www.insilvis.com
3
The images are purely illustrative: forms and colors can differ sensitively
FRAME | I - GB 2011 INSILVIS,
Copyright Ó 2011 - INSILVIS Communication form the originals on account to the fotografic shot or the printing system.
11. FRAME 25
Gruccia.
Coat hanger.
Anno di produzione: 2012.
Year of production : 2012.
The images are purely illustrative: forms and colors can differ sensitively
form the originals on account to the fotografic shot or the printing system.
Materiale: acciaio inossidabile.
Material: stainless steel.
Design: INSILVIS
18
45 6
Copyright Ó 2011 - INSILVIS Communication
FRAME 26
FRAME 25 Gruccia.
Coat hanger.
Anno di produzione: 2012.
Year of production : 2012.
INSILVIS,
Materiale: acciaio inossidabile.
Material: stainless steel.
Design: INSILVIS
26
45 6
FRAME | I - GB 2011
FRAME 26 www.insilvis.com
12. FRAME 1W
Gruccia.
Coat hanger.
Anno di produzione: 2011.
Year of production : 2011.
The images are purely illustrative: forms and colors can differ sensitively
form the originals on account to the fotografic shot or the printing system.
Materiali: legno massello,
acciaio inossidabile.
Materials: solid wood,
stainless steel.
Design: INSILVIS
Copyright Ó 2011 - INSILVIS Communication
27
FRAME 1W 45 6
INSILVIS,
FRAME | I - GB 2011
FRAME 1W + ANCHOR 1 www.insilvis.com
13. Gruccia.
Related item
Related item
Coat hanger.
Programma 150
PROGRAMMA 145
Prodotto correlato
Prodotto correlato
Appendiabiti da parete.
www.insilvis.com
Wall mounted coat hanger.
The images are purely illustrative: forms and colors can differ sensitively
FRAME | I - GB 2011 INSILVIS,
Copyright Ó 2011 - INSILVIS Communication form the originals on account to the fotografic shot or the printing system.
14. holder.
ANCHOR 1
Related item
Prodotto correlato
Reggi grucce da parete.
www.insilvis.com
Wall mounted coat hanger
The images are purely illustrative: forms and colors can differ sensitively
FRAME | I - GB 2011 INSILVIS,
Copyright Ó 2011 - INSILVIS Communication form the originals on account to the fotografic shot or the printing system.
15. Prodotto correlato
Related item
DIRECTIONS collection
appendiabiti da parete.
Wall mounted coat hanger
holders.
The images are purely illustrative: forms and colors can differ sensitively
form the originals on account to the fotografic shot or the printing system.
Copyright Ó 2011 - INSILVIS Communication
INSILVIS,
Prodotto correlato
Related item
EQUILATERAL collection
Reggi grucce da parete.
Wall mounted coat hanger
holders.
FRAME | I - GB 2011
www.insilvis.com
16. holders.
Related item
Prodotto correlato
reggi grucced da parete.
PROGRAMMA collection
www.insilvis.com
wall mounted coat hanger
The images are purely illustrative: forms and colors can differ sensitively
FRAME | I - GB 2011 INSILVIS,
Copyright Ó 2011 - INSILVIS Communication form the originals on account to the fotografic shot or the printing system.
17. Related item
Related item
Reggi grucce.
Reggi grucce.
SUNCHARIOT 2
SUNCHARIOT 1
Prodotto correlato
Prodotto correlato
Coat hanger holder.
Coat hanger holder.
www.insilvis.com
The images are purely illustrative: forms and colors can differ sensitively
FRAME | I - GB 2011 INSILVIS,
Copyright Ó 2011 - INSILVIS Communication form the originals on account to the fotografic shot or the printing system.