The document announces an art exhibition by artist Robertson featuring ink landscape paintings of trees found across the country. Robertson traveled extensively to locate and paint the trees in a style influenced by Chinese landscape painters. The trees are portrayed with a quiet reverence as sentient witnesses to the world. The opening of the exhibition is invited for Thursday October 10th to share insights into Robertson's solitary project capturing the diversity of the local landscape through portraits of trees.

1. press release:
Indigenous: originating and naturally occurring in a region.
Robertson has always taken a similar approach to his landscapes as the Chinese Monumental
Landscape Painters, who saw the forms in nature as being a testament to something much greater
than themselves. This influence is also prevalent in the ink work that has become synonymous with his
diverse styles. Unlike his previous exhibit which explored the duality in combat sports using a similar
technique, this subject matter is treated with a quiet reverence, giving the sense that each tree is
almost sentient, a silent witness to a chaotic world.
These works have been a solitary exploration for Robertson, both in the portraiture of each tree but
also in the physical exploration, the act of going to great lengths to find them.
The trees, some of which are titled by their co-ordinates, are found all across the country. Robertson
journeyed by road, by foot and by bike to find each tree, in doing so he has come across many
travellers who have challenged him with finding more.
This is an ongoing project, a personal tribute to our diverse and beautiful landscape but one that we
have prompted the artist to share.
We welcome you to the opening on Thursday the 10th of October and personally invite you to share
your own insights with us and the artist on the night.

2. 24°52’10.5” | 30°46’10.3”
Edition: 1/3
Paper size: 1100 x 717.1 mm
Pigmented inks on rag paper

3. 24°874’708” | 30°891’255”
Edition: 1/3
Paper size: 541.2 x 904.2 mm
Pigmented inks on rag paper

4. PEB 013
34°201’237” | 18°456’095”
Edition: 1/3
Paper size: 844.5 x 512.1 mm
Pigmented inks on rag paper

5. Lost Location
Edition: 1/3
Paper size: 506.6 x 860 mm
Pigmented inks on rag paper

6. 28°510’691” | 28°610’392”
Edition: 1/3
Paper size: 481.8 x 774.7 mm
Pigmented inks on rag paper

7. PEB 013
840mm X 510mm
fine-art print on archival
paper
(Injisuthi Cataract Vallery)
Edition: 1/3
Paper size: 630.6 x 460.8 mm
Pigmented inks on rag paper

8. 29°318’471” | 29°655’183”
Edition: 1/3
Paper size: 722.4 x 494.2 mm
Pigmented inks on rag paper

9. 25°10’290” | 30°39’41.5”
Edition: 1/3
Paper size: 541.2 x 791.5 mm
Pigmented inks on rag paper

10. 28°684’715” | 28°911’331”
Edition: 1/3
Paper size: 507.8 x 979.9 mm
Pigmented inks on rag paper

11. 24°573’88” | 30°797’914”
Edition: 1/3
Paper size: 557.8 x 761.4 mm
Pigmented inks on rag paper

12. 25°10’294” | 30°39’406”
Edition: 1/3
Paper size: 663.6 x 499.9 mm
Pigmented inks on rag paper

13. 24°51’43.4” | 30°41’01.1”
Edition: 1/3
Paper size: 377 x 623 mm
Pigmented inks on rag paper

14. Lost Location 03
Edition: 1/3
Paper size: 449.9 X 507.2 mm
Pigmented inks on rag paper

15. Lost Location 03
Edition: 1/3
Paper size: 449.9 X 507.2 mm
Pigmented inks on rag paper

16. Lost Location 03
Edition: 1/3
Paper size: 449.9 X 507.2 mm
Pigmented inks on rag paper

17. Lost Location
Edition: 1/3
Paper size: 506.6 x 860 mm
Pigmented inks on rag paper