The Foxboro Regional Charter School Holocaust Stamp Project has collected over 5 million stamps donated from around the world. High school students in the project have used the stamps to create collages honoring victims and events of the Holocaust. One collage depicts Alice Sommer, the oldest known Holocaust survivor, at her piano. Another commemorates the Kindertransport that rescued Jewish children from Nazi Germany on trains to Britain. The students hope to reach 11 million stamps, one for each estimated victim of the Holocaust, to honor their lives and help educate others.
The Kleinman Holocaust Education Center (KHEC) has just launched its second annual Student Visual Arts and Literacy Contest, which provides middle and high school students with excerpts from diaries that give firsthand accounts of the Holocaust, and invites them to submit reactions to the readings through creative writing or producing visual art.
Proyecto artístico-educativo en memoria a los 15000 niños que perecieron en el campo de concentración de Theresienstadt en colaboración con la artista austriaca Anna Wexberg.
Survey of picturebooks and YA graphic novels about the HolocaustDaniel Feldman
Feldman presentation, Holmen workshop, December 2022
First, this presentation sketches the general contours of writing about the Holocaust for children; second, the presentation establishes the significance of children’s and YA literature about the Holocaust for theoretical frameworks in the field of children's literature; third, we look at three sample texts exemplifying some of these trends, including a graphic adaptation of Anne Frank's diary.
“Why does Jeffrey Eugenides’ narrate in the first person plural?” - The Virg...Maria Freitas
Este trabalho foi feito no âmbito da disciplina de Inglês.
É de destacar que estes trabalhos não estão de acordo com o novo acordo ortográfico e podem conter erros ortográficos/científicos/históricos visto que foram efetuados por alunos, alguns deles sem posterior correção.
The Ultimate Guide to Writing a Brilliant History Essay. History Essay Writing - 19+ Examples, Format, Pdf | Examples. How to Write a Good History Essay - Treat it as food for thought, as .... Scholarship essay: History essay examples. HIST106 Historical Essay | HIST106 - Australia's Indigenous Peoples .... 015 History Essay Topics 008049318 1 ~ Thatsnotus. How to Write a Good Historical Essay. How to Write a History Essay (with Pictures) - wikiHow. Writing a History Paper | Essays | Argument | Free 30-day Trial | Scribd. 019 Essay Example In Writing Historical Research Report It Is Best To .... History of essay - sludgeport482.web.fc2.com. How to write a history essay at a-level / admission essay editing. Writing Historical Essays Using a Skills-focused Approach - OER Project .... History Essay: A Complete Writing Guide for Students. How To Write A History Essay Example - Primary Menu. Some quick notes on writing GOOD historical essays (LEQs). 009 Essay Example How To Write History ~ Thatsnotus. How to Write History Essays: For Form Three and Four Students.
The Kleinman Holocaust Education Center (KHEC) has just launched its second annual Student Visual Arts and Literacy Contest, which provides middle and high school students with excerpts from diaries that give firsthand accounts of the Holocaust, and invites them to submit reactions to the readings through creative writing or producing visual art.
Proyecto artístico-educativo en memoria a los 15000 niños que perecieron en el campo de concentración de Theresienstadt en colaboración con la artista austriaca Anna Wexberg.
Survey of picturebooks and YA graphic novels about the HolocaustDaniel Feldman
Feldman presentation, Holmen workshop, December 2022
First, this presentation sketches the general contours of writing about the Holocaust for children; second, the presentation establishes the significance of children’s and YA literature about the Holocaust for theoretical frameworks in the field of children's literature; third, we look at three sample texts exemplifying some of these trends, including a graphic adaptation of Anne Frank's diary.
“Why does Jeffrey Eugenides’ narrate in the first person plural?” - The Virg...Maria Freitas
Este trabalho foi feito no âmbito da disciplina de Inglês.
É de destacar que estes trabalhos não estão de acordo com o novo acordo ortográfico e podem conter erros ortográficos/científicos/históricos visto que foram efetuados por alunos, alguns deles sem posterior correção.
The Ultimate Guide to Writing a Brilliant History Essay. History Essay Writing - 19+ Examples, Format, Pdf | Examples. How to Write a Good History Essay - Treat it as food for thought, as .... Scholarship essay: History essay examples. HIST106 Historical Essay | HIST106 - Australia's Indigenous Peoples .... 015 History Essay Topics 008049318 1 ~ Thatsnotus. How to Write a Good Historical Essay. How to Write a History Essay (with Pictures) - wikiHow. Writing a History Paper | Essays | Argument | Free 30-day Trial | Scribd. 019 Essay Example In Writing Historical Research Report It Is Best To .... History of essay - sludgeport482.web.fc2.com. How to write a history essay at a-level / admission essay editing. Writing Historical Essays Using a Skills-focused Approach - OER Project .... History Essay: A Complete Writing Guide for Students. How To Write A History Essay Example - Primary Menu. Some quick notes on writing GOOD historical essays (LEQs). 009 Essay Example How To Write History ~ Thatsnotus. How to Write History Essays: For Form Three and Four Students.
Eastern Washington University Kathy L. Rowley, MA Com.docxjacksnathalie
Eastern Washington University
Kathy L. Rowley, MA
Comp 201
Reader Response
Objective: To write a 1.5 page Reader Response essay in MLA style that critically responds to the
article(s) from our class reading.
Remember that reading and writing "critically" does not mean the same thing as
"criticizing.”
Your "critique" can and should be positive and praise the text if possible, as well as
pointing out problems, disagreements, and shortcomings.
You may use “I.”
Process:
1. Title your paper. Do not use the title from the article; make up your own title.
2. In the first sentence, state author’s name, reading title, and the quote that you wish to discuss.
For example:
According to John Smith in his writing, “English is my Favorite Class,” “Freewriting
on my blog site helps me to organize my thoughts” (Smith 1).
3. State a question that you would like to answer in your writing.
For example:
While this statement works for most writers, I wonder how freewriting helps aural
learners.
4. Begin the second paragraph suggesting that you are going to develop an answer.
How much does the text agree or disagree with what you believe? Use quotes from
the text and/or personal examples to support your claims.
Or
How much were your views and opinions challenged or changed by this text, if at
all? Use quotes from the text and/or personal examples to support your claims.
Or
How does it address, or not, things that are important to your family, your
community, your ethnic group, to people of your economic or social class or
background, or your faith tradition? Use quotes from the text and/or personal
examples to support your claims.
5. To sum up, what is your overall reaction to the text? Would you read something else like this,
or by this author, in the future or not? Why or why not? To whom would you recommend this
text?
From Multicultural Barbie and the Merchandising of Difference
Ann duCille has served as the chair and director of the Center for Afri- can American Studies at Wesleyan University. She has published widely on black women writers and on race and popular culture, particularly in her book Skin Trade (1996), which won the Myers Center Award for the Study of Human Rights in 1997. The essay here originally appeared in the spring 1994 issue of differences: A Journal of Feminist Cultural Studies. In this piece about Barbie, you’ll hear one of duCille’s key interests in popular culture — the ways we all help establish cultural norms through producing and consuming goods and ideas.
A quick look through duCille’s MLA-style works cited list at the end of the essay shows that she draws on a range of academic conversations to frame her analysis of Barbie. She responds not only to scholars who write about Barbie but also to those who write about adolescent self-image,
528 CHAPTER 14 BusinEss
raising African American children, and various aspects of multicultur ...
1. Andrew Steel
(online publication of article in The Foxboro Reporter here:
http://www.foxbororeporter.com/articles/2015/01/22/features/16483908.txt)
Eleven Million
Jamie Droste, Student Life Advisor at the Foxboro Regional Charter School, dropped a
big old bin on the table in front of me. It was filled to the brim with stamps.
“If you reach your hand in, you can come up with something from 1932, right up through
2014, and everything in between. We even have some from the 1800s. And, we have several
more bins just like this one.” The girls seated around me nodded in agreement, grinning as I
gawked.
“Where do they all come from?” I asked. She put her hand on her chin.
“We get them from all over the U.S., Canada...Great Britain...Israel...” She smiled. “We
print a lot of fliers.”
She gave me a number: 4,860,894 stamps. “Plus, we have half a million to a million
stamps uncounted.”
“Sometimes we get a few stamps in an envelope. Sometimes we get 40 pound boxes.”
She indicated a stack of bins in her office. “We have people who donate lifetime stamp
collections. A person [who collected stamps] passes, and nobody knows what to do with it.”
This is the work of the Foxboro Regional Charter School Holocaust Stamp Project. And
though it may initially come across as tedious, perhaps even insane, to sort 5 million stamps, that
is exactly the point: in spite of whatever madness surrounds the project, every stamp counts.
“People today, they get bullied just because of their ethnicity,” stated Katelyn Caradonna,
one of the high school students at FRCS. She, as well as fellow students Nancia Poteau,
Temitope Faleye, Letaya Liles-Moses, and Deedee Haith, had obliged me an interview. Along
with classmates Marissa Durden and Nate O'Connor, these girls have not only spent a whole lot
of time sorting stamps; they have also sketched, clipped, and pasted together several collages of
Holocaust history with stamps from their collection.
Before I'd sat down, Mrs. Droste had walked me through a number of works from the
Holocaust Stamp Project: “Books can not be Killed by Fire”, an as-of-yet unfinished piece
remembering the German Student Union's burning of subversive literature in Nazi Germany.
“Evolution of the Pink Triangle”, headed by the School's GSA to acknowledge the accused
homosexuals and gay sympathizers killed in the Holocaust. “KRISTALLNACHT-the Night of
Broken Glass”, a piece completed by Nate O'Connor over the course of a year to highlight the
horrors of November 9-10, 1938.
However, at the work-in-progress tentatively entitled the “Alice Sommer Collage”, she
turned it over to the girls.
““Alice Herz Sommer was 110 years old, the oldest holocaust survivor [in 2014]...The
girls saw a youtube presentation on Alice, and they fell in love with her.”
“She's so cute!” Temitope decreed.
“I didn't say that,” Letaya disagreed. “I said 'she's so old'.”
Letaya eventually came around though. “She was a concert pianist, and she just had an
amazing, positive attitude.”
The girls convened to put together a collage in her honor. I asked about the purple Statue
2. of Liberty stamps serving as the piece's 'backdrop'. Deedee spoke up: “We chose the purple
because it's a happy color. and we chose the statue [of liberty] for Freedom. ”
A simple message, but a poignant one, as Katelyn added: “Everyone deserves freedom.”
Featured at the center of the piece is a (partially completed) piano. I watched as they
filled in the black keys with stamps reading “celebrate”. “They're colorful and bright, like she
was,” stated Letaya.
Another collage, “The Kindertransport”, was completed last year in remembrance of the
children who fled Germany and other Nazi occupied territories via train. The girls explained to
me that the stamps on the left half of the image, where the train was rolling to, were mostly
British stamps.
I noted the blue sky, comprised of dove stamps. “In every collage, there's a dove,”
Deedee told me.
The train tracks are styled from red and white cutouts of the word “Love”. I asked about
them.“We picked the train tracks because it's like the parents are bringing the children to
England with their love”, Katelyn said.
Also featured is a stamp of Adolf Hitler, stern and proud amongst the black smoke to the
right. “Who prints an Adolf Hitler stamp?” I asked facetiously. “Nazis do”, Mrs. Droste intoned
gravely.
I was amazed with the creativity these students have expressed. I asked them what
inspired them to join the group.
“At first it was for college,” Letaya stated. “AND THEN. Then, when you learn more
about it...it pushes you. You want to learn even more.”
“We commemorate 9/11 every year,” Katelyn added. “But there are Jewish people who
live here, Jewish people who go to this school, and they don't really get to commemorate this.”
“These people were innocent”, added Nancia. “They didn't deserve any of this.”
The Holocaust occurred some 70 years ago. When its genocidal machinations were made
public; when the stories and images of its wrath became known; the world was shaken. It was
unfathomable.
70 years later, we still search for answers of humanity in the ashes. But through dialogue,
through coming together and trying to understand, we can learn to cope. And, perhaps more
importantly today, we can learn to extend our lessons beyond that bleak time in history which
these students have expressed with their work.
As it so happens, International Holocaust Remembrance Day is coming up on January
27th. If you would like to help commemorate the Holocaust, or else the efforts of the students and
previous volunteers, the FRCS Holocaust Stamp Project is always looking for volunteers to help
sort the hundreds of thousands of stamps still in need of counting. To volunteer, or else to donate
stamps to help the group reach its goal of 11 million stamps (one for every estimated Holocaust
victim), please contact Jamie Droste: jdroste@foxboroughrcs.org.