PowerPoint et mon cours - 5 règles pour une présentation efficaceGROLLEAU Anne-Céline
Support de la formation à l'Université d'Angers le 6 juillet 2010
Deux références ont été oubliées. Il s'agit de :
- Les 5 règles d'or (dia 21) : "Faire des exposés structurés avec un outil de présentatique (PowerPoint)", par Nathalie BASTIEN, juillet 2007 <http: />
- Que mettriez-vous dans vos diaporamas ? (dias 66-67) : "Enseigner avec les diaporamas", formation animée par Marianne FOLLET, Maud CHARAF, Christine DE CONTO, Sophie TOUZE et Alain GAY, 22 janvier 2009, ISARA Lyon.
e-Reputation des elus et proximite citoyenne (conference acti )acti
Conférence menée le 26 avril 2012 par Christophe Ramel et Laurent Constantin de l’agence digitale acti.
Ce support présente le concept de e-Reputation et de e-Reputation des élus et collectivités, traite des enjeux d’un soin de sa e-Reputation (en vue de l’évolution des impacts, des usages et des attentes des internautes), puis rappelle 7 bonnes pratiques du soin de sa e-Reputation : uniformiser son identité visuelle, être flexible et humain, être accessible et réactif, être transparent et honnête, être proactif et de bonne volonté, impliquer les citoyens et être prêt à toute éventualité.
Best R&B karaoke songs 90s | 1990s – The Last Decade of R&B Domination, and Top Six Songs from This
Best R&B karaoke songs 90s: The 1990s may have been the last decade in which R&B, rather than hip-hop, dominated black music. New Jack Swing gave way to neo-soul and more experiments with studio technology's fast-moving advances.
On the pop charts, R&B crossover was a given; ballads like Whitney Houston's smash "I Will Always Love You" and the moving Boyz II Men–Mariah Carey collaboration "One Sweet Day" spent months at the top, while upbeat tracks like Blackstreet's swaggering "No Diggity" and Janet Jackson's peppy "Together Again" also made it to the top.
Top Six R&B Songs from 1990s
Early-decade upstarts like Mariah Carey and TLC blossomed into megastars, forcing pop listeners to keep up with their ever-evolving visions for the genre; and new acts like Maxwell and Lauryn Hill emerged in constant states of evolution, redrawing R&B's boundaries. These six moments from the decade represent the pinnacle of best R&B karaoke songs 90s.
During the late 90s, I published TransAction Magazine, about music in NYC (home base), London and Hollywood, CA.
In This Issue:
* Supergrass
* MANSUN
* Suede
* No Doubt
* Radiohead
* Teenage Fanclub
* Travis
* Bigmouth
* Perfect
* Geneva
* World Party
* Messyheads
* LES Stitches
* The Heartdrops
* Embrace
* Better Than Ezra
* Subcircus
* Elvez
* Rumblecat
* Pat McGuire Band
* Coyote Shivers
* The Kowalskis
* 3 Colors Red
* Longshore Drift
* The Cardigans
* PAINT
* SYLK 130
* BIGMOUTH
* 13th Floor
* Sugar Ray
* The Lightning Seeds
* The Turbo A.C.'s
* flip-SIDE
* Thin Lizard Dawn
14. Now was Kanye the most overlooked? Yes, sir Now is Kanye the most overbooked? Yes, sir Though the fans want the feeling of A Tribe Called Quest But all they got left is this guy called West Better take Freeway, throw him on tracks with MosDef Call him Kwa-li or Kwe-li, I put him on songs with Jay-Z I'm the Gap like Banana Republic and Old Navy, and, ooh It come out sweeter than old Sadie Nice as Bun-B when I met him at the Source awards Girl, he had with him, ass coulda' won the horse awards And I was almost famous, now everybody love Kanye I'm almost Raymond Some say he arrogant, can y'all blame him? It was straight embarrassing how y'all played him Last year shoppin' my demo, I was tryin' to shine Every motherfucker told me that I couldn't rhyme Now I could let these dream killers kill my self-esteem Or use my arrogance as the steam to power my dreams I use it as my gas so they say that I'm gassed But without it I'd be last so I ought to laugh KANYE WEST “LAST CALL” 2004
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16. QUESTIONS TO CONSIDER SPACE FOR TWO FEMALE RAPPERS? THE NEW “FRESHMAN” STYLE IN HIP-HOP: WATERING DOWN THE GENRE? WHY DO UNDERGROUND ARTISTS REMAIN UNDERGROUND IF THEIR STYLES AND SKILLS ARE SUPPOSEDLY SUPERIOR? ARTIST OR FAN CHOICE? CAN AN ARTIST ACHIEVE BOTH FAME AND ARTISTIC CREDIBILITY (KANYE WEST)? HIP-HOP MOVES IN PHASES – CURRENT PHASE: GOOD OR BAD? IS HIP-HOP DEAD?
