This document provides guitar chord charts and diagrams with explanations of the symbols used. It includes the chord names and diagrams for major, minor, augmented, diminished, suspended, half diminished, seventh, ninth, eleventh and thirteenth chords from C to B. It also provides a guide for transposing chords when using a capo.

1. GUITAR CHORD CHARTS/ACORDES DE GUITARRA
The following symbols are used in the
guitar diagrams:
Símbolos que se utilizan en los acordes
de guitarra:
(
Barre
String not to be played
Open String to be played
Augmented chord
Diminished chord
Half diminished chord
(includes a minor seventh)
x
o
aug (+) aum
dim (°) dis
ø
Cejilla
Cuerda apagada (la cuerda indicada no se toca)
Cuerda suelta (la cuerda se toca al aire)
Acorde aumentado
Acorde disminuido
Acorde disminuido con séptima menor
Sol
g
3
(
The number to the right of some of the
diagrams indicates the fret at which the chord is
to begin.
El número que se encuentra a la
derecha de algunos diagramas indica el traste
en que comienza el acorde.
1 3 4 2
The numbers which appear at the bottom of the
diagram make reference to the left hand fingering.
1
2
Los números que aparecen en la parte
inferior del diagrama hacen referencia a la digitación.
Rem/Sol
D,g
3
4
3
Some chord labels have a slash (/) in between
two letters. The letter before the slash indicates
the chord which needs to be played. The letter
following the slash indicates the bass note
which needs to be played, either as the lowest
tone on the guitar or keyboard, or by the bass
player. In the following example, C/G indicates
that a C chord should be played with the note G
sounding in the bass. Playing this as the bass
note is not absolutely necessary, but is helpful
for the voice leading of the piece.
http://www.ocp.org
1-800-LITURGY (548-8749)
døSø¬
cg
3 4 2
1
2 4 1
Algunos nombres de los acordes tienen una
diagonal (/) entre dos notas. La nota a la
izquierda de la diagonal indica el acorde que se
debe tocar. La nota a la derecha de la diagonal
indica la nota del bajo para el acorde que se
debe tocar en la guitarra, el teclado o el bajo.
Por ejemplo, en Do/Sol (C/G) se toca el acorde
Do (C) sobre la nota de Sol (G) en el bajo.
Aunque no es necesario tocar la nota del bajo,
su ejecución ayuda a definir el movimiento de
las voces de la estructura musical.
http://www.spiritandsong.com

2. GUITAR CHORD CHARTS/ACORDES DE GUITARRA, CONT. (2)
c
cd
ce
cf
cg
c|a
cb-
cb
c2
c6e
c7
c7f
c7g
c7;';4
c7ߨß4g
c7_9
c9
c9b$
cå∂∂9d
c.∂∂9|e
c,7
cµ7e$
C
c6
(
3
(
c9b
cµå∆7d
c,./7g
c,./7b
c,./9
cå∂∂2
cå∂∂9
cå∂∂9g
Csus2,4
+
Csus#4
,
Csus2,#4
c;';4
csus4|a
c•
c,e_
cµf
c,g
c,b_
(
c,./7
cå∂∂9f
(
cµ7f
cµ7b$
cµ9
cµ9(µå∆7)
Cº
c+
c+7
c=7e=
c#(#11)
cµ6g
(
(
4
(
(
4
(
(
4
(
(
(
cº7
(
#
C#
c,6
(
Cm
(
(
cµ
cª7

3. GUITAR CHORD CHARTS/ACORDES DE GUITARRA, CONT. (3)
c+,
c#µb#
c+,7b
c#µ å∂∂11
c≠º
c+º7
(
4
c+,7
4
(
4
c#µb
(
(
#
C#m
c#µa$
4
c≠ª7
d_
d_c
d$µå∆7
d.[[9f+
d$sus2
(
4
d_.[[9
(
4
d$6
(
4
(
d
de
D6,9
d6f#
df+
dg
d|a
db
dc
dc+
d($6)
d6|a
d7
d7f+
d7g
d7|a
d7c
d7($9)
d,./7f=
Dadd6,9
d.[[9
d,7
(
D
d6
d$a$
(
(
4
(
$
D$
d_f
5
((
(
4
d,./7/A
d.[[9f+
d.[[9|a
d9;';4
d13
d,./7
d;';2
d;';2c
d;';2,4
Dsus4
d;';4|a
Dsus4c
(
d9
(
d9f#
d7;';4
(
d,
d,e
d,f
d,g
d,|a
d,c
d,6
d,6|a
d,7g
d,7c
dµ7 å∂∂11
D,.∂∂9
dº
dº7
dª7
d (æø 3)
d,7f
(
Dm
(
(
(
(
(
(

4. GUITAR CHORD CHARTS/ACORDES DE GUITARRA, CONT. (4)
d#,
d#•
e_
e$a
e_b$
e-d
e_7
e_7;';4
e_7/D-
(
(
(
3
e$c
6
6
3
(
6
(
(
(
(
$
E$
e_f
d#ª7
(
#
D#m
d#º7a
(
#
D#
d+º7
2
e_9
e_,./7
e_,
e$µ6
e$µ6b$
3
e_,7
e
ef#
eg+
e|a
eb
ec#
ed
e6
e7
e7g+
e7|a
e7b
e7d
e7(+9)
e7;';4
e9
e9d
eµå∆7
e,./9
eµå∆9d#
e å∂∂6,9
e.[[9
e;';2
e;';2,4
e;';4
e,
e,f#
e,g
e,|a
e,b
e,d
e,d=
e,2
e,6
e,6g
eµ6c#
e,7
e,7g
e,7|a
e,7b
e,7d
e,9
e,11
e,.[[9
eµ å∂∂11
eº
eº7
eª7
e (æø 3)
7
6
(
6
(
6
(
(
$
E$m
5
(
E
(
(
(
(
4
Em
(

5. GUITAR CHORD CHARTS/ACORDES DE GUITARRA, CONT. (5)
f
fe$
fe
f6
f7
(
(
f13
(
f9e$
f,./7
f,./7g
f,./7|a
f,./7c
f;';2,#4
fsus4
f;u;4g
f;u;4b-
f,7
fµ7sus4
(
(
(
3
fc
(
f9
fb$
(
f7sus4c
(
f7c
f|a
(
f7a
(
F
fg
(
f,./9
f å∂∂6,9
f,./9c
(
(
fµc
(
fµa$
5
f;u;2a
(
f;';2
(
(
f.[[9
(
fµ
f;u;4c
fµ6
fµ7a$
f+|a+
f+c+
f#d#
f#sus4
f+º
f+[],e
f+º|a
f+º7
f+ª7
f+ª7e
f+,b
f#,c#
f+,d
f#µe
f#,6
f#µ6c#
(
(
f#e
f+7
f+7sus4
f=7|a=
f+7c+
(
(
(
f#9
(
(
f+7e
(
(
#
F#
6
(
f(æø 3)
(
fº7
(
fº
(
(
f,.[[11
f=
f,å∂∂9
(
Fm
fµ7e$
(
(
f#µ
4
(
f=(no3)
f#µ7
(
f+,9
(
f#µ7e
5
(
f#µ7c#
(
f#µ7b
(
(
f+,7|a
(
#
F#m
f+,|a
(
(
(
(
(
(

6. GUITAR CHORD CHARTS/ACORDES DE GUITARRA, CONT. (6)
g_
g_/D-
(
(
(
$
G$
g$a$
g
g|a
gb
gc
gd
ge
gf
gf=
g6
g6b
g6d
,
g6,9
g6,9/D
,
g6,9/E
g7
g7|a
g7b
g7d
g,./7
g,./7|a
g,./7b
g,./7d
g,./7f#
g.[[9b
g å∂∂9d
Solsus2
g;';2
g;';2,4
g;';4
g,f
g,6
G
g6|a
(
(
3
(
3 2 1 4
g7;';2,4
g,./9
g,./9|a
g7;';4
g9
g9b
g,./9b
g.[[2
g.[[9
(
g7f
(
2
Solsus+4
g;';#4
gsus4d
gµ
g,b_
gµc
g,d
(
(
(
(
2
(
Gm
gµa
1 3 4
1 3
g,6b_
g,7b_
gµ7
gµ7c
gµ9
gµ å∂∂9
g#d#
g+ª7
(
4
gªb$
g#sus4d#
4
g+º7
(
4
(
4
4
g#µ7d#
g#sus4
(
g+,7
(
g#,6
(
(
4
4
gº7
5
g+7b+
g+7
(
4
g+,b
(
g#b#
(
(
#
G#
g+,
#
G#m
(
(
g#
g(no3)
gºb_
(
9
gº

7. GUITAR CHORD CHARTS/ACORDES DE GUITARRA, CONT. (7)
a_
ad
(
ac+
a6
ae
ag
ag+
4
(
5
(
5
a6b
(
(
(
(
A
ab
$
A$m
4
4
a_,f
a$µ
(
(
(
(
4
4
a
a$ßuß4
a_13
(
a$ å∂∂9
a$6
(
a_,./9b_
a$2e
(
a_,./9
4
a_2c
(
a_,./7e_
a$g
(
a_,./7
a_e_
(
(
4
a$d$
(
$
A$
a_c
a7
a7c+
a7d
a7e
a7g
a7;';2
a7sus2,4
a7;';4
a7;';4e
a9
a9c+
a9;';4
a13
a,./7
a,./7e
a,./9e
a.[[9
a.[[9c#
a;';2,4
a;';4
aº
aº7
aª7
a,
a,b
a,c
a,d
a,e
a,f=
a,g
a,g+
aµ2
a,6
a,6e
a,6g
a,7
a,7c
a,7d
a,7g
a,7.[[11
a, 9
a,9e
a,(,./7)
aµ å∂∂6
a (no 3)
a,11
a6c#
(
a7(#9)
(
(
a;';2
(
(
5
(
Am
a≠º7
(
7
#
A#

8. GUITAR CHORD CHARTS/ACORDES DE GUITARRA, CONT. (8)
b$g
b$a$
b$a
b$6
b_7;';2
b$7sus4
b_,./7
b$(#11)
b_.[[9
b_;';4
(
(
(
b_d
b_e_
b$6f
b_7
b$,f
b$µa$
b_,7
b_,7e_
(
(
b$6c
b_c
(
$
B$
b_f
(
b_
b$6d
(
(
b$+
(
(
b$sus4c
(
b_,
b$µ4
b$µ6
b$º
(
(
(
(
(
6
(
$
B$m
b-,d-
b_º7
b
bd+
b|a
b6
b6d#
b7d+
b;';4
bsus4f#
(
b7
4
(
(
4
ba#
7
(
B
bc#
(
b7e
b7f#
b7($9)
b,c#
b,d
b,9
b7;';4
bµå∂∂9
bsus2
b;';2|a
b;';2,4
b,|a
b,6
bµ6d
bº7
bª7
bª7|a
(
b7|a
(
(
(
(
b,
b,.[[g
(
(
(
7
b(no3)
b,7e
(
b,7a
b,7
(
(
b,7f+
(
Bm
bµf#
b7(no3)

9. Guide to Transposing Chords
Original
Chord
Capo 1,
play:
Capo 2,
play:
Capo 3,
play:
Capo 4,
play:
Capo 5,
play:
Capo 6,
play:
Capo 7,
play:
c
b
b_
a
a_
g
f#
f
c# (d_)
c
b
b_
a
a_
g
f#
d
c#
c
b
b_
a
a_
g
e_ (d#)
d
c#
c
b
b_
a
a_
e
e_
d
c#
c
b
b_
a
f
e
e_
d
c#
c
b
b_
f# (g_)
f
e
e_
d
c#
c
b
g
f#
f
e
e_
d
c#
c
a_ (g#)
g
f#
f
e
e_
d
c#
a
a_
g
f#
f
e
e_
d
b_ (a#)
a
a_
g
f#
f
e
e_
b
b_
a
a_
g
f#
f
e
NOTE: Remember that the chords on this chart also represent all the variables of each particular chord.
For example, “C” also represents Cm, C6, C7, Cmaj7, Cm7, C9, Cmaj9, C7sus4, C11, C13, Cm6,
and so forth. Be sure to add these designations to the principal form of the new chord you have
found in transposing.