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1) The CSI team tries to rescue Nick Stokes after he is kidnapped and buried alive in a glass box. 2) A criminal sends the CSI team a live video feed of Nick in the box and demands a $1 million ransom. 3) After getting the money, the criminal blows himself up, but the CSI team is eventually able to find and rescue Nick.
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CSI Notes for Unit 5 in BTEC Media
The document summarizes an episode of the TV crime drama CSI titled "Grave Danger Volume 1&2". It aired on Channel 5 on May 19, 2005. In the episode, one of the CSI team members, Nick Stokes, is kidnapped and buried alive in an underground glass box. The team receives a live video feed of Nick in the box and works to track down his location and rescue him before it's too late. The kidnapper demands a $1 million ransom. Though the team retrieves the money, the criminal ultimately blows himself up. The CSI team is able to find and rescue Nick in time.
Tv crime drama conventions worksheet
The document summarizes the conventions of the TV crime drama CSI: Grave Danger Volume 1 and 2. It aired on Channel 5 on May 19, 2005. The main characters are Gil Grisson, Catherine Willows, Nick Stokes, and Warrick Brown. The narrative involves Nick getting kidnapped and buried in a glass box, while the CSI team works to rescue him using a live video feed. They are able to get Nick out before he is killed, though the criminal dies in an explosion. The lighting and sound effects are used to build tension and match the drama and danger of the storyline. The target audience is ages 16+ and may find it shapes their views of law enforcement careers. The episode was released as
Tv crime drama conventions worksheet
The document summarizes conventions of the TV crime drama CSI: Grave Danger volumes 1 and 2. Key characters include Gil Grissom played by William Peterson and Catherine Willows played by Marg Helgenberger. The narrative involves one of the CSI team members, Nick Stokes played by George Eads, getting kidnapped and buried in an underground glass box. The kidnappers demand a ransom and live stream Nick's condition. The CSI team works to rescue Nick using police forensics and skills before the criminals commit suicide. Locations featured include the underground burial site, police headquarters, a shack where an explosion occurs, a parking garage where Nick was taken, and a casino. The target audience is those above age 12
Csi notes
The two-part CSI episode "Grave Danger" follows the kidnapping of CSI Nick Stokes. Nick is rendered unconscious and locked in an underground box, and his kidnappers send the CSI team a live video stream of him. They demand a $1 million ransom. The team works to find Nick using their investigative skills while dealing with the stress of their friend's life being threatened. They are eventually able to locate and rescue Nick, though the kidnapper dies in an explosion attempting to also kill Gil Grissom. The episode features various Las Vegas locations and uses lighting, sound effects, and music to build tension during Nick's entrapment.
CSI Notes
CSI Grave Danger Volume 1 & 2 aired on Channel 5 on May 19th 2005. The two-part episode follows CSI investigator Nick Stokes who is kidnapped and buried underground in a glass box. His colleagues in the CSI team receive a video stream of Nick and demands for a $1 million ransom. They work to find Nick's location and rescue him as the kidnapper threatens to kill him. Through their investigative work and skills, the CSI team is eventually able to locate and save Nick from the underground box before the kidnapper can harm him further.
Tv crime drama csi
This document summarizes conventions of the TV crime drama CSI. It aired on BBC1 on July 25th, 2010 at 8pm. The episode features Nick Stokes being kidnapped and buried alive in an underground grave. Gil Grissom leads the team in a race against time to find Nick. The episode has a dark tone conveyed through dark lighting and costumes. Music includes the show's theme song "Who Are You" by The Who and references to the band. The target audience is young mature adults aged 25-30 who enjoy cliffhanger stories. The show is promoted through DVD collections, advertising on TV channels and in magazines.
Horror Genre Conventions
Horror films often use isolated settings like small towns, forests, or abandoned buildings to make characters feel alone and increase fear in audiences. Effective use of sound is also important, with non-diegetic music to set atmosphere, diegetic sounds to build tension, and exaggerated foley effects like footsteps. Common props that symbolize horror include religious icons, weapons, masks, and forensic/police items associated with violence and death.
Documentary Research
This document provides examples of documentaries produced by Channel 4 in the UK. It discusses documentaries that have explored controversial topics like "The Secret Life of Living Dolls" which profiles men who transform themselves into dolls. It also mentions the observational medical documentary "One Born Every Minute" and "My Brother, the Murderer" which follows a woman meeting her convicted murderer brother. Stylistic techniques used across documentaries like montages, interviews, hashtags for audience involvement are also outlined. Overall the document serves to showcase Channel 4's reputation for bold documentary storytelling and provides examples of their productions tackling intriguing real-life subjects.
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CSI Notes for Unit 5 in BTEC Media
The document summarizes an episode of the TV crime drama CSI titled "Grave Danger Volume 1&2". It aired on Channel 5 on May 19, 2005. In the episode, one of the CSI team members, Nick Stokes, is kidnapped and buried alive in an underground glass box. The team receives a live video feed of Nick in the box and works to track down his location and rescue him before it's too late. The kidnapper demands a $1 million ransom. Though the team retrieves the money, the criminal ultimately blows himself up. The CSI team is able to find and rescue Nick in time.
Tv crime drama conventions worksheet
The document summarizes the conventions of the TV crime drama CSI: Grave Danger Volume 1 and 2. It aired on Channel 5 on May 19, 2005. The main characters are Gil Grisson, Catherine Willows, Nick Stokes, and Warrick Brown. The narrative involves Nick getting kidnapped and buried in a glass box, while the CSI team works to rescue him using a live video feed. They are able to get Nick out before he is killed, though the criminal dies in an explosion. The lighting and sound effects are used to build tension and match the drama and danger of the storyline. The target audience is ages 16+ and may find it shapes their views of law enforcement careers. The episode was released as
Tv crime drama conventions worksheet
The document summarizes conventions of the TV crime drama CSI: Grave Danger volumes 1 and 2. Key characters include Gil Grissom played by William Peterson and Catherine Willows played by Marg Helgenberger. The narrative involves one of the CSI team members, Nick Stokes played by George Eads, getting kidnapped and buried in an underground glass box. The kidnappers demand a ransom and live stream Nick's condition. The CSI team works to rescue Nick using police forensics and skills before the criminals commit suicide. Locations featured include the underground burial site, police headquarters, a shack where an explosion occurs, a parking garage where Nick was taken, and a casino. The target audience is those above age 12
Csi notes
The two-part CSI episode "Grave Danger" follows the kidnapping of CSI Nick Stokes. Nick is rendered unconscious and locked in an underground box, and his kidnappers send the CSI team a live video stream of him. They demand a $1 million ransom. The team works to find Nick using their investigative skills while dealing with the stress of their friend's life being threatened. They are eventually able to locate and rescue Nick, though the kidnapper dies in an explosion attempting to also kill Gil Grissom. The episode features various Las Vegas locations and uses lighting, sound effects, and music to build tension during Nick's entrapment.
CSI Notes
CSI Grave Danger Volume 1 & 2 aired on Channel 5 on May 19th 2005. The two-part episode follows CSI investigator Nick Stokes who is kidnapped and buried underground in a glass box. His colleagues in the CSI team receive a video stream of Nick and demands for a $1 million ransom. They work to find Nick's location and rescue him as the kidnapper threatens to kill him. Through their investigative work and skills, the CSI team is eventually able to locate and save Nick from the underground box before the kidnapper can harm him further.
Tv crime drama csi
This document summarizes conventions of the TV crime drama CSI. It aired on BBC1 on July 25th, 2010 at 8pm. The episode features Nick Stokes being kidnapped and buried alive in an underground grave. Gil Grissom leads the team in a race against time to find Nick. The episode has a dark tone conveyed through dark lighting and costumes. Music includes the show's theme song "Who Are You" by The Who and references to the band. The target audience is young mature adults aged 25-30 who enjoy cliffhanger stories. The show is promoted through DVD collections, advertising on TV channels and in magazines.
Horror Genre Conventions
Horror films often use isolated settings like small towns, forests, or abandoned buildings to make characters feel alone and increase fear in audiences. Effective use of sound is also important, with non-diegetic music to set atmosphere, diegetic sounds to build tension, and exaggerated foley effects like footsteps. Common props that symbolize horror include religious icons, weapons, masks, and forensic/police items associated with violence and death.
Documentary Research
This document provides examples of documentaries produced by Channel 4 in the UK. It discusses documentaries that have explored controversial topics like "The Secret Life of Living Dolls" which profiles men who transform themselves into dolls. It also mentions the observational medical documentary "One Born Every Minute" and "My Brother, the Murderer" which follows a woman meeting her convicted murderer brother. Stylistic techniques used across documentaries like montages, interviews, hashtags for audience involvement are also outlined. Overall the document serves to showcase Channel 4's reputation for bold documentary storytelling and provides examples of their productions tackling intriguing real-life subjects.
Horror Conventions
Horror films often use isolated settings like small towns, forests, or abandoned buildings to make characters feel alone and increase fear in audiences. Effective use of sound is also important in horror - non-diegetic music can set atmosphere while diegetic sounds can build tension. Common props that symbolize horror include religious symbols, weapons, masks, and things related to paranormal activity or forensic investigations.
Documentary Research
This document provides examples of several documentaries produced by Channel 4 in the UK:
- "The Secret Life of Living Dolls" explores the secret world of men who transform themselves by dressing as dolls. It observes their hobby and allows viewers to form their own opinions.
- "One Born Every Minute" observes the busy labor ward of a hospital over multiple episodes and seasons. It follows new parents through the experience of childbirth.
- "My Brother, the Murderer" is a one-off documentary that follows a woman's journey to meet her brother in prison, who she has never met, after he was convicted of murder.
- "9/11: The Lost Tapes
The Unseen!!
This is a presentation to show our ideas on what should be included in horror films. We have developed this presentation not only around horror films, but also our ideas for are opening sequence.
Birtish Humour!!!
British humour has developed over centuries through court jesters, Shakespearean comedies, and later radio, television, and cinema. It is characterized by sarcasm, slapstick, cruelty, childish behavior, satire, racism, and irony. Typical topics of British humour include bullying and harsh sarcasm, as seen in shows like Blackadder; smut and innuendo, as in Carry On films; disrespect towards the establishment, as in Not the Nine O'Clock News; the absurd, as in Green Wing; the macabre or black humour, as in Death at a Funeral; humour in everyday life, as in The Simpsons; humour about the British class system; embarrassment of social inept
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The opening of The Strangers creates an intense and scary atmosphere through its dark soundtrack and red credits font, which may symbolize death. It establishes realism and fear by stating it is based on true events and providing disturbing facts about violence in America. The opening phone call from a boy who discovers a murder scene uses a horrifying soundtrack to heighten the terror in his voice as he calls the police.
Birtish Humour!!!
British humour has developed over centuries and is characterized by sarcasm, slapstick, childish behavior, satire, and racism. Typical topics of British humor include irony, bullying/harsh sarcasm, smut and innuendo, disrespect to authority, the absurd, the macabre, humor in everyday life, the British class system, social ineptitude, loveable rogues, and making fun of foreigners. Successful examples of British humor include TV shows, films, radio programs, and magazines that showcase irony using Charlie Chaplin, humor in everyday life using shows like The Simpsons and Fresh Prince of Bel-Air, and humor around the class system and social awkwardness using Mr. Bean.
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An average man with undiagnosed schizophrenia goes on a bloody rampage, hunting victims. The opening scene shows the killer sitting nervously as the camera pans to reveal the body of a dead young girl. In a flashback, the girl sees the killer and runs in a quarry, but he catches up and strikes her with a machete. The killer's face is never shown.
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Tv crime drama csi
This document summarizes conventions of the TV crime drama CSI. It outlines the characters of the show led by Gil Grissom who must race against time to find Nick Stokes after he is mysteriously taken and trapped in an underground grave with limited oxygen. The narrative describes Nick's situation and the team's efforts to locate him using cameras that also cut off his air supply. Details are provided about the musical score, lighting, locations and target audience for this popular crime drama series marketed across various platforms.
An introduction to british comedy
British humour is considered superior to American humour. It can be cruel, sarcastic, and focus on mocking others through sarcasm, physical comedy, satire, black humour, puns, parody, and topical cultural references. British humour is seen as more smutty, disrespectful of authority, and focusing on mocking people's misfortunes compared to American humour which is seen as less cruel. Sources provide explanations for these differences between British and American senses of humour.
British Humour
British humour is considered superior to American humour. Some key differences are that British humour can be cruel, childish, and focus more on smutty innuendo. It also frequently mocks the English establishment and foreigners through sarcasm and racism. Physical comedy acts like Mr. Bean and Charlie Chaplin are examples of visual humour, while satire makes fun of famous people. Black humour deals with topics like death. Puns and parody are other forms of wit. American remakes of British comedies often fail to capture the same effect.
Similar Films
The document compares the film being made to three similar films - Clown, Tormented, and Stitches. It notes that in Clown, a man puts on a clown costume that possesses him, similar to how the clown in the film being made will possess someone who is mentally unstable. It also draws parallels between Tormented and the new film in their use of suspense and mystery surrounding a possessed creature stalking students. Finally, it likens the new film to Stitches in that both feature an obsessed clown haunting and seeking revenge on those who wronged it.
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The document provides information about common tropes and elements found in slasher films, including descriptions of the final girl, monster, group of friends, benefactor, sexually active girl, locations, and more. It also discusses film genres like German expressionism, film noir, and modern horror. Additionally, it shares budget and gross numbers for popular slasher films. The final sections survey audience preferences and consumption habits regarding horror films.
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The American Cinematheque has released their August calendar of events at the Egyptian and Aero Theatres, including several classic horror movie screenings as part of their Camp Void series. On August 5th, they will host a triple feature of The Burning, Sleepaway Camp, and Twisted Nightmare, with introductions from stars Felissa Rose and Cleve Hall. On August 19th, they will screen Friday the 13th, Summer Camp Nightmare, and Sleepaway Camp II: Unhappy Campers. The document requests help promoting these events in exchange for tickets to give away.
Tv crime drama sherlock
Sherlock Holmes is a crime drama that airs on BBC on Sunday nights. It follows the characters of Sherlock, Watson, and Mrs. Hudson as they solve serial murders in London. Sherlock uses his brilliant deductive skills to help Watson solve the cases, meeting clues with his magnifying glass. The dark lighting and flashing lights set the mysterious tone. Music plays during intense scenes and when Sherlock receives text messages. The target audience includes families, with the drama potentially shaping views of detective work. The BBC promotes Sherlock Holmes through trailers, interviews, and other online platforms to build anticipation for each new episode.
Exam outline and contents
This document outlines an exam for analyzing representations of identity in TV dramas. Students will analyze camerawork, mise-en-scene, editing, and sound in a 5-minute TV drama clip and link it to a representation of gender, age, sexuality, ethnicity, class, ability, or regional identity. Common TV drama genres are listed, such as period drama, crime drama, science fiction, and medical drama. The document defines regional identity as a sense of belonging to a particular area of the UK, from broad regions to specific towns, and notes how it is often linked to social class. Students are tasked with researching stereotypes of various regional identities in the UK and Ireland and how they are constructed through dialogue
Sherlock notes for Unit 5 BTEC Media
This summary provides details about the TV crime drama Sherlock - The Great Game Episode 3 which aired on BBC 1 on August 8, 2010 at 8pm. It follows Sherlock Holmes and Dr. John Watson as they investigate a villain named Moriarty who is strapping bombs to innocent people. Sherlock must solve the case before any of the bombs go off. The episode features characters like Sherlock Holmes, Dr. Watson, and DI Lestrade investigating in locations around Central London. It provides conventions like costumes, lighting, sound effects and music, and discusses the target audiences and how the show portrays characters.
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This theory analyzes narratives and argues they can be categorized into eight types based on their source material, including Achilles (the flaw that causes downfall), Cinderella (dream comes true), Circe (chase/victim), Faust (selling your soul), Orpheus (loss/journey), Romeo and Juliet (love story), and Tristan and Iseult (love triangle). It aims to show how media texts tell stories about culture through conventions and constructions.
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El documento presenta estadísticas sobre las investigaciones registradas en la Vicerrectoría de Investigación y Postgrado de la Universidad de Panamá entre 2007 y 2011. Muestra que el 52.5% de las investigaciones corresponden al área de conocimiento de Ciencias Sociales. Además, el 64% de las investigaciones no especifican su financiamiento a pesar de que el mayor financiamiento reportado es personal con un 14%. Finalmente, enumera las áreas prioritarias de investigación propuestas por el CSUCA para Centroamérica y las líneas de investigación
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Horror Conventions
Horror films often use isolated settings like small towns, forests, or abandoned buildings to make characters feel alone and increase fear in audiences. Effective use of sound is also important in horror - non-diegetic music can set atmosphere while diegetic sounds can build tension. Common props that symbolize horror include religious symbols, weapons, masks, and things related to paranormal activity or forensic investigations.
Documentary Research
This document provides examples of several documentaries produced by Channel 4 in the UK:
- "The Secret Life of Living Dolls" explores the secret world of men who transform themselves by dressing as dolls. It observes their hobby and allows viewers to form their own opinions.
- "One Born Every Minute" observes the busy labor ward of a hospital over multiple episodes and seasons. It follows new parents through the experience of childbirth.
- "My Brother, the Murderer" is a one-off documentary that follows a woman's journey to meet her brother in prison, who she has never met, after he was convicted of murder.
- "9/11: The Lost Tapes
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This is a presentation to show our ideas on what should be included in horror films. We have developed this presentation not only around horror films, but also our ideas for are opening sequence.
Birtish Humour!!!
British humour has developed over centuries through court jesters, Shakespearean comedies, and later radio, television, and cinema. It is characterized by sarcasm, slapstick, cruelty, childish behavior, satire, racism, and irony. Typical topics of British humour include bullying and harsh sarcasm, as seen in shows like Blackadder; smut and innuendo, as in Carry On films; disrespect towards the establishment, as in Not the Nine O'Clock News; the absurd, as in Green Wing; the macabre or black humour, as in Death at a Funeral; humour in everyday life, as in The Simpsons; humour about the British class system; embarrassment of social inept
3 Opening Films Genre
The opening of The Strangers creates an intense and scary atmosphere through its dark soundtrack and red credits font, which may symbolize death. It establishes realism and fear by stating it is based on true events and providing disturbing facts about violence in America. The opening phone call from a boy who discovers a murder scene uses a horrifying soundtrack to heighten the terror in his voice as he calls the police.
Birtish Humour!!!
British humour has developed over centuries and is characterized by sarcasm, slapstick, childish behavior, satire, and racism. Typical topics of British humor include irony, bullying/harsh sarcasm, smut and innuendo, disrespect to authority, the absurd, the macabre, humor in everyday life, the British class system, social ineptitude, loveable rogues, and making fun of foreigners. Successful examples of British humor include TV shows, films, radio programs, and magazines that showcase irony using Charlie Chaplin, humor in everyday life using shows like The Simpsons and Fresh Prince of Bel-Air, and humor around the class system and social awkwardness using Mr. Bean.
Group 26 Pitch
An average man with undiagnosed schizophrenia goes on a bloody rampage, hunting victims. The opening scene shows the killer sitting nervously as the camera pans to reveal the body of a dead young girl. In a flashback, the girl sees the killer and runs in a quarry, but he catches up and strikes her with a machete. The killer's face is never shown.
British and american humor
This document discusses differences between British and American senses of humor. It defines types of humor like irony, jokes, and sarcasm. British humor is characterized mainly by sarcasm and finding humor in misfortunes. British jokes are told with a serious tone, making the intent hard to discern. American humor often addresses anxieties around issues like class, sexism, and racism through comedy. While British see American humor as superficial, Americans find British humor too sophisticated and cold to understand fully.
Tv crime drama csi
This document summarizes conventions of the TV crime drama CSI. It outlines the characters of the show led by Gil Grissom who must race against time to find Nick Stokes after he is mysteriously taken and trapped in an underground grave with limited oxygen. The narrative describes Nick's situation and the team's efforts to locate him using cameras that also cut off his air supply. Details are provided about the musical score, lighting, locations and target audience for this popular crime drama series marketed across various platforms.
An introduction to british comedy
British humour is considered superior to American humour. It can be cruel, sarcastic, and focus on mocking others through sarcasm, physical comedy, satire, black humour, puns, parody, and topical cultural references. British humour is seen as more smutty, disrespectful of authority, and focusing on mocking people's misfortunes compared to American humour which is seen as less cruel. Sources provide explanations for these differences between British and American senses of humour.
British Humour
British humour is considered superior to American humour. Some key differences are that British humour can be cruel, childish, and focus more on smutty innuendo. It also frequently mocks the English establishment and foreigners through sarcasm and racism. Physical comedy acts like Mr. Bean and Charlie Chaplin are examples of visual humour, while satire makes fun of famous people. Black humour deals with topics like death. Puns and parody are other forms of wit. American remakes of British comedies often fail to capture the same effect.
Similar Films
The document compares the film being made to three similar films - Clown, Tormented, and Stitches. It notes that in Clown, a man puts on a clown costume that possesses him, similar to how the clown in the film being made will possess someone who is mentally unstable. It also draws parallels between Tormented and the new film in their use of suspense and mystery surrounding a possessed creature stalking students. Finally, it likens the new film to Stitches in that both feature an obsessed clown haunting and seeking revenge on those who wronged it.
Harry Dalian | Films Leaving Netflix
Films Leaving Netflix on August 1st include Headhunters, an expert art thief who steals a valuable painting from a mercenary and must fight for survival, the classic Braveheart about Scottish hero William Wallace, and Donnie Brasco starring Johnny Depp as an undercover cop working with the mafia in a rare serious role from Depp. A few films arriving on Netflix that day are Chocolat, a tale of love inspired by chocolate, and Buffalo Soldiers starring Joaquin Phoenix and Ed Harris as US soldiers in pre-wall Germany engaging in criminal activities.
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The document provides information about common tropes and elements found in slasher films, including descriptions of the final girl, monster, group of friends, benefactor, sexually active girl, locations, and more. It also discusses film genres like German expressionism, film noir, and modern horror. Additionally, it shares budget and gross numbers for popular slasher films. The final sections survey audience preferences and consumption habits regarding horror films.
Camp Void August
The American Cinematheque has released their August calendar of events at the Egyptian and Aero Theatres, including several classic horror movie screenings as part of their Camp Void series. On August 5th, they will host a triple feature of The Burning, Sleepaway Camp, and Twisted Nightmare, with introductions from stars Felissa Rose and Cleve Hall. On August 19th, they will screen Friday the 13th, Summer Camp Nightmare, and Sleepaway Camp II: Unhappy Campers. The document requests help promoting these events in exchange for tickets to give away.
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Sherlock Holmes is a crime drama that airs on BBC on Sunday nights. It follows the characters of Sherlock, Watson, and Mrs. Hudson as they solve serial murders in London. Sherlock uses his brilliant deductive skills to help Watson solve the cases, meeting clues with his magnifying glass. The dark lighting and flashing lights set the mysterious tone. Music plays during intense scenes and when Sherlock receives text messages. The target audience includes families, with the drama potentially shaping views of detective work. The BBC promotes Sherlock Holmes through trailers, interviews, and other online platforms to build anticipation for each new episode.
Exam outline and contents
This document outlines an exam for analyzing representations of identity in TV dramas. Students will analyze camerawork, mise-en-scene, editing, and sound in a 5-minute TV drama clip and link it to a representation of gender, age, sexuality, ethnicity, class, ability, or regional identity. Common TV drama genres are listed, such as period drama, crime drama, science fiction, and medical drama. The document defines regional identity as a sense of belonging to a particular area of the UK, from broad regions to specific towns, and notes how it is often linked to social class. Students are tasked with researching stereotypes of various regional identities in the UK and Ireland and how they are constructed through dialogue
Sherlock notes for Unit 5 BTEC Media
This summary provides details about the TV crime drama Sherlock - The Great Game Episode 3 which aired on BBC 1 on August 8, 2010 at 8pm. It follows Sherlock Holmes and Dr. John Watson as they investigate a villain named Moriarty who is strapping bombs to innocent people. Sherlock must solve the case before any of the bombs go off. The episode features characters like Sherlock Holmes, Dr. Watson, and DI Lestrade investigating in locations around Central London. It provides conventions like costumes, lighting, sound effects and music, and discusses the target audiences and how the show portrays characters.
Narrative Theory
This theory analyzes narratives and argues they can be categorized into eight types based on their source material, including Achilles (the flaw that causes downfall), Cinderella (dream comes true), Circe (chase/victim), Faust (selling your soul), Orpheus (loss/journey), Romeo and Juliet (love story), and Tristan and Iseult (love triangle). It aims to show how media texts tell stories about culture through conventions and constructions.
Flash Back Call Sheet
The document is a call sheet for filming a music video on October 17th at the Summerhill Visitors Centre in Hartlepool, England. It will feature the track "Crash" by You Me At Six and last approximately 5 minutes. The cast includes Matthew Appleyard and Zoe Angus, and filming will use a Nikon D5100 camera with tripod and protective lenses. Cast should dress casually for the weather, with Zoe dressing femininely. Lighting will use natural daylight.
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El documento presenta estadísticas sobre las investigaciones registradas en la Vicerrectoría de Investigación y Postgrado de la Universidad de Panamá entre 2007 y 2011. Muestra que el 52.5% de las investigaciones corresponden al área de conocimiento de Ciencias Sociales. Además, el 64% de las investigaciones no especifican su financiamiento a pesar de que el mayor financiamiento reportado es personal con un 14%. Finalmente, enumera las áreas prioritarias de investigación propuestas por el CSUCA para Centroamérica y las líneas de investigación
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The document contains a list of Christmas decorations and their codes. It lists several Noel and snowflake ornaments with codes starting with MN as well as skiing Noel ornaments. It also includes a nutcracker, candle holders, and additional candle holder items with codes starting with CE.
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Csi notes
- 1. TV Crime Drama Conventions Name of Drama CSI GRAVE DANGER VOLUME 1 Broadcaster – Scheduling details 19th May 2005 Channel 5 Conventions - Characters Gil Grisson played by William Peterson Catherine Willow played by Marg Helenberger Nick Stokes played by George Eads Warrick Brown played by Gary Dourdan Narrative One of the team gets kidnapped and buried in a glass box. CSI team get a usb stick with a live feed to the boxes so they can see Nick. They try to attempt to rescue him. The criminal asks for million dollars which the team get, the criminal then blows himself up with the money. The team eventually find Nick and rescue him. Mise-en-scene - Locations Sets Lighting Costume Location - Las Vegas We see underground- Where we saw nick CSI lab - Where the team were Car park - where nick was when he got taken Nursery - The decoy Shack/ warehouse - Where the criminal blew himself up Casino - Where they got the money from The coffin - Where nick was held hostage Lighting – Nick in the coffin was buried in the dark but he had a glow stick to light up the box. The light in the box also when the CSI team watched the lives stream. This would annoy nick and upset him. It could represent the bright light people talk about before they die. They used a lot of cars and other lights to shine on the characters showing their importance in the scene. Costume – Lab coat Black and brown casual clothing with bullet/stab proof vest Bomb vest Suits Police uniform
- 2. Sound – Key dialogue Sound effects Music In the scene with the ants the sound was very hectic to represent how Nick would be feeling. The general sound track was quite glum and ominous to show the mood of worry and scared. Police sirens and car alarms When they rescue Nick the sound stops before the bomb explodes to show tension in the scene. Country music was playing through out to be contrast the drama – added drama/comedy to some scenes. Theme tunes Car alarms Dogs Gun fire Bombs Audiences – Who is the target audience? Male/Female How might they react differently? Will it shape their views of people, issues or events? 16+ Males more than females Females – Might feel sorry for the character in the coffin Males – Excited by the danger People might think working in CSI would be a cool job to have, however it might not be that busy or dangerous in real life. Industry – Marketing & Promoting Other platforms? (DVD/online) Quiet popular as a DVD box set. Quite often repeated on TV channels The episode was released on a single special edition disc as was directed by Quentin Tarantino Fans of his (but not CSI) may have brought just this.