Joana carrizo ci 19948106 derecho penal iiijoana890
Se trata de una demanda de desalojo de dos viviendas presentada contra Virginia Andrea Tovar y Adaesa Beomont Piñango. Las demandadas se niegan a desalojar las propiedades de Morelia Espinoza Díaz y Dyhneira María Barón Mejías. El tribunal falla a favor de las demandantes y ordena continuar el proceso de desalojo de acuerdo a la ley aplicable.
The document outlines an advertising campaign course presented by Nguyen Anh Duc from Nakitech Corp. The course covers various topics related to online advertising including different types of online ads, how to plan an advertising campaign, monitoring campaign effectiveness, and best practices. It provides an overview of key elements like pay per click ads, banner ads, steps to take in designing a campaign such as understanding the audience and setting objectives, and how to track and refine a campaign. The presentation aims to help local vendors compete with large brands through proper online advertising strategies.
IMS08 the momentum driving the ims futureRobert Hain
The document discusses IBM's plans for IMS including:
1) Continuing to deliver the value proposition of IMS through minimizing costs, improving reliability, and introducing new pricing models.
2) Enhancing IMS for big data and analytics through accelerating insights and leveraging hybrid computing platforms.
3) Expanding IMS capabilities for cloud and mobile through enabling rapid deployment to these environments.
The document discusses how Oracle engineered systems provide infrastructure in a more optimized way compared to the traditional approach of provisioning individual servers and components. It notes how the traditional approach can be costly, delayed, and lead to underutilized resources and slow innovation. Oracle engineered systems integrate hardware and software to work together out of the box, expediting time to value while lowering costs and improving manageability over custom built infrastructures. Key benefits highlighted include standardized configurations, one-stop support, and extreme performance for a variety of Oracle applications and databases.
IMS 14 includes many new features to improve agility, application deployment and management, integration with DB2, business growth capabilities, infrastructure enhancements, and database and transaction manager enhancements. Key highlights include enhancements to support dynamic database changes, catalog management of resources, OSAM and DEDB improvements, SQL aggregation functions, DBRC and FDBR enhancements, reduced TCO, and cascaded transaction support across LPARs.
Joana carrizo ci 19948106 derecho penal iiijoana890
Se trata de una demanda de desalojo de dos viviendas presentada contra Virginia Andrea Tovar y Adaesa Beomont Piñango. Las demandadas se niegan a desalojar las propiedades de Morelia Espinoza Díaz y Dyhneira María Barón Mejías. El tribunal falla a favor de las demandantes y ordena continuar el proceso de desalojo de acuerdo a la ley aplicable.
The document outlines an advertising campaign course presented by Nguyen Anh Duc from Nakitech Corp. The course covers various topics related to online advertising including different types of online ads, how to plan an advertising campaign, monitoring campaign effectiveness, and best practices. It provides an overview of key elements like pay per click ads, banner ads, steps to take in designing a campaign such as understanding the audience and setting objectives, and how to track and refine a campaign. The presentation aims to help local vendors compete with large brands through proper online advertising strategies.
IMS08 the momentum driving the ims futureRobert Hain
The document discusses IBM's plans for IMS including:
1) Continuing to deliver the value proposition of IMS through minimizing costs, improving reliability, and introducing new pricing models.
2) Enhancing IMS for big data and analytics through accelerating insights and leveraging hybrid computing platforms.
3) Expanding IMS capabilities for cloud and mobile through enabling rapid deployment to these environments.
The document discusses how Oracle engineered systems provide infrastructure in a more optimized way compared to the traditional approach of provisioning individual servers and components. It notes how the traditional approach can be costly, delayed, and lead to underutilized resources and slow innovation. Oracle engineered systems integrate hardware and software to work together out of the box, expediting time to value while lowering costs and improving manageability over custom built infrastructures. Key benefits highlighted include standardized configurations, one-stop support, and extreme performance for a variety of Oracle applications and databases.
IMS 14 includes many new features to improve agility, application deployment and management, integration with DB2, business growth capabilities, infrastructure enhancements, and database and transaction manager enhancements. Key highlights include enhancements to support dynamic database changes, catalog management of resources, OSAM and DEDB improvements, SQL aggregation functions, DBRC and FDBR enhancements, reduced TCO, and cascaded transaction support across LPARs.
This document provides album credits for Lana Del Rey's "Born to Die" album, including backing vocals, bass guitar, drums, production, recording, mastering, photography, and track listing. The album was produced by Chelsea Harper and recorded at Haydon Studios, with additional credits provided for backing vocals, bass, drums, photography, and mastering. It contains 12 tracks and is dedicated to Lana Del Rey's fans.
Lana Del Rey nació para morir. La cantante estadounidense Lana Del Rey, cuyo nombre real es Elizabeth Woolridge Grant, es conocida por su estilo melancólico y nostálgico que a menudo explora temas de tristeza, soledad, decadencia y muerte. Sus canciones a menudo tienen una sensación de nostalgia por el pasado y un sentido de fatalismo sobre el futuro.
The document evaluates how a music video challenges conventions of the genre. The video blends a narrative storyline with musical performance shots, telling the story of an unhealthy relationship. It also uses a circular narrative structure that returns to the beginning. The evaluator aimed to create a sense of sympathy and portray emotion through the narrative, similar to other music videos. Close-ups are used both to sexualize the performer but also draw attention to important signs. The ancillary materials like the album ad and digipak incorporate conventions like reviews, fonts and imagery to look authentic. Overall, the work challenges conventions by blending elements but also aims to be realistic.
Chrissie Bishop used various digital technologies and media at different stages of her media project. During planning and research, she used the internet (particularly her blog), Microsoft PowerPoint, Prezi, and YouTube to gather and organize her ideas. For production, she used professional lighting and a Canon DSLR camera to film high quality footage. In post-production, she edited her music video using Adobe Premiere Pro and Photoshop to add effects, color correct, sync audio, and design packaging graphics. Overall, digital technologies were essential in creating her final media products and improving her skills as a media student.
The document discusses the ways in which the student's media project uses and challenges conventions of real media products. Specifically:
1. The student's music video challenges conventions by blending a narrative story line with performance shots, similar to Lana Del Rey's style.
2. Elements like costumes, props, editing effects were used to represent themes of love, nostalgia and convey the time period of the 1920s while giving it a modern twist.
3. Close-ups, slow motion shots, and circular narrative structure were employed to connect the visuals with the music and engage the audience, mirroring techniques used in other artists' music videos.
This document is a record sleeve for Lana Del Rey's album "Born to Die" featuring the hit single "Young and Beautiful". It lists the album's 12 tracks and credits the backing vocals, bass guitar, drums, producers, engineers, photographers and more involved in making the album. It also includes a message from Lana Del Rey thanking her fans and details on formats and where the album can be purchased or downloaded.
This document is a record sleeve for Lana Del Rey's album "Born to Die" featuring the hit single "Young and Beautiful". It lists the album's 12 tracks and credits the backing vocals, bass guitar, drums, producer, recording studio, and mastering engineer. It also includes quotes praising the album from music publications and directs fans to Lana Del Rey's website and social media to purchase the album on vinyl, digital download, or CD.
A storyboard outlines a 7 panel comic about a character named Chrissie Bishop. The comic appears to tell a story through a series of events involving Chrissie as she encounters something and has a reaction in each panel. While the details of the story are not provided in the document, the storyboard establishes a plan to communicate a narrative through a short comic in 7 panels focused on the character Chrissie Bishop.
The document summarizes the new album "Born to Die" by Lana Del Rey. It features 12 tracks including the hit single "Young and Beautiful". The album was produced by Chelsea Harper and recorded at Haydon Studios, featuring backing vocals by Vanessa Wanner and bass guitar by Jake Rover. It has received praise from publications like NME, Q Magazine, and The Guardian.
The Lego Movie uses postmodern techniques like pastiche, intertextuality, and metafiction to tell a story that serves as a metaphor. It critiques strictly following rules at the expense of creativity and play. While at first seeming like commercial children's entertainment, it contains deeper messages about the balance between order and chaos, growing up, and not losing one's imagination. It advocates relaxing and having fun with toys instead of worrying how things are "supposed" to be.
This document discusses several themes related to postmodern culture and media through examples of movies that embody each theme. The themes are: 1) Pastiche - movies that reference and remix elements of classic pop culture works in a self-referential way, 2) Flattening of Affect - how technology, violence, and media can lead to detachment and lack of authentic emotions, and 3) Hyperreality - when simulated or technologically-created realities become more authentic than objective reality. It provides example movies for each theme that demonstrate how the movies represent or explore each concept.
The document discusses costume plans for different looks in a music video inspired by famous celebrities and styles. It describes Marilyn Monroe's signature blonde bombshell look of a white dress and red lipstick. It also describes Audrey Hepburn's black shift dress and gloves look from Breakfast at Tiffany's. For the protagonist, the perfect look is chosen as a gold and black sequined dress with purple lipstick. Male looks discussed are based on James Dean in a red bomber jacket, James Bond in a black suit, and a modern look of burgundy shirt and blue jeans. The overall message is for the protagonist to find their own individual look rather than imitating celebrities.
Katy Perry's third studio album "Teenage Dream" was a commercial success, debuting at number one on the US charts and selling over 6 million copies worldwide. The album's digipak packaging incorporates bright pinks and purples with images of clouds and candy to represent the album's pop sound and appeal to teenage girls. Katy Perry is prominently featured on the front cover in a revealing pose, with her distinctive candy-themed style carried throughout the packaging.
The song describes a "primadonna girl" who has an inflated ego and sense of self-importance. She demands lavish gifts and adoration from others. Underneath her large ego, she struggles with insecurity and uses her diva persona to shield herself. While she lives a glamorous lifestyle, she is unhappy and constantly craves more attention, material items, and validation from others to fill the void she feels.
The song is about a "primadonna girl" who wants attention and admiration. She describes herself as difficult but believes others are usually at fault. She expects lavish gifts and gestures like a big diamond ring or someone getting on their knees for her. While aware of her large ego, she doesn't understand why it's such a big problem. The chorus describes her primadonna lifestyle as one with rises and falls where she needs to feel adored.
Pop music aims to appeal to a general audience rather than a subculture. It emphasizes craftsmanship over artistic qualities and uses technology like recording over live performance. Pop draws on genres like ballads, gospel, soul, jazz, country, rock, classical, dance, electronic, hip hop, and rap for elements like structure, vocals, instrumentation, and rhythms. Technological innovations also influenced pop, allowing for intimate singing, widespread recording and airplay, visual performances on TV and videos, and multi-track recording and digital sampling in studios. While dominated by the US and UK industries, many countries develop their own pop styles that blend global and local elements.
The music video for "California Gurls" by Katy Perry uses elements of postmodernism and hyperreality to create a candy-filled fantasy world. It references several films like The Wizard of Oz and Willy Wonka & the Chocolate Factory through costumes, sets, and characters. Snoop Dogg takes on the role of the candy king "Sugar Daddy" who controls Katy's journey. Katy saves various candy-themed characters while wearing eccentric outfits and waving to giant gummy bears. The video parodies and pays homage to movies through its candy-coated sets and pastiche storytelling style.
Chrissie Bishop will use a Canon 550D camera to shoot her music video because it is accessible through her media department and will provide the quality shots she needs. She will have access to studio lighting she can position herself, as well as fixed lights, to create the best lighting. She will edit the video in Adobe Premiere and add color effects in After Effects, using skills from her past experience with the software. Researching the equipment in advance will help her familiarize herself to use it efficiently for the music video's production.
Marina Lambrini Diamandis is a Welsh singer and songwriter known professionally as Marina and the Diamonds. She rose to prominence in the UK in 2009 and 2010 with her debut album The Family Jewels. Her second album Electra Heart (2012) was a commercial success and concept album about female stereotypes. Marina has since begun work on her third studio album while continuing to tour and receive award nominations for her music.
The music video references several classic films through its use of pastiche and mise-en-scene, including Willy Wonka & The Chocolate Factory, The Wizard of Oz, and Austin Powers. Snoop Dogg is dressed as "Sugar Daddy" in a sweet suit meant to reference Gene Wilder's Willy Wonka. Katy Perry's role echoes Dorothy from Oz as she skips through a candy-themed landscape. Elements from Candy Land are also featured throughout the hyperreal candy-filled set.
This document provides album credits for Lana Del Rey's "Born to Die" album, including backing vocals, bass guitar, drums, production, recording, mastering, photography, and track listing. The album was produced by Chelsea Harper and recorded at Haydon Studios, with additional credits provided for backing vocals, bass, drums, photography, and mastering. It contains 12 tracks and is dedicated to Lana Del Rey's fans.
Lana Del Rey nació para morir. La cantante estadounidense Lana Del Rey, cuyo nombre real es Elizabeth Woolridge Grant, es conocida por su estilo melancólico y nostálgico que a menudo explora temas de tristeza, soledad, decadencia y muerte. Sus canciones a menudo tienen una sensación de nostalgia por el pasado y un sentido de fatalismo sobre el futuro.
The document evaluates how a music video challenges conventions of the genre. The video blends a narrative storyline with musical performance shots, telling the story of an unhealthy relationship. It also uses a circular narrative structure that returns to the beginning. The evaluator aimed to create a sense of sympathy and portray emotion through the narrative, similar to other music videos. Close-ups are used both to sexualize the performer but also draw attention to important signs. The ancillary materials like the album ad and digipak incorporate conventions like reviews, fonts and imagery to look authentic. Overall, the work challenges conventions by blending elements but also aims to be realistic.
Chrissie Bishop used various digital technologies and media at different stages of her media project. During planning and research, she used the internet (particularly her blog), Microsoft PowerPoint, Prezi, and YouTube to gather and organize her ideas. For production, she used professional lighting and a Canon DSLR camera to film high quality footage. In post-production, she edited her music video using Adobe Premiere Pro and Photoshop to add effects, color correct, sync audio, and design packaging graphics. Overall, digital technologies were essential in creating her final media products and improving her skills as a media student.
The document discusses the ways in which the student's media project uses and challenges conventions of real media products. Specifically:
1. The student's music video challenges conventions by blending a narrative story line with performance shots, similar to Lana Del Rey's style.
2. Elements like costumes, props, editing effects were used to represent themes of love, nostalgia and convey the time period of the 1920s while giving it a modern twist.
3. Close-ups, slow motion shots, and circular narrative structure were employed to connect the visuals with the music and engage the audience, mirroring techniques used in other artists' music videos.
This document is a record sleeve for Lana Del Rey's album "Born to Die" featuring the hit single "Young and Beautiful". It lists the album's 12 tracks and credits the backing vocals, bass guitar, drums, producers, engineers, photographers and more involved in making the album. It also includes a message from Lana Del Rey thanking her fans and details on formats and where the album can be purchased or downloaded.
This document is a record sleeve for Lana Del Rey's album "Born to Die" featuring the hit single "Young and Beautiful". It lists the album's 12 tracks and credits the backing vocals, bass guitar, drums, producer, recording studio, and mastering engineer. It also includes quotes praising the album from music publications and directs fans to Lana Del Rey's website and social media to purchase the album on vinyl, digital download, or CD.
A storyboard outlines a 7 panel comic about a character named Chrissie Bishop. The comic appears to tell a story through a series of events involving Chrissie as she encounters something and has a reaction in each panel. While the details of the story are not provided in the document, the storyboard establishes a plan to communicate a narrative through a short comic in 7 panels focused on the character Chrissie Bishop.
The document summarizes the new album "Born to Die" by Lana Del Rey. It features 12 tracks including the hit single "Young and Beautiful". The album was produced by Chelsea Harper and recorded at Haydon Studios, featuring backing vocals by Vanessa Wanner and bass guitar by Jake Rover. It has received praise from publications like NME, Q Magazine, and The Guardian.
The Lego Movie uses postmodern techniques like pastiche, intertextuality, and metafiction to tell a story that serves as a metaphor. It critiques strictly following rules at the expense of creativity and play. While at first seeming like commercial children's entertainment, it contains deeper messages about the balance between order and chaos, growing up, and not losing one's imagination. It advocates relaxing and having fun with toys instead of worrying how things are "supposed" to be.
This document discusses several themes related to postmodern culture and media through examples of movies that embody each theme. The themes are: 1) Pastiche - movies that reference and remix elements of classic pop culture works in a self-referential way, 2) Flattening of Affect - how technology, violence, and media can lead to detachment and lack of authentic emotions, and 3) Hyperreality - when simulated or technologically-created realities become more authentic than objective reality. It provides example movies for each theme that demonstrate how the movies represent or explore each concept.
The document discusses costume plans for different looks in a music video inspired by famous celebrities and styles. It describes Marilyn Monroe's signature blonde bombshell look of a white dress and red lipstick. It also describes Audrey Hepburn's black shift dress and gloves look from Breakfast at Tiffany's. For the protagonist, the perfect look is chosen as a gold and black sequined dress with purple lipstick. Male looks discussed are based on James Dean in a red bomber jacket, James Bond in a black suit, and a modern look of burgundy shirt and blue jeans. The overall message is for the protagonist to find their own individual look rather than imitating celebrities.
Katy Perry's third studio album "Teenage Dream" was a commercial success, debuting at number one on the US charts and selling over 6 million copies worldwide. The album's digipak packaging incorporates bright pinks and purples with images of clouds and candy to represent the album's pop sound and appeal to teenage girls. Katy Perry is prominently featured on the front cover in a revealing pose, with her distinctive candy-themed style carried throughout the packaging.
The song describes a "primadonna girl" who has an inflated ego and sense of self-importance. She demands lavish gifts and adoration from others. Underneath her large ego, she struggles with insecurity and uses her diva persona to shield herself. While she lives a glamorous lifestyle, she is unhappy and constantly craves more attention, material items, and validation from others to fill the void she feels.
The song is about a "primadonna girl" who wants attention and admiration. She describes herself as difficult but believes others are usually at fault. She expects lavish gifts and gestures like a big diamond ring or someone getting on their knees for her. While aware of her large ego, she doesn't understand why it's such a big problem. The chorus describes her primadonna lifestyle as one with rises and falls where she needs to feel adored.
Pop music aims to appeal to a general audience rather than a subculture. It emphasizes craftsmanship over artistic qualities and uses technology like recording over live performance. Pop draws on genres like ballads, gospel, soul, jazz, country, rock, classical, dance, electronic, hip hop, and rap for elements like structure, vocals, instrumentation, and rhythms. Technological innovations also influenced pop, allowing for intimate singing, widespread recording and airplay, visual performances on TV and videos, and multi-track recording and digital sampling in studios. While dominated by the US and UK industries, many countries develop their own pop styles that blend global and local elements.
The music video for "California Gurls" by Katy Perry uses elements of postmodernism and hyperreality to create a candy-filled fantasy world. It references several films like The Wizard of Oz and Willy Wonka & the Chocolate Factory through costumes, sets, and characters. Snoop Dogg takes on the role of the candy king "Sugar Daddy" who controls Katy's journey. Katy saves various candy-themed characters while wearing eccentric outfits and waving to giant gummy bears. The video parodies and pays homage to movies through its candy-coated sets and pastiche storytelling style.
Chrissie Bishop will use a Canon 550D camera to shoot her music video because it is accessible through her media department and will provide the quality shots she needs. She will have access to studio lighting she can position herself, as well as fixed lights, to create the best lighting. She will edit the video in Adobe Premiere and add color effects in After Effects, using skills from her past experience with the software. Researching the equipment in advance will help her familiarize herself to use it efficiently for the music video's production.
Marina Lambrini Diamandis is a Welsh singer and songwriter known professionally as Marina and the Diamonds. She rose to prominence in the UK in 2009 and 2010 with her debut album The Family Jewels. Her second album Electra Heart (2012) was a commercial success and concept album about female stereotypes. Marina has since begun work on her third studio album while continuing to tour and receive award nominations for her music.
The music video references several classic films through its use of pastiche and mise-en-scene, including Willy Wonka & The Chocolate Factory, The Wizard of Oz, and Austin Powers. Snoop Dogg is dressed as "Sugar Daddy" in a sweet suit meant to reference Gene Wilder's Willy Wonka. Katy Perry's role echoes Dorothy from Oz as she skips through a candy-themed landscape. Elements from Candy Land are also featured throughout the hyperreal candy-filled set.